Variety (Jul 1936)

34 VARIETY PICTURES ^tiOTRIA (Qbritinuidfrom page 17) Willi Forst's name will give it added pull. • .. Forst, who is •considered a young Lubitsch Here, has*'d:rtly made three pictures before, this—all of them out- standing successes. . With each' suc- ceeding film, the young director was able to increase his exceptionally o'ound reputation, so that for his last venture the (for Germany ex- orbitant) sum of $350,000 was put up. Within its own territory this • heavy investment, leaves only a. minimal ..profit, chance. -. But the .pic- ture is -on^ of the few Nazi products (Forst himself is Viennese) which should haye.appeal beyond the home border ^because of its exceptionally lucid optiial j angle; AuthcwV.ifdirectdr and actors un- concernedly play blind man's. buff with eajft§ iQttrer, audience 'and story; so mucb^sp^that it isn't easy to defect the kerjiflipilthe mcture. And when it is peeled.''out'It' . Surprises by its diminul^jrfe size. A Doimuan, Philip, is tricked into marryiia'ajid a husband, David. 0 harasseCby . jealousy, because of .his wife, Gj$y j: -and her friend, Viola, exchange,'!places in 6rder to suc- cessfully^;-catch, the . Don Juan' for Viola. y.3jhe hectic chase in the end to changeiback. again lands one .couple in the M6iite Carlo 1 automobile race, which tKfey win just iii time to get to the b$tt and swap, a second be- fore the^igangplank is pulled up. Forst ytries 5 ' in a comedy way what has already:: heeh. attempted .jri'seri*' ous film&.'-io show thought reactions. A greater part, of his script is clotted up witftsityis idea which, luckily; he abandons; when if comes to practical applications .. , The "subtly humorous ■" and ex- tremely: 4 sympathetic Heinz Ruhmann tops thei .cast, with Jenny Jugo as close setfprid, though here she does hot quite crane up to the excellence of ' her past" performances^ Renate Muller and Adolf Wdhlbruck are the sartoriall^'impeccable pair'who con ? * elude life.iogether. This isj the -second.time Ted Pahle, American'cameraman, is working with Foist, • Less greyhess - * might have suited.'the buoyant style of the' film bettejS'V- " 1 ' Tzask. AUGUST WEEK-END CheAtenQeid..£Ble'aset ot'.qeotge..;rt. Batchel- let produttfttrL-:-- features Valerie Hob3on7 Q. P. Hftt^fty^Jc, peuj flarvey. Directed by Charfi^.LarflOnt. Prom magazine story' by Palthj^aW>v!ni adaptation;; Paul. Peres; camera; M, .Andersen. At Fort, "Brook- lyn, on otouWei feature, ^eek July 17, '30. ftunnlnfr. ttirije',' "70 minutes.' Claire BHe^va;\.y.. .V.... Valerie Hobson ICIm Shefivodd .0, J. Huntley, Jr., George-' flj^hburne.'. Paul Harvey 1 JEthel Am^',;;, : ,,;,Betty Compson Alma WwhttHrne..,.-^*...Claire McDowell Ronnie j#r.\}./su j'i titPrank Melton Midge ^Wa^Hpwrlfe.VVviv.'vi^JJorothea Kent Dave M^V|li:^.-;;V.;^;,v-. : .Maynarq- Holmes Qrlmsby. . . : .... . .Edgar Norton KUnor ..?;t .;....-.Glgl Parrlsh Hpencer .^y:V.v/.-,v..-.. ...Howard Hickman Htelnfeldf; >«•< •• .' V- •. < • Paul.IcyIng Tad Dtty$ty 7 ?:-&, ? M vA- v ,-, .',.;p« West . Faith Baldwin's colloquial pen draws a cinch mugg yarn which makes an okay supporting feature. Its deficient in marquee names but, otherwise, this ordinary" exposition of love and living among high society should, prove good amuse- ment fodder for those who aren't particular. It's the old one about the self- made bird going for a' society queen, although he's married. His son is a half-wit and. his daughter is, a' sap. Old fellow trips to buy some-,relaxa= tion and gets 'caught in the"'income tax net. Then .he awakens to find that his wife is okay, after all. Money isn't everything, eta .'It all has a happy ending and sappy ring,- There isn't much ,to be said for the acting. Pat West and Edgar Norton manage to provide a couple of laughs. West, as a cab driver, socks the rich man's son, in a row, and Norton is a dull-witted British butler. Settings aren't bad and the photography is-: clear. . Shan. .'■ *—c~" • WEST: OF NEVADA First Division-release of'Arthur 'Alex- ander production., for Colony. Stars Hex Bell. Directed by Robert Hill. Screen Play Rock I-Iawkei:: story "Raw Gold' by Charles Kyson,*" camerq, Bobi CUne. At Arena N. Y. Dual, two days, July 17, '3li. Running time 03-inlns. Jim Lloyd '..., :;Hsx Bell .Helen Hnldaln j oqn Barclay ^S,V. la J V ,'i U ! x iAl St John Milt Hnldan.... Steve Clark • 5 9 ?? <? II1 l llly --""'-"^»,.,.qe-.rgla O'Dell Bald Kngle.;. D lck Botlller Slado baiiirree. Frank McCarrol Steven Culling..:',.. Forrest 'Tuylur Lure of gold, arf detailed in this rhustang-meller, never had the entic- ing qualities that Rex Bell delivers for the kids. The most personable of the current -£rop of leather lo- ... tharios, Bell .does, his slugging and mugging -iriVthe grand manner throughout. ; %esent day westerns aren't built fo-.supp.brt a bill; so this . one ,will -also- hofte to take secondary place,- althoughirhrtter than. most. Bob • Cllne, '. .handling! • Hhe lens, never, .ntftteax^'ttiance ;a.t ;b"ack;- grounding.,- Plenty of. material in what looks like a new. locale, A. rugged picture, smoothly performed.' Dialog can also be echoed in similar- productions. Direction is of better grade. Bell is the fair-haired boy- who, in this instance, thwarts the red hots in their efforts to pilfer the gold cache of, sortje hard-working* In- dians. He is assisted-in "resisting the claim-Jumping murderers - by Al St.. John, who ..takes' the .clown • assign- ment.' Shady town banker and' his cohorts give the law-abiders" plenty of trouble, but the end is inevitable. At the last minute the Indians take to the .hunt for. an added surprise. Juve ; audiences will thrill ."to See. that redskins-are once again in favor with'the Holly wood chief s. ■ After being suspected of having designs; on .the lucre himself, Bell vindicates himself by roping, and shooting himself free of the allega- tions.' Joan Barclay aquifs'-'. herself weir as his pump interest: Pity that as much effort is not spend, on other Alms-of geographical similarity. . > •' - - ', ; ANNA: (RUSSIAN MADE) ' Amklh'o. release' of Mosfllm ■ prtductlon. Stars '. Ada Voltjjlk. ..Directed by Plrley. Scenario, it, Vinogradov. At Cameo, N» T., week,. July 10, ' "39, . Running ■ time, 90 mips.'- ' -. ''' • . Cast;'Ada..Voltilk.iN. Abrlkosov, Anatole GorlunoViIgor Maleev. ... ,-.(Jn Russian) tJ.S.S.R! celluloid imports to this countryi-' because. o£ their pre'occupa^ tion" with dogma, have generally spotted their- audience among, the curious. or • the devout 'Anna! is strictly, for the devout. And even for this category it will be about as .easy to take as compulsory rhythmic dancing, Vinogradov's yarn bears down som- berly on traitors boring from within in the party 'structure. Under Pi- riev's. direction this situation as- sumes dolorous, rather than earnest, dimensions. Cast- throughout wears ghoulish makeup which, in the love scenes, looks like a tete-a-tete-among Hallowe'en skeletons. . It's assuredly -not entertainment and, as good propaganda on this; side of the Volga, it is doubtful.' Background settings, obviously quickie,, are only too apt to give .the impression that, the party members, even, their elite;., live in surroundings Which resemble fish •huts."-\->. .-.'■■. ; ■., Anna Is - a; .conscientious shock- worker; portrayed by Ada Voitzik; Who rejects, one suitor (Igor Maleev) for an -unknown Siberian (N. Ariko- sov). '-JLatter, .after 80minutes which •deceive ho one,- turns out to be a spy. When this hapless wife dis- covers this, with the aid of the hon- est ex^over to whom" she gave walk- ing papers, she' immediately turns him over to the' police. Pic ends with the wife wearing a grim exr pression while, the traitor is off for a-date-with the firing squad. "'Unravelling" J*t: slow and plodding. Film has,;t9. go down as a weakle, even adjudged by Russian horms k ' Edga. COUNTERFEIT Columbia release ot B. P. Schulberg pro- duction. Features ' Chester Morris. Margnt Gl-Ahame, Marian Marsh. Llovd Nolan. Di- rected by Erie C. Kenton. Story, William Rankin: adantatlon, Rankin. Bruce Man- ning; film editor, Rlcbnrd' Cahoon: camera, John Stumar. K.- Rov Davidson, .At Globe, N. Y.. week July 17, '30. Runnlhg time, 73 mlns. John Joseph Madden Chester Morris •Almee 'Maxwell. '..Margnt- Grahame Capper' Stevens , -.,Lloyd ^Xolan Verns Maxwell..... Mnrlnn Marsli Tom Pprlclns Claude Gilllnirwnter Angel White..,. i... . ^.George McKay Pete Dnlley..'..v ...'.'John Gallnudct Gus , Gene Morcan •itntt MpDonnljS. . .Pierre Wa.tklns Dint Colepian'...',.Marc Lawr'ehce Morris' identity, though keeping it Otter's sister,':p^ed>?>3r- Margot Grahame, who elicits more attention, is a sweetie of. the counterfeit leader. Woy'd Nolan impacts a lot of menace to his role as bill,n\aker, while' Mor- ris also gives a vigorous account, of • himself, Mjs? Marsh Is an alsoyrap on performance.. Comedy interest, very slight, iSin the hands'br-XJccwge McKay, a minor mob member. The climax is one'oof those things, where miputes count as scores of T-men and police rush to the rescue of Morris and . the captive girl he's fallen for. In the editing, Vthere hasn't been enough.manicUring, with result 'Counterfeit'drags in spots,' , CKar t BORDER CABALLERO '-Puritan release '.of Sig. Neufeld-Leslle' Slmmonds prod'ucUon.', Stars..Tim .McCoy. Directed-'by Sam Newfleld; Sor'een' 'play,- Joseph O'Donnell; original..Norman.S, Hall: camera. Jack Greenhaugh,.'At Arepa, N. T. f double bill, July ljp^l,, -Running time, (17 mlns. '. ..r. , ■ —'• ■•' Tim Ross.Tim McCoy Goldle Ralph........'.Lois January Tex Weaver.:;.. .Byrd BUK'-Bray<|en.......b.........'.-Ted AdamS . Wiley J. -Franlc Glendon Doo Shaw.........:...'.... : ,.i.Barl Hodglna Spectacular)' exploits of T-men. special agents of the Treasury de- partment, make 'Counterfeit' an an- tionful screen exhibit, but even with the producer resorting to all sorts of Excuses for action and. susoense, it' totals up mildly. Due to lack of box office names and questionable pull of G-men or T-men pictures, accounts will have to exert exploitation pres- sure to put .this one over for mod- erate results br better. • As the title suggests, counterfeit- ing is at the bottom of the William Ranklri story, adapted for the screen by the author in collaboration with Bruce. Manning. Every effort has been made to make the yarn plotty as well, as soak it in menace. An engraver of the U. S. Treasury is •kidnapped, as a starter under circum- stances that are a bit fantastic. From here on, things are generally, book- ish, also, including the faked holduo by a T-man so that he may. , work himself in with a .counterfeiting gang suspected of circulating much bogus money.' While at first it isn't tipped that Chester Morris ife/a T-man, if will probably be suspected bymost i'udi-. erices'in.vlew of the manner in which the picture starts to build up a fo- tnance between -Morris and .an: inrio-> cent girl" who's: ; .been- * kidnapped. 1 About-half way the yarn establishes ' 'Border Cahallero' has Just enough new hemstitching- and bid hanky to make it a good picture in its class. Standard fortes of. hero,, villain and gunplay. are 1 " all: present in ample measure, in addition :.t* .which there are two supplementary improve- ments-. One is giving the Hbroinie ah essential thread in. the, story. Other- is. dishing out a better, than. average amount of chuckliis,, ■■■'■ Sam Newneld*s;-tiirjectioh. has a good fqel for what's wjtfnted.lrt this type of film, which ■' -means that rugged' manhood is strutted amid plenty of carnage; but- without get- ting rheumatic, where some acting is required.-. MdCoy's, chore unfurls up to snuff. Part assigned to Lois -Janu- ary sounds like one,of the few breaks ever dealt out;in the heroine sector. Not only is she^not. in loye with the hero, But she gets badly wpunded-lh the filial sequence after her own bne> arid-only has long been evaporated in; the shooting. This turn should go. okay with the juves whd prefer, to see the resplendent male Unham- pered- by weakness for" the other-sex; Part of a G-man. angle is patched, into the yarn, but it's, minor and.re* suits in little-more than intrciduciiig a couple of anachronisms before it fades out. Earl Hodgins as Doc. Shaw, plus a couple of uhbilltid pi%yt ers, ladle but an" acceptable coatlng : of comedy which is neatly paced into; the^mairi. part' of the. plot, Camera work is faiit' : bul., doesn't stand up with the other departments. . . Edga. Eine. Frau, Die Weiss, Was Sie Will ^ ('A Woman Knows What She Wants'). (GERMAN MADE) .; (WITH SONGS) Casino release of Prag production. .iStars 1,11 Dagoyer.v. JPfiftt'ures ■ -Maria. Bellnc,. Adolf; WohlbruiecK,./'A:dapte'd from Oscar' Strauss^' operetta ot the same name." Directed/' by Viktor Jansen. At Casino, N. Y., double bill, July 17-28, '30. Running time, 82 mlns. Manon Cavalllnl ' -....T,II Dagover Karln Maria Bellng Alexander* Matlsson Anton Edthofer Axel Basse ....Adolf "Wohlbrueck Praesldent de Gonzatex Scharwenka Barikler Llnge Hubert V. Meyrlnek Peter Karstei. Curt Vespermann Dr. Heyberg Hans Junkermann Presschef. ....Werner Flnck . ;,:>'.r.v »^'^t«i; Only') (ITAIJAN MADE) . NuQfa Mdndoli release of Tlberla Films production; features Mllly, : Vlttorlo De SIca and Knrlco Vlatislb. Directed - by Mprlo Matt loll; from play; 'II Gatto In Cantlnaiiscreenplay by Glncorno Gentllomo; rhuat^-by Salvatore Allegra; camera. Carlo Montuorl; English titles by May Christie'. At Cine-Roma, M.. X., ,yeek- July 18. -'30. Running time, 75 mini. Grace .1 .Mllly Professor'Giovanni Ag'e^no. .Vlttorlo de SIca Avvocato Plccoli;.. k Enrico Vlarlslo Aunty GludHta.......,.w,".Gludltta Rlosone Carlot ta A da Ddndlne Cesare Bal'dl :'•..», ..Carlo Nlnchl The Baron. 1 ..,. Renatd Clntente Opera Manage!' Enzo Btlllottl Cavallere RlvolU. Gloyannl Barello (In Italian'' with English titUs) With a plot constructed around-the familiar formula of a titled girl who loves , a composer, under difficultleSj this import is effective in its lighter arid musical moments. - Because mus- ical angle" has been, made predom- inate it should satisfy foreign, lari- guage' spots Tlvher^ .'they get the nuances Jet dialog partially. lost- In' English' Captioning. ; . • -Vittorio .de Sica supplies the verve and poetic spirit to thp role of Italian composer who falls, madly in love with the daughter; of. nobility, Milly is the well-known Italian; thespian who appears as the Other half of the. romantic duo. /Both. well, suited for these, characters, requiring '. vocal ability arid adeptness at word man- ipulation, . Enrico Viarisio appears as"the sup- posed, friend of. the-composer who keep's him" in deep water and away from his fair friend at crucial mo- ments. Carlo Ninchi, In the part of poet and operatic comrade of De Sica, - dwarfs Viarislo's "best efforts when-he makes his appearance in latter portion of film, . Plot consists of the composer meeting, the girl, being suspected of aiding liberals, exiled, triumphing with a "modern opera, and finally- winning his. sweetheart despite the government edict and other obstacles. . Leisurely manner in which plot is developed and overdose , of endless talk undoubtedly will.,annoy average Arnericgn audience. Music arid musi^ &aY background are most commend- able features of film. . Wear. ; ABYSSINIA .. . : (RUSSIAN' MADE) v ■ ."'." '• Moscow, June 30. •« Soyuzklnokhronlka production. Camera, and dlrecUon Boris Zeltlln. Vladimir lesbu- rliu .Running time 45 mlns, . . (In German) Smautly..adapted from the Oscar Strauss opus, this film has what it takes tQ,,_sell the Teutonic audience. It probably won't get further than that, being shy on songs or arty ap- peal. But . within the limits of itj? market it should stand up as ' a staunch article, solid in all depart- ments. Lil Dagover's name is. the required marquee forte. Story is a fluffy affair, but it has been nicely portrayed in up-to-date settings that bring out light comedy values under capable acting, and di- recting. Songs and music are notably relegated into the background, but this was a wise choice. With Wohl- brueck as. a gay ne'er-do-well and Lil Dagover as an actress longing to get her' daughter back, the plot -is amply fortified to deserve emphasis. At that, the. job might have been bungled with a prosaic German cam- era and mounting stint. Work here, however, is distinctly above par. For once the Prussian lens crew has given up its sadistic inclination to saw the tops off heads, and reveals Miss Dagover from the best angles at all times. As ingenue, Maria Bel- ing gets an equally good break, atop of which she handles a tough assign- ment with restraint. There are two flash scenes, both radiating lavish- ness, and the cutting is conducive to good pace. Supporting cast well selected for type and turns in good chores. Film, emerges as a balanced job, embroid- ering a series, of chuckles resulting from' ah ".' actress' attempts to save her. daughter from the stage in ac- cordance with the estranged father's Wishes. No English'titles here.-. - . •' •., ■ Edga. / (In Russian) .Boris Zeitlin and Vladimir Yeshur- ih tl ' Soyuzkinokhr.onika's crack cameramen, brought back Italy's in- vasion of Abyssinia in this film. - Film' opens with quiet, landscape shots of .Ethiopia's mountain country, theri .pierces, through this to the squalor . andmiserable existence of the natives. Addis Ababa is shown in peace time, foreign automobiles threading among the camels and donkeys. War—and you get the na- tive volunteers pouring into the capi- tal armed with hide shields, spears and knives. -With these primitive arms, they, go up, against the Italian borhbers, tanks' machine guns, field artillery and mustard gas. . Soviet cameramen caught one Italian bomber falling at Kakala. The. bombardment of the field hos- pital at Dessie is shbwh. Picture was shot, of course,! with an eye to the- Soviet audience and with a view to contrasting the heroic, but hopeless, resistance of the •Ethiopians . ■ against . imperialism equipped with modern arms. Outsjide, of Russia, it depends on whether Italy will allow it to be shown. Benn, Title Changes Hollywood, July 21. 'Across the Aisle' becomes '36 Hours to Kill' at 20th-Fox. 'Let's Pretend' is now 'Sing Me a Love Song* at Warners. ' 'Two-fisted Gentleman' is new. tag for Columbia's 'The Fighter.' 'That Man Sampson,' final title jfor 'Sampson and Delilah,' Radio 1 short, featuring HajJ.,Johnson choir. Radio has changed 'Count Pete' to 'Walking oh Air.' . • , • • STORY BUYS Hollywood, July 21. 'Heart Flush' bought by Columbia as Jean Arthur starrer. Authored by William Lipton and Houston Branch. E. J. Flannagan's fight yarn, 'Trial Horse,' purchased by . Warners. S. N. Behrman's 'The Second Man' purchased by Radio. • 'Gone with , the Wind,' Margaret Miller's best seller, bought by David O. Selznick. Radio has-taken original comedy, 'They Wanted to»Marry-,* from Larry' Bachman -arid- .Darwin L. Teilhat - .. .Hollywood, July 21. j Spankv JWcFarlapd, Rosiha Law- rence, PW Pps;Holmes, Irving Pichei, Sidney- Toler/: 1 Glatide Gillingwatet, Louise ^BeaWrs, ■-Alfalfa Switzer, Porky Lep^ ^ckwheat ,Thomas; Fred N e w,m;e yfe..directing,;., 'Colonel Spdnky,? .RoiSch. > • Isabel Dawn, Boyce DeGaw, screen play, 'Flower of France,' Tj. JackY^Rue/ Einlry LaRue, Bryant Washburn, Claude .'King, Crauford Kent, Robert Frazer," Miki Morita, John Marlowe; Phil Rosen directing, 'Divided by Two,* Invincible. Clara Kimball Young, Bryant Washburn,'Black Coin,'Weiss. James Burke, Fritz Leiber, Ernest Cossart, Guy Bates Post, William Burress, Theodore Lodijensky, Fer- dinand Munier. Sam Saritsky, 'Cham- pagne'Waltz,'Par. EVE. Clive,'Sherwood Bailey, Ed. ward Ellis; Walter Ferris, Bradley Kingj Durward . Grinstead^ screen • •playj "Maid- Ot Salem,' Par. George"Hays,,Jimmy Ellison, Purr nell ?j;atfcV$ner^6Qd Bailey; Edwin Maxwell, dialog director, 'The Plains, man,' Par-.'; V v -.-'' '' •• • . . Grady Sutton, ?King of the Royal Moiinted, r Lesser; 'Valiant Is the Word for Carrie,' Par, , V Sam Flint, Harry C. Bradley, Don Rowan, Wives Never Know,' Par. Eddie Moran, Bob Yost, screen play, - 'One Man's: Bonus,' Par. . . Wertdy. Barrie; William Thiele di- recting, 'Girl of,the Jungle,' Par: • Paul Kelly, Julie Hayden, 'Thq Turning Point,'Par. : . - x Jay Gbrney, screen play, Untitled musical, Par, ' Virginia Van : Upp, Patterson Mc-« Nutt, screen play, 'Right in - Your Lap,' Par. Robert Florey directing, 'The New Divorce,' Par. . Jeanie Macpherson, screen play, untitled original, Par. Inez Courtney, Joan Bennett, Cary Grant, 'Wedding March,' Par. Buck Mack, Charles Wilson, Three Married Men,* Par. Don Rowan, 'Murder with Pic- tures,' Par.-.. Frank Hammond, 'Valiant Is tha Word for . Carrie,' Par. Terry Ray, Jeanne Perkins, Nick Xukats, Wolfe Hopper, Martin La« mont, 'Big Broadcast,' Par. Tom Kennedy, Colin Tapley, John Graham Spacey, Ernie Stanton, Gene Reynolds,: Thank You, Jeeves,' 20-.F, Lucky - Humbertstone directing* 'Charlie Chatt at the Opera,' 20-F. Paul Lukas, 'Ladies in Love,' '20-F. Claire -\ Trevor, . Cesar Romero, Douglas, Fowley, Alan Dinehart, Alaii: Lane; Allan : Dwan . directing, *15 Maiden Lane,' 20-F. • - - ' Ann Sheridan, Charles Kirigy Glenda Farrell, : Rosalind Marquis, Lee Dixon,' Osgood Perkins, Charles D. Brown,' Irene Ware, Victor Mpote,- Spring Byington,. 'Golddiggers' ot 1937,' WB. • - " . Walter Kingsford, Frank- Relcher, 'Mistress of Fashion,' WB. Herbert Rawlinsop, Pat Morlarlty,- Billy Bevan, - Ro'scoe Ates, 'God'^ Country and the Woman,'WB. '.Donald Woods,. Jean Muir, Dentils Moore; Nick Grinde directing, 'He- roes of theVAir/WB. ". ':Ann : Sheridari, Marie Wilson, George Ei'Stbne;'The Shrinking Vib* - let,' WB. Pierre Watkin, Henry Kolker, Spring Byington, ""Green Light,' WB, Linda Perry, Jane Wyman, Dick. Foran; Noel Smith directing, 'The Fighting Parson,' WB. June Travis, Bruce Cabot, Barbara Pepper, Frank M., Thomas, John Arv ledge, Margaret Seddon, The Big Game,' RKO. ' ; Heather-Angel, Dickie Jones, Clar^ ence Muse, 'Daniel Boone,' RKO; Burgess Meredith, Margo, Eduardo . Cianelli; Al Santell- directing, 'Win- terset,' RKO. ^ Finley Peter Dunne, Jr., scripting, 'Outcasts of Poker Flats.' RKO. Gaylord Pendleton, The Plough and the Stars,' RKO. Egon Brecher, 'The Man Who Lived Twice,' Col. Robert Fixke, Dora Clfemant, John Eldredge, Emerson Tracy, 'Adven- tures in Manhattan,' Col. Art Mix, Eddie,Chandler, 'A Man Without Fear,'Col. Leonard' Mudie, 'Lost Horizons,' Col. John Hamilton, 'Craig's Wife,' Col. William Gargan, Marguerite Churchill, Gene Morgan. Romaine Callender, Egon Brecher, Wade Bote- ler, Raymond Lawrence, Drue Ley* ton; D. Ross Lederman directing, 'Two Minute AJIibi^ Col. George Humbert, Albert Taylor, 'Rough Waters,' U. Nigel Bruce, Michael Whalen, Doris Nolan, Marjorie Gateson; Ralph Murphy directing, 'Way for a Lady,' U. Arthur Treacher, Spring Byington, 'Rich and Reckless,' U. Nan Grey, William Bakewell, Russell Hicks, George Irving, Harry Worth, Ethan Laidlaw, Marshall Ruth, Loren Rowell, Chester Gang, George Humbert, Ernest Hilliard, Albert Taylor; Frank Strayer direct- ing, 'Casey of the Coast Guard,' U. Albert R. Perkins, screen play, 'Treve,' U. Boyce De Gaw, Adele Comman- ding screen play. Three Smart Girls,*U. • Elizabeth Meehan, screen play, untitled original, MG. Harry C.' Bradley,' Charles Grape- win; Eddie Shuhert; Jack Conway directing, 'Libeled Lady,'. MG. • i