Variety (Nov 1934)

fARtETY (Continued from pas* IT) ^ thla went out over th* air too. : A mlw which followed next wan .'^rarminr up on a aecoad chorus of %eamlns' which reculttd la some IIUNI h«ad-elapp^ from the Amateur nisht in Harlem at the Apollo theatre on 125th street, nor« mally a black - and -> tan burleycue with pictures, was on the air Wednesday midniKht until 1 a.m., t»ullt up around the hallyhooed ap- pearance of Bill Robinson among •ther profetisional talent. As an air show it was one of tiMMM things with the prop rank amateurs getting the hook quick IMd often, and with the Auditors in IMMkilng anticipation of the fiasco ' fiOertainment. So much so that «v<Mi thoie who itaHiid oil aerlQusIy ;:o»eount«r«d 4 proltMlMMy norvbus Wttir>«il|ii hep I fiill tli#y w«ro ICeCojr for * change. HarletA'a faihoua 'tr«« of i^<>pe' bad been transplanted to the ApoUo stage seemingly and Robinson, as the (inofflcial Mayor of Harlem, who iMtd already officiated in impressive elvlc festivities in this connection, .was again making a personal. Ilalph Cooper, quondam band leader and m.c. paced the proceedinRa with one of thoHo 'attaboy, Johnny, ol4,.boy. old hoy* jratt^^RKp!* Which irf^ • bit. ■ Robinson spoke uf the Harlem tree of hoi>e and its slKniflcance to the colored professionals by citing kla new Fox fllm contracit. ailiopif olher things, as hb tooK'^^ li, p^ayor <hror It. (ThUr la tho:«lm ht front «C Uio JlAfayotto ||iMtr<) dn iSlst :|g^t ani tiAilwl^ iiiriMiUtt %hlch has '-jM|ai-.t|yi^ ^Mi-'itl'vlMtteli' 'iii'eaning '.Kilt* ■mm9i:-iSM$0iiim A'(|a Browit^ officiated In t rucking a bottle of 'champagne over the tree, from which point the aniatour and not-so-amateur talent proceed- ed. There were a few Harlem Sir Joseph Cinzbergs mixed up with the others. Sunny 0'Da»v. one of ' RobIn8on'.s ofay pupils, did a rou- tine among the real talent with Bojangles.' Bddie South, announced by his vaudeville billing as 'the dark angel of the violin,'. was a ahow-stopper, and the Turnw Ar cadians whooped it up for the finale. V^vvA^i mIdnlsjM % ab^Miir o< titis kind ';:iiWlttl?t '|k09^ Mjrbo^.Vlllker way ;/:■.''':' '.::■ ■':'■■■■■■- ■ ■ •tUl anooyliiciy awkward: he might alter that angle by motioning with his lunch-honks about half as much. He also haa th» mike-hugging habit. His numbers include but one pop: others are semi-classical romantic ballads, two of 'em in foreign lingo. Tim Ryan and Irene Noblette carry on in manner they do on net- works, which is rather Burns-Allen- Ish. Ryan's pipes rather resemble Burns', though his get-up this week constitutes garb and heavy can* re* mindful of Ted Healy. Pair but oc* casiQnally eviQ««: nifty llito% btit manage to «cor« (iM|0tlf h 11^^ with giO**. eiTNr ^laalt 1^ lunacies. ■3." >■ .!.■;'' : After the ttrttaff BvemXtm^- fort. a Ivfliahored skotoh wa* plityod by RenmiiMi, Ry#a and Ndblott*. Front* alid n9i unbltt«d lad. At por- f6rmaii<so b^vcht. cklt ahiaded 10 mini. And: efud^d but couple of genuine laugtia. Ka4 to do with some hoked and repetitlvo.itpirtiplay about a western cattle eoiintry citizenry. Sketch stumbled on and on, only to fade with a largely pointle.ss blackout. 'Wcdnesdt^y'a Child' (Radio) on the screen;'-^|p|||||':l«hi^^ cUp.«i. Baltimore, Nov. 9. The playing of this show belies its promise on paper. House has once again its trench tunesmithers (14) mounted up on the rostrum under baton of Felice lula. and the acts are played in presentation pattern. But when tho whole exhibit haa b«0n drawn before one's orbs, it fltti to •um up into anything good. Tho house is terming it a 'radio revue': four oj the acts are of fairly W.k4 ether antecedents, and the flfth f«%, ii danco team, despite the tMt Wt Juia probably never seeb A Intk* Ipiro on A vftud »t«i% to bllted 'tete- ttolon donceri,'. JhipMiftol Includes pwni, IHAfli ';.'aiid'''.:':iimie. Mt9k AMI tho daiK;*r^»f , iHd MbyerA Bnougb ther« td bl«iid tlitb som* kind of a show, but man- ABCui not to. A big boon to show 'ri^'ttuld have been a line of girls |»aced through couple ot drills Would have supplied sonic color and some needed action, and would have broken the repetitive monotony of having one act after another run on and cuddle up against a mike that was iK'ver moved from upstage front. KriKhte.st beam throughout was . Mary Small, in what wa.s about a next-to-shut spotting and what ; ahould have been the shut. Young- ster is locallte, and this is a repeat , booking in little over two months Gal has absorbed much stage-craft even during her brief absence from Balto boards; haa Acquired A great deal of poise, abou^t bier only lack in past. Warbled fdur numiberi an^ . had to biMr biF. ;{Rie cbuld^ Abobt pl«y *t thto botif*. ;^ Qpeninj^: WlQitaif Aim Ms^ : ffrp Vmmk with Aitoth^r efrort ^ Pretty ftitld JWi^i 'fPvlk&^ Kort of .;ipte.'% from the start dow>n to his SVn allotted groove, the third hole, i tHls a gag per appearance, and •M least his material Is fairly new. Jul hilt own assignment he dechiims one of Shylock's Impassioned pal- avers from 'Merchant of V'enice.' ; and he announces he performed bit ; at benefit last month in N. T. for , Actors' Dinner Fund. Then a voice over the pa. system from winps aak.i him to repent the .'Speech in nearly a dozen dialects, includinc • the Scandinavian. He ol)lii,'OH and wins some ra<'kles, pi lis a «( iierous hand from mob for his verso til Itjy. • Poet Pr i nee (Antbony:^ P*;bme). from NUr. works In tif<« WleisfAted- to-w.-trhicrs, deuce dra\Vi»r to mild efTrrt. Oft* plcaiuint thing to note Is that b«j4itedlsi?hi>d*d that Yiph*** .....tfpn, i?miHli(!^ jtei^'.^on' FOX» BROOKLYN Freedmam Bn>o1ttyn mdst llko this so-ealled rajah bC ja«a, aa h* uMd to be known, as ho w^g glyeit A 1*^ sounding welcome wbert the cur- tains parted. At Saturday matinee the sheet was all mixed up, for It was a full 20 minutes before the cues were set in correct order. This faulty direction threw most of the opening pensonalltles way off. Paxton Sisters were the first to suffer from thlg lack of smooth run nlng schedule. They were to sing 'I Saw Stars' first but had to go into 'Christmas Night In Harlem' as band started In on this latter number. After a few wobbly bars. Ash realized the mistake and th^n set them straight, but the edit* was already' ofiC. 8«m« thlnv hltpp*ned In a way on tho nexir bit, whwh had a brother And atater dolnr all aorts of iMrobttl* n«ntt>era. Orch. again failed to follow and brother ftnlshed all by hlmaoif An Aailent stage. Ash also failed to glvo^ho iiaitMa Af the team. Ginger Pearson, a holdover from last week's bunch of baby stars, sang something about black and blue in a throaty voice. Balcony, filled with Boy Scouts for matinee, demanded a return. Came back for some impersonations of Pitts and West which continued the applause. Songstress makes a classy appear- ance. Paul Bartells next for a tap number with emphasis again eii the youthfuln$>«t of the Ash prbtegea. Bobby Gilbert stopped playing his vioun In tho band for a tlin* t# carry pA a l^fjtted bonVMMtlbpal vAti^:u^^:i-itiim-:Jb<^ 't1iA'Aii<|ro!*' phonAy-^ A Chinese mtoA lloriiitM^^ HIn I..OW, stopped the snow #tth elastic acrobatic stunts. Also returned for a few hesitant remarks over the microphone. Last on the list was Charles Foster, still in his teens, who went over singing with a bang. Of the Ash music, the only time it got started was for 'The Con- tinental.' Futuristic background of Manhattan was the presentation. . •Power' (WB) on tiM Wt house for matine«fr IMWIUIM^ MINN. ICinneapoiia, Nov. T. Current bill marks the return of vaudfilm entertainment at this house as a Sltadr M»IM*<nent diet. They did thiiWpW^Ai jj^wmd In lining up a ahould bring' tiiiiirilii diipim tm wtm^. In addltimt, to ll«t firfH-'rat* j^fs. they're 0^av '«m at 4«(B. top the same antoiniit and 4«Mdtlr of •ereon fare for whf6h they* hKherto got for that sum alone. Any show with as much comedy as this contains can't help but have easy audience sailing. Along with the fun, there's names. Lee Sims and Ilomay Bailey, and acrobatics by Maurice Colleano and his fam- ily. Also heaps of clever dancing. Mann, Robinson and Martin, two men and a good-looking girl, launch the bill with a neat dancing act. Their jass and aerobatle numbers go over sspocially Will. Thon Jack Pepper amAles on to aot as sort of m^e. to Introdttoo th# ^ee*dlng acts, gtyiai A l|t|lf» iMMr.Appe about vatiiivai*^^^^, tho second Ajiit, ho ^0^'.M-:tMiiltii, from his cootMAy^ d^'A IN^.^^l^ ding, with thi litftor.illligvi^ a stage box. '' ' y' In the deuce spot, tbo elongated Nash and his tiny femlhlnS partner. Miss Fately, breeze along without a cylinder missing, the melange of comedy, eccentric dancing and rope spinning providing IS pleasant min- utes. They top off their offering by Jumping two ropes together as Nash spins them, which Is quite a feat. Sims and Miss Bailey, radio fa- vorites, are. as usual, oke. Miss Bailey sings fiunillar pop numbers In tho ivajr that audiences like to have thon^ Mnag; JSho AbM> does a recltatlvo ii^irbiA Noal Coward's 'Words Aad Muiio,' ealUd T» Mftd About tho B6y,^ tA which oh* dis- plays coh(irtd*4nabl* dratnatio abnitsr. Sims plaiys hls own arrangein*nt of a medley of song hits, a dandy audience number, and then, for a finisher. Miss Bailey sings a sym phonic arrangement of 'Dinah' that leaves 'em begging for more With Pepper and 'His Society Buds' in next-to-shut, and the Col leano family closing, it's a swell wind-up for any show. Pepper's five singing, playing and slapsticking stooges kept the customers rocking with laughter. Their comedy buid- ness Is sure-fire from start to finish and they stopped th* show. Colteaao and aiM|ih«rs of his fam and seiBontrlo daaislikg. Th* foot balancing f*ats provoic* r*aS Aston- ishment and th* aol oontUtvMt to hold its place aS oiio of tho bMit of its kind in vaudeville. 'Six-Day Bike Rider* <WB> tho foatur*. DOWNTOWN, Los Angeles, Nov. 8. Operating under an exclusive Keith-Orpheum-Albee franchise for vaude in this locality, just granted, this downtown \\Tarner house cur- rently has probably the I)est standard vaude show it has had since going into the combo policy several weeks ago. Aside fioni a little Judicious pruning on extran- eous material, and a little rear- rangement In routining, bill stands out as worthwhile. Biggest Improvement noted today was the addition of several men to the pit orchoatra, providing more tonal quality; and the opening of Oscar Baum as tnuslcal directors ' Clark Family, quintet or Jugglers, in a c4A>*Uy 'drossed act. open. Turn IIM A hit iNtCgod at Hi* 1h- itlSler» but thMTv* got th« st«ift and Should rapMly hit Ihoir AtridA fiddle Willis spoiled A pirfectly flood hoofing aot by trylhtf to Inject comedy patter, which foil flat, al- though his bath tub Impression was good for laffs. Moroni and Coralie, mixed team of acrobatic dancers, mopped In the trey spot, but should be switched with the Three Randall Sisters, harmony crooners, who followed them at this afternoon's performance. Both acts acquit themselves favorably and fit In th<' bill nicely. Top laff and applause htmors go to Rich and Adair, with Rich doim? his limeworn. hut .still good, chip- per old man chararteriz.ation. It was good for plenty howls, every one dcsterved. Clo.sing has th« Slayman All Six Blue Devils in a fast routine of tumbling/and Other Arab maneu- vers. A^tirays a surefire closing act. and reArls^iitf handily today. On »6reen "*K!entueky: Kettiols' (RKO). pliM UbiV^tilal N«#s and Ikifohei' Tune, {its :i^sv (^if hx ih? ^^^^^^ N,V. Credits are pretty well divided In the 45 clips that comprise the cur- rent layout here. U is tops with 11; Par, 10; Pathe, nine; Fox, eight, and Hearst, seven. Plenty of diversion In the layout. Opens with a few election day shots and ends with a staged duet by Jack Pe&rl and Buster Keaton, both of whom returned from Europe on the tem* boat. VtafOdy in that elec- 0011 s*l*otioa. (pUBttly la thiat Ut- m iPonnsyliraidi; tl#a wh*i^ the shoi^ncs ooeiiRM and with a 6oupio of tho hoapitaUiod lrom*n Interviewed. And a lavgh fa ftl off. Which makes it okay. In between are the usual gamut of items. Japanese naval ma- neuvers as explained by Lowell Thomas; St- Nick making toys for a softy Paramounieer, and the Armistice as seen by Pathe and Hearst. Pathe first digs into the li- brary for pictures of that day around the world. Hearst goes fur- ther. Gives some grim file items of shootlhgs and killings and, in be- tween, uses some street corner in- terviews on 'Would you go back to war, bttddyr And-th* : which th» 'ttoltMilF t wo«ii^ get do«s away n**flr iHth tIMl theory that war films aid la th* fpNfad of anti-war feeling. ^ There's a steeplechase, some divers, the largest box of apples in the world,' and II Duce in two shots, first as seen by Paramount review- ing a sporting event and second caught by Hearst swinging a pick. Prince George Is seen visiting Aus- tralia, there's a quickie oi the 'poor, little rich girl.' Gloria Vanderbllt, and a baby golf champ. U drags in Carl Ijaemmle, Jr., visiting in Cuba. A fldatliig br*w*ry |s follbwsd by ^ peep at NiAgaifA Valla a n*w chem- ical and th* Cbitermong*!* Pa- rade in London. JQfraham MbNiimee cuts up verbally in frather bad tSfltc during that last, doing a comedy cockney takeoff that's out of place. Turkeys are in. of course; a tug of war between frosh and sophs; a new\way of making millinery; the Chlci^go Opera ballet la rehearsal; a French comedian making noi.se exactly like his pet seal, and a gold hunt in New Jersey. Bddie Rlckenbacker eotablhihes a new air record; a a*#^ ^posed super air Un«f to sho#n; a piece of tb* iifw libnp* Caatlo oAooro' triak Aai a m*» «t til* b*a| »*>iw mammmi nmjmtm iMra* .mm. ■aft' Waar-." Styles and m.inniklns; .lapanese Red C'ro-ss, and into Footlmll. All the reels get a hunk of thi.s, there be- ing the Columbla-rornell scrap. I'ltt-Notre Dame, Stanford-l". of C, Illinois-Array. Princeton-Harvard. Last named, uncreditcd, is a peach of screen recording, about the cU»{ir- est and mbs^ eiiuilly follOiw**#oiHba^ stuff yot seen. v piraald Rlchberg has hi* say ibbilt til* NRA; the new Hauptmann attoniey puts in a couple of para- graphs about th* S|i^«ndid Jorsey Justice; Kquipois*::%la* A race; Strangler Lewis works out Oh a Russian with a cQmpl*to|y bald coco, aAd P*Arl And Ki^^ do their act. 'Coast of Catalonia,' a Magic Car- pet (Fox) item, and 'Peasant Wed- ding in Hessen," a give-away reel by the German State Raiiwaya. tlil out thAi»<iiil«A':>wvr'N5 .yEamf, PALACE, N. Y. Last week at the Albee, Brook- lyn, Harry Burns had the trey and Ben Blue next to shut. Acts were entirely too much alike to follow each other, and Blue had a tough time at the stai^t persuading the audience ho was going to be good. So they bring the »alr over t<) New York's Palace, play them in the same positions—and wonder why vaudeville is d*adl It's bec»US* it isn't vaudeviU* Anir tltbi>%- tNit five acts. But the two turns had it easy Friday night at the Palace. Every- one had It easy At th* Palace that night, fiven th* OpOher got strong applause And Bddt* Botith almost aoootaptlshod th*AiittQSt tinh*ard-of feiat of wiiihinir aa Aniiiore right in th* middlo Of his turn. This was for th* muted strihgs bit, and tb* sudl- «|Ml*1ii*d Xt so well that It Almost iaM*f*d on a repeat. South earned all the applause he took, and he took plenty. It's a showmanly turn with a hot dancer doing an impas- sioned Cacarucha that would have had them yelling if they had not supposed she was coming back. But she didn't come back. Neither did the scat singer who has a style that's her own. South Is too clever to leave the audience tired with too much. Which puts him in a class almost by himself. His band is small and can* get over better in a supper room, but it's big enough for the Palace when South hugs the mike to get his fine violin tone over. Selections nicely varied and the band could have stuck without outstaying Its Welcome. But South has tb* priceless knowkdg* that It is bettelr to quit too iM<l|r Nt|uih tC^ •late. ■ :C Lillian Carman works with two mlkos, opening with on* in thr** ttnd*r ah overhead spot and than coming dow^n to on* f or tho r*s^ 9h* ha* a good Voice, but It's what sh* does with it that coimts, and sit* can do plenty. Achieves the trick in sntall house of being arch without overdoing, but she can sell a song unseen for more than its full value. Opener is the Six De Cardos, under New Acts. That's merely bceau.se they are not on file. Apparently in from the fair time and working too fast to sell their goods to the best advantage. Film fenture is 'I'll Fix It' (Col.) with the nowsreel, a Pathe review and a two-reel comedy. Full show is eight minutes shy of three hours, with tho show a bit short of an hour. BnidnOM a littliR better than average. Chie. v^CAGO ' >:IsOjl&l|^'S..;'\0il^M^B|^^ Long on the gymnastic feats this week with practically all of the acts coming through with some sort of a tumble or rope-throwing stunt which is monotonous. As for laughs, only one act makes an Im- pression In this line at all, and that Is when a femme stooge joins Charles Melson on the stage for .some tongue-tied chatter. A glance back, however, shows that,' the acrobatics flood tho show. Ruth Barnes and company, con- .slstlng of four girls and a male pianist, opens with a variety of stepping which ends up In back flips and contortion routlne.s. One miss executes a body control num- ber while the pianist sings. Miss Barnes, in two appearances, dis- plays rhythm In her wbfki but tacks dlstlnctiohi ; tfiiy i^ax (New Aots>i the last nam*, probably a Short version of .saxopbbn* itno* h* dances with one, follows next. Hap Haaiard on third And repeat* with ihUCH the sathe stuff as th* proeedtng act. whloh is poor showmanship for the theatre. Merit was lost due to this indifferent spotting. A girl Jotns the comle Juggler for a while, and the two then perform on a tight- rope. Charh s Mel.son's art begins with singing .and ends In some acrohaflc .antics. Introduces Miss Trmrinctte. who does a RuhinofT in pink chif- fon with her pet violin. Femme stof.ije then enters from .th4 front' row and proceeds to get the other two mixed up #itH her tonHrue- twisters. Flv»» .TahSli^ys.ciioRtf, com- pleting the array .iQ^ tumbllHftf and such. Teddy. King'^s orch In th* pit. uses Armlitfb* ]3Ay a* an^^ e^^ for a patri<|tlo iQl!dIe|f i^rlth a few bug]* cans, ' lllid# hjbA well Into ll.lntinutes with most of if flevot<»4 'to^JhO Mp^titloUs material. Chicago, Nov. f. l)espite many pitiful experienced in ihc ii:i.>;t with kid pictures, Bnla- ban & Katz again this week tempt the devil by pumping the top house of their circuit full of children's entt rtalnment. There was 'Peck'* Bad Boy' (Fox) on th* screen. ait4: there was Jackie Coop*!* f**turti ^ both th the pictur* and on th* staleilk. Business: b^ bad and th*r9 Isn't much iehanc* that it; win pleM up much. ' Tb*- Only chanc* ts f# ' kid trade. That being the case, thA. natural time for such stage-plctur* booking would be Thanksgiving or, better still. Christmas week. Now there is only the week-end to b* looked forward to, and even If the Iclds do pack In for those days that low kid admission won't add up to much real money in the exchequer. There is altogether too much Jackie Cooper throughout the house and. from the meagre first perform- anc* trade, it's *vld*nt that the kid can't carry a bouse such as the t^ii- cago. On the stag* h* was satisfy, ing to thQso that «IMn* lu to so*: him, but ther* w«t«h^ : enough oi those people. Ills Act is not » strong one, being cotaposed bnlsf of . excerpts from thr** j^i^etBres, #i*f| excerpts that w«E|re ov.*r befOr* ^tUf-- started. The only savlhlir grace of the act is the child's excellent; trouping. He handled himself Uk# a veteran born to the footlights. ' • Rest of the show is also aimed at the kid trade primarily, thei-e being, for instance, the Yacopl acrobatlo troupe for the opener. Kxcellent acrobatics from this eight - people act, but somehow it was too circusy for a show that was already too Juvenile. Ann Greenway was fine on her vocal work, delivering pop- ular songs in a clean-cut, pleasing fashion and stepping out with a song of special material for some good novSIty singing. One other act completed th* booklnfp i^!*: ^ that was th* exe*ll*nt Luopi 'IIFiiK . coiM^ion-acrobatic dancer. , Host of the show was th* line At girls. They did a fine Spanish nuA* her to open and a good waits ball*! to close. Final number was backed by an eye-filling set by Leo Stahr and the usual coOBpitettt; fOllU from Fred Evans. But the show as a whole meant little. It lacked bulk and pace. It is a decided let-down after the sock stage show which this theatre turned out last week. It needed, for one thing, a strong comedy act» Without the chance for a lauglt. Ui# show ptatyed alow and dull. Ammwt^ an Olsa -NetskI A» i li fM i lt» -Aompl*t*d th* bill, OoM. KEITH. BOSTON V ■/■Bostbn.'^ii^ Following n«w poatcy ■m^m^iM^ y- plan, stage faro oi>*n* win| cwtiHI^ tional vaud* aat'ttp itnd ftniuir blossoms out hit* tinit idea that clicks in this spot, with Rannj Weeks in the permanent m.c. post' tlon. Mulroy. McNeece and Ridge start the show off on the right foot, with a smooth turn of roller skating and '. hoofing. Trio opened the stage stanza in the approved manner, but the following skit served as stymie. 'Bundling' is the idea which de- velops Into a bedrom scene in semi- modern dress and a few atmospheric props that don't blend. Ranny V Weeks delivers a dandy explanation of what's coming, and then the .. traveler splits on A bedroom. Vlr»; ". ginia Gibson, blonde warbler, seen- here for the past month, greets Weeks, posing as John Alden. He -'^ fixes it for Tom Harty (Myles Standlsh) in boy scout rig. Hartr» who rat** 'tbdU boy' blUiitg, Mvbifii . in a' fiUir Ae«*ntrie'''ahA mtNI^A'iiil*'';-:. Charles ^ijBiirofth. Sktt wMi flrA ■-£•;■•'■''• Dave Seed and cohtpitiDr dos* < thd;; vaude half-of bill. Pint-six* cinifal works with new straight mahr-ltA* tlceably weaker than his formef . i partner of long standing, and a girl ;V who acquits herself satlsf.actorily. , Smut biz and patter got lukewarm .I response from out front in early stages of turn; but the little man was better received on hLs fJreek dialect bit and gag moustache. Then It's up to Ranny Weeks and the unit. Miittison Rhythms (four men, two girls) do a flashy line . number. Single man, later idcntl- . ■ fled as Leo O'Neill, also with act, • steps out of band-stand for taps;., followed by two of the boys tooting' ^ clarinets and hoofing, Pair. Max- .. Ine Hie* from aot i* handed tb* ntike f«»r #ip warbiM tjUttt^^^ tti# unit along. • V-,..''. On* of th* best npv^ti*s by $h* Mattlsonsis-thA^'nttrt, ;.twb>,-iAi^^^ gin liitnptnir tiit'imih hbdps in ^iif : tt^nitpo; Olrl's costum* worthy. of AiontYon. Tom liarty hjredks in fur soih* JtAt^il^glng ^itb tv^e^fcs. Ctit: short for bahd'M tdg hioihehi; swell :. nrranRcment of 'Smoke O e ts' —lA^- Your Kycs', enhanced by vocal by Viri,'iriia <;ih.';on. Liked a lot. Ilrirty .iirain cdKcs in for hoke )iri/i ti:,'ht j)antoinimo, jind f licks^ but l.utt»;r times just around cor« lUT when \\'r>-ks riously an« . ■ noutn'fs mi«-st ccnilui'tor. O.^car Lorraine, looking like the Ficr.i h amhassful'T. steps out, racking with dignity, then BiKnals for blouoff with - a JuiLancey street 'hall«>', CU«dlM» A| thl^ stMV lay* <