Variety (May 1941)

Page scan 00036 from Variety

Record Details:

Title:
Variety
Date:
May 1941
Publisher:
New York, NY: Variety Publishing Company
Volume:
Variety (May 1941)
Leaf #:
00036
Language:
English
Subjects:
Motion Pictures, Film Industry Trade Magazine",Vaudeville,Theatr
Collection:
Hollywood Studio System, Early Cinema, and Theatre and Vaudeville
Format:
Books
Contributor:
Media History Digital Library, Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1905 by Sime Silverman, Variety is the best known and most important trade paper in the history of American entertainment. Variety began as a New York weekly publication covering vaudeville, however, its scope expanded over time to include legitimate theatre, burlesque, motion pictures, radio, and television (transitions that the MHDL will eventually document within this record). In 1933, Daily Variety was launched in Los Angeles to offer in-depth coverage of the motion picture industry and serve as a competitor to The Hollywood Reporter, which was founded 'on the Coast' in 1930. In March 2013, Variety's owner ended the print edition of Daily Variety, though as of this writing, the weekly publication and a website offering non-stop news updates still exist. Variety may ultimately be best remembered for its integration of show business slang into entertainment trade coverage. Boffo. Hokum. Quickies. Svelte. Climaxer. Tenpercenter. Coastlander. Skein. We're still feeling zowied. -- Eric Hoyt, 2013
Date Added:
August 29, 2022
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Wr<lncs«1ay, May 7, 1941 37 < T HE modern miracle of broadcasting helps to balance forces, loose in the world today, that would pervert public opinion to unholy purposes. In the very nature of radio's many-sided employment of man's genuis as scientist, inven- tor, artist and entrepreneur is found assurance of democratic, free operation. American radio, with its far-flung con- tacts with the minds of millions at home and in foreign distant lands, guarantees humanity its greatest victory. Participation in so grand a task is the privilege of Kate Smith, her collaborator and her organization. It makes us proud that this is so. The pledge of our dedication to Americanism naturally suggests that we owe acknowledgment to the Columbia Broadcasting System and its station managements and personnel. To our sponsor, our agency and our associates, thanks for the companionship, with- out which the progress of the past decade would have been impossible, but with which the future is bright in promise of better and kindlier human and artistic relations.