Variety (Dec 1934)

iCitiJiy,, Pccembe^ 4, 1934 ^ARIE¥Y HOUSE REVIEWS vu(ii:ty 1^ They*tt s« o^ttt ecH^ pretty iden^ry mA e^tumoii ihtai vroek. but the rest of th« Mutic , Hull layout la boloW par. Show Is twlni>(*d with CoVh 'Itmadwny RJir (C<rt), and the picture l» the topper. Stape bill In mostly 'art* Current- ly, doHlmned for tho minority. Only one Horn Kots apprrtliilile rcspons*^, this belnfj tlu? only number with |K)Pular appeal. Presentation In alphabetically ar- fimee in the Muhic IlnH'B custom- «nr fashion; Ar B. C und I>« Bton- ; ]|it:tltl«.l«/^IPIi«tili9r^f: ''V-i-'r ■l', ■■■•AV., repi^nt«V'vlte>;>:'lV#l^^ \wlli8t. wHii» hai tM^ataiii to iMk*^ #•11 and ts aeeothpanied by th« pit H^ymphoat' A 'cello «ol6 ia some' thinff to be either taken or let MQne. Sentiments of the heavy WMay niKht attendance were mixed and the majority seemed non-commlt* UI. . 'D' finds the Music Hall's pro- grlimmcr In a comedy mood, the title being 'Love at First I^lprht.' This makes use of a special number. 1 iStruck a Match in the Rain.' by Jatt Ciarkaon and AI Silverman. There are matches, mit no rain. It all takes place before a portable eottag«| ; aet with bhick patent latither^^yir^ the rear. Joan Briton «Maaia a. olflr ftrom Don Cortm |hen i^rdmdt^s him for a lifrht. wh^nwfMMt both BO into, the th<*mor. Glee club enters In tra(iesii»au cos- tumes, encii putting in a squawk for a payoff on liis particular frrdcerles, and the windup has the hou.se mov- Ins: into the sheriff's sanctuary. Btage i.s darkened for the scenery shift and remains dark through the next number, u phosphosca®^ilt; rou- tine by the llockottc!:'. Rockettes have been KoinR In for |(um ideas of late, since the hot •and roll number some weeks -Uttif ThlB time they're cigarets in iii '~iSg^,^iiimhis. round aftef round ' (If anmtltti;^^ clever maneuvers. Baaldea |*IJli. tli» only number of fN^ thla Wk. it'a also the j|Adtee«t««' only «pi^^ >n the ahow. It imHIt Mftm nfca a vaCja- ' la 'II'arpeKKla.' in which Mild- red DilllnK's5 Harp Enwemble (four * femmes) do their stuff. In the old days a harp ensemble to most audi- ences would have meant the Morton Family, but at the Muaic Hall it stands for instrvimentaliHts. The harpists are planted on two semi- circular platforms In the middle of aa pretty a set as the Music Hall has presented. T-.atcr on the two aemi-circlcs are pushed together by ' tha fflce club boys to form a merry- go-round, and when the revolving ataca starts revolving It's the cue : for gaa imitation of a music box via tha luu^ While they're not knock- ihg aiiy Clash customers into the alattfC tlM harpists are a refined novelty f«r tha Music Hall as a •paclalty act booked in for the week. . Which brings up tha queation.of what a harp quartat doaa for a Ht- ataiHla J«r^^asiri&tta Antique,' which meana dlaiielfur l»y lha B^let Corps, attractlv«ly fownadi and th-- housa team of mm OrlilMtldt |U Nick Daks. Ballet Una ta apUt in two dlvlsons, one modaled aCtar Miss Orlmaldi and tha «|^ar a|^ Nick. LAtter weara i|EHI"|llpat panties, as do the girla*^ ''^''''' 'u^. Opening and closing teama-*-'C and 'IV vocally Is ISdwina Eustls, contralto, who walks from arch to arch while singing, with her' long train carried by a little colored boy. Miss Kustis has a good voice, but her diction must be poor for not a word was distinguishable In the mezzanine. It couldn't have been anything but dicticm troubla. for Mi8.s l^riton's lyrics canftif ,f^^ clearly earlier in the show. .\ol much trinnning this week Usual organ recital during the break by Uichard I^iobort and a : hrief newsreel. l^atter is down to ft Views of Prince George and '■:.'ptiM»m(, and thrca fjj^AH STATE, N. Y. A g09d a^ acts on the rostrum. headM'iQf .1^ Bestor's orchestra (New Aeta), IMth •Pvejyn Prentice* (Matro) iiitt acMaii. >m nicely irmmy. OMhinir hl«hW 4«aplta tha unCbnduclVa ireathir. r V Underlining tha Bwitpf >««»4' !■ Rex Weber in the aca grbova whoM 17 minutes are about five too long and who still needs a new act. He tried one out by Al Boasbcrg a month or so ago and has changed authors since—or maybe this one Is out of the trunk. The gab might Just as well be even If some of It docs listen new. But what pc*ce newness if li't q it»i ^ i » attf» , fC'Ifcg C^ SSSwIifctU m Is rather sloppy and SI imcartato 4UI Iff Wa^^^ dialect, t baltadlaa* vaUT; l«#t but goes ^a fteidt In tliift er^l«llb Tha litraight maA ffi tha aMavtraik rbti- tine lahda him nt>thint; hot avail * auava front which Weber cartaihiy kneads in view of that broken-down ffolf links get-up. He sports a coun- try suit with the knirkera down to the tinklf'S, makint; it neither gen- teel tramp nor c<imo(iy. The best returns of cfiurso are his ventrilo- quial warbling, but he has nothing to pattern it Into. Furthermore, consi<lcrijii; K.D.U., 1!):M, the New ^>a«a And tlia 14«4. 'firaMMMk J0i» Ten Spara a Dimar lii yaally dated regardleaa of Ita fortttfitfti^ past a*- ■octatlona with iWehar. iia heeds an act-^and Wilton. .Sljow leads off wllli the f'i.Tans lJuo (New A<ts), nifty ai-rial-iion iw coiTilio. Ijulorcs ll>.i(le twiiHS. She's a straiglit pop songstress who was a verj' quiet deucer with three pops and a routine ^ncore. Her modest ether babkffi^ouhd means nothing stf far, nor la It oapitaliaed, ! f in te nded %p ba <lttpl«n4tlon for her rostruipi ][MrHi>i^hci< On^^AM values sh«ra fn the •aina citte^ory as many another femma Avarbier with any of the radio-dance bands ex- tant, and actually suffers compaia- tlvelyowith Joy Lynne, whq's merely a featured sopfifttl^wMllWJin- tor combo. In the trey Lew Parker and Go. doing Bob Hope's act with the audi- ence plants gets most of the laff re- turna Via tha boir?pl»pta, hecklers tha hokiim of'ioon^r at *1. lloi^^ au- thorad and prbdbead this ona and also la aecordad ah atidible hlUing from Parker, who*a an effective nough comedian. Paul Murdoch, the near-Vallee. Marlon Bailer, George Townes and Bill Burdee are the support and, In toto, a bright interlude following a passive one- two. Ruth MUcs-Kddia KoVar dance Hash next la among the bettar terp cbniboB. Thsic owii adagio la dis- tinguished attdltl^Iy efreotlve. par- ticularly that mg Unaia liumber. Tha i iUialfting qulfttet of kids open nicaly against a semi-Moorish background with a rhythmic routine of semi-classic calibre. Miles and Kover's own opener l.s a pash cc- eentrle fox trot to '.Mood Indigo.' riio finale is along clas.sic Roman lines with a chariot background and routine introducing the stellar team's cwn dlfllcult adagio which was punctuated on its receiption by periodic 'i»tt90B^-:«i.::'tiiU^ music. ' ■' V Weber and Bestor for the blowofC in that . aeftuence. / A^mML ■ ■ Balthhorai '^ov. SA*7!.:'. Hotisai figuring on a plctiira that should brook no barriers toward a big b.o., lined up only four acts this week. The pic. 'Painted Veil' (MG), is doing plenty oke for self, but when one of the turns didn't show opening day, and layout was consequently narrowed down to a threesome, stage didn't supply a great deal of entertainment. Miss- ing act was Shirley Ross, MUM con- tract player and singer sent east by studio to Intro self to fana. Three J>aIjong Sisters ara dis- closed first. Girls present an o.k. offering of tumbling, head-spina and balancing, and threa-high pyramiding. Ona of Uta trio fui'- ther azpanda irllli aonSi body aon- tortlona. Svraa ; all- around oka opanar; an aM aff un- der six minutes. Absence of Miss Ross thrust Johnny Burke out on his first whiz through bere^ and he did surpris- ingly well considering material. Housa was ganged with kids en- Joying holiday from school desks and presumably everything went with 'em. Burke's act spans quar- ter-hour and comprises lengthy monolog at start. Chatter is all about hia being drafted into war and what happened in camp, on transport, and In action. Seemed rather aged stuff to ba giving patrons in vaude today. For a closer. Burke has soma long-winded business with boys in pit ork. In- cidentally^ he's Just as effective in ajtjratt «tlothaa aa Jia naad tp b* in uongnvoy' garo.' Third and last act Aria* fortunate- ly for the bill, lohjg and multi- manned. Jack Sidney's Samples, is similar to those youngster revues Benny Davis perennially brings around. Sidney's aggregation staeks up pretty well, too. And act has some production before it finales in the inevitable nltery set- ting. Sets all the way through are good, save a drop that's supposed to represent a gargantuan trunk; that's too garish and Sidney's ia biilad too gaudily upon It. Irbnthfui talaiiii^ ia toppad by a Idng-llmbad blond, Batty Kean, with it combo squirm and rhythm tap. tAttair Is effective. The squirm is pretty repitltive, and resorted to at odd Junctures during orthodox tap steps that seems to lend Impression gal Is trying to take the Imitation earmarks off routine. She was nedr showstop. There's Davey Kraft, last year with Benny Davis, over well with stair and aero dance: Elsa Greenwell had her Inning with an oke contortive body-bending effort, and a trio, Tom, Dick and Harry, who were here but couple of months back over at the Hipp In a unit slug each other in a wham-bang knockabout orgy that did not dls- p}aiM#,. Mob. Walker Sis., pair of harmony chansonars, work into mlfca mld'way in act One of the girts doai four fUiidArt tmltash^s. Just fafr aa; ta wUfMa IH^ 81dn«y himself ipMidaa ta4 lntiN»'« fttff^ta tion with an tthobtrnsiv^nas^ thftt's warmly wclconiedi His own bit ta a pop medley ni^aT Close; his. Us<'s mike, but tl%>f|i|Mirflttoua mitk bis big voice. Business was big sho^^ AMco^. :: 'irauOivl^. v -'iim: listen haa<r end tMla a bow an IukM filow. It pacHii a lot of ontartainniant and is varied enough to please gener- ally. Hoitiewhat above the aver- age bills seen lately, it's family stuff with aiJpeal for the kids as well as the adults, and vaudja ad- dicts are not likely to find ,tniiic|l anything to kick about. Next to shut, Charlie Hill and Llora Hoffman grabbed themselves success at Friday night's show (30). Hill's tune detective routine, wliereby lie shows the similarity be- tween current hits and hits of other days, via tlio piano, got a hefty and appreciative response. Folks out front responded heartily to Miss Iloft'man'a songs and comedy ef- forts. Charles Kemper (New Acts), re- cently with Arthur and Morton Havel in a unit on third, grabbed off most of the big laughs. Ha ia assisted by Ken Nichols. I41yan Gordon, and Pat and I4^at Nemo, and the turn la funny mvA Vf^U iimtinad, Runnlot tittia'leniKtt on tha bill; mil 'tba laugha'ara; tliaMi-::; ' ^-', CUimr ta-'KMrto'-fteirba.and,.Odn Carthay, billed ii latAiMr af tka mu- sical. 'Aoberia.r TIMy tiiii .aililited by iiy VsHa an4 i Hii^n. Here IS a dancing act tbat ahows expertness in production. It suc- ceeds in getting away from the fa- miliar routine of acts of its type. Embodying several novel elYects, among them a dance dramatization of a song abdut a French cocotte, by I'carce and Carthay, and an ex- hibition of dance steps on the top of a silk hat by Bobby Herman, it deserves special mention for its ef- forts to be different. Opener is The Duponts, a jug- gling aft. Male member of the team showed unusual cleverness with Indian clubs and balls. Noth- ing new, but his handling sets him apart. Turn is oke, but sags some-j. what when the team tries comedy dialog. In the deuce spot are the Four Albee Sisters. ^ quartet of good lookers who warble, reach out for a few laughs, and top oft With a piano, fiddle, 'cello, and SMC num- ber. Standout is a burlaaqua ren- dition of The Man On tb* F^lng Trapeze.' W^U donai,. avan If the song haa oUtworn tta WfAi^e, and aooat»tabV» b#csMaa ^ w it s »mn faatniv t^^ I*iren- tlsa' <AfQM). fittsiness Friday night (10) was short of good. Show de- served better, but rain might have had aonyathinf to da with keeping when ah* «l*diH stlU tl>& ^ojncdiftnr TyplcarburtaiKjiUOi or |>*rhai** abova—bat tholrv atuflt t*t s aeross beter thiatt ana.^bfatf..^' ■ ■ Of coursa ti^^llW^^^ Is waiting for, -Umm ptoWbly the reast.n the shoW gets Hi* m. re ap- plause, is the nude danris by .ludltli. And with all the rumpus stirred np over questionable picfn-e*; y tn Denver are wondering how they get nway with that dance. It's easy to see, even from the back of the house, that all she has on is a veil that wouldn't catch six-inch fish if used for a seine. lJut then there i.s nothing suggestive, unless li is the imdraped body, and that's probably the reason it gets bv. Sho does her number in businesslike manner, with never a suggestive wriggle, and- well—the audience seems to like It for art's sake. When she poses a little later in a statu'i group with stionger lights, it is plain that she is wearlns nothing bavin,; even dis- carded the veili Tha St. John Bros, do some strong arm balancing and contortionist work, iand kaVeral ntidgets are on tb« btill, all of which have been in P^Hver Several tlmas, but their act has snap thia tlhie. John Leal makea * clever miniature Will Rogers: iCle<inore Stublt/. is Mae West aiid her 'Jrrahkle and Johnnie ceta a hand. Staila Boyal. of the Royal mo^ dai* :»|| tiWarwioa danca-^v:' .\ DENHAM, DENVER Denver, Nov. 24. The Denham stage came to life again last week with what is left of the Tex Guinan World Pair Revue, and In place of what has strayed, more has been added. The show ran a full hour, something new for stage shows In Denver, where the usual time is 35 to 60 minutes, and folks enjoyed every minute of it. Maybe the laughs were not as loud as at some shows, but then everyone was waiting for Jullth to do her nude dance and everything else was secondary. And, toOk moat of the Jokes were Just on* Bi)^ Mnvoyed from burlesque. Denham Is 21 years old, was used for stock for years and years, and was the secne of the disaatroua co- operative effort of Denver amu8ai> ment untona to oparata a thaatal*. Unions put up tha money and. after paying tha actors. Wara supposed to dtvida What «raa lafti Jl^(iy ped oloaa to I26,oo«^ vtoMl^tti tha opaning of «lt^ ittb#lK^ summer, aftai*' bwcMnff than» a coupla of waaka with prices cut to limit and atltt vhabla to fill aeats. Prlncljjial trtrabia was that unions would licit hirt a manager who had been throtigh tha producing mill, and publicity waa underdone. ^Tany people now In picture.s played at the Denham, and hardly a week goes by that the local papers don't have a story about them. House was made Into first-run l>ic- ture house by Douls Hellborn, who managed the house through the first year or so. At first, house had only independent fllm!>, and tMlpji celled by other first runs. Hellborn last year sold his Inter- est and li. D. Cockrlll was imported as manager. Cockrlll is making it a house policy to run stage shows about or^''« a month, or as often as good ones are available. His first attempt resulted in a loss, but this time they used black ink. And folks packed tha house in spite of the boost in prices from the usual 25-35-50 to 85-40-60. Orchestra is used In pit and an Innovation, In Denver at least, is used wihan tha .l||idar eomaa into the pit, A gb«t aiRftaitiieea htjtn/^ the oivheitr^ atandii wlifl# Saminy ehel. director, take* * bow, !Mt Is made for stock and not for picture hbtistft overtures, but even so the orchestra gets a good han4> Show has a dozen girls and they know their business, and, being ois near undressed as they are most of tlie tinie, tiny are not Irnil to Innk at. They open with a rythni num- ber, find nie fnll.iw^ l rinifk-ly by Dorothy Kiiitr and her two boys, who do some fast it g work. 1'ho men do a twin dance that pet.s aon sH. Floyd Christy does the m. c. Job M^i^ l^Mtk Tax Mw^M Chicago, Nov. SO. This week the Chicago will hit under $30,000 by Indications. For the stage there is Buddy Rogers and band and various 8i>ecialty perform- ers. Rogers is in here after a spring and summer season at the College Inn plus a date a couple of montns ago at the rival RKO Palace. Rog- ers is playing a few weeks before going to England for a picture. Lagging, meaningless ^a^«l with- out tempo, the Rogers show played like a dirge. Rogers Is pretty care- less. Maybe because he doesn t care right now since ht,li leaylngJhls country ahbrtly. 11^^^ whatever the causej. ' , There Is good talent In his show, but none of tt ta uaed to Mvahtajta. There Is CounteM B«M4y Vo» liosap. now shortened to En»flftr M^iifg: two good specialties. W»ff; Jeannie Lang, who song a COUple Of numbers alone in her pert way and then did an absurd duet with Rog- ers, using that threadbare BtUnt of putting the titles of songs together to try to tell some sort of yam. That is for Blitz and Blotz at the Cozy Corner In Yankton; not for Rogers and I^ng at the Chicago. Besides that Rogers has the Three Rhythm Rascals on for some hotcha warbling which never got the audience even warmed up. Old Stuff that has been done better many times by others. Rogers then tops himself by bringing on three 10-year-old girls for some amateur- ish singing, none of which belongs. About tha best of the specialties waa Jack DouglM with a hedge podge of gaga imd aoafs, and again that inevltabla btirlasane fan dance with palm leaf fan* ©one vulgarly aa usual. And tha ltM|to 4f tha act la ROgera doing fala iUf iMM band stunt aU oyer ankta. ^^ . . ^ Business 'waa^ IWtat »t tha first evening show Flrldiy<i (Par) on screen. Operators of this spoitJUNi not In the habit of spending BJUch money for talent and the current Show has 'economy' written all over It. Un- fortunately the five acta are not made of rubber, for then some elasticity not printed on the three- sheets out front would have been possible. Layout Is billed as a 'WOR Radio .Show,' with three personalities on the bill having mike f^lfj'oi, <rhey are Teddy Bergman, m.c, who calls himself 'The Kubinoff of the Cantor Hour,' Implying that he has been doubling for Kubinoff in the dialog; Vaughn De Leath, songstress, and Larry Taylor, who's been on sus- taining over WOR. Other acts are Three Queens, femme hoofers, and .Six Spirits of Rhythm (new aots),: colored string sextet. Show plays extremely skimpy. Bergman trying hard, though Inef- fectively, to sell It to an apathetic half-house the first aJiow Saturday <l). His mannerisms are old- fashioned <uid his stories between acts are moftty pointless. With the agceptlbn o)!;. Miss De tfitLiU and l4UTy Taylor, rest of the Uilent la iust falfl Tha <Iiim|hi Mfe iavcrage buck 'n' Wlngera,: wfelfl the colored bttna deaaii't liva up to Its buildup by 6«iiihal|i as «n axtreniely hot outfit. Mr«p Jil|f Ije^ hef humbcfa Ih h*t iisuni <^ while Taylor unllihbers a nice set of Crosbyl'sh pipes, but stays on too long and hugs th«i mike too hard. He CQUld also leave out the Introes to each tune. House pit band is on the statre. being mriske.l out only wlien th<' stririg sextet is r:ii.s<^d on the jiit I'Litfiirrn f'lr iUi s"?.--inii. That stfiirv- ii.'itiii idcv saves the prcMent«rtloT» fr'.m beini *;«!e^y^1MJnM»•^vnt^*^1;y' bill. . ' on :. t9n^ ^m$ii%. Oaiahte' PALACE, N. Y. How. when ami why a combina- tion, of vaude aiiil pictures can be successful is written all over the It^ince currently. The .stage slioW; screams 'HU>t ,Ultytb«" ' The screen; fftro( *Pay Divbrc^^^^ runa ■ the gi^mut of ear and eye enter- tuliuuent. It's A blciid the Palaca has rarely achieved itnce it at tioned atriitsrht y««4iiyHlaJ a hiu., merger that earnaith* :in«««l^ of applause and laughteK^ It'a re- ceiving. At the last show Friday night (30) they were still standing all over the house when the vaude went off after 65 cohesive minutes. The. ' sue Is probably due almost entirely - to the picture, but once In, thO " vaude counts in no small measure. It's five acts tiiat can follow the picture, which Just completed two big weeks at the Radio (Mty Music Hall, for It continues the rhythm with which *Gay Divorcee' ends. If the business continues as big as it was Thursday and Friday, 'Divorcee* undoubtedly will hold ov^r* And there's no reason why tha <BWTa*t, bin can't stick with It. : Show opens with idalnCing 4ftaf the picture closes with it. S*«tti unimaginable that anything can fol-; : ' low that routine by Fred Astalra < and Ginger Rogers, but the !>«:•, Twins and Rio and Elliot achieve v the Impossible wrth an extremely 1,'ood dance fiash. All are excep>« . tional dancers, the boys each un-. corking the type of personality feet the crowd went so big for In tha ,. film when Astaire is hoofing, whlla..' the girls match It with their kick- . Ing and acrobatics. It's the start of the stage rhythm, but not the finish. At the other end Is a strong harmonica band, Carl Freed and Harmonica Harle- . quins (New Acts), while In the mid-; die frame are Lee Simms and Ilo- . may Bailev. Former's ivory-tickling ami latter's singing over the air make them the 'names' of the show and the marquee's headliners. This must be their third Palace repeat this year. And they're still strong. Open 'iri4* Miss Bailey singing a. medley''«^*^ tunes and • she clbsea with her own lyrics set to Baval'f "Bolero.' In b^wtan l» Simnii'a flna pislnb aold. ■:- ■ Joe Baaaar, uetk«liy tha anreftrift next-to-ddser. iocks^'eitt eariy here In the deuce. Aided by Sam Gretch- eraOit, the eccentric coml<? worked; at top speed, keeping hla thna d6w* , to a minimum. He scored « o**!*!* , .showstop, the applause laatMUi Im« the entrance music of the 8nttnM|*. Bailey turn. Besser had to eurtaui* speech. . SI Wills and Joan Davis da honky-dong In the next-to-closing. Miss Davis, with her body-twister dancing and stuttering «ong. la clever and funny, being well foiled by Wills. Latter is an Cfkay «pB»a#Ia» on his own, too. All in all. the show shapes up as a succession of showstops and near showstops. Perhaps it would be a good idea if RKO wheeled a sound truck in and made records of this bill as a pattern Its bookers should fonow. It plays pretty nearly like a production, hacking only in a una of i^^lSi*^ COLISEUM, N. Y. A vatida ahow Of standard propor- tlona, bfterlng nothing particularly new but aervlng to entertain satis- factorily for neighborhood fUdl- : ences. Dancing *« In *ha^ Wlortty as an element of tha bill, .^Wla- comedy is In the minority, there be- ing nothing for laughs . except WW little is to he found In the Mills, Kirk and Howard slaiistlck tttrh.^, :^ These boys are veering more and/, more away from the slaparound-' stuff, since It's long since got^n to be old stuff and not much more; relished now than the ether beer of ; pre-repeal days. MillH-Klrk-Martin trio have It on the hoof without any Ifs, ands and buts, with result their act leans more to that and sinKing now. The hat number, which, through change of chapeaux, en- ables the boys to do Scotch, row- boy, Russian ancT other bits, offers a few luaghs. TSw; aiSWhoy, blt^^-to^^ especially funny. Plus What there Is in the line of dancing m the MUls-Klrk-Martin hodge-podge, Dick and Edith Bar- ; sto.w iind f hie Rittiaps, ork, are both long on the hoofing. Additionally Harriet Htitchlns (New Acts) niIa;<Nl. a Uttia dancing ta; With nun>b«irs.:v;' ■-,■■0: ;v; ;,;4^.i;-;'.; Misa Hi^tchhis, en iceonS, aufilarfi from poor material ralhet ability. Her opeher, as ;tha ft^tWl* er's daughter in nightgown ain^': sloejiing cap, would be twice at.': str<.nf,' if the lyrics of the numbof , meant anything. This U also trua of the torch song which MiSS Hutchins burlesques sllphtly. The I'.ar.slowH are the hit of the shows. J)!tnfeiH »)f uiiu.^ual abUity, tlu y tap their way on toes tlirough the fin.il nuiiibor to an ineviluMo h.'tnd of propoitl'iiis .nnd Saturday aftf inoon ilM an M.rcre. A so!<ii.st with a b;i.'^.s-Iiko' voi' c, I'liil Fein. IS cfii rii'il to break up drince siieci.'il*,; li. .^. While his pipes Invite no ,^ c Miiii.lalnt, In the sUlipg o^ the two nuini-er*, undcl?".,,''-hla/; ax-slgbment,: ■■. ■ Fti n • doesh't "tgp 'Inri ■.'. ■;; ? Tbe rtrtai fspOt !il:'popT4<: :y by Tiie It!threes jujf^'