Variety (Jul 1943)

so Wednesday, July 21, 1913 WEEK OF JULY 23 .connection with bills below Indicate opening whether full'or "spill. week. nctv vifitK < rrv ( nullnl (■!•;> . I a l<lI Sl.l|:ilil>. l'|c ' sr»ir <r:> ami «',.iv;.Tr . <-irj I t;..|i:tl. ]tia" i X- I ''-an Allliu; ■ J ii'Ui- .Wi'it'.. >I;i \ :»» lloxiiililn.tuiY' . .'w.VMIINliTttN i :.* - it |»lt;»l' A-llM/iUK •lt:illnin..iir Ili-lM. (I'l'inilirl;- " ;i .Villi In* . 'Ti.n'y i ::i iiT.i.rioj-1 • A'rniiiiiilii'a ■ I'l J11:i l(.'li:ii.l - .IIHili'iiM l.tr-.il?* .-' lluo'-Miii'i-l;. 'Oi i 1 .- ' -.., I»>||- TnlniHi| ■|:>i} r>..llul:!« •t .1 rti ■ Paramount S ■ Mom mail 14 ■iinv;»>: T*\ hi-*' ,l"l'irii"iii« 'ti.« <':im*>e' I.mii Uai..[»l Ore T.'iiiv '.llr..\. ■ - : Ililt llorlnlcHtlV ."K fnij - NKW YORK CITY I'lirtiiiiuiiiil- It Mil. h.'tl A>..*v. H,l ; THti.-H.'rbi-j I nifri'Ai.o fiiiffiilii- c;-!) : Di^h Ha i m*' I (."re • \\ >'*■■.# Maim N-«l Si:nil.-> i nir.\V;o <'iiiiiitfo .»•:■!» V.*.t.nli Li'-rin'mi. Btl. OU-m X- "Sl. : rlf y ■ J'itni .Wiim-IipH ,' MIAMI : Ol.vnipln CM-'Ih (■'ill j A- Suf .r '•' • . RushoU A -(-'iiI'.rn Ullil SWff|H*.V ■ Suit* of Piupb; ^:»#t«* K;iy X' K< jplalts . . OMAII.Y Ornlipum. .('!.'!) SniLit JimPr- , . ■-. .TOf.KDO'. INirnnifiniil <'.!:i-:!;V) Ov.y.U'- No-lfinri Tltl llanVl Milliard : Jliit'rii* & ShoV-^ ■• ' P/iu!'.Luvarro *■ rn .li'iiiiHIawhe RKO HOSTOy ; .. . Hint mi </-■-' 1 T-.ii.iii>.' Tii.difi' jLirc"' 0\f....i i:..\h M i !■<*.■' »!n.;r H*l Slninith Ctrm-'n. (:iynJI.»Tu C 1 .1 :«i Ki- Ci'.'.'H .1 nn* Pivr.*HoV 0:.|.v ,* Mn-f. (I.KVKI-ANO TltllH'P (•III r.i"ii«*l ll:t'i'tnl(in Or fcllli- )Ii>llltli'i\ ' I l-y Yv.Immh :• C'a i 1 iSt l-Yd'hri-H ;, Al** T.ym:m. Ijtilf Kv» ui' '■' I.an.* /£■ \V:niV- coumiu rulurr ■.('»T-*lh ■Ctv.v.i- -Xi'lsfHi Ore THiiri.M Milliiinl S.tin M f '( hi- S»uill .>l.n'tis SImhv I'nul" l.avw ri-i*-\- llio ' Ji».* n Uliuirlip .'" T.M'nio.f..llHniMtMi>'. i t«u 'I'.rntp 'i *i-ii• ■ i l HiU r'rl I ».>u Ivlo." Ore : ^»lif»rin OrO ■ . IIIIIV Mnr GO'i rrifi.'i GiH)or.i 1 ; . Ihii-y. .Iv.iiMly: f "lin ;-!># rt.»H!* UpJ'h'f* Cr^iipr. ... .Tii'.v W» -.C?:i'ij , lrlt« ■ ■ ' lthi»»' .AiieH- N:i i a I i" . lliiihriiA n.. N'fH'y JnIiim-mIjiu- Sin.irt Uns? ' W:illv 1*imv . / " .1.0tvn:n'l \y.iv<» Trio Vnto. Srii lrlj (MMimwiH. : .' ■ ■jiIntiny Sh v »S C 6 itTcrT' rr?rnr o mr 161 4t. ,\> r Kirin- V.]\\h l.xrld.ns-.Trio TeiUly \rH^on Oro. Cm rr Arioirly . rCmvH^i W Siii-n-' p..;ii'i |Vlirnr« -Mni-y V.iiu'-.Wt^li.iin^ ; N"'irtn:in • 'Kii':"?!* F Ni»vVlou s fC tiro ■('•mininnrH ■3iH*l--Vyli v.N'clitoi) ■\Vil'nui .f\t\ .; nirifr' IVnii- l(:trry l(:n\l> L n . it . .)..Ihhi\ KVmIi ■-ikiU'v. Xilh. .Nlutiilf.-i Of.;, " ;.KI hiurnroo (MuTdiiopy <i i t-y Of l Mliqlll lO; Orp - : A;hhj « Hnilo . Chiti liM. Jnwril^ .KiiinmiM I>nor If.in' U:t>«'-. ' ' UWn* "IIr;i It*» . ' . U.ii" l.'ui.J; 4'acD Oif ]lnrlO(|i<lii ":■ 0 il.» lU'liunirt 1 t vJ^tC l 'otin .'(Ji:r. . . . ■ , liaviinii-MiHlrlit \'0n ; i'Hlt> tl'MtlOZ .." 'KiMH- 1 ,n:stJli» • .\I:ii»;i 'i.UlVisi Khpcz' .1 \ :itoiti'lH ; V M-Vlax , . . . \Viilly Wnnfior I.lrfo pnri- Nit'Ciniro O.rc ■ , HU'Kur.v 11 nun* - A ni-li ^wcot - . .' Lnn v ' llonnoil Ore' llolfl AhIiip . (■Asi«r inif). Mi-mV> Ciiiiiliiciii r - ( iii-klnH l^ninpf ■' Dli-.lt K'uhn .-' ' llotol . lii'linonl- Tlnw .. (C.Uih* lint) I till Alll'M ' 0:t'hhv .'Ohliit 1 )* AJirt .Itjn i:if]Ti»nl ■-- . r,i|ut;i Koi!lit*! '■' ^ ■ .InV T'nriim>- .Ort* ■JJaV S;iiin<|pi \* Oya til t* 1 IK mar* r\i»oi r.ymio ; Krty. M(»n.tlioi lftn Orr MnlH ('tinimiMlnrc . (< Vnftiry mini)' Mi-di.-l CuriH'i- Orch .<rliihliillun Kitoni) W Ti'iu-o . - Ildtrl Killshn .. AI Iliblilt-v . ■Junt* Ta> ii>r Drrn . leoliintl ItpMinrunf liUth Poniili'g ' CUIT Cuni'ml Marly'ii. 'MnrilnCK riin hihi Wi itt'n v Cvont.- .Tolnutun ■ Toil .Kil'ih 'h Uro- Ancclo pre ■ . j|mm> Kcl(y'»" ClonUu lion* . .Mary Murray Kay M^ni^tij'." Money Ainorf Kny ^foi^liJrll •l»ni».ny Tlikul»* Cu'iucr * Itrt.*<» ;. hoi^in. UlipiV© ■ Hairtfiirot.C.rnv .. Vauplnt (Ntilifurl - ' Job Cajiotlo Oro \ . KHIv'n SlnliU C •llh.tfliliiK Or.h I'rtr-iiliy Mai'imNA . ri.iivntiv I'roHl 3 l!.]|y J»aniol!* : .l oh iv l'aiMni'k ... Mi'sm - 'Itlialis'inl'V; l,n Cobpii r.arry Koiii -. Clnu'liii Mnrilnez' ■ ■ ^iHHiilia '.liirtro/. siiihrt "l.of '■" AVIjuilr ll«»Vflcr 01s- Aliulilln (tit- Jo.HO V'urbolo ■■ ■"■, . ,l.n MHrlliilfiue r>l«-lt' ).|:i\ mi'Sf l-'raixrc** V'nyo ■'„■■■ .lan ^lurray; ; (itiiio ..Vnn 0r ftn a ' ■ T.a MarH , nlqitelir*>-.. ■Maxl Heriicre Orov Soras^o** Ore ■ 'l-alln Oiinrtri Oi>itrKif ; Vrlft* ■ 1 lai.riHtui JC- I'ijth^r M'liristiani P.'aliiily' »viir(»l Ki'iiu C;irlO>n tiinntv l*i-is* lVai:l*ai'.i. It^lntnro -. I'iuir Uollcri'i Iih ; "Si's ' ni'bnlnnos .< ii'iii'K'lii ■ l:*rntii-'^' l':UH<'l:i lir.il dm ' .1 Mi'(;r.ni<» Oioli llo.nrv XiiiM-'Hrt;)! * ■ l.ii Vi* rnrlHlonn* r.Jlihy llnWnnn I'aula T.awiViica i'olo**if . Uiilm :1omIi. Whllo .Viil.tkiiya ■ P..T"»l)a MltUo f^oit fillip'*-' .Tnt»y A'tln nif* : 'l'j»iiy ■ t \i H'<m;orl PnltirMjt Krii ' I .o.i I 'ul.l. S\\-o*V*f , ! , . , i'' ■ , ; " ' Tflfoo Sa nui.'lf ■ \Vllfroil May Trio .. BOOKING THE NATION'S LEADING INDEPENDENT VAUDEVILLE THEATRES EDWARD SHERMAN AGENCY NEW YORK PARAMOUNT BU|LDtNQ BEVERLY HILLS, CAL CALIFORNIA BANK BCOC. QurfiiA Terraci P'lill Tnilfr . .;. Sii*»ao Van*! . ■ .1o;\no ,vt riillllpi . ..\.>.'ttn* lieII ■ .laVl» All> it NOtl. flarv*-> Orb « Itninhoiv Iiib -, Rolihy l/iiiBv \ . Tntil. Anion I'laittiiitr K.MtntMne ■K:i'.; I.inds^y (lis. sitl' s.iunilci's Oro Ittf.ula Orr. -. Y , • KlnhumliB I .ill l .i 'lit* il.' W ooil. Klali I van Sir; A< Umr, Mlali*.: i 'li Vt |.*s 1; nun VirO N.ii.i MtiiaJ.*ft Oi:o- KitK^rn Co(■■•■■: * Knrii Niihltlrra' A.li'iiii K..llrnl Tr'lo Idvi .IVrfo' t. \u-iv YoM K*l Many jl.ofroiirl Ore Tli^ ."AVi^Jftcraia .' WalUIUMhila Mnlds ^.l'i«:Miiif\ "C'lalriT - . ■.■ i hiul .» r.ii.lilo ,Tnb,n»W Pit'us-ipnlo O Mf\»*i' TtaviH Oro. A^lnls ft Ooll. . \ (oiiir Qimrcpi.' .Matt>l<|. CioM*. I "mini.* Itr-woU ' H. .H : l|l,l0>- Sal-r Sliorr" ' SiV|l*»(V ; llariifil Pan.'ip"r Otc .. Rjiliiin- Hlrii " l\':i'v I'l'iittm ■ ^•■'M.'.ii. \i'U«'lliUo .I.Unv.-:,',-.-^.: SiliilHi K nl't " II ("I1MI.MMM & >: HuH*iiitii Krolt'limn "Mnrja'. Hlfsf I. Vi):i . 7. ilin:«l;ayft j!i'itoa K'nyiiA'aclfT ■,\rn.|i.-)' Wtohnn . NMaUliov/ it \'l:ii|i|iilr. lvn\iilrtrf Na>ri'a JNil-UKoia MtM iisTa "S:i i rt 1 '}}' ■'/■'^ ■■■»rY House Reviews OonliiViied from page .49 TOWER, K. C. art rtkny Instrument to live .luncs ot ;WlusiH'ni)j£* • -St. Louis. Blues" and ■World Is Waiting ifpr tlie Suiuise/' Stritt takes over on his own' fur aii act which includes comic chillier.' siiiK'uig, hoofinu and bits, of pseudb- magie. lie works neatly, aiidlgoes over.big, "'V; , '., ■ '■ '■'.' '-. . Next-to-'cloRing is Hip Martin- gales, adagio and hand-balancing duii.' \yho have a.nca.1 routine- whivjv they present .with precision. . Their control and limingv.is al36ve' the; average:; Bill '• closed.- by Jed Dopley ahd his partner,' Audrcsy Evans. Dooley. combines magic, rope t wirliiift and' cycle ri ing into a"standout act. His palter "is okay, although of it could '.-be sapoliocd. . . Capacity biz opening day and night. ' Earl.\ GOLDEN GATE, S. F ; Ala» Cafncy. Jane Fraiee. 3 Sqii- orx. Biltii Rayes. Freddy's fcriMdops. Pe(Wy :0'Nei 1 1 Li ii c. Cli a rlex Ka le i/.'x House '.On*' U2>: 'Mr. '-Lucky'' (RKO). ■ '.'', • ROfUESTKR Telilplo (I«-1B) . T.iiilic'l jfniliiiliin Or l':ni ,t .']lnl:i-lp^ . ItlK Tiriie '('Vi|i . ' (■itiiHi-lil & T.i'ivifl NKW -VOItK (.ITV XlrnnH C>iri,i..|f 1':i\ ;iI Iji i-o O fount,. 'Ilnin,.*'. <"m |,„ll;t .<■ ■ l'i>li-U-i.l ln.-i. I:it.-fill-, 1 Vi i v ( "Diiin (Hi) n-.i mi ini wi- rift- s' Iv ■ hi;.-. X Si.,..c,-s 111,: Til- f Tllll-IIK- riiil. viiKi rlii v A'l', I miril 'Or, 1 Vin;:i,ni AV..|.ll,:i: N Kh> *■ Wm.M ftill MilX, Mi\f:'.l|- tih) w.M... ,< ii.-i.ii rnr ' IMTTSnt'KCII Stunlry '(:>*)■ 3 Kini;s- . " I'lilT l-M'tviiVili*. ■| i>V .* AViiijf :; siooifoM ■' . (Ifll: '. Ov.y.lc NoInihi Oro- .HiM-i-l"! 11III ii, i-.l IhilTlS. X-'SlMM',' S'iiij* (if tlie Surti b. I'nul l.avnri^.^ Hvt\ '.l't'ii'mi,. ■ Itlnni-ii,* 'tV.\HIIIMi-T».N- K«rli. (S») •rt'iwi.i iMM -.1 n..i«i ,t Miinoy l.'iil Kt^lliilnv ■ (I?). Tlii^yi»l ' I'lirf' l^ilWrtrilx KKW VOKK ( ITV Mli«l<- Mull ( !l) T»'.li l',m?llults I'm '.' V.ill,-, ll:ir...\V;ilil - J'lrn.. l::i.l,i'i- I ii i-- • limy''(111 ■".'.' I'.iis^ M.irj:i,n" (|rf IVit Kli'KliHli lOI'/nli.-il. TallmV « i:.is ('..nil.... I*,II<*\V|>I|V. AtMili'.idy <if .MiihIi-' <■:•!> . : il' l.:ii,i; S.':'. Amillii v>.:\) |... .V|.|.I,.|,,||< ■ ' rj»N<;. ISI.'AMl llny^lil,. |!l). Tin- Mill i|ii,M,>lti-y .irtimiii-ji c: , ;--::i)' ■ f|.... l--|.,i,.,, z • 1P\ Viii..t-i>i f <''*.-'iyn'i:i<-ri Ufl'li" Mil' tiUiih'l li»>i 1.VI r. ii:iis'..i, ' rA-l : li:iHI Itl'iij. (IU--U) •Tli.. .i..;mi,.,-i.- - Tin- i:i. mi iini,.-i .■ • <%i'i.vvri(-<iTv. . Miiililil'K I'ltr ' CM-•.'.-,)- M:is~,.-. Sli'rl I'li'V Ci:(l • S-i.:iiii! I.v:it<'. Oif ■'' S »:-v Siv - Tl... (ir.-iysm^. ' ]i:iiiiiy.'llr,.|v-.si,'ii' .'"■ Ol-.llMliV'.ili^iMnitil Jl.-ii .;Vnnl f v iMiii-l,-v : Y'lOx'Slvii'lHi:' M.iilln K..(il>. K'il|.).'iu . IHi lc llimn ■> .7n'i'1>-. Miiiin tliil)' l-'i'l'Hunoh ■ |l|.It'll lliiiii- IIM.TIMOIti: llliMHlilrinni* .('::(). (*.jitt:i.t- vinviiioii ,'J'Ji..-; Mi'IhiiIh '. '' ■ lliini'i VIlit-t»tiI . i; wlllvx siiiit.: iw-'mv I'iiill M Iv, & .Olive .\f.-rry MVilntu.^ ' : : ' .-(«».*»»•'• ' .. • Hol.l.i ll.-nxli.-n ' CAMIIKN ■.. 'iiwit.h .('i3-';."»i.. nr,i:iil\Viiy ■ Hi'rvillen ii xn ri-oKii sinte C!»--:.-ii .ll,.r:iro ll^iUl ^ll'n W'ATKItlU'HV . rniiv c.'i-'!i) .l.ii^ Vi'lull'l (»r,- 'l>'inu. Xr Ciil l.pr.. I!il\ ItnirOI'H \Vlllo\V' <;ritvc I'urU ('.'."ilh unit ) .T:'i.ilt>l Miry - Al ,t : '.1t.;ln .TMliii.^lttit .M.-i imIUIi' & Sii.,.iz.-r l':iul Ci'i-rit*-: |l..i». Y.ihi'^ -Vil.'^ilTs' WOKCKSTKH Vlyniiiiidi (tn-o.i) l.»nln ..Itti'il.in' Oif. <'l.... r.Mnri.i,z i; ft,,Miiyn;. riii.-ui ILilpli l '.l.-).l<>.'. ,tl- II I'Olliin I'vllcUrt 1 - Caibaret BiOs NEW YOEK CITY Lolila Moj*^ . Afiiinrlutn Rf/if. M PimvpI! Alanlnrs Alan Hotmca Ore C'HHbttll X- .1 Si»'ple hoiiHi.i.v Msu-K Tlnr ■ Print'*;' ■. Mi' 1 ' - Maya Ore;' ..- U'Mnnv ; .Jn|tii*i»M- (3). 4'HHln* Huns* CHaiU:a •-. T41 Itfllo Alexia irnnelKi'.MhvlOnrf ' Oonryo-Sni th 11 N'ailia A ;Sanha.... Oyp)*y. Cliorua Arlcurt • . . R'.M Kftley Frnhres 0:Cojinel) ■M.irlo Dali\v ' Mnrrtilrv Mark , M:irtiMiA f-'rinicli Paula Vn'l#*rn CfruMVi Mioyoi) Tmlo ; rlan.l \VH^«n • 1'Mtlj'V Si(***M M:ii* B,>rii»'M '' Sltirloy-. C'onl: 1 in l.nov!.; Sin I li«*WJ( " ■ . Mnir..TiiH,v f'liHtniii MtMl«rn« Kflv. Piiivniitt I'trrar* .Tinv» Clllh 1H V li*v.» riirr-H u Jar* Fiixfl flflVI* PI\Mll M:iz»l Mt-N'illly (lordon Awli-tYTA O CI 11b ill . FranUlo;. llypj-f Mavy . .Inn* Urtwrf Pa 1. Tfarrintrtftu * T>ni oiln- Tliiili*e ' iVju.v: 0'.\*< il] Muriel K^nt Hon Martjiil Ore ' fliilt T-*!-3. P.ncAr Si*».i rt\%. . Myr'a KidksIov f 'Oltlkl'HllJMin : ' .MiiijM-iii^i'*' 11" n Pi-vi v' . .1)1 I'liltMi.H . K.*ni r..l\vnr.lfl T..*(iy .liriin Smllli" -l^n , »'' .T.ynn ' l>lnh"T»uv|!i Slllllltll SllTllfl ■'.' l^rr'iMU.Mn/i I I Orr V Nnt TVr.i »wl wy nnc'Or TCla lii*, ',i;inv' Oirltv WiKnn n : fa." Hl/imy .Tnrk" f)#n>|t«#T**' Vl.'i.ii.y Hhj-h & C,lr\ n.i\> Tl.ili^rtri. Trio Hon - RiiIf*r Hiii'li'l.i v f''..ft.qf 'RrtVji IHainnnd l1nrs«Blin'p Roll H.-ill \"i«-i.ii-i:i llano J'i>tjj Sf-« ■ ■ K.-lili TMli >iv I via Tiii ri'-' • H.i rrv Mi>t>|init . TtiuW-. K. Allison i''|inr .1^o*t. P.inln ,"\\ ill- Oiioniinf>\ <*r ■ liillv HniKt» . ■H..li|,o-ll;ir|«. ; X . . Kratii-os )|.*iiflorsnn < k liln X\'--\ri Vhi Ttn»^i« Di'Ml ., .llntmr. p«'o#»r> ri diii-^v M .i -.lull] Win.*. Al.Mo.iJIft .. - . .liri-a Ii v nni..lliv'.Tv.>It<t;nn Aillllhi Kivi«»li>v . 1 ftp 1 'rtnrrid rO'vliitatil K11M01 fw riiii'f* Pllat. rinniX^ :Mnrlia Ki Valarb Tiny Hill Orel) . Kollr* lit* rsrre \VIHto Hmvuv.l 1'. Il-M ton Hnllei M'in ialt ,sis,. i'lVe ^lax^llo)> , .. ' l'liiw«(Mi. M*ri|iletB ll-v^iia rioyr.. '. lf.ltu'Aii<:p H>M .'.T.otv"& V.Mlifi'i I.Hiirpni Mal. Ni . Irvlii.j -Ai'i^n. Oro . K.ltU.* St.uili Oi-' HiiIfI V*h*x Hoiim (f'^Hlnn nn PrtrU) Bai'r>v AyliMon Ore ■ llt'u** Ttaiii'tii.'- ''' llnfol l.exihcton -fnnwiillnn. RniV T.biii Ati-Mif) re. Ore (a hi I Moniiknl, , I lot i*i IJnrnln (III iii* Rnnni) Rolilio s!i»'i;vvntiil. Or Mnlrl ^InttiMtn . Sohnv KcnOif Ore llcttH MrAlliln 01nrlnt» (irlll) nindyj) Tel) .l.«l*tiny Mpj>sn#»r Orr llnfnl Kaw. VorUnr. .nVrrnr* Room) .N»rihiiy l.niTK Oft: Miinlvn l>:iy i/i-n- Williniii.t ' Ma rv '.l:i nt» Yem 11' -* S11IJ U :. n i 'ui'i v 11 in> .1 ?lmrrh "T5*»(•*»i'l: Wliiylit - \I iH-.y \Ta 111* 1 .a wson Hilly" lVli*-r«nn An Tnnlfuni OitI) Vi'i<*r kimi'i oitii ; Unlet Piirh <'#ntr.t ■ t'ruonniiiit C:r<iv*»V C.\\\ t.'allov^ n\* Ore ' TIim c;iiO;i||i-r;< . '< nyal 1'itltnV Tt.ii;iii)t«* fiittitly-' Kin. Thin I"'.rniil( Ittisfill .T.hirfn-.-Carriill' ■■ .■" Hole I IVnnnTTvnnln ' (Cut* Rnnj»i*^ , Will 0>lu»no H,1 , IInl«** ripfrc . rCotllllnil Hnnm) ■ Raxh 11' * N NfirUo" ' V, TUrry «?lanl*»v MMim Ore. CPnfi'fllMrrrf) r:il(*ir. , ,Mll<:lirll. Siatil^v- Miiiin Ore- llnW Pln».n . f l'rrtlu'n '.'RmtrnV ■< 'Miinii. a , v ('tiiiloba . Ht'ili -.1 f :i it'll mi • ,':l.aiT* ■ Sii'\* OitIi . ... . MnOI .Hiin*i»vrll AViiIj.m .p-Tiii*r *>!■«■" Unlet fciivny. IMiizn .W»fn I mine?) " I'd-lli**t<l"' • \l:ii>1ri. -.l-i^.-nli --Mji-vvui-'Orp' finiol. Slii»rn(nn :. (S«Hro Ttninn> SiAfan* Avjnnniln ■Mil. Ynipn : '. ■1CIiiar .Titlinmnn Oit HntPl Rr. Mnrllz ■ Hulni p.^.PoI'.f 'n'l'ineri " 11"«* 11. T'fliTv Oi-i* ' ... Hn(pl Triff F.tm.li l.,icl.| Orch Siliiiiv SliJ l.ir " llofrl WiiMnrl. A«nrlu ' .' fllfttlllflll' Hoof / . T>n T * t • i «< 11 * h n. ■ ^ . M'n inii 1 tii\v npy. . .MiHclia Rnrr.Ctr.O .■' Jlliri'lciinn'. -Olil** Klliiij-luii. ■ I.iMMh ; ■ , ; CnllAhmi Sis T\irnn TMilniVr . I!•.*( Si«-|»|iri'M' : f;i>u. Manln* Btl. " .Monte Curia Hrarh Mary l]oward Minim. J^roslnn^.'n • Mi.;U .Ca.HpaojT Or.- l:olnh iltiU'i if* 'Ore At4»til t* ChH« 4iHrilfrt A'l Uwii ml rn ■ Itnxii 11. Milan snmlon I UK. HnU ClMftt CTilcinlla V>.riiKlR Mirliey Mallory ..Mill - Mann. Ore Number On* ll«r WHIiiun Riiflscl) Allele Ar*>eii. Hob Downey. Prpdl'ic Vonn Haw|. >Vebsler . . Ohl .KtximnnTHfl ITciiny. NndeO li'ancltnn . SniJIft Tlanks Jni» [,npoi'l,« Ore. -" ■ Plnr« Klegnnle H'H KariTll I'tirmctv Ilnjisi Viijco do .('nMn Art Tiibniilnl Ki n(*«t lfYnir/. Ore - .?Cayn Orecla Vera NMva;.' CnAialno A- Rn rrv C'.uy MnrKn ' (lirla 'Cat Cln.vt_.on- .. ■Trvlnp rotih Ore ■ P«*.ler Roiumln Brt. . SnmoH T.ilinia Muiiati 1..: .:; li.il iv j|-i«-ali:ih . . S|'iiry>.'. ■St*l-V.i. ; • ■ •|.:ii <' X*:\ aTh }ti:.l.;^.rul,. Kalllilaj Noblo Kliijr ■ ■ Slork ( dib I »n 1; 1-* SI 1 y Ore .• ,■ : chittt.-i) Uamh'.Orc' Waiijtlo Cim-IipIo Orr ' Tlio rihrs ■ Ireiitf Hark ley Pal . n. ' !■!\-«l> n nroclc Slc*f*ts Toll»pvr"' T«ii>'*t Trmivllle ,l;|i-iill.'lllKi .1..- .Wllih'' I "I Iii r.l > . IliliMon.' . \ 'HilV* Mavis : I rixihul Club ; vi.ii.i .i.*nr<*rM<m . H'nC Clin I'jifw.' .1.i.» \S':i*4lihm(i.n. . ■ i'-iolt ■ . Hrmvn' I'hrll.l.ia,' \V:hMHi-r.- SinMHsilS i ll'r ' V**r*iiillli»« V* il OliiKtn ■ Oro 1'aiH-liltn Ore J..ii\\.Mo.\liilion Mil--11*11 Rtt.ihii' I *in ui by ".Piiriff i'liarlfji Woitlntnn. 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Mmi rtniliiiau <ti'i\ U.S. Films Contlifued fr'oinv'p'ag* .'l . ..T.wo personalitios from tilms hold, stage this.' week., but ..with-separate •WHiii nt i ; a n d botl i - \yoii the. audience with,the'ir persoiiality aiid ability to pul across standout. - performances. Alan Carney brings., down the house with ;his. laugh npulihes. while Jane Fiazce, adding up on lobks and voice; also scores. .Cai nby., vvho^is-featur.'ed player in 'Mi'.- Lucky!' on ioreen.'has amiable line of .challer and., impersonations. His . characterizations : of Sdward' G.- Robinson.- Charles ; Laiighlon '.:'artd' Wallace Beery are corkers, bill "the. real .-'guffaws' bonie when he depicts, the various: speakers, according lo' nationality;''at a/union, meeting. Car- ney.V freQiicht. cautioning of the au- dience nor to' applaud, becaiuse - he isn't yforthy . of- the - applause, is, the, only thing'about his act .that--falls- on uhresponsjve ears: Jane.- Fra7.ee \i-arblcs' - the old standby,.-'As Time Goes By.' 'When Ibhnny .' Comes .. Marching Home.' and ..thc.n makes a' : fine combo of 'johnny Zero." aiid 'Coming in on a Aying and a Prayer.' ~ All to good re- turns.. The • rough . and tumble .. clown acr.obatic antics.' of the Three Snil- ors get over, in a big way. Billy'Rayes' patter roiild hot be called streamlined, but his. juggling is. ■'■■•'' " ' - Freddy's- Bulldogs is -another:.dog racf with plenty-of..'good', tricks bring- ing adecjuate atidieiicc resfionse. ■' Biz .capacity >al .'show caught. ' AMI. WARFIELD, FRISCO . - Sflii;'Frniieisco. July 15. Siyli'/n Frbos'.' F-rifnk X'ook. Syfma & C'lt'iiieiu-e. Ricli & Adair, ('uriis & Claire; Heleue Hiif/lies' Line. Walt- Rnetnct's Hons? Orclr (15i: 'ffillcr's Modninri" (A/GM : ). • ■ of the. population of the globe.,' If is already nudging put French as the .language of international diplomacy' and ' far- ahead..of Esperanto and. oilier artificial" systems of - : . '.commit-.- iiication which their partisans .have been trying 'sclt " Muflinic said the trend toward in- '.sertioii. of- English wprrjn in common speech.' . Latin- America was par- ticularly noticeable among.-.childr' V aiicryouhg-people. They find it com- paratively easy to pick up Hie itican-. ing of oft-repealed words and. fragr ni'cnl.s, of spcc.eh :fiom heaiMng Iheiri oil, soundtra.ck's and at. the slime time seeing the- translation -in Spailish on subtilles. And iiiasinuch «y approxi- mately' •98'Vof the lllm.<. shown: in Ilie average theatre -in any' of the non-Axis countries.' Iiayfe English tracks'.Hi? populations get ;to : hear Ihe language vii'liially;.every- -time tliwv Bo to a cinema; . ■'American- music v is being ~uni, vcijsalized. in -much the Same way, Mlichiiic declared. - Between, ftim'.s. radio and jukebox: he. said, .the av- erage, person in Argenliha hears far nidreVU: S. t'liuri homegrown music and.becomes so accuslnmeri. lo'.it that lie ^accepts it often In .preference to his own. • Sylvia Froos. song' .stylist deluxe, is the lifter-upper of this bill. ; She puts across several songs in an in- dividual manner that is pleasing, swinging into 'All or Nothing at All.' 'You- Can't Say No ' to a Soldier.' and then delineates how femmcs of various temperaments would sing 'Chloe.' ■ The Army and Navy contingent out .front was especially enthusiastic about the canary's treatment of '.You Can't Say No to a Soldier, i Sylvia & Clemence. femme rough- house team, add novelty to proceed- ings. Their.-, slam-bang acrobatics and dancing put them over iii a big way. ■ ■"...'■ / ■ ■ •' "- . •■• Rich, of th . ich & Adair'.'iearh. is still hobbling on and otf sta^e as the decrepit old mail, who gets his legs in-a line tangle once he is sealed oh his soap'box "oh: stage: : ; Playii.ig guitar and- harrnpnica at the . same- time. Frank Cook; gains ■fine ■ silppo'vt-from out, front, His tricky instrument work brings.forth both pop-aiid classical, numbers.■'. Curtis & Claire are personable ballroom' dancers, with good fou^ tiijes. capably sold. Walt Roesncr's; house, orch steps out in a pleasant IGypsy Airs' med- ley that features three girl violini'sti! to good effect: Heleiie Hushes line girls point lip the show .with a distinctive shadow boxing, dance,, part ; of it Avilh.'the liglvting.'nVaking-Mhe effect of slow motion^ and iii a .precision routine. . Bi/. fair at show caught.' ■'"■>■ Mill. embaIssyTn. y. .-' MNF.WSRUELSj' The invasion of Sicily, released bv Paramount. -, highlights; a rather actional! and .diverting 1 newsree! show here currently. Paratrooper are shown liv their perilous.task, (oi lowed by. effective bombing, or the island aiid .quick glimpses of both Eisenhower and.Montgomery. Tacked ;to the clip Is. one of the last re-war Sicilian films to leave tfte Island ■ which includes shots of Mtissiilini' jlciteralion of President Rposcyelt's demand for.'unconditional, surrender lop it oif. ' No, 2 on. the program, this week is Henry Taylor, commentator-author. who-expatiates on the question of 'where-is the GcMrian air force?" Hi's stint, along factual lines, is drania-' tized through numerous excellent ■ baek-groiihd- shots.. Thpug'lv on con- siderably loi\g w Taylor holds ihlerest capably; ith- a Well-worded iiar-': ration-' •Very interesting are tile captured German films. ; released ' by- ' Fox;' Movietone- and' -showing the - Nazi arliiy in action on Russian soil. Ex.- ; jjlaincd that' the Germans took these pictures for\hpt1ie consumption[ Willi a view-to confirming expectations of winning in .Russia. .In- addition lo action shots and captured Russes. there : ' - a torpedoing of; an Allied boat, exlrenicly well .photographed. Arrival of Gen. Henri Gjra'ud V Ainoi ica;- fine camera work :oh night bombing of Munda; Axis :c6iinler- ruids. on .•Pantelteria aiid tiaiis- Atlanlic IITgiit ot.a glider. phi's lesser traihiiig and other clips figure in Ihe war. column... Personalities ■ include Bob -Hope,, oii- his arrival In Eiig;iaiu piv. a USD tour; and ■ boiid-selling rally .with Eddie Caalor in froiit of- thc Pahu e theatre, N.. Y. For a few laughs' there's Lew'Lchr with a police.'dog. A 'World. Today', (Kox^MpVletoneV and;another in^ the. America First serics..-.'Merfh;int Sea- men. ' distributed bv RKO. round out. ■ -■" Char.. ' New Acts ROY ROGERS With l'ralrle. Ramblers (I); Songs :■■:"':' 21. Mlns. . Oriental Theatre, Chlcaifo Attired in brightly- huod cowboy togs;- Rogers, western screen "slav, makes a'dashing appearance on lhis ; . slagc. Con\ing on, guitar in hand, he lakes the spotlight for a short .'thank you': speech and; then . calls on th» Prairie Ramblers, instrumental, quar-. let from live WLS radio staff/to bacic him while he siiigs 'Listen to the Rhythm of the Range', ahd "When My Blue Moon Turiis : Ip Gold A%a1h.' two numbers, he. does very well. ••••• - The.Ramblers play an "inslrumenlal number and then Rogers' brings oil his. film horse 'Trigger'; who tells his age and does simple arithmetic pi'Ob- ' l.ems by stamping a foi^and is pii't through sonic dahcing iiW|hms-while inounled by Rogers. Fplrowing the horse tricks-;; .the Ramblers are again , brought on to joln Rogers with 'j've Leariied a. Lot About! Wom'en" and a number in which-' Rogers calls' a square dance.. Closes with .Rogers asking the audience to sing 'Home on the Range' with him as most of the lights.are dimmed. Rogers/has ah- ingratiating manner, is stage wise and sings a; good song. His. appearance is 'colorful.; 'Trigger' does • enough tricks to satisfy' all ages, and when backed up by an in- siriimeiilal group, such as the Prairie Ramblers, who were only booked to support him here,' ft- adds up to a very- pleasing combination. However, if would, be belter it .some time were \ cut. Singing of one .fast number after the appcarnnee of the hors and the elimination of the square dance calling and the 'Home on the Range' bit.' which led to audience confusion here, would make a- much belter act. Aforg. NATALIE BODANYA Songs 15 Mills: Blue Angel. ■ " When a Melropblilan - Opera star' ^oes into a salopii .that's hews\ When she .does 'popular', numbers, -doesn't act superior '. to , her medium—and, above all. clicks', with the.- boile set eustomers-e-tlial'.s-. •One.'' -foi-. Ripley.- Feeling she's 'buried a wayIn opera/. Miss ' Boudaya. - wants", to get- Into Broadway musl-comedy. Hence her' decision to dp it via the saloons. • She's a cinch in both :her-ambition J —the musicals and tlie.nilerieS. , Miss Bodanya was a four-star click at her pieniicre. doing "Oklahoma,' Slrauss and Gershwin, excerpts in super mainier; ;The way ~she vocals ■ the. . Rodger.srHamniei-slein excerpts from tHe No. 1 current musicpmedy ■ hit on Broadway hiakesr thcrp sound even .better tlian in' the ; original - 'Oklah'oma.' prodiiclioh. Thence injo 'Nobody's Heart --'Belongs .'to - Me.', spniething, about 'Love: a Melody by ■ StVanss.' with Suitable 'Blue t)anubc ? ' embellishments, an' "."'Siimnie'rti.me.' She-left' 'em hungry Opening night ■ but could jiisti.fla'bly have stayed on'. Miss .Boclanya bespeaks '-showman-; ship frpm. the barrier.. For one thing, she's' a pleasant looking,! pelile soprano, and sfhe fortifies that with a . Hal He Carnegie ..nifty, that had the 'sartorial-minded femmcs wondering who !did.the, couturier- nifties; Willial. . bonifacc Herbert: Jaeoby :has turned a neat, trick .both' for his bislro and on behalf of the diva. "■'■-■ AbeL