Variety (Feb 1943)

W«lpfHd»y, Febniwy 17. 1943 STATE, N. Y. Ed Siillirflii. Joey Faye f Jack Ai^rison Mark Hullng & Sharkey River Boyi <5). Jane FtMeT lHob*rrs Sfsiew i2). John Sehaa- fj. Cfl" mmerf. Neal Stanley. RMbW Zu-crliitu's Honse Orch; Miidv SSJred i" Voriely^OM a. M2. Ed Sullivan. Ihe New York Daily News' c(>luniiiist. has an assort- ment of youiiKSlers with him on Ms Seml-annunl appearance at the Sate at $2,500 per week, but four established . acta steal their thunder. Especially sock are sharkev Die Seal, handled by Mark Hullne: the Joey Taye-Jack Albert- Sn combo duinK •Plugcl Street.* vet burlesk comedy bit. and the Martens and Mignon. three men and a girl dolni! n fast adacio turn. Also scor- ing are The Deep River Boys, four colored harmonists with a fifth lad as piano accomp. As for the newcomei-s. most of them got an excellent measure of applause openinf! niglit (Thursday). Best of 'em Is John Sebasian, a nice- looking and capable hnrmonicn plaver. Neal Stanley, also young, ioes a fair job at routine mimicry, but his'takeoff on Hitler isn't any- where near ns good as Sharkey the Seal's. Jane Fr;iser and the Roberts Sister;:, a trio, are doing an exact copv of Ihe Tip. Tap and Toe plot- foriii dancing act. but -with hardly the skill and (Ines-so nf the three color-ed boys. Gail Manners Is a striking blonde looker, but opening night her'voice was out of kilter and she bowed n(T after two nuni- bers and a weak reception, Good vochI coaching might do wonders her her. She certainly has a boffo appearance. There Are Such Things' In ■ pleas- ing, though not very strong voice, and left to a good hand. A little too high class for audiences here, who like their singers more on the rautous side. Kim, Korean magician, runs the f!amut of standard magic tricks in he middle frame, including the cut rope, umbrella routine, and knot- ting and unknotting of silks. A hit. Ivan Taylor, formerly known as Ray Martel, dishes out a number of impressions in the next to shut spot, the best of which are those of Wal- lace Beery, Franklin' D. Roosevelt and Wendell Willkie. Well liked and drew nice applause. Three Plantation Boys, colored, have the makings of a good dancing act. if they .get a routine. -.As it .•itands now it is too slow at the start. At windiip they earn plenty of ap-. plause. Jlforg: ORPHEUM. MPLS. Miitneapoliji. Feb. 13. Cliico Marx Orch il5) irilh' Kim Kimberly. ;5l,-ip JVelson and Jtfel Toi-iMC. Toy & Wing. Frank Gaby (31; 'Seven Days Leave'. tRKOt. Chico Marx mixeS'in hi.<s rnmiliar brand of clowning with llrst-rate hot swing band music and much iigree- nblc vocalizing and the resultant product sizes up a.<: a la.^ty enter- tainment dbih. The . aggregation is on a par with the other swing out- fits which have played this hoiL<e. Chico. of cour.<c. gives it added vittuo.<i. He intersperses his clown- iUK and gauging with his conducting and cmceeing and winds up at the piano for a show-.stoppihg ^stint. It all meets with customer approval. APOLLO, N. Y. DOtiel Hanipton Orch il6i. Riibcl Blakely, Dinah Washington, frunrct &' £or(e, Joyner t Foster, Pops It Louie; 'Timber.' Although the bill this week offers little in the way of variety, prevent- ing two dance teams and an inef- fectual comic turn, the Lionel Hampton orch more than made up for this lack before a holiday crowji. last show. Friday (12). Latter half of bill is by far the stronger, starting with appearance of Dinah' Washington, vocalist, who made her band debut three days previously in Chicago, where Hamp- ton found her singing spirituals in a choir. Gal has spiffy .style and voice, and did 'He's My Guy" and 'Man I Love' in clear, albeit loud fashion. ■ However. her"ftii^ii>.simo' is socko in a blues specialty that HOUSE BisVlBWS S9 voice, soils til adviinlago. lull \:k-< out of buund^ in a iniMi!>i-i' n.^ ; 'Frankie and J((himy.' l\,,uiv hi^ genre. Rose Marie hus imprnvi-d ht>r in K<- technique, but lu-i ■■iMiiirl:>!iiin ^ .«lill liiulty .ind -ho cii-aiiv nn-cls mure polish. Rds.- .-istcis i-inj; up the icgtilar acts wilh tomo >nappy pri'i/ol bciitl- ■ ing calculated to put thvm iii-i'o.'.> EARLE, PHILLY f'tiili.'iii' ti-li. 12. TMii.'i. Pi.irill Orc/i il:')) ir.ili ■fi>>'i-.i(< Thflor. Dirt: Mu.iix. I'viniy Jurii i.ifti-r. Drm-.is Miir-nnl, .S'l.'i'i,. W.r«-: -3 /fcii'ls lur .lil'a' .\ iitiii oiiKrtiiinnit'r.i iK.kk-iKv >s I'll tlU' L'iiilu liiwils Ih::: wi'vk. tmt with a bang. On next. Don Ptipikulf liiili'i luniitvly wlu-n i'au!:li(. hail to Tannen parlays .sunic sovond-rau- rt'iniirle with a rutvi'ii' nf .vi.Mxg material, to uudlvncp chuckles, but ^/I'lit-hiiacrs \\h» tiH>k :.iiviiiiiar:c of effect would hiiVi- been nuicli lii-ltcr ' llu- Liiu-iiln's Uirllulav holiday to if comic didn't hnvc In n-.-itr'. to ut- most continuous diiublo-takes for laughs: Three Swifts close, their .standard club twirling going over WfU. JOIKI. STANLEY, PITT , .Pi'il.'-lti(r(ili. Fe.b. 12, , Vaiipliii Moutor Orcli ilOi. Paul'; duces ii novelty tune stamps the comely femme as ajWinchell, Johiiiiir Afack. M(iri||/ii. Wave in My Hair and a 'WAAC on comer. Pops and Loiiie. dancers. Duke. Zipoi/TalcMl. Miirph)/Six i3i: My Hiind» ° and itarnci's pluiity of Joiiniei/ for Murfiaret' (M-G>. | chui'kles with an Afncan s-ifari gag. D( iini.< .Morgan, the screen heart : camp I'll the rmnt cnuplu m rnus to I heckle Ihe luiTiirmers and pi into . the i-liip-slontp routine for the swiiifiy biiiid iiuiiilH'i's. . Jerry Lester tunk the kid hecklers . Iir stride and managed to pruvidu 'plenty of laiicli.v dt.spile the killing III gags by the smarties Willi yelled out the punch lines. Jerry inlro- V've (iot a are graceful and relaxed, and even though sandwiched in bewe'eiv two show-stopping jam .scssion.s.. lads come off to large .hand. Standout of bill is the jam fcst 15-.' mirtute closing theme. 'Flying Home.' during which Arnett Cobb, ride reed man who blows a moaning sax for 10 minutes, has the audience dancing up and down the ai.sles. He even takes the .spot uwa.v from the vibraphone-playing Hampton, who beats it out beside him in in.spired fashion, but - .suffers because of faulty placing of the mike. Snappy. fa.<t-ini)vinx layout here. : ihiob. in the closing .nIuI. ^ets plrnty with a flr.stdass band to pace it and ' ul .vivlis fniii) the lemnic pewhuliiers two sock act.^i for support. Vaughn . whin lie uocorks a Miriiris iigly Monroe outRt has come alon^ like ' uood lii.ritoiic. givin.'; niii v.-ith 'One blazes since flr.st achieving the big Alniie' and the 'Rill Sniig' from time and local boy (he aitondcd Tjescrt'SiHit:' li|iu lie just (UMiplilcd. He sews up the proceedings with a sock rendition of the "Pledge of Al- legiance' set to music. Teddy CariiPKie Tech drama sch-.iol. here for a while and hails from Jeannette. Pa., about 20 miles from Pittsburgh I has clocked an expert .style that : Powell's band is \er.satile in that it maintains a nice balance. I changes its pace smoothly, taking Monroe, of cour.se. with his rich | ciire of the musical demands of Ihe baritone. Is iiiitnt's leading a.-'set but! lovers ol both the sdiinalt/ and the Frances and Earle. mixed duo of by no moan.< iis only one. He doesn't I KUtbiicket brand of jive. The band lake it easy cither, sinning "When tecs off with 'Brazil.' then sets the Lights G'i On .\gain.' 'Marching' .static for the baritone yodcling of 'Through Berlin.' with the Four Vs. Toininy Taylor who comes up with male quartet. ;is well us a medley of " ' ' The band i;: made up of six bra.ss. live .saxe's and thive rhythm and it's ^Sullivan is doing a nice, straight i heavy on the hot swing. The cinan- m.c. job. except for his brief par- ations are bras.sy and '.loud. but. ticipation in the 'Flugel Street' bit j iicvcrthcle.-s. melodic. There's no by Albertson and Faye. The column- - n(A-o.lty or comedy stuff and little at- ist's handling of himself In that ! tempt at glee club work on the mu.si- rouiiiie does not stamp him as a I cians' part. The boys, however, do comic. I con.siderable in.striimental .soloing in- . With' the first-run 'Andy Hardv's I dividiinlly and in groups during their Double Life on' the screen, .plus! numbers. Two corking acts supple- Sullivan's crowd on Ihe .stage, bu.si-1 mem the band's efforl.s. ness was excellent opening dav and Chico is using the same miikeiip night through Ave shows. If the and Italian dialect.. Band opens up dancers, are on first and got a nice hand via standard steps.' but Jn.vner and Foster fared n.(i. in a blackface skit. Rubcl Blakely vocals 'Out of This Mood 'and 'Nightingale.' latter to u Cugat-like' background, to plenty of response. Hampton emcees and sings 'Sunny Side of Street.' in pleasing fashion, but could come on earlier with- his vibes in- stead of waiting until swing finale. Biz good. b.Ov holds up. the film and Sullivan will be held a second week, but wilh changes in the rest of the staj.'e shnw. Scho. with a lively swin^ .session that brings on its attractive blond girl sinper. Kim Kiinberly. Toy & Wing. Chinese ballroom dance team, score with their impression of American jitterbugs aiid tliclr toe dancing rou- tines. .Chico takes a dig at Errol Flynn durinc s.imc isngging with the KEITH'S, INDPLS. iiidiaiiapni/is. Feb. 13. Hubert Cn.<!lle. Eddie Cochran <& Co. )2), 4 Noreliiers. 3 Appleloiis. Puipe & Earl. 5 Tauloretles, Eddie Resener Hotise Orch; '[/nderpround A0e>it' (Col). MARYLAND, BALTO. Bfllliniore, Feb. 14. , - . - ■■, . Siiliri'a Piiuukix Fniir P/irl« Hrlff i K""' "l* concUisioil. The wfS;;.' CaWi^fe^ (3^ C«r^^^ T".'" Wor()iiii„toii find House Orcfi i lhere. 'Eyex of the VndcrworAd' lUt. Skip Nel.son. one of the band's two male sinj-crg, warbles 'Moon- ' livht Becomes You' and 'That Old House is utilizing four instead of Black Magic' legL-tcring well. The band number. 'Buster's Gang, i.s hot. Another heat wave is whipped up by Mol Torme. youthful male swing singer who does 'Abraham' and 'Slender. Tender and Tall.' Bobby Clark, trumpeter; steps out to play end sing 'It .\in't Nece.-^^arily So.' with the band's a.ssistance. and it click.s. Chico here gels in some effective comedy bu^sine.ss. Two .stooges, a girl and a young fellow, help Frank Gaby, the ventriloqui.st. the usual live acts this week due to time consumed by the Salici puppet show, which runs to the 30-minule mark. Troupe puts on its well- rounded variety, with the dolls working to perfectly coordinated musical accompaniment. Fullstage flashes of the Hawaiian scene, the bicycle races and the chorus num- ber round out sti'ong single bits of the smoking magician, the piano , , „ , ^ soloi.M .ind the acrobatic clowns.; help Frank Gaby. Clasin^ bu.sine.ss revealing the gim-1 t"PJ!« "P,'""f'"\ . ... .. mick behind the string-pulling is Chico clo.-.cs the show with his effecth-e showmanship and a .solid cimcher for audience reaction. Spotted to close the particular do- ings, layout makes for a highlv ef Keith's has struck a lucky com- bination this week for one of its , best shows of the .season. The bill I blends the ncce.''.--ary variety, nov- j elty and quality and each act clicks : with the cu.slomers. The most spec- i taciilar offering is that of Hut)ert J Ca.v-llK. whose stunts on the bounding I wire .-ock 'em with su.spcnsu. His j best stuff is a back .«omer.-iault 1 throuKh a hoop to land uprichi on the wire and a series of "whips' which he runs off at great speed. Ileal job on "When the Light Go several' luimber.s at the nni.-h. Ziiwy . On .^cain' and 'I Heard That Simg.' Femme warbler is Pe^juy Mann, who knows her way .- round the Talent i.-: a.crack .•ipcciali-t in novelty tunes. .<loppin« the s-how with "Sam , ...... You Made Pauls Too Long.' "I Want ! mike. She takes in her .stride the To Be a G-Man.' Marilyn Duke tinder strains of "There Are Such cares.ses "You"d Be So. Nice To Come "rhinK.s"- and the ziiigv rhvthm of the Home To' and 'Weep No More' . novelty tune. 'He Si'.- s MijrderP warmly, and three Murphy Sisters. ; Dick'Mnin.s. 17-year-old : ddition to recent additions to the band, are' the brass ."ection. shows up as a more than just a harmony trio, be- j craftsman on the horn. The kid ioK energetic young ladies with first- ] does a solo specialty that"s plenty rate voices, a nice respect for com- . solid, riding the brassy beam with edy and a delivery that can in turn I -You Made Me Love You' and 'Blue be sultry and .solid, whichever the Skies." Band numbers 'iriciude 'As number demands. ^'Timc Goes By' and n wvll-execute(l Monroe's arrangemeitts are sharp medley of George M. Cohan tunes. and positive. Particularly notice- able is the way he runs off the 60 minutes, wasting no time on extrane- ous bows but moving right into the next number ju.st as quickly as turns have received that point in the ap- plau.--e that changes from normal to forced. Result is a show that keeps on the run and never tires. In the Edisar Bcrgan school. Paul Winchell rates with the best of them. His crossfire with an impudent dummy named Jerry is crisp and Other supporting act is Sunny Rice, tin.v. expert hoofer who.se forte is bal!et-tap.s. House well-filled. Fri- day afternoon, when reviewed. Shot. TOWER' k. C. Kansas Cil)/. f>b. 12. Add Broi'">i. Enrlc & Foriviie. The Great Ju.von. Earl Wright ifr Wonder Dogr. Joyce Lee Welsh. Toicer Orch dummy named Jerry is crisp and „.i,h jvjjfc,, carle * Mnrilvu BnlHii- funny, ami the two of them exchange yer- •Mndonie Spy' iVt and 'HI, '" •' ' "' Buddtf' lU). in.>:ulLs with an enthusiasm that .pro- Eddie Cochran anVr his " femme ^''^'^ ' «"''l''\*L"!./-BL"Jrh»X''^^^^ sistant make such routine magic ^°''""yu"«'''*" J*l?.i,^ trick comedy routine at the key board. The . audience . can't get enough. John Frigo on the violin joins Marx at the piano for a par fective windup of an otherwi.se'''"■'"••■>'''>' '=ock number. 'Gyp<y Love standard vaude layout. 'Song.' Up ahead. Four Earls open with ■ .A' ope"nig malinee Lincolns fast roller skating, emploving the: Birthday. hou.«e was almost com- usual spins and throws, winding up P't'lelv tilicd. Roc. assistant maKe such routine magic formnlas as the rosebush trick en- tertaining, wilh skilled pre.sentalion and a side line of amusing comedy. Sid Paige rates a hand for his work as m.c. which really contributes .•■-omcthing to the .show, and keeps up j the fun by working as the stonne in I his own dance-and-patter act with I Peggy Earl. The Novelteers get some laughs with their rudio-televi- j .sion satire, a melange of music, '.dancing and imitations highlighted by the dual performance of a girl I who plays an accordion with her I hands while working a vibraharp ■ with her feet. The Anpletons. is a lithe, good-looking kid who tap dances with a lon.se-1 imbed ease. Colien. EMBASSY, N. Y. (NEWSREELS) - - k-inding up with comedy business of oversized femme stooge being invited from me audience for some fast .spinning. Gives the works a good getaway which holds pace with the Galli Sis RKO, BOSTON B0.SI011. Feb. 12. Jnii .^iiriit Orch ilfli. John Kirby .Ada Brown comes back to Kaynee this week to headline °ii fast-moving 40-min'.ite .-lage fhow cleverly built Irom Ufwr standard acts, a 'Discovery .N'iKht' winner and the hou.«e. orch with featured trumpeter and .ssi]o>.st. .Show opens with a chorus of "Don't Gel .Around Any More' by orch, : v.hich ihen .-egues into info of "Why Emba.s.sy's current newsreel show. • Dim i Y<iu Fall in Love Wilh .Me?* from a ."fandpoint of vital war re- [ j,,- .Marilyn Balli.igrr. 'ii«riou.^ portage, is one of tho.se in-between-1 biUi.eiie atiired in red inid white, er.s. with the possible exception of i ...lep^ auwn to fio-il mike lor a two or three clips. Coming after chorus and ' .-ecnnd endinv. First la.st week's pictorial review of the. ..liindanl act on is Ei.rle'A Fortune, Casablancia 'unconditional siirr-'.-n- v ho kid adiiiiio and bnllroom ix'-ibi- ;der' conference, even the more stir- li m (iiuicci-s in a clever turn. They ■•. ork .-nMiothly aiirt rji'.e a nice hand. F.ii.'f ii!-o (incee.s effer-ti.vcly. .Sf-rfiiiii .spot lioes III 'Tlie Great Jiixoii. v. ho doe< .>i>inc okay ven- ihe ihc lers in the dewe. Trio of femme Orcli 18). The C'olitioii.s i2i. Tiiii singers give out' wilh .special ar-, Hcrlion. olhers; 'Conmnnilos Sni)>t' raiiKemeiits wrapped around im-: nt D<nrii' iToli. pres.sioiis and characterizations to' okay returns. BritI Wood follows: . . • . ,, with his down home talk and sock A new twi.M lor ilii< mi-.ioii 1 harmonica .stuff, scoring in solid combination of two U.iids on .st.vie and .vetting things ju.st rlplil 't'-';'' r"'"'-" " ^"r the Salids lo follow. Biz all «'"''>'*''' oI'Ci.mmamli.s. I lie loi • right. Biiriii niula. judging l>y the leceiil ar- . rorded this shine i..- ii •.•.-.oner. As CM/^t EiiirA4-kV> >-iiii ' i in r'li;la(',el|>!iia l:.-i week, llie -'inw CNGLEWOOD, CHI . ::ol i ll 1o "(ii.-.Mi' pi-:-.i:'ie. .<i.lv . rii'i-flon i:"i.li !•> dawn ramo. lo Uo>loii iil H an). :ii- , Lord L„o«, .^f,^r;m, "c^;er Km,, t}^"''^,^ "'^ '''^^1 ''r'''^f.-':^ % Ji'im Taylor, Three Plantation Hoys: "'•'" "'" ' '' / ' ..;v„ • '.Ml/ Sisfcr Eilccii' -Col) and "She's '"'""' '''"'" "I ilic Armii' iRcDi actually broke . ••I, < ni.p>. Savin's Top Il.illers pnivi-d their ! popularity wilh an ii:iii-ual .-clup: . Micated on the busie.st corner out-' featuring plenty of fiildle* and a Wile of the Loop, this hou.se has "cello, as well as Ihe usual brass oem playiiif! low-budget vaude bills! ,Savitt lilm.sclf pio\ides several tor past seven years. Five .acts (if. schmalt/.y chorusics on ihe iWldle and: laniily . type vaudeville. coupled does an' 'Amcriciiii Concerto' of ^"h a double featiu'c program,, moderate appeal. The bantl's -lylo Wednesdays through Saturday, is is sweet rather than jive and the ine policy here, with packed houses-! customers no for it for a chance.! Ihe result. Pre.sent bill Is emceed Joe Martin. Betty Bonney and oy Ivan Taylor iRay Martel) In an Buddv Welcome leiiister okay -.Mih . acceptable nianncr. with a quip or: vocals j„ various .-tyle.'. and the iw(i before each introduction. I band, keeping clear of iiuks and, Lord Lyon gives the show a good clowning, makes a solid Impression ; S'art with expert hand balancing! The Kirbv band, having llni.-hed a' oone on neat chrome-plated appara-1 long engagement at the Colonial ,"•'" Hes assisted in a chair balanc-i Room in the Copley Plaza, uocs big ■ng trick by .stooge from audience here, and its performance of a trio lor laughs and closes wilh balancing! of jive tunes clicked down the line.' .'rom fingers only end an upside; The Colstons go big as alwa.vs with' "own tap dance done on his hands, their ballroom antics, and Jim Her- went over .big. bcrt. a newcomer here, is well re- Crater, petite brunette, celvcd for his pantomime and imi- •I » X**" '^"'^ Know,' tatitms. A sock show all told, and * Had the Craziest Dream* and drawing big audience.^. Elle. j The Anpletons. including an '■■ ring .-equences measure up as .-iome- ' apache and two femme.«. make .-some Ihini! nnti-climaiic. improvements on the roughneck | Chief intercit. of course, is the dance routine ill their Barbary Coa.'.-t 'i Jap defeat at Buna by the Au.«s:cs .-■kit. .Surprise hit of the bill' is the and Yank.s. with the Paramriiinl clips! i.-iioipii-in ■.•.•'|ii (fiKid li:> (■oiiirijl. Ili.s acrobatic work of the live Taylor- .concentrating on Ihe tank-i .-:na~hlng' lit>! .vurk . -.ith a ••'noriu of Put •riles, troupe of. yoiinusters raOKing ,'the Nippon jiinule po.<'ition and the f),i Voii.- Old On"' B'i!>"''" Wext downward from size 10. who j-'ve it i lona line- of Japanc-e Hoad. T!:r.-e's a fa.st .--tart with their auile cart- 'a faniiliar aspect about the caiiH!ra"s I wlitiOs. flips and other .~lunts in the r reconiinit" of the i-veiil. however : opening lurn. The kids are ciiti; " ■ and work like veteran.-. Biz wa.< okay at flr.st .>ihow. Oirli. it. Far more ;irrestiim ar<' the Par clii^- o:! !!ic Hii.'.-iiaii Miopii|i eain- piiisn. parilciitarly the opi-od-v lic- travinc the Soviet ii:-.ieiiiiity In iiin- ni'liii- iiii'lei'iiiMlli .Vii/.i ti'."iirli< I loyri. |,ef 'Velsli. a t.Fiii'" «'i»!bt- ye:;-'i|fl ui.i -.vlin p|:.v.. :: y of ".A: 1 hors .Aw<-ivli.' '.'•.■irine's Ilvinn' Icavini! the iiiiprc.->ioii 'tli;i! much .-iiid "The (r»i.—on..- (;,. Holliirj Ai-.ng' more. vi.-!i;tlly. conlil have conic of o:. aci'M-'Imi; T-n- in-."i ■• • i.« ADAMS, NEWARK .Vc.rnrI,-. Frii. U Giiji /.••■.. 1.1:n.'o Ori-li ii:)i ii-iili mul (lyn.-iniiline Ihe enemy .-(piad.- /lie r.o.iilii.-riy,, Trill. /Mil/ f,i<(ii-li Rfw Miir-f. Huns .S'i'sOTx 'i:!i. f)oii Po)ii).-o;l 7'ixiiiii. ."J Si'-ifUo; "U" /drill" r/'l./l, n.Mid i.s vinnally tl-.e wlmli -iiiiw ll..- v.ei-k. Willi ilie Ihne .'i'l(>ili'-nai arts serviiiu inerel.v :,.< «iipr>riiiiiner- ai.\ I'liil.ii-li.-hnii'nts |o tlif l.oiiiliiirflo en w. Mtidifi >.p(-ran.di of Loiiiliiii;lo li;i-! ii'n>:iii:i-<l e—i-niiiilly :!;e .-.iiiic I'ov.ii iliroiiL'li llu- yc.,r.-. ii:.r.d"- iioiiiic.v 'em|)o i'lid .-.o-eharine i-(TiTt liili'iisini: ever.v rKiinltcr and revamp- ing i:^ ideniiiy .-md r.ilor l-i miJ 1J11- Lomliiirdo el,ai';,eti-ri-:!e-. Kllirl.on '.he v.-lioli.. i. fi.|- Uui n.iicli samenr;.-..' and li.i'k. of ino-iiMl variiilam iriid ;eir.pi I.iailer ha- •• i i 'y lir.m-i| to Ihe inellilluou.-- .-lylc J'^.it 'f-ir "hi- l:,>( I.i M-ar- ha- inriric !hr l.,ii.(ri, coiii- ■MCreiai iirize parka-.'e. on: il.(- I.orii- 'iiardo \.i-iiin of -iirh vi.riaol niim- h'Ts -Ui.-.z !.' -.Move lt'0\(-r aijd 'Olil Black .Matir'. remain.: never- iliele-s mii>ic a '.1, I^imliaidfi. and not what the lUir'.or oidere<l. It's a cute sellini: onllit. however. :.iid Hie mob here like it. Loinbardo Trio has bf-'en pushed .s'omewhat in the liackgrniind and i^ featured in only two numbers. Billy Leach and Ro.se Marie Lombardo. iiiid !lie ntelliods liy •.• Iiieli the N.i/.i- arc lured fr-mi their .iiiou.iil:iiM traps in ;!;C ("■•'.I'-riMis. Iii-:;iainfi(-.' of llii- "i.'i -i'id a-.-orie<l rli;!- .'ire iii-li'-i'lile'l i/v .•icfiiiiif of ii '-.1-111.1 • I :)i;li'.i:-:ii"ri-'l An -ies v.-lio inr .■>!! 'i.-iv. -t.-i-.-i-l .-1 .-•ie;ril!.-i i-rnipai- n I'lom the j-iiii:;!i'- ill J:-;)- lield Tnooi 'IVin: i-i;ii(;>- of 'he bailie lor ■("•.iiii.-::". -.ol'i .-\lli<-l ho-n!/'-- raiiiinu di.v.ii ■iii .-Xx-. .ii|)|il.i" .li:ir-' !>iir.< 'Fii.<;i: .1 bni-l -hoi if Seerelary Knox iiijd . .■\d:i.:i'.-ii- N":ii'iil/. anil ll-il-ey .-.t (■;:i:i'l:ilr'-ii:al ■Fo.si. and .i-^ips '-n till" W.AVF..S p.-iiadiii^' in N'i'-.v V-irk ;iiid l':e evirli'ii: of leii- a.'it.-' ill :.|i:<i!iiiei<> hmi.e- -uirodiiil- 1:11 Il:ii:'er Collfiic I'l m.-ikc vav fm- !i;e n-n tne rei-i:;li>-. The Kallcnliorn K li! " !l.- W- ■ N'tws" -tqii'iifG till.- •.'.•(•ek i-^ d(.-voled to a -iiinmarv of I'-i -.um.-.v.h puid iiCerls alid the .neviiabihly for eoii- tiniied raiioninu aiid of Ihe prob- ability of an Allied ilivi-i.-ion of oc- - c'ipicd Kuiope by summer through, the Balkan.<:. Carey Lonitmiie's .spiel ri-i.lly food. -She '..I I-; "-i;!-!- liir.e- Ka:', V.'i-iii.l •!.'- ..'-.x"-l(i-(rl'>.-i:.;! ij -. i-!i iraj.-ii-ii. T!ii-ii ii.(- (iefioiU-iv •id )'.(-r 1 rco-ni.. 'i-a'i ' lose ••. i-i f-r-aii!'s rSi...-i S - -1 'i . ;r fiiT a" -l o.-.- e.'iMV'ni. ! = i- r (ii :•- cet T •<• I)-'ii-l-es :! .• -! -- 'II- ■joi !. \i\a .-■.i-i. I|:.iiy • It:: ■ -olid : iiv:'iiii. .! B:- e o;)(-i-s ".ith II- lii:o ."'n:. t'.i- .S»! - •-. S!'"'-<' ■ : ■ "' ^:'(". "lo' Papa ' S.-.e '•' • . -.v !h Ti ."1 ■ .lallv Mrii.i::' ■ ■ I'l- 11 at : <,r<-'-, :,]'. i-i' Ir-iiiii'l iiiT f", :;,-i"v :.'/ :,t fir.-l :- '-.r . o-.v. .'■•.rl. OLYMPIA. MIAMI ;." ;. f'f'i. 11 sill fill rr'i .Int. '.Iiiryl'illl Jiirit' l.iiiiP A- l.i.rr H..-ily. .V'.>li <■• rroiij, Pinil -f.i-r-f. Ai ll.-ii.. //ft"" Hfi-vr's /;(.,/.<-»• 0,1)1; ".Mi/ iti-iiri n<W'i../;A to hiitiiln' 'Port .Shell;. Biiir.<"tl has l(>.p !ii<li:r.> on "1.. !':ve-aet vaiule --liov.- IIi-.-- roii- in;'- in<-Kifle>-- her familiar iniMCs- -ion. (if ii .<.oi:;hr-rn i-a: and a torch sioi'f-r. and ."-he bow- i-ff with a pa» iiiotic lil. n. -Mi-s Bni n-i1'- r«;!-s'.n- p| !y i>- hi-r big a'-^ef. hi.rr 1 -M her i.. m delon.ie of Vice Pri;.,ident Wal-1 "'"'.'''M'"' '""!'•'-I" " !"•"'< '''f'T'i''e lace'v internationa! policing plan. !'P'"-. " ^'■•■■•'."'' her s„hll.- -.•.tiriziiig Rose Jimmy Crawfard, drummer with mak:ng an attractive bov-Klrl team. I'"'"n''* JlT'^^'l «I2i'k'T*''« " peddle mo>,t of the vocals. Former. >•""•.'!.'»•"»« replaced by Joe Mar- B gofKl-looklng luve with a pleasant ' >-hall. Crawford quit. gi-:» lo.st III UiC Olympia's vypanve. Jack Mar.>>hall. makinu hi^ M-c-nni! apriearance here wf>w>: ihe stiib^ holder.< uiih his imper.<oiiations. with only fe hat brim and a rubber face as props. OiitKtanding Is his routine •Continued on page 46) -