Variety (Oct 1934)

62 HA Pin ' il III Tl' li'lllB Omi^i* Qarahwin, Loui« KaiiMnaii <M^h«itra, Rhoda Arnold* LuoiMa Patdi'son, Dick Robertson, Harojd AHon, Curtis Mitchell 30 Mins. ■. ' '^'■' v COMMERCIAL ' AffABC, Navy York Foonamint briini;:) back Qeortfo OtM'sl)>vin fur a rertewed tall scrips uf Mutiip by., aerahwirt' with the (^nirdcuiit j^iil owmpoHor prefidlAc: /at »iio ivories; ini;c.i'liU)r modiaatiy (al- tuou^lv mvi^ voji asell do0a tM ml .brunt of the aa}«ft iplaHilc and the ■uiKjrfcitlvo. Ihtfoduetoriea), knd asain lirln#tng to th« nHke a cork • 1^ halt hojiir of Qeraili'i^^^^ BhoUld eiiJdir m jtfttiiiibla audi#B|iB*: eir< • ■■«ulfttl<rti^^ ' ,■ HoiahloJ by spot ;ui.< as the fom- pasor of 40 musloal cotnodios and r>00 popular sonss (whit h is an ex- .i>{«oration in fact). Uershwin. of rourso. a woaltii of familiar baclvKioiind wliirlj can serve as the basi.s pt many a program. Besides w'Uich' lie ia wise in also plusKins one or another ot his contem- fKi>rari(», Qpeninc program of the hew iMNrtlit zyi^ SchVirartx>Dietz's catalog. vronHsltty sotni) of ; their Htuflt out of 'Band Wagon/ 'JLlttle .0hoW and 'Three's a Crowd.' Harold Aden also came in for a plug, and that compo.ser-siny;or w i.s present to vocally contribute 'Iluildcr-llpper' out of 'Jjlfe He^ins «t »: 10' revue, which is a family • fYair, i.s Yin Harburt? and Ira (lor.Hlnvin (George's l>rother and t'lvoiite lyricist) collaborated With ^rlon on that number. third alternate m.c. Is Curtis iljikclteU, heralded as a radio critic i|iiia ...cohimentator and editor of Radio Sttarv Magazine (fan pub), who f|ilMOthiriy lauded Gershwin's (genius in ah ohVlotraly written and too: iftiMi^ «hc4m)tim to :t|»!UNi4iiip i1^ ttat oi ih» program, {t M^^i^icjii aurter^ oifer oecauae of its too fkhc3^ lingo at^d gdheral verbosity, and that wjill :0i^9hahly:iMI#!«i^tfc tb«»^4 anyway.' ' ■ . . ' 'Strilce Up the Band' appropriately was the first band number, but it's not the theme song — Gershwin vamp.s 'The Man I Love' for the signature number. The Louis Katz- orchestra anonymously per- forms as CJershwin is presented as If he's the piano soloist-maestro of liLs own orchestra. The others billed above are likewise anonymous, at least so far as the Initial pro- gram 1$ conciftrned, aayft for I>t«k VRobertsoti..';^^Mii«r':> .lltlNtv-:' tRMf^'^^'Mi* /'iifimcid. . ;• :::^;v''''-:'t'' 0ersh% dia- t#lMlAger compMera. for he Mi'..^ lirorF Ucdilor who makes the ttni*tiinn niley without ifc atruMtle. Th* way ho hlued lindy ^ Qood*: and soloed hip wotld^ linOiM 'Rhapsodl* in ^Itite* is evl- dCHiice enough Of that to those Who have never before heard Gershwin on the Carnegie platform or In Itewisohn stadium. ' a brief review of past musical scores seems to a set pattern for this and future programs. 'Lady' :t.nd 'Oh Kayf;.i''«rf(N>:-'l»»H<HRni^ tills show. Von Zell'a attack on the Feena- mint ad aplel is forthright and un- ^.Hhamed. No mincing of words. Von Zell states that constipation was heretofore deemed too delicate A subject for public discussion, but . And then the bally. Not too b|at%iltly blunt, but by no means sulkfe, Thiero't also a pre-finale >testlmo«ilal' by a man as to what reeiiamlnt 'did for m*.' Sounded a tit W» voii» of tlwwo ili**ttcluslve tiiftt it did 4»vsrytliing t>ilt gtvo hiih n showsr bntli » cup of cbffeo ill th# mornhii: nut then igaln commercial radio has its own notions about driving homo the aplel. One of these Is that tOo much subtlety Is a liability. This is the premise «pS»ii^l^ irootMU^ ceeds. Regardless. Gershwin Sunday eve At 8 p. m.. EST, via WADC-cns, is a litoo show. .4*e». EO KROLIKOWSKI ORCHESTRA Folk SonflS,- P i » i < l|il. 'V;^'. 30 Mins. ■ ■ •v;,/^, Sustaining - WICC, Bridfeport . itfo (luestiot^ all about this top- : ttlaK itNttherA New Sngland Polish M«SlfFOgr*uns. M**strO E. Kro. !likoi(riiki*a fan mail proves It, Week- 1*: '^anesday half-hoar lurea tho missives from couhtrymM AfMl fiycin rton -Poles thr«)Ugh thO'WlCCf ll»tW- lri« irea. with Long Island 1c<^ptng tlio postman as busy as Co<ni!!»cttr " Ki-)likow.Hkl handles the .show trim self, knowing the Poles and giv- l(fg tlir^m the mii.^lc they wont. No tr in-il'iti )n3 bv tho announoors; on tli<? other hand. whi<'hever nilker is working on the proi;ram (either Jimmy Milne or fSeorge Bowet ^witiK^ Into the I'oli.sh before the ■■M. ihitiutes are over. Milne's, Polish '■■ .■U'i(i'''b<?c6rrte, ■so-aderrt,.-ih4tr|^-:.-tiites some of the tnall, too. 0nl:y nv-iiV KroHkowakl expl- tlt-s h'*U^ ,14 sellWt Mttd f|?r Polish /•lfa«y;h''^''y.*»*.*!«tt«*ndi*«o«'■;:pfbw,ds :.at ' I.>1 \i' A alVi •.e-«: ;■ ■, t hf«HjgJtV :iCi>h|»''e!'e.tlCU^! fH'» I. '"."r l-<.Tn)v<|. ' U * tipfrtlmnnliit f'l I' • 1 'r^iNVAkl'^ Mliowtn viiKlflP' tttid: TINA and tll|-- ■^--■■■•■•V;-' With Psgoy Boekmark, CHirloo Bl. OonnlSf rioroneo Murphy .- ^ . Comedy Chattf:'". ■■ I- 15 Mins. COMMERCIAL WCCO, St. Paul-Minneapolis This program—top-lieavy fav in this section*—though at present sus- taining, ^^oes un<ler the sponsorship of tlie Mantle Lamp Co. of ChicaKo. Skit, now ri>imdiii;? out its third year on the ellicr, was a potent fac- tor in buildiriij sales for the Nash Coffe*; Co. for year and a half of that time. At |>^ograh»'» Ittceptfon, It was called-Ifim an4 fcna. btit the lat- ter% ik»cib; peKformi^ihcMi o«u«ed a flvv^teh iit^U9l-ni title, tona, l^laycd by Jp«ig(gy JhMkmai^k> who . jKuthors the scHf^ts. i# A Sven«k, wfidwe ha- t ive obstthacy and: un'cottsclous hu^ mor Is so naturally portrayed that she Is chiefly^ i*«|)0nSlble fo^^ time's Steady and tremendoti* build- up. Tim (Charles St. Deni;i) ia janitor and housem.m for the same em- ployer, Mrs. Hutchinson (Florence Murphy). 1 rio's ch.atter, loaded as it is with Tena's off-key warblinn and heavy Svensk dialect and Tim's rich Irish broi;ue in contrast to Mrs. Hutchinson's culttued tones, pro- vides the chief entertainment, .'scripts are done in homey f.ashion. Occasionally there's a yip or a baik from Qscan the dawg, or a mild mew from I-ily, the cat, to enhance the home stuff. Program UNBROKEN MELOpl€S . r With Wells Ginn Choral, Orchestra. ■„:■:; :\v''-'r ^' 15 Mins. ;'.'.--J;:.i:-\:v:':" COMMfiRCIAU:''7 ■ ViV-^^ WLW, Clf»ol»l»ati ; t^lM iK«^^ an ll.'pfoco ;lnr»ss- 1eai»'''«Mii«^-'''lpt: ji^ ;bttlky ^'vocalislntf: gaha( hav«;; lir; past two itnn\lBtf over the -eNttley gianten be«n making it easy for State Aut6 |H< surance salesmen to get by withr out the foot-ln-door modt|« op-> erandl. Hack guarantors need but bans around outside while Wells CJinn, once minor local stock name, does some convincing lOd McConnol- ling on virtues of the State cov- erage, heightened skilfully by 60- second loud-speaker auto catas- trophes, and prospect should hall him from living room window. Pro- gram stacks up that convincing. 'Unbroken' billing comes from musical method. Band and vocal- ists swing from one tune to another without assistance from customary announcorlal identifications, but they're usua.1ly familiars that render the Tomlnders ■uBMAntOtts. «nyhow. Ph 'Unbroken,' |Wtjwi»r com INdNinO ViABT with WMspsriiHi Songs.' 19.Mins.^ ■'.. • , :„;V': f.. vVr'vr: ^ : COMMERCIAL WABC, New York Iruniz.'d Yc i.st h \n tl> • t iniiliar m l .ilw ly.s pit i/^ant tnufri. il tenor, J irk Smith. He rattles oiT a group of popul.ir numbers in the muted fashion which in seini-cxciusive with him. l-'ow will deny him a he.-irintT uncu tuned In and many will make a point of tuning. un the commercial end the prod- uct uses the how well-worn device of the grumti^^ husband, lie Ih full of what Irontaed Yeast is good for. He la iafi bldrsu|Ii(f iin-the-corner and If his, doesn'l itart tiikittig trontsed Yeast i»retty iiiiiok It haeOm <»>rtain that that iliipe wttniAti* hli Itbnlaed Yeast <mvin4^i|ig wife, will have to leave hinit. Or shoot hlni. Mind you he won't take her to the cinema, he's that grumpy from clogging and what not. But, of course, a timely hint sets htm right, he buys himself a bale of Ironlzed Yeast and from then on he never ml».se.<i a Joan Crawford special. Not very original, but m.ivl)e as good a* the next thousht. ''- /.iand. mehdably oHglnsil ordheatrftttdna of such standbys as 'WaUlng .at QAte for Katie.' 'Barcix^lle.'^ .^^^ In Your Heart.' 'Unbroken phase scuttled in final five minutes, though, when a crash, suit or like motoring hazard Is nice- ly dramatized. Then comes Ginn in kindly style to explain how aU this grief may easily be missed by call- ing the State Insurer. Well done, merits attention, and lajfAtct^it. . sPAiiiiiiiB'''. "^^.^^^^^^'^f■ With M«leebn Clire Story Tetiinii' Sustainiiis. WL%^ie«fl0 . Unless the habits ot school kida have changed, it'^ a cinch that thia program is losing a potential big following. At t;45 In the morning squeesed in time for the city young- sters making a school bell and for the country child waiting to be packed into the school bus, \ And It caters to the ones that Still be- lieve In Santa Claus, which means that they're probably being hurried by their mothers. It's a smooth kid program that deserves the break It can get in a later spot. Malc6lm Clare as the colored story teller, Spareribs, starts with a few gags, then switches Into his yarn for the remainder of the 15 minutes. A fairy tale weaving in a lot of good motives, appealing to the farm offspring because it's about the outdoors; to the city kid be- cause all his readers tell about forests, sheep herders and kind princesses of thia and that, CARL HOFF QHCHCBTIIA Danes Muslo^' ' Freneh Caelfi* ^ ■ 'Buatainlmi. WCN1I« cWieego : It becomesi increasingly apparent that there are two types of .rches- tra.<?, radio bands and show band.4. Occaslon.ally the snme orchostra 11c;- urea .is worthwhile both in pl.iyinL; a show and insti oinentali/.ing over the speakers. It is a rare band that can do both. Carl Hoft orchestr a Is not one of th'>.ic rare ar;^t c\' a; ri iyim; at the C islfi) f >r tht' 'I'olics r,t<rg- ciivs' sh r.v t'l'^ hind i,s roriUy ox- c>'llcnt. lUit v. li>-ri it (une.s.to. Waftr ing in ovor th - -thv-r, the IfolE band sounds like ail tlvo others. ' ' ^ Their ^hytJ^rh l^♦ hlghiy jtriiM-Os- siVe When iirr'angcd id eaten every .li'i(!k:, ■.o(;,>thj^:;.g4l"-' c'ho.i^,, ':or,.;eV;<jry^' vtoas"-of\'!th4''-^ida«'(oi\'dl*rti'eV' .i>tit' for- d(itt«i«(i>itioiti. ■ rtr • l»ai'« gr> |i< flii 'n11i nie fOffi .tll»' 'OVpijllfliflf brldgn >i4airie. it is J*»i#lr -..Itio. ftVwR'yti''and'■ :ilis*, -f^^ii^is :■ FILIil ;Bn04DCAtTB''>'-"'V 15 Mine*: : '.i '-^i/vi/.".;-;,--■, coMMenciAL -■:■■■>:'■■■:■■■'■'w-yr WOKO. Albluiy v C, H, Bui^Uey. oiieirator of the lUCO P^h|M>«i|dHarmahusBleecker Hall. haUi tviNied to radio to try to coax fireside fitters out of their hOmiM and into bi» two nrst^run ^lna th0atres. < Portions of Ulins are being! broadeast during regular showings by A lk«N»kup from the pro- Jectiott i bodthi through an attach- ittfllt l« the aoUnd ampllflers. With Mai^:-!li)i$m(i»)»r standing by to give the 4Mmf|i of the Aims, the idea Is to frani liy iltterest in the current .•hdfls^;■ BnrodidtiAatii were (6ut to 15 minutes esich After in experimental half- hour peribd.l'he latter was con- ;8ldered too long to be expected to carry any punch. Atid even with the 15-minute session the punch Is lacking because of too continuous sound from the film. WOKO claimed to be the first radio station In the country to handle such a theatre broadcast, but the RKO Memorial theatre in Boston did the same thins a few years ago and KNX, Los AnKclea. has done the same thing as well as WaON, Birmingham. Boston stunt smacked of wise ahowman.shlp for instead of letting the tllm dialog run cohtinuously except for a few seconds at the start and finish. It was interrupted two or three times with the announcer coming; in with some intriguing comment anent the JOE and JENNY ^ ^ With Fred Adams,. A«noe lM0oney Humorous Sketch 5 Mins. COMMERCIAL WAZU Hnmlteiv Pn. Seriee. embracing family life stuff Is unique III Its presentation and In that each one occupies but five min- utes. Program, now entering iu second year, is sponsored by Star Furniture Company and has demon- strated iteeig :t»r;J|t »pv e t^u mnl medium. Principals are l?Ted A. Adams, as Joe, and Agnes Mooney, who does Jenny, his better half. Both have developed Into aeaaoned radio per- formers and deliver a clever, anappy line of patter which goes across in a big way. Joe and Jennie have appeal because of the tru^-to-life- ness of their copy. Their sketches include the spats and disagreements of married folks as well as the light and loving side «C tlMI pIctlMrct, Scripting m iA,:'i9lMr W Mmns, advertising mgr. for the i'fNoiBfor. who sticks t(» tttratgbt home »hd fireside gtdMis ,without trying to Work in sock, MuKi A very' credltbale Job thrOUflidttt Mtd its popularity holds because Of the home-spun (luality and down-to-earth situa- tions created, and special mention must be of the short time allowance. There is more meat and less pad- dlf^.jfilMin. in typical 15 mln. showe. o6h MeQlttNtt ' Newe Teik v.;.' IS Mins." /-''-/'l ■■ Sustaining ' ^.^ly^-'y ■ WMAQ, Chicago This is a Monday to Friday In- clusive 10 p.m. talk on news it^ms. Hon McCibney picks an item that can stand the 15 minutes of spiel .superficially, below the surface and tjeneral interest. His voice is good. He tloesn't hurry the report. He cotnmonts on this item as though h" were telMlilJ'fll/stOry. • ^T!*irfC^^ i >i)i nalistic. I'or those who lik-i i > thoir in li^.izlne typo of artit 1" witliout ii ivinij to read It, the br.i i !■ ist was .■<wcll. They pot evt^ryiliitu? f(l>ont tlio World'.s Fnir from st iiistii's to the human interest antili* riti lut the harmlessly wcrcwy old mm w ho sits oiitside thCi **ord bulUUng and eotn- ments-^ oii^t'olltlcs, liieture.^ atid rides- In hlA Alri>lane If yiu Mil acceM rhii 4liyi:tatioh. iSome if ife accounts '(Ihojui ttlis q^Hcer <''V'^<^a that ttie li'air police fot*^ mihiputates took jhinSst of th^ Thert; * re, .slime f»f -thl* iJotleiPe ant ithor b vk ■ >triiiin l ,->f >.he sleutl1>i' l'rw«»: MM wm AMittmiPA «'«<» tti- t!ei^Sn^Wi■gw■■^;■^•'■■:^^••■■.v^■■v^ ']'■■. UAYW$ ABWJIWI 'UvendM and OM Lm«P COMMERCIAL WJZ, New York ■ Bayer's piiinvchasers are now 15 oonts A iKo^ . mff: be a salute to tifeii- merehandisitiir ef- fe^nvenelHi of Ht., Joiaieph'li Aspirin^ haHkrollers of Quy I^ombiirdo. That brand IS sold on a pricti-emphaslK- ing appeiki of 10 C(.>ptH fi»r a package of 12. I*reVious priee for the head- ache j^ellets of all brands was two bits. ProKr.itn is r.ithcr jumbled. X^ro- duct Ion Idea is needlessly com- plicated witli illusion-destroying story - within - story stuff. Frank Munn himself within the framework of a make-believe New F.ngland town hall where oho of Seth Par- ker's myriad cousins, itneie Deu- teronomy, acts as master of ceihe- monies. MUnn Is A big ieagUis radio singer in the story. He's alummthg. j;ust twhy isn't very; clesir or very plausible!. But theiW is and the little lass from Mailt'Street Is going soft on him. Uncle Deuteronomy is worried about the smitten maid, warns her that Frank Munn Is a mighty big l»crson in Manh.ittan and probabiv has hundreds of Kirls ga-ga ov,j»r him in the big town. But Little Missy is hc>|lbent for Munn. That's the plot' AMi ite-^jUMemlc little waif It is. Rest of the progratA is good> Aitunn and Gleni:^ sihg prdCeaisidnally and 0Ue; Haehschen plajrs .shapiiy music.. WAi,00 With Jehu _ Poetry:asNd|''#i;i^' Sustaining''-.', , 15 Mins. ' - :.■•'■::■':•■■:•• ■ WGY, Schenectady Waldo i'ooler. best kn.>wn to Wc;Y listenersnfeie^hls double char- acterization of an excitable French- Canuck and of a wiae-guy Broad- way restayranteuij th 'Joe Anid Ed* die; comes befoine. jibe microphone as a reader of poetry, with piano improvisatiohs by iJohn li'inke, An« other 0^ thie station's stahidbyi; tin a 4ew afternoon program. It is not Pooler's first try at this role, the character actor for sometime having done (unannounced) poetry bits with 'The I'pstaters," male iiuartet. He Is not the only recitationist on station's chart, but he is the sole one working against a musical background of the type woven by Finke. Pooler docs not quite meas- ure up to the standards of certain poetry readers in one respect; that of voice. He lacks something of the ear-pleasing tone possessed by others. It Is he-man, but rather hard. If not harsh—one admirably suited, by the way, to the part of Mine Host Hector Grttmp. Voice being what it is Pooler does Ifet^ffr with the rugged, earthy, work^A-dAy World than with the setttlmentai. mystical or classical types of poem. Many of the numbers recited on first program were of tlif former genre, and these Pooler lnter|>reted well. Incidentally, he woUld be Well advl.sed to include FreiMib-dialect verse. fflr-'.|wp;-;ii>M: Jiip|p-l!g.; ibAt Held. ' • '-■ • -, Finke's keyboard Improvisations, brilliantly executed, lend an air of distinction to program. Combined efforts of artists should draw from listeners « fafSlfillNiWliiSt'^ •Moods.'. ■ •';,'■ '•:' ^■* ^:'yOCO.. ■ CHEZ PAREE Henr>f Busss Orchestra Sustaining i:''' WBtBM. Chicago, ^ Nit<B clube mnd all radio conscious, There is no doubt about tiiat,. And the .reason they are radio-minded Is that ithey belieye that the ether plugging wilt mean customersi ftnd business at the front gate. X>tllerwlse theire is no legitl- nple eaf<;tiMe why they .idUMil4 siVe tleijr eiitertalnmefit AHwy iratts; ebtertAlmnent which etoftt tbetii plenty of AUgal^. vArtlcUlarfy with name organlsAtioni As the Busse bAiiA. Beeldea the fAct that they Are cohstAntIr In dAnger of giving Um pttblk ao ttivch irtioir for noth- tnk thAt the «i|flfli|lef» will grow tfr«d 01 tHAt bAHfl W slMHiir And stAy home;': ■': ■ CiKt Pjiree is oh the Columbia setup oUtjvt Chicago with pten(y of time On WBBM and CM. But this plugging means nothing to this cafe, for appai;ently ho one pays any at- tention to the kind of annbuncer raents or to see that the Chds Pares Itself gets the |M<!eMr plugging over the lOUdspeAkerf ' • ■ Outside of saying 'your genial hokt; Mike Frltzel,' or 't he beantlftil Choa Paree,' nothing is mentioned to make the listener get a yen to visit the place. No mention of the etjrrent attraction eren when it is .a national name as ll.irry nichmnn. fJeargo Jc.'*.''el, Hoi eh :MorL,':ui, Kilz Bro.s...M<)rton Downey, no mentioh Tif;what the tila<e ni.'tv ine ni a.H the <-enter Of Chtcago nile life, no tftfU Otf past 6r iMtun* at(r.i< lioiis. ; J'iiich phuTirin:? .ts th.» ('he/ l'ir< .• g•^f s tuf itis n itliinir n.nd i» is .jouht- ftil It' th.> kI.h .• i; 'ts in.inv cijHt')m"rs ironi it all. 'All thii Initpens is lli .t ^yiMiM m l "'i:.S .; >l < tlir.v t)u;htlv H'Ti .il-t H i .sw 'll M- h»Mtr^, f fr mx eUMAIllO L^UNCtflUa 'BpeetiJ.."tyant''.. '\ TrAAsatlahtte WABC. WJZ. N«vw York Britain put ti on with dl th > tu i • jesty and jioinp its ceremonit I.s typify wlien tlie new Cun inl «iant slipped down the way.s into the Clyde. Kin>; (!e»ri;e apoki' it\:. ■uiswer to the :;ieetim; of the I'uji- «rd board cliaiiniiin. His remarks were pithy, point.>d, diiiniflej ;uid delivered in :il)out the .^(ind. pf voice most Ainerlc.-iua'^IWOflld dl)*<!>m bellttiii:? of a kiUK. ' ' - It was raining in Siotlanil, It'* :iKvays raining in Si'.>liaht|, Jiut Britain curried oh^ v • I'rograih ran oft easily «ihd #is' a good job of promotional show,:- manshlp for CUnard; Thuj^rt j3*as A ■ gesture oT two .by Inifli^cttdli to. w.ardA^the VtiUcd States. I'Uncti' of the program Waa th« suiiwiso wheh.l^m^fi'M^^ in pop. plhg ; the proverbtal 'champagne, dubbed the vessel After hersoif ia - stead of After QU«»ch Victoria as ex- pected. Technical reception ^n this .sid^ waa fair to middling at best, but in Kenet-a) tlj»v stunt was a click. ; : : n WINGS OF. DAWN Connie Osgood, Edith Davis, Frank Dane, Vincent Coloman. Harriot Widmcr. Jean DeLys. Forrest Lewis, Jim Blanep Tom Shirley ; Adult Serial': ' ■ ■ vVn' 15 Mins. ' ' ' '".•'-■•■•■"! v ■■''■''•■' ■■•'• '■' COMMERCIAL ':.-V.. 1 ■ V-'-^: WBBM, ChioagO ■\'-;'/^-^.'-:.VV.'V This show Mi;n ka the eni i y >,r Hexln to U sliovv' bu.sin>ss p.^r ticlpatlou in r.tdio. its previous dealings with tlie t-lli -r hive l)e.'ii ., limited to mere annoim. .til mIs, lnu hitlinK after midiii«iit Spotteil (liroii!;li the .Selleis .Serv- ice akeiK y this .slmw liKurc.s as i test locally for a prOKram that hits six times weekly in the early after- noon and aimed Fight ,aV the beai'te of the house danws. " |l*s' w whittled to attract Jtist that tyi»e of listener, a listener;,who will, liko this |iyriQi|lr^m and ho a very likely; customer for the pain tablet. Even the locile Is shrewdly pl.4t ",l : to make the listener subtly con- scious of medicine .and relief, ("on- tral character is a nur.-;o .lUil thu story opens on a hospitnl .-ieniu-nce. Hospital ani;le is dfilly handled, being just toticlied upon witliout i;ettinK too bloody lor the loud- speaker, immediately after setting the locale, the script. W'Tiilien b/ Howard Bairnes, goes IntOf-dtfm and serioua^ roniance with a tAie of f ruMTAled: ydang. love.': M9ire.v'inieAt''.tliA«'''tbe' run-of' acri^pt- s howsy-AUd r . M dl nvmti. .'much : «iU 3 00: ' \ deep loVlhg tbAl tMittal. the other script shows n^ter having hAd enough heart punch for the homo' reader.-* of the Trile Story and Uod Hook tjrpe._ ;■, •;■ \€M^^:!'^i^ STETSON'S RADIO BANO ;^ ' ^ ' With Madeiin* .B^iy-Bgpigwii - 15 Mins. ' '^/jr^r:-.'^':p ■■.•/■'y\ Sustaining WGY, Schenectady . v. This East Weymouth. Ma«s« band, directed by Henry Van Wen- : try, broadcast A i8-mlnuto, early- afternoon proyrAin: over WaV* No;'*, explanation was given for Ite pres->" ence 2H iiliM from the hoitte base. but tM#r tlevelopments ^reveaied that it WAS ptA}rli«g At the Coble- ifkiiw SO iiaiM AWlpiy. Regardless, must liAye^.imiRt^^^ in band'a name WAS ew4)lMnl*ed by ahnotm<*<^r Tom J^Wis. Band Is diatinclly above the av- erage for one hailing from a small town. Obviously, Its members havo been playing together for some time, ilio attack being lirm and sura and . the direction taut. Outstanding bit on program heard was a novelty , hunting numl>er in which snatches , of choral singing were introduced. ' Unit played this selection with .' KUsto and zest. Marches were rendered in snappy style, too. Misa Boll, a soprano with a clear, eweot tone. Atni^le range, and > excellent breath control; 4iii Ibe la? miliar aria from ■'rhmjVm0»i*.-^:'y presslvely.,';:, ';.'■ '/^.■.v^•: S-'-.''^MMjisv-i^^; CkUB AGuiLAR ,' ;r: ■;,.■■■.;;'.:■: ; With Eduardo MArtiA^* :«i<4 MnriA ' Garza ■ ■ ■. ' '.■■•/■.: •.■::vr."?v.: 30 Mins. ■ ■. 'yy..;.:^!': ■: C0MM,B1ICIAI.'.....'r-v,"---^ WOAt, iAfi Antoitie ClAss progrAm ot th« Teftui four^ statiotrritiAllty grouti ahd bnlTof tli» oldest commercials an the air. Cailght on its 462nd con.sevuliva etherlKntlon Monday (24) it main- ,• tained its u.sual infornml and.novil , atmosphere. ' y Longevity of this plu*; for/. C|fb* ,: h.irdl's .Me\j, iti piep.iied foods and its mill response is t iken as evi- '. di-nce of its wide.spre id populiriiy even in sei linns wli<"re Mi-xicm mu- .sic la n'» n >v. |iy. It Hiinul ites tli» itmo>ji>here of .i dinn-r < lub wHh.v .M"\lean i'titert iifimerit This <ft»es: . riso to an easy plug at the haW'-*' way Hi irk as mlko; apparently is •.; swltcii'«d to A t ible conversatlyi*-' w lieiN..;':t:)'(lv.:iH, Ui.va,rkiiWy-' tu'cned';,;** ■•■ .Niex.(c.'ah.'.fo:QM''.:ahd' Xhfi trane'bf''..|»»feiV P iriiiig .at Imme the c^hhed |iMd<fCfA^ I ■ IV v.i""i i..* •<1All t h..ta; % ,jJailed^ .^#A>'' i-'Mimi. .^'.^w'tMir; \t{tatrtiatnli«:iir"'W''-*'