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W<^dIlesday« September 4, 194Q HOUSE REVIEWS 47 portion of th6 'Rhapsody in Blue- and not too wiell. ihg number, in which a APOLLO, N. Y. ^A., in niArlc ' nrQduccd biji preacher (Attles)^ , ^H^r/f/ i^ith^& S?oi?f IWtt? *rhap30dies,' hhs the germ o£ an idea, *'•«'«'-'.»-_. Aiitito Tim Mnnfo'-.lho pffloo joe Attics, Tim Moqre^ Joe fii/rd* SWJon and t<«e, Cecil Mack ehbir (16), drch (17) conducted ^by, Gcfttttde Martin . : and; ieatunng George Rickson. i Stagied. hy hew Ytxtlie' sketches, Leslie; music, Rube BlbS^^^^J^nnv^Merce^ Cecil Mttc/e and Mu^zw and Tayloi*; coaturnes, ySotvica; Vomen in War* (Rep) / . With floodlights but front, ;a iresK^ coat of paint on the walls and a host of colored celebs in the front pews, this Harlem, vaudei" inaugurated a new season on Friday (3a) night.;^Il waff duite a. shindig^ with stubholdr eis including, in addition to tbe usual men about Har^,. Negro fllnvstar Ralph' Gdopei', Ethel: Waters, W. C. Handy, BlUic> Holliday, Lionel Hamp-; bn and Mrs: BeSsiiB Buchanan, who owns that othei". palace of the Harlem hotfoot, the Savoy ballroom; Ther^ ■wrere also the gerftlemen ^ of the cuUud press, ihcludinig Lenox ave- nue's own Mr. Winchell, Billy Rowe. and- Sashlight and . candid. photogs working well past their bed time. ,, .Occiisibh.waS not only the house s . preem for the season,- but something, unique in stage shows. X^W. L^esli?. producer of innuiiierable: 'BlacKbirds ind oth^ revues with all-Negro casts, now hfis a! 1940 version; Arid instead of taking it on the road for a trybut, he finds nothing: rhore fecp- nomical than giving it a workover for kinks right in the cast's back- yard, Only the first act, Which runs, .' about 90 miniites; is b^irig presented-, this session. Section two comes rum-, bling down the tracks oh Friday -.(6) if ready, the fblloWirig'week if riot. It's, destined to-hit Broadway at a time which can only be: detiermjned by Leslie's saltisfaction with his ctea- : tlon.-:'■ ••'■.-^.• i i - Opening nights are opening nights any where; but with an obyious lack of rfehearsal with, lights and stage- harids^ arid a frightening teridency, to forget lyrics, this may well go down as the roughest bf them all.;. If Les- lie doiesri't do lot of things, and fast, his players rriay neVer see a • times sduare audience from bia'ck of the'footllghts^ ■ ■ ; Show as it stands Is: a ponderous and slbw-iriovirig rehash;' It has none of the speed, sparkle arid, wild abariT dbri that are rieceissary in any Negro ■■■ -show,- particularly—one designed .to play iat Broadway; prices.., This is much too bbyiously a cheater, not ieveh coming up to some of the better house-produced Apollo. presenta:tioris of last-season. To get results there: . will- have to. be some gay new times. : a flock, of youthful boy and girl dancers in bright costuroies. an^ Tnb- tibn in the sedate vocalizing .of the Cecil Mack Ghoir. . Leslie has eri- dbwed 'Rhapsody . in Blick' with . neither much imagination, nor scope; In the ' first place, although rio fewer than Ave tunesmiths are given credit-^Rube.: Blborii, Johnny Merceir; Gecil Mack and Muzzy and Taylorr- ill honors go to George Gershwin and Cole-' Porter. . Gershwin • for •Rhapsody In Blue/ of which ah ex- cellent but overlbrig version is pre- lented, and Porter for .'t'rii the Laziest Gial; in Town,' which Ada Brown revives for tbphotch results. Another. fesurrectioh is 'I'm a Little Blackbird,'. the- tune whiiih carried Florence' /Mills to ; prominence in. ••-1927.. / Vocalizing is. in the hands, of ..Miss Browhi who will be given stzir bill- ing if arid when, arid Mae Diggs. Former, who's as heayy as her grin.is broad; is a pip at both, sirigirig and felling. In addition to 'Laziest Gal,' ; she Soloes . on " sjpiritudls , with the Cecil Mack Chbir. doeis 'Dixie Isn't Dixie ; .Any, -More.* and duoes wi'h . .Miss fDifiigs on !Little Blackbird.* Lat- ter, uriifortunately, can't bold up her . .endi ■ She's a neat looker, but aside :' frorti a positive, lack of vocal ability, : lier geistures aire stiff arid ! urigairily. Winfltld and Ford, frequently, seen ; at the Apollo, handle the rhythm terijing, while .Estela and Papb do .Latinish- lerps. W&F click solidly, with- Raymond* Winfteld notching himself up. as one Of . the best pcr^ formers' of .the show. Boys: work on ■ an oval platform, from whicH .wr - field's slippery feet appear to be per- petually, about to skid; • Latin-Ahieri- :. ':can. team .are . also.' to.p-b,r.acketfers,' doing a bolero and a rhuriiba. /Femme*s snakehips arid muscular- control , of the derriere ■ are. sure ■' ihowstoppers. Comedy comes from'Joe Attles, arid the teams of tirifi. ,M6bre-J,be Bryd and Bbotsey Swan- Johnny Lee. They all work together. in: a bridj^e-play- .. irig skit, which is fairly funri.v as ■ such things gb. Swari' arid Lee do an ;; additional turn which is mildly IVu- . morous, a dissertatiori by Lee on the huniari: anatomy. It's all 99 and 44/ • 100% pure, which, :'incideritall/, - is true of the whole show. Cecil. Mack's mixed choir of 16 ;.. voices;; is; excellent,.-, biit needs . a couple of good-spirituals in. swing. It' does straight "Battle • of Jericho' - and 'Babylon,' and isiv/brked into the • 'Rhapsody 'in' Blue' number for fijie .; results. ; Otch, which is bri stage, comprises 15 pieces plus two pianos. It's conducted by a tiny gal riamed Gertrude Martiri, "vVho .riot bnly ap- . peats tb know what she's -dbirig, but makes the crew sound as if she does. Outfit provides a kind of symphonic swing. Featured at. one of the piarips . is George Riokson, who does a heavy but is riiuch too slow for the get away. 'Rhapsody in Blue' number, halfway through, with .long bfches- tral arjd piano parts, is another bad slower-downer. Staging as a whole could hardly be judged with the utter lack of; knowledge of; cues, opening night. There are no sets, orch backing \ip/the stage on musi- cal; riumbers and nierely a dark blue drop backing the comics. Costumes by Veronica are so-so.. \ Herb. COLONIAL, DAYTON Downtown Nat'l, N. Y. (YIDDISH) Hymie Jacohson, Toyo & Co. (2); Anna Luhin, Misha and Celia Bud- kin, Wyn & Herioyni Fanny Luhrit- zky, Chaim Tauber, Celia Adler, Florence .Wpiss, . AarpTi ;Lcb«dejffv .. :. Yiddish vaudeville, a nonentity- in actuality, read like the who's who in Yiddish legit as Jack Rovenger,:vet-i eran producer oif Yiddish shows,, preenied for; the season: his DbWri- town National theatre as a vaude house. With such; names as Aaron Lebedeff,.Florence Weiss, Gelia Adler, Chaim Tauber arid Fanny Lubritzky, arriorig others, heading a layout th^it corild have vied with anything Yid- dish legit bf more affluent days could have presented. Rovenger's opening Ddyton, O., Aug, 20.. :y'^<»'^^^m<^!i Bettv^L6u,^dm- j^^^^ .^^^ pi^^tv clicko for the box ^ViVian,. Jimmy :and offlpp iure.; a Well-orbwded house Mildred Mulcahy, Nan Rae and Maude: ^ Davis, ; Seven ,.■ Fredysqns; 'Untamed': (Par). Second week of the riew season's .stage shows:; at. • the .Colbriial bririgs back Tommy Riggs arid his imagin- ary fiycryear old, Betty . Lou; after several years' absence, tisirig much the ; same riiaterial he . has- made familiar on stagO; and- radio; Riggs pleased these .custoirier^;- rriiphtily, arid>hile the^Straight vau^^ has riot the zing of a Unit ishow, all the acts' are excellerit.. Riggs carries on' the .Usual con- versation on childish .subjects with Betty. Lou, sings 'Hap Hap Happy Day' in the falsetto Voice and 'Jeep-^ ers Creepers' in the two voices alternately. Wbrks with ease, ;: - Jinimy ari'd Mildred Mulcahy go over with their excellent harmonica piayirig. .' After. offering single numbers, they play. 'Rhapsody in Blue' and -Tiger Rag' in swing, both done neatly. l^an Rae arid Maude Davis provide plenty of laughs with their act of the inquiring .-reboirler ; Who; lures: the other one of the duo' frorii the audi- ence. The latter, poker-faced and serious throughout, has spriie nifty repartee arid as , :'.tbrtiire singer' offers versions of .''Alexander's Rag- time. Band' and 'A Tlsk'et'.that seerii- ingly are a cross betweeh piig-Latiri and doubre talk. • : :: The Seven Fredy^oris continue as one of the best acrobatic and teeter- board acts. bn the circuit.: Weakest on; the bill ' . the opener, Samuels Brois.and Vivian, who do a series of .:tap.s.; of;. varying stylesr .,«lQng_;-with. isbriae handsprings and. cartwheels by the girl.. . Kany. ■ STEEL PIER, A. C. (flfUSIC HALL) ; of flee lure, A well-crowded / house saw. the operier. ; .-, ;.' However, in, his zeal to ;pre5erit, the tops in' Yiddish entertainment, Ho-„ vengeir must look to the immediate future when a dearth of names bids fair.to set in. .;And Yiddish show biz, regardless Xot talent.^ , measured ,in varying degrees . of excellence, de- mands particularly .powerful- names to get. 'em through the wickets. With .the field so sparirig of b.b. people, Rovenger's mairi fault at this open- ing show .seisms to have beeri in giv- ing the .fQllcs;tod much name piill,. amorig other things, for their f)Oc\ top, which qri the. opening- nictht- (Fri- day) iricluded.two "hours arid 10 riiin- utes of stage- show/ a '3'. ' film and newsreels,. ■-•'. \ . v; Two outside acts, by way. of vairie- ty, have beeri added. . Toyo arid Co. (2) are a mixed Japanese aero tearii who~ open the ; card; neatly;. while Wyn and Herwyn; mixed dance team, are on - for two Contributions that are standard, the gal being par- ticularly impressive with her.looks set off by nifty red .hairi . Since the; rest of the; bill. Was practically all- singing, the '■■ addition of thpse two were, life-savers. Otherwise : the boredom would have . been terfiftC: from sameness, ■ ^ :.:..;,' ■'Gerierallyi the Yiddish- part of the bill was entirely • satisfactory, with Hymte. Jacobson, veteran ; emcee ;in the Yiddish nitefies.arid formerly a legit plavey bri: Second. aVeriiie-^Yid- dish legit's Broadway—pacing the .?hbw snibothly. Individual clicks by far, however.,- Were Florence; Weiss, the neare.«!t thing tp s.a. in the Yiddish theatre-:tQda>^.: and. ;Aarbn ;Lebedeff, the perennial kid himself. -,..' ^■■.-MisS Wei.ss .was plenty slinky in a white, revealing gown set off to nifty effect by - her. lori.g, black hair,.. ? nd .she had' to return for about .a dozen bows; before'the mob Would let her off. Lebedeff, in practical retirement for the past few years, does ia few domedy. songs,- He also had trouble getting off at this catching. The rest of the bill saw Miss Adler, U.,'S. would have been more •rele-» varit . than personal attacks on Dies. Despite its unsatisfactory . .niature (from the. standpoint of logical argu- merit, that is) the reel stirired rabid reaction from this Ernbassy audience. Noticeable that when Bridges begins his reply to the congressrhhri, nurher- ous cries of 'Let him speak' were necessary; before the uriion head could be heard above the hisses. ■; . War! scenes .this week reflect the obvious difficialty of the reels in covering the air hostilities over Eng- land, where much, of the flighting has taken .place at ni.ght; or,; if.:;in ;day lights so high , in th^ air as to have beeri virtually irivisible, or else oVer such widely scattered areas to have been almost irinpOsSjible to cover. Some views of plane battles over the English Channel are vivid, but. are remote and ', brief, . Other, shots are. nibstly' of ■■ bombed homes and wrecked' planes. Arrival, of the Artierican Legion arwy transport in, -New York , is covered by Parairibunt iand Metro. These .are r!?.petitibUs arid, overlap needlessly.- Other clips cover the cbnscriptiori battle in Congres.s,. armanrient con.struction and arrny ma- neuvers. .'There are also the usual sports subjects, fashiori shows; Lew Lehr bits, press a<;ent. sturits, baby parades and the Duke and Duchess of Windsor arrival in Nassau. But except for the Dies-Bridges, /name- calling, it!s tbmparatively tame; Arid even the much-touted: 'debate' is hardly comfortiri,'? to believer? iri the democratic process. . .Hp be. TOWER, Kv C. Atlantic City,: Sept. 1. Viima and Buddy. Ebsen, Adrian Rol.Uni Trloi Sue Ryan, 'Paul Sydell and: Spotty; Ernile and Eugene fiar:^ tjiane. Weldon. Barr^ jpe Rardin, Ben j iong'brieWthe ranking trage^ Yost Varsity Siirigcfs (9), Frank ^of .i^jie yiddii^h stage, contribute an liott's. Minstrels ' (6), , Jim'wiy Jones' : o^ay dramatic sketch a la Corrielia House O.rch U4); ;Arflentine Wights^ Qtis Skiririer, in. mono, in whic she (U). ". ■ ■ assumes several roles: Miss Lubritzky , was on and off briefly with a tune; traditional qhaim Tauber, of radio, did .songs of a chassidic vein; Misha and Celia Budkin did comedy sbngs, and Anna Lubiriy . just songs. . ; . . • . The National operates weekends pnly pn the present pplicy fpr the next few Week.s, when it's planned, tp switch.tb a full-week policy., : Labor Day. weekend, highspot for bebt entertainment at this seashore, lives up to its reputa- tion at St^l: Pi^sr's Music Hall; Frank Gravatt arrarigcd ari unusual- ly big bill, in both, quality and. quari- tity, for the. week that marks flriis here to entertainment for tbe sum- mer, season. '. Vilmia and Buddy Ebsen; topbilled for the holiday weekend and ensu- ing week, failed' to arrive in time for this catfching (second show Sunday) because of a flood between here and Philly. Same thing applied to Joey Rardin. who was billed for a special one-day .showing. . •. .- : .. .:, . .. The show was. clicko regardless, season its current EMBASSY^ N Y. ' (NEWSEEELS) :' • Kamas Ciivi Aug.- 31.., Burns. Twins and Evelyn Price, Three Sophisticated Ladies,- Desip, I Bpbby Rpbinspn, Lester Harding, ! Herb ' Six ■ house [ qrch, House Liiie; ' 'CaTPlina Moon' (Rep) . 'Country Club Follies' is label pasted on this week's show. In 38 minutes it is slightly under the aver- age rurining time . and entertainment calibre, was likewise at the Friday night (30) show. / ■ Route; is at its best early with a neat lirie opener "arid a fast tei-p turn followed by the Burns Twins and Eyelyri Price.;; Boys arid, girl' mix it up With ,rapid pace all the iV.ay, twins dancing both solo and in duo and girl cbntributiftg: a racey / tap on her toes..' .:: '■•■ Regular amateur, isv spotted. next and has 5eniblance:.o,f an, act rath than the. single stunt usually use'i by these perfprme"rs. ' Bpbby Robin- son .tinkles a. xylophone satisfactorily ■and highlights his act by hamriier- ing biit 'World Is Waiting, 'foi: the. Sunrise' .under; a blindfold. Closes with a ■ peppy march medley but rieeds to sell it. ; ■ Trey is given over to the Three Sbphisti'cated Ladies.: ; Idea of : open- ing in regulation . Waltz arid switching to knockabout comedy, acrobatic^ is- okay, but pace needs hypoing, espe- cially to set off the; cbmic antics.; House llrie swinging golf cllibs brings mid-show up to par, . Lester Harding; steps but of his m.c. chore to sing 'Summertime' and 'Nearness bf You' in his .abceptabie style. Closing standard spot is as- sigried to peszo. in a- conglomeration of comedy acrobatics and pantomime, but it gets a light effect Comic is assisted by Polly Day in opening, but handles solo from there out for tlim- ited assortment bf chuckles. Girls in ' a fast terp to; 'Hallelujah' again quicken; the pace; and work but a bit of a finalie by; teaming up to bring back other members of the bill. Current. show sees the Tower en- tering second year of continuous op- STATE-LAKE, CHI , Chicago, Aufif. 31, ■ Jde :Reichman Orch with Pennv Parker, Cbndos Bros, : (2), R,oss and: Stone, Dick Todd, 'Andy :. Hardy y Meets Debutante' (M.-G). Rvishing irieixperienced pepple botb . a. stage is dangerous for a theatre. Biitlt-is particularly unfortunate for the poor perforrtier who rimay .never recover professionally . should - that ' appeararice work out unsatisfactor- ily. As with Dick "Todd : (New. Acts) ; Who has been building- up a good ,; reputation as a pop singer over soni radio cori:iifterfciais out of Chicago and a. flock; of pop platters. ' .- Joe Reichman band comes in after an appearance in the Empire. Room : of the local Palmer House several moriths .ago/- Reichmah has solid; arid interesting . orchestra,. and; he rates as a. geriuine. band moniker as ; the result pf a long radio sustaining . build-up. His band disperises a lbad.; of popular riielody in particularly, inr ' terestirig V arrangements .. that ; can . make : good'" anywhere. .- Reichman himself is a real artist on the key- board, but he has some unfortunat* stage ciuirks. Which militaite against him and which should be eliminated. • The first is his trick of -tilting; the, . pianb' bench wheri. 'he 'jplaj's. This. may Seerii 'extrerixely niinor, but it: is annoying to an audience, which finds itself watching the tilted piano bench instead of watching Reichirian. ; They keep waiting for the bench to slip. Also Reichman has a trick of leaping , over the bench when ,h» . comes tp the; pianp;; This lpoks awk- " ward, in the fir^t place, and brie, of these days he is going to; trip and, fall on his kisser. Singer with the orchestra is Penny Parkeri, ai; moiisey warbleir who sirigs ; mousey songs mostly. . She scored,; remarkably well with this- mob which; Werit:for her style. . ' Two Standard vaude acts make up, fhp TPsf; nf thp show. Condo.s Bros. are a sockb dancing turn with their excellent tap' roytines. Always dis- tirictive in'appearance • and style, thi» pair of hoofers will register any- , where. : '■,''''^'' Ross and Stone have rearrariged their turn somewhat Have elimin- ated,the piano biit have kept their, running- line of comedy chatter. Plenty of .laughs in. the act, with Miss Stone impressing , with her- in- dividualistic lazybones characteriza- tion.; ■ ^ Z'.. -v--V '-; ■ . Business good at the' supper ^how riday (30). ; ,; .,'. ; Gold, PALACE, CLEVE- With a. dearth of lively newsreels available, the Embassy^ lering sct-ynu year ui uunuuuvus oti- pf Its. characteristic showmanship .^^ ^^^^.^^ under mari.agement pf Barney - The 'show was. clicko regardless. Reason its current and policy of vaudfllms. Idea Adrian Rollirii. with his vibraharp; gnba^sy-produced de^^^^^ , pf.. buil.ding>x;' family; trade with a Frank Victor, guitar, ; ^nd ,Harry.,Harry Bnd^-s Goa^^^^^ MirSn', house band under. Herb Six, line of Clark, bass fiddle, turn out son^e . and h's personal gadfly, lle^^^ Ser 'eight girls . brider Mary Graham tuneful music in swing, classic-arid V Dies. .:,Sub^ imported roriianlic themesV ; Sue. Ryan, blpnde ,.|hpuld^b^^depor^ ; ^^H, ""^^^ ^^"^u^'^T^^5- dently become established, as biz has indicated. Quin. a fast Singers chop.se,- between Haddock .Continued from paije 45. uniforms, do some of *heir'farniHar 'stant^^ First; thing ,on the agenda,-be ballads, Their, tambourine riumbsr , JJg^^^^^J'g^^^ S i.s brTefer said, would -be regaining; much of I . •. .- , ■ .u. -^„....>., ithe ;membership...,-whose ■lbss,:he-laid i ■ F^aS^ib^^ Kelly's 'mismanagement.' cSe;i<^pS^SiseS^§^ :are \familiar with | m answer to 'reports that Kelly Cleveland. Aug. 30. Charlie Barnet's Orch (14) with • Harriet Clark and Larry Taylor,. Step Bros., Marty May, Rosita Roycei 'Young People' (20th)., Nat Holt, RKO zone manager, ha* set up a neat vaiide-seasori starter for the Palace. This : is bow of Charlie, Barnet's jlvers hei:e, but the young swirigcats who have followed therii at outlying: terp emporiuhis were nearly kicking the backs out pf seats in ecstasy at this catching. What gives bill an extra spck is pres- ences pf Rpsita Rpyce, dove-dancer handed a big buildup, and Shirley^ Temple on screen to satisfy the no,n- jivers.. - - ', ■ .■," ■. ■ . Although coming on the tail end of the swing, cycle, Barnet proves, town's still : got a heavy quota of rug-cUtters who eat up hot rhythms. Orch gets thern rocking the top bal- cony with crescendoed 'Availon' and steaming them up with 'Pbmpton Turnpike.' Apex of frenzied swing- :eroo reached in 'Wings Over Martr hattan,' accurately aimed to titillale the sophbmores. But as far ..as house's older clients, who prefer sweeter musiCi are concerned, it's just ;so much brassy abracadabra. Latter are completely over-ruled by youngsters who yelled for so rhany encores that show ran 77.; miriules over weekend.. ' Barneteers, despite the approval, display more ^ energy than variety arid need mpre stage' showmanship. Harriet Clark lends lots of blpridiei; oomph to outfit, but her small, .flat •Voice' . ' almost drowned .out _ by knock - 'em - down brass :Section. Larry Taylor's short-rariged baritone hurts 'Never - Smile Again,'. doing much. better on lower-registered .'Night and Day.' '• : Four dusky Step BroS;, deucing, wham out some fast arid handsome taps .flavored with telling Harltm; comedy effects. Fineisse plus regis- ' here. Marty May cuts into bill . i ance.s, Na'th'a'rie ■ .-Bros;;, niusicai: acr6bats,^{'mlnt to-deport:Bi^^^ .ri»MS!cai-,..ac.rww.cf ,=...c .^^^ -to-,-link, the. ClO- lcader ! v,ras composed mainly pf Kcljy s r.:.':..- draw. l^ffs...n Wsior.^ and.- coriveniently t own herichmeri.' ':..'' ^ the one standing Upside dpwn- with ;-Dfe^n, ^^^^i^'^-j'^ ^i;, was revjvmg .the-.,pld {SrS^^- S^i'tfc' on the.. head. :..S^ S lirSb^ptl^S'arid bQth^playin^^,io->^st^rmgto beforer/th^^grojup; was: absorbed i^ lins^.with' guMb. -They took three - solved Budges after a nearing. lasi ^^^^ . Members of. the uni Spicer 6t show is Miss Royce,. ,' doing her New Ybrk World's Fair s that Kelly. : stripperob,.'.with eight trained ,.pir- ; . - . . ., vvcis icv:iviwe .w.,..v..w Unik'd.En.tier,.rVgephs'addirig gracb head- :.-s3RQol;:.and--adm.ittecUy^;no^^^ he::headed: : her ;'uriveilihg:,under . blue lirfits. ./' ^ " '>'^-■ ntp' TurnPUt'. exceptipnally-gpod...hoU-: ' day helping. '- ' Piillen. year. _ _ " " Cuiien's band,- .all-riGMT leader, finished . ~ spnc bws. . . . ..■ ■.;■; '■-; '-■ ; :c,,r,^av i-■ 'fn*the same way.^Bridges del^ were said to;.be urging. . . S;R;0.-atall peiJprn?ances.S mdjy. pull put. of-AGVA'and Tommy C ^^sn^S^, -?hc^ >SiGl^^ merely ;to break,.lataor, -rMurri'tb the UEA: fold.' ', . , " .,;„ crew;.expcpt ition to ..this^shmv _goi..^ .unions, but ;he fails to mention the ^he .UEA group bad never given ;.at; Rockview jSer'c&bus^ihS^Sirth^^^ 5^^^ duS^T?sh^, 'TurriaboMt^d ^' (^^^^^1'^,^,^;^'^^^ iJ&ctiye in the past. leiiht ^monthsJ continues^ at i'v„.,^/PpnniP • in ihe Gasitto haH.; ■■ ! An outright. repudiatJon^^C^ ..ware-Water 'Young Pepple.' in tlie Gasino^^^^^^ Ni Y.- 01d:bai)d..under J^ddievRegruto.:. Gleriwood hotel, Delia-, Gap, Pa. .,