Variety (Aug 1944)

Wednesday, August 9, 1944 35 House Reviews Boxy, Y. Fred Worinjf'* PennsyXvanmns f66> Glee Club (24), Donna Dae, Jone Wilton, Pemv ^aUon, Bees & a Honey (4), Gordon Godmon, Johnny Jaw, Goe Foster girls (36); "Wiison" (2(rth). Reuieujed m "Vo- Tjettf,' Aug. 2, '44^^ Fred Warmg's return to the stage show field probably will disappomt those who remember the Pennsyl- vanians ot 10 years or so ago when iheir chief source of income was de- rived from film house presentations. In those days, the organization could be depended upon for bofl! innova- tions, both musically and along pre- fentation lines. R a d i o success. apparently has changed all that. Current Roxy pre- sentation is straight from the back- log built up during , the past five years while the Waring outfit held down the VanderbUt theatre stage (N.Y.) five evenings a week to plug Chesterfields. Not that the shbw Isn't presented well. It is, with all members of the org neatly cos- ' turned. Waring continues a pleasant ^and effective: emcee, keepmg the Bbow moving and directing the orch «nd -glee club with precision and aplomb. , iShoW opens with patriotic "Time Is Now," behind the curtain. Bees and B Honey follow with jive ar- rangement of "Milkman" featuring cute pantomime bit by Honey (Daisy Bernier). Waring, in for aomevclownr ing during this. Other specialties spot Jane Wilson, a looker, for okay rendition of Victor Herbert's "Romany Life"; Donna Dae, also high in the orbs league, with '•ni Be Seeing You,'' and Peggy Wat- son, who earns laughs with energetic version of "Old Black Magic." Also on for laughs is Johnny Jay from hi.^ musician's bench for routine with Waring featuring hired hand's: trick donald-duck vocals closing with penny whistle specialty. He gets swell reception. Production highlight has Gae Foster girls In old-fashioned cos- iurajes, okay tn every respect, spetted tlirough front of house while Gorr . ^on Goodman tenors "Long. Ago and Tax Away.'' Letter's pipes meet the test but he's no. matinee idol'for looks-example of diflf between boflf radio casting and spotting same thing for theatre audience.s. . Foster gals and entire troupe on for "Battle Hymn of the Republic," ' ..offered as a community sing gim- mick to close: When . caught aur dience didn't feel like unlimbenng their pipes despite Waiing'a efforts to bring them in. SKow ran', only '26 nviriiites and since then lover the weekend) has been chopped even further to 23Vi jnins. General tightening up to meet Jilm skeds also has seen revisions by ■'Wtoing Wth^ " .for : Sti-ings," ! voice, arid instrunieiital,'spotted N"- 3 and Bees and a Honey dropped in- to fouith slot doing "Louise," with Jimmy Atkins featured, iastead ^ of "Milkraan," Show change is third since opening night. Dorm. f ower, K. €. Kansas City, Aug. 4. Rosifa Koyce, Larry Collins, Budd & Hollu, The Lockwells (2), £dtth Piper Tower Orch 19) with Marilyn fialimger; "Chinese Cat" (Mono} and "Ghost Wolfcs Alone" (Col). enes, whose range of impersonations takes m Hollywood stars and winds up with' FJ).R. making a recruiting speech. Others in this sparkling, re- vue are Bill Skipper, Ted Gary, Gloria TickeU, Benny Yaffe, Robert. Fallow, Arjeen E. Pierce, Lorraine: Whitney, Charles Hogg, Dolores Ken- nedy, Gower Champion, Coralee Burson,. Jeanne Freed; Sidney Cae- sar, Margaret Kennebeck, Katherine Pence and Ted Gary, Music is by the Invaders orchestra, led by Ben Harrqdi with a brass sec- tion from the Chase band in boogie- woogie. ■ Production IS brilliantly, lighted and set, with Gene Ford pro-: viding house sets for Coast Guard. Show ran 67 minutes, too long, but later was whittled down to 55 min^ utes. ..■•:■ , , Arke. •■ pearing on Earle bill for a one-song btint. He looks like art elegant post- war vocalist prospect for. some::hand. Once worked for Vincent Lope? and also as a member of the WCAU stu- dio band. House was poor when caught (Fri- day aftprnoon), ^TOainiy...because ;ot transit strike. :^ .l- Shal. Strand, Y. Ttwnmi/ Tucfcer Orch U6) with Don Brovm; Kertoin SomeruiUe; 3 Two-Timers. Rochelle & Beebe, Dtcic Bucfciev;: ''JanieS (WB), reoietoed m "Varietv" July 26, '44. This new show, in combination with "Jame," is a layout that pro- duces pleasing : results. Tommy Tucker's band, fresh out of the Astor hotel, N. Y„ does a good Job when it stays in ballad and light rhythm tempi. . It's backed by good singing and acts. . Tucker's combo of six brass, evenly grouped;: five sax and four rhythm is well-rehearsed. It plays slow stuff nicely; it fails, how- ever, to be convincing on faster; beat. Fortunately, only a couple of the latter style are attempted and the net result is a good band show. . One; of its opening numbers is "Man Who Comes to Our House," by Kerwin Somerville, long standard with, the band, but seemingly fitted with new lyrics. It clicks. However, of all: the tunes per- formed, "Swinging on a Star,*' which gets good production: treatment, plus fine vocaling.from the 3Two-Timers, stands out. While the girls are han- dling the words, the various animal and fish, characters and a "swingin' OH a star^' cutout, treated with lu- minous paint, are paraded onstage. It's plenty okay. Girl trio'is one of the show's nice pomts. In addition to the above song they do a thing called "All Things Comes to Those Who Wait," a nov- elty they perform well for heavy re? turns. Eton Brown also runs into Hipp, Bailttt Baltitnors, Ang. 6 Geofge vVhifcj -'Scandals of J944" tttth Musters cud Rollins, Ming, Lxng and Hooshee, Miriam LaVelle, Pro- fet-sor Backwur<'i, Al Kl-nn, Eddie helsoni Sam Lvmis, George White Beauties <16>; "Night of Adventure" tRKO), Following a brief layoff, this stage revue is out again practically intact and a good enough setup for an ample share of combo progranuning. Coming through in oliay fashion here.: Following , an opening by the girls m which two eras of dancing are de- veloped, male principals join in an old Casliiioned quartette. Gets some laughs and brings on Miriam La- Velle for some tapstering. Nice ap- pearing femme returns later for an- other spot of selling control acro. Girls combine' for a cute idea wrapped, around : a potential strip making a good spot for Prof. Back wards and his stunt of reading au- dience suggestions upside down, backwards and two ways from the middle; Contributes outstanding novelty and supplies good pace :i.Continued on page 39) Variety Bills WEEK OF .AUGUST 11 ::NuineraU In cfinncction n'itli .bllU' below IntHcate apeniiic day .of iliovr, whether full or split seek. Loew XEW VOKK riTY t'aiillol (1«> Gene'. Krupa.' Ore ■: $<ate (10) ,Tean, Jack' A; J'Ufly i)utie'T.orraln«' :Mdlloil A lull rllff I''.l'\Viu-«l»' >■ Dean Ifuflfibri Ore: WASIllNCi'l'UN. fapKnl (Iff) .Siiui '(^.i^a,uimi-ri-,Go. Rex Weber . I>nUe Art IUll-ic( llOi'toi- Panmont New Acts Rosita Royce and her "Dance of the Doves" draws top billing here this week. Shapely: dancer closes a 40-minute revue built according to a house formula. Larry Collins, trom- bonist, doubles as m. c. Working on a dark siage^ Miss. Boyce : and her birds go through most of the dance in a single dark blue spot, posing for a moment at the; finale in a brilliant amber overhead spot. The payees gave her a good hand. The house band tees oft with "Wherever Ytiu : Are," and Marilyn 9alUnger, warbler, takes the vocal, Budd & HoUis are on first, playing banjo and guitar, Edith Piper, blues smger, gives with 'Tessie's Torch fiong." The Lockwells have a roller-skat- ing routine which they climax witn , «n. iron-jaw stunt as man whirls the girl with only a wooden bit in his mouth. Larry Collins does some plain and fancy sliphorn playing, scoring heavily with final number, m which he discards the instrument piece by piece. ■ Cjipsicity at first:.night sKoWi'.:' ■. " ■''''. Earl. NANTCT DONOVAN Smgt U Minx. Farts 4«i Chante, N. T. Only thing Frenchy about Paris Qui Chante is its holdover title, now that Johnny Costello is operating. It's: otherwise an intimate boite,: nicely done over, with a little stage added, excepting that the jkitcfaen door behind the rostrum is some- times lett open to spoil-the illusion.'. Prime attraction is Nancy Dono- van, whom Metro: IS said to have under option. She's an attractive Titian' who. smgs Victor Herbert's "Thine Alone" and ballad pops such as "I'll Be Seeing You" m fetching manner. She's a personable young songstress of good voice who is ideal for intimate bistros of this calibre. Irving; Gotir. accomps her on the Novachord and there's: also Sonya XKW YORK ri'TT PaniinaaBt <*) Vaue:ha .\lonr,3tt BO Gerift .SlieWoii .. ' a (.% B llaixon Janft-Slater.: . ('KICAGO IhiniKK <») Rone's. 1l> "lloriteslioe DETROIT 'WtrhiKan (») Oszie . rsbtson "Bd , Tlai'iel Hilliaril 'lilaf.rrs. St hhcire ■ ' 111 nil say r :i:V it B l\:<»«t A. '.(.^.llnK :■ MUMI Olymp!;* \») By.rnr.«i. Urn ■ Tt»cl Tieary . Ariiauc .Bros .teller Seabold Del " AIari'.i.n.» , ■ - RKO Cabaret Bifls HEW YOBK aiY V—tom lie) — Horace Heidt Ore Fabwe (M) Abe I^jmnn Ore rni.i MBis - rataee "(IS^IT) Ti, flffiKtptdrt GVc ■ ' (Conway & Parks -•: 'fi Ik ' B ■ Ni'Shtin«iile Sootben Martin (1»> Georgift 'Auld Ore .Vobire W«M Ole Oprjr SOI TH <'AR<MJIN.% :. i. 'Oreenvilifr. .' . Centw <lff-17) WS\I Ole Opry Roaetta Wltliaixia' ' Henry Day 3- K^ytiie FranlcIIn ' .--iamly . ,9aQdiIer Ore John .Kirby Ore . uiir* Oar M'l Bthel Gtlbcrt .loan RefUy Cliarlea Rogoflt. FJernlo Grauer - [laroM WIDard' Jack- .BTan • Chai-Ie* Strickland. 3Immy-Burns Bill Kelny 9*7 9*'a Qaaitelt* ' Cafe: .MWKlr' '-'' (CptawB) BlU'I Ivfta ; , Ha,iel Scott .limmy Savo :Gd(1ie Hey wood.-Ore .'.. 'Caftf.. S««;lelr ' (DawntowBl IdJt Jamea ' ' ' Josh; Whlta BdraoqeV HaU Ore Peter ■ RabUt's i CikalM' Kasa* ' Xtoa Taraoova:- 'Dmitrt Matvrenlio Nictiolas Khadarik ' N yeriiUe Ballet . Vladimir LaaarcT G..:Codolban Oro Elddi* ' Steeia ' ' J>a.rIaBd Wit<«>K Cia» u Roy. Sedley-' Viii'-.o' Curran . ■ Jerry Blanchard Ann: Viitlse EddFa 'Lord ^ : .Rath W.!"!™. .Maraha Kenfc. Oordon Andrews ' O Frankie Froeba Ore iCopacabaua Bert 'Wheeler ' Paul' Douglas . Dolores Grey ' ' Elumce 'Heatey '^ Don. Dennis . Dana Ban ' Dee Turn*-!! S&ep irtelds Ore Hotel Mcai»ia: - Oladya Telli ■. ' ETmeat. Haraoi7 ■Er.l«.',Corr«a. Ore '■. Hotel: Sew lurhtf ' JoUimy LoH'X ' Mary Jane Teo ' Mary-Jana hmwv)»-..' Pesffy Whfuht Bob Ballard Arilold Shoda Rate! PennaxfTsnla Les Brown: Ore : -Hotc* Plana .Vlyr.ua . ,■' .\ eilsworth t F'chlld ■Stxaltr- JUelva f>i!S natal" BaaMmft:''.' Johnny .-Gook.. Ore- Hatci Sasor ' riaia Narica ■■. • ■ Bob isimone.Orc Halcl St. Ke(l* Freddy MilloJ Ora CaiMilLi it 'PatMeia: ' A 'J. ''Jati'trt '..' T'-BrooUs Ore , Hotel Halt VIocen t .^oiHis.. Ora..' Hatcl WaMaat-A XavEer Cufrat Ore Marrnj^;' "- ' ,' Frak.'^on 'Hei-manos'W.'mii 1' ■ The -Gar'naa, '.'■■' Muii'ha. Borr OrO' ' Mmmy tUHj'a GleDda Hasa ,leanna T^tina ,ro A nn. Collie* Mo\a Glrrord Robrrto »■ AM*. John -RocJcwoo# ''Renea. . Rosita .' Marifai'ef Gray ;■. ViPKtnia Fatt Carter & Rosa .' Joa Capclla Or«'' ■.:' ',''' Eiit'lai ' Qaaftcf' Diosa rro^teUa f'EO^ Sn Dunn Kayp Ik V^ld) Winl; Walsh .Tjalhrop & Lea ^'Maaxone'£r .-Abbott D Svtran ^xtetta extra-strong appreciation, ■ "wkich is and Ker .gypsy.;'stroller». :(3'), .'for"the due him'^fpr the; fine' way:;Ke::barii'.|,'HterliidfiSv\ .V',.: ;" ':,: .■: ■ ■■■ .;v'.Abet.':. ■ tones such Items as. "It Had to Be You," "Time Waits" and 'TU Be See- ing You,'" ' This boy'doesn't'.have to. bow to any sin.!?er. around. ■ There's ...; two acts accompar..ving Tucker. Rochelle and Beebe, bur- lesquers of dance, do two nicely ac- cepted routines neither of which are startlingly different. They. also try JERRY LEWIS N'oveltv ■ 11 Miris. Glass llitt, BeIinont-PIa.xa, N. Y. ' Zany kid, who ..synchronizes mug- ging and motions to recordings' played' by. ati eiectric phonograph; is an' amusing t'ui'n that had the patrons some comedy chatter 'tween runs, ; ideating their palnis for more. He too. i does a s!aphappy version- of an oper Dick Buckley, a known turn. Is the other act. He draws healthy guffaws with liis routine, which se- lects four young people from the au- dience whom he makes pantomime his vocal apings of Amos and Andy',s troupe. At this showm, his live Mc- Carthys were three saHors and a pretty girl. The restUt was a barrel of howls. Biz okay. Wood. Earle, Philly Philodeiphio, Aug. 4. Boyd Raelmrr orch (16) with Margie Wood, Don D'Arey; Jane Pickens, Willie Howard, Al Kelly, alic baritone doing "Largo al Fac- totum" from "Barber of Seville" but rfSally"clicks for top, refarns with a isdnken-cheels version of Sinatra do- ing: •■All or Nothing at All," Lewis closes the. act with the now standard bit for all such panto- mimis, Danny Kaye's version of "Dinah." Act. is identical to that done by a: number of others. Tiiro. BOOKING THE NATION'S IJEADING INDEPENDENT VAUDEVILLE THEATRES EDWARD SHERMAN AGENCY NEW YORK PARAMOUNT BUtLDiNa BEVERLY HILLS, CAL CALIFaRHtA BAMK BLOS. lyric (!■;-•{«> NORTH <.\RUI.1N.% .%alievni«> - '^Fiiramoiint' Cl-trtS) - 'tIKUIM.V ' .... RoaMto' . : Ruanafca (1A> .'Fred : 'ictifbV- '■ '.■■"';; Warner the rrpto^^^^v^TSj^^^^ ;..,.7;'rv?e5? Capitol, Wash* Washington Aug 4. "Tars and Spars" Coast Guard re Vue. Book and lyrics bu Howard ' :bnished pietzi::MufAc bjj' tt. "V'erri.cjTi Dwfee. ■ Sam. Jack Kaufmati's house band; "The Canterville Gfiosf (M-C). Boyd Haeburn's orchestra, one of newest swing - crews, shares.'honorS' with two vaudeville standbys, Jane Pickens and Willie Howard, to make up a well-balanced bill at the Earle this sesh, Raeburn has a nice man- ner and conducts himself and his band as if he's Bnioying his work without trying to hog the mike. Band sports a couple of Negro tooters who put the whammo into the proceedings. Vocalists Margie Wood and Den D'Aray are likewise top bracket. Jane Pickens' stint brought a cou- ple of encores when caught. She eases into her act with-:'a neat ::ar- tangeinerit' of '"Hawaiian War,Chant. ■■tehen seated before the Stelttway, the gal really gives with "I'll Be Seeing You," "How Many Hearts .Have You . Bri)keHi"-"an4 a triiiky version:?? .''"^h' :)My..Arms," sung in Rasslaii. (JWrjese, Irish, art d.Harlemesqtie'Sty les. '■ .'■WflUe 'Sbward hasn't .changed bis, ' ■foutine.'.-'m'uch'-.but'; his ■:foi"mula'. '.'gets, th'p- laugHs-, so why .sho'flia: he?' '■, He.s. the Ptof. Pierre .Oin.'S.beig. bit'up a 'bit, 'a .hunk :Df,'.double ..talk diajbg" w-i'th- Al . Kfl!.y that> "f.eally' fiiiiiii'- Hp also^ kicks'.thintiS 'ai-otfnd TOMMY DOWD Magician 9 Mins. Glass Hat, Belntont-Plaia, N. Y^ : Youthful sleight'of-hamder has nice aopogra-jc^;, fesffc.-Jselai^tiiS^"'?^' oe:- Comic patter is particularly weak, ' Dowd also emcees in a straightfor- ward but undi.stinguii.hed fashion. Two. >EW 'iORK tITV Htrand ( I I) Tommy, Tat-Uer Or-^ »lcI<'.',Bu*ley.; Boi-'hello :&■ Beebe: «) ToTnnry'.'riU'Ker, Orti- ROTheile & Heelja- . Dlolc :Bur.ilclpy ■ pniLAiiEr.PBix earle (in MOi:» Srbs ■ Clyde Lacaa Ore ■ r>fonel Kaye' . - FoUs :■ 'jriiUiir : - ':' . ..,■■(«)■• ■■.'. . Bov'l Ki'lmn O :Ij?:ne.''.p'it;lte-B:3' '". 4 t'reedotn W \SHIKGTOS «arle (11) H'o^cy-ftma:':'' .ftalpi^ :'t.ta;wfei:ha ■.:' r.a.rry Sr. fiynri. . - (i) V.^i\y(^iXf-:!i ■ "■.■'.' Ba.tii'fi ll.-»wltifta';!prt Hij'a ,fohn.iiqn' :. ■, 'l',ai-ry A X.yn.ii ■ B»ii .Bci-1 ELLERT SISTERS (2) Hand Balanciiir 7 Mins. Hippodrome, Balto. : : . Two: local moppets, aged 12 and 8. ill a smooth routine of sock - hand-. balancing provide: a showstopper here and could repeat wherever per- iiiitted. to '!play/ i Tiny . understan:der, -perfoirpis' iSoiirie' uhusii:^l '',liftsi. with timer topmounter a personality kid who sells to the' hilt, ^.'■■■/-'y Act has been viellpaced and, given a. better-tiimed i£tjsical';faa'isfcgrpund,'; 'ctiU'ld;: provide ' '-a - '^tandqut .' ill ■. ainj^'; ctimpafly;'.' Closing trick of ■ a' .;';one- 'hand'. stand..frorei,:tt),e Uead;,i3'.,a,'^&eJ'id.' sender'for:'a 'genuine ■::be.gQ'ff.l. ■.'■■'<.-'." This is a find! '■;!. ^v'':^'.: Biirm. . >'KW -iORK firv Music- Hull (10) .Tune- Forre*»t : '■■:' ItjiSil.ell & .:RKi«a i3etr.ina":..Riie»y.' :■- :. RudrilEli; Kroller, ":' Itoxr (») .Kr*^<l WaniiK Oro ■ - i.o\«> im.xMi •lamiiMMi' (le-l3) "Tarry. 'B'.tani.'o'nV ,. 'CarTley .& .-I5ot)<»r.l'a: ' -Garner :A Wi'lafin::";' ■A C".F,i.ntan ,.:: ■Vale: &: Viilie 'fi'la ' (1(1) Rutii w.iiiK ' 'Bt^fl'trw:* ' iruns Oye' ■4 :'Bo'm'b«h»'irs''., '-'. iOms'to'fi'liJ .,' '. - ,;■:- : M-a)' :.-:;: CmII &.:^hU:l'*'y'.-.:' 't-hti Ftoul'^t't'ff* , ' , , :H .BflJ'il' 'S: ".J'iB.^atVrt- Atoc'c)-. Sc- V.-i:.-oii<'IK" sXai'Jt- ti'i.ma:f'l ■ .■■': .*TI,\NTir • Mil ll.in<nl'i< PICT l«) fi'4»rt:'(3il>«'rt'.' .. fKI-ir^-e;!.** Miy ■' ';■' H r. » *«>nij.<.'roN ' llreilon. .Uoodff ' . (II-IS> B».ri-Y wlntoM- Ore •i^var^tt W^»li,' t-.%MI»KX lonen (ll-l.t) The ;?if>l,df-HH, ■■' '\ntx' .Hi' i;arr'Wl 'r-'«'s'i.ift:'''&' 'R(,l.ii»r.<»'■: .'liraimy '' Ui3HHrni f .: - "lPo'*'(."»: '•'C*«>iV>ivi:(ni'I'..:.'i'tf II.\ It 11"^ HI) Htatf (ll-W) ':roti,v :i.ffi«tifr'fira;,. :?l^fo'^lroe- '.'l^:.^ firaiiit . .VIoipv iSjfon Vt'I:U'15n(fy.:.,*^i.a:'.' I.>»IAS.%l'OHS f'lrrlB. (llr <T.:'''iVhI f''''s''St:fin''la'l!* I'lUI-VDKI.I'HI \ - l-annun -(11-)'' ' , ■ i''*arol'.'. f'.Sfmi<l'.: :i!o'i:'.i;:r.tiy .p'^'^rlngr'' Ru.v' RoK^rfi . ■Ffaa'lt ■Jlartf Bd .' Can KUBKn .latolc ..Wllaon , OrcSr : B;: ^liaoTiif :Ka.«entbIe DIaiwntI Bmsesliw .Bail HaU ,Jja':.''Piei^ro' . ■'-. ..■ .Frank -Koflii' .: : ■': -X-Iem-iarr fiyde &. Ca Ilaztil JlFang^a * 4 '; - 'ir^rpia -l?a£o . • .0?efli/.ilL^T?'E»:"-:. ■ ":'■: <^Jtn,i;ia^ LeRoy 'Hiilly-. :'HJtii;ior,,: Four Koa(^. 'Bnda. . B'UI CJueriti-iteyer : - .VJkqliell;. Brotber -: Miohael -Kdtwards jnit Herth 3 Vlh* POt Traver* Ore - Hav»iM-.Hsulrld ■ E«tttlle -Slo^'Q ':' -' [KSLi^^XAn .Oxc: .,,. ':' : ■ S .-^an'abrfa Ore . . '''I^M * .EdUtie'a . Joey Adain*. .: :.3fi,erty Bil^ton rnny ranzooerl i WhirlfffmtH Gall McDunaldt AileUne Nelr-e T.ynne .Etobe-rt* * l^xinlee. .Fa>sqn.. Hor^(>io He Relte* , VnttH Sutme ftV /rty 1 uekejr Ore Loirtv.'Frima Ore .. . -: Hotel: .Dorothy '.Sllay ■rerry .;i>ft'w:tj» :' FanclKKt P^yuon R« 0«* : iletcl - Bold Rapburn HoUl Bbil* J Georjjrie I.opea. (Dpo Motet tMsim Chria tyon Ore llatel Emcx Hmw H.lro[<l .Stern, oro, lintel Lcslnctaa t.an:i.MeInCIr.«,Ora-'.. 'l.fiija'ni'':'.: ■-.."', ^M'CiKlban,'t '-.:•-■' Al'.Atoj'ntfr*.,.'' Ila'r.ol'l'Alfltpi'.'.'.;;'. ..r.a Cms» , ts~ BeillT : : "M-AtiWe FjtititilfF ': ..''■: 'IIoi-aMo :<fc .Hi!<la.. '' jra'i:hito. Rhumbk :Ba IIuter»l.lBe«ln ■'Df;fiyi.: Hu(3fl.rm ' Ctivitt; KiWjg'-'''- ..-:'-.'.-'. B«*U'BBwiai'ine^ Fotie ifiiler Dqu ."ICrOrane Ore - ^oais: f^iKi'^'jS Or.f; T^K ^.le 'P»vi»lena« hixha. JilAUn;^ 'Ke-va 'JSeyeji.. 'Blii-tatit'Fa'mfliie' .'Bill' «a6<'Un ■ ' : , ' ' . l«oi> ft EiUit't , W4n*ly BlBbidp! T' Ktl^iie .pa-via.' . ■ ' ■.' Cb'cdova) T'ri,0 ".■.■. '.. D.. It 1' la. Jloen . ifOiit^ isumttier. Johnny Tlvompson '; '. Eou >farti»..'Orc' ■ -■: MimtB C'»rre - 'Disk Gasparr* Or* . Efayne- Hume ' ': Ralph- Rotrera Bil Deloreiv Bel tTmi'intn', PftErtto- l.«pea OM -R4*imia]lfa» - . BilDft Kielder Harriet,,, ;,':-. Vera,. Niy»..''' Muriay Wb.U« Sadi* Banis*'. JiSK ''IjaParc* Or*'-:,-. .,... Rncera-COnw' Ifarry - liefcfturt 6r«' r;T!i:rfc'y,. :JIawatl4n»:''. R«l''Al -, ■ HaroiJ„e'ree« ' ' Harry Rcnur 4 ' Nov»>,Iar1ejj 'aijt ."SBhatx.Oro"'.: ', Splfy'ic Kwf ',:: ,Splvy ,: Walter Ltberacw ITted K'j.tinc .-■.; ■'■ ' «•*»••-ei*,':, ;■ ' DaiHta Oruli ttwrnt .'Sritttlij: Orc» ' ;. TitTUu-eii-Cnc* Dlr-lc Kahn Vititnpy . Bfly« Roberto Bd ' -' TwaaiUev '.'".. Robi-rt B'letde L<'Bl^n & Caniplieli Ftorenuft IjilvsifiTK Betty iajifi SmMh „T^i:i. i^uilrtva?* -'- :-'- Paul lluke :Eay SIria-trr.at,-Oife' /Xlt'«ll«ttW ' Dorn^'hy: r7mT#^iJ3,n - Rn«*',rl-;,t Th.^rpe". ,r!iIi:,B!i,in>y: - ,. 'Fr^K ■ T.PSf , Ba'^pfl ■Frw-W*!** , .1-r.jir'i,u«tt& ', .Fay.'Ounly. : :'. l.ta currifii .^it-.;-^.. . ore ('•'ri.-Eil ■"£Sal- Re r*tt: ', i'lci-l-t;: xtf^l Firr (ll-H) tpt'ISE,: RAYMOND'';,,,' - Vocalist ,.,■':■,■''.'"'':■'; 10 .Min-s. .. . ■,:•:.■;■■ Augie's Theatre Cafe, Mpls. ■"■This young:,- singer,-:' 'broiiijht',, int'ri one- ,-'oS'.- 'the : ,i6<3p's lai-gest,' theatre with-the IJn-ion^-Square-oTntwp-^i'TOi'l'Caffe, -;:rrf^^^ i^io 'wi '',i^'infl'i!' lli-ii'i'!rS''-uiJ with' -r-i'b-:-'isto^V- policy"'a.^iandoned'at,-the time !-,(!.,-«.»,--;;iiiay-^,!> c, fS^i^'-S'^&S:^5Sfey ;:Jelsel- 'j of\'the .W^y^x. .iKvr^. ''«;*e",»;cal l^^^r^-^-:^: VI iril'rn • "-'■ '■ '■" '■ ■ ■■- ,' .'-'lo,(J,P'S-current r'ijges,.:, -She-,ha.-':,oocii,e3-| ■.*'k.C'''i'.' .-r.' ^'pni^?'S-eertorii:'th'ree,'!!iiy<;-^ in F?TeTrench -Naval-ufiiformd. and:' 1 .pop/volce, anB :shovt'»ansh:ip. - ?, ,|",'' ■■:im;icmmR -.- -"This -is'a,: , great,'stage-arfdvs.creen combination;, with' hoiise'' fo'rce,d ,tp stop„'seliin'g':-ticke.ts: on -opening' day- :,Gtist- :of stage' show' is'-$4,500,: k.pati'i- '.O'tic bargain;- :- ,'- ■:::■:':,,-.:':' :.!'. ;: •"Victor Mature, ;(Jailing,'Hiro.'ieH,:a;; a: sa'; ''^'''f„,.-:(K»'r„,,.riin^ - .r-v..u>.,.. m--. , :-''beaiitiM htfflK,^:or,jun£" monoIo^ l'A ,''^1^:.^^^^^ gStid^^ Sl^^^^ : mimoi', "Pie hit,of the first-'shsiw-wa-3 Coast :-u^^^^ - - - - ,-„■-. vMarc.-BaMere,/;ttiiiWio;^ J34tii- b:rt^ida^:by ap^ . cui^y. »r'tricV-- 'aerobatics ' I ■' ' '^isa 'Mvm ond' 'Soes-' .iii largely fax'4- \ Ht'i)po<lr«ni'e, - t r15 rbq-u&st-ftu,m;fc!^i"S-,';'She, hahdle.s-.,the,. Bees. 0;i-i«) \\rlt(W <*r«lrc :Farfi (1 leii oitb) 'f%.v<)l ilfhiVil'S'' ■-T'iori)!'0<i'.«^rjn^-" - the ,'.*i"rii/,l,'I>, ■■ -', -,Vlai- ,?5a:(T'i.3 .' (r,ir!;'» •vi-rtlM,i<iKi.» ( t. «i|u»rr (l(l-l,i) "Toi'n.' Bti.rr?..,' -.' ' ..Kiiy -:1' 11 SI f r i(=ftn-'- :,'-,'- .V,i:'f?.!(''t.-iri**'.,:".;;■'' ■ ;'''■'':[ flf'-ri'.fMTi'-* rt> li.i.-nKfrWj \» \siri\f.T«>X lloniiriT (11^ { Huiiilif .,riill-1'«>.t<:.0(-.f -! -; , "Mel'-O-Pearsy": fiirrirt'e;,''ins-tr.uwehtr^ .aif.?ong triOj 'booke(i: for USO.-eamp. SM-ks-.tour,.: '''' i'„;-i ;"-':,,- , ;.-:■■-:- ' Riverview Ballroam. Neponiet, i-,,';^iiijjf;-,--whi«ii'.i}^^ ';' ihmt I^aM's- '.ift''',,the 'p£ist',;,iS, y'eats Was !-.-b,fc.e:&,';c<)iiyei?te,d 'i-'n in-■■'!»'''W --'r,ir:-k..'i>-y -tiij.W' o'.wnei's. ,.'.- ..■,:',-' -..-,■;■;■'; ^J^f.-five years,,;- - y'O V':'