Variety (Jul 1945)

Wedae«aay, July 25, 1945 49 'You Are N«t CuttHred' Continued rr«n pace 1 eager fof news of America; they ask ihtell'gent questions;" they want every last piece of knowledge. How long do we take to reheai-se a play? To make a film? How long does a film run? Russians, says Miss Hellman, re- hearse a play lour to eight months. Her "Watch" and "Foxes" were each rehearsed four months. She saw "Watch" in performance, and "Foxes" in rehearsal. She thought IWoscow didn't do "Watch" as well as it wa-s done in N^, Y., which opinion is also shared by most other Americans who have seen it there. She said "Watth"' was played, in a sort ot Kussiati in.stead of American way, with the tempo greatly lengthened end slowed down, and the whole thnig. made. far too ^ emotional. "Foxes," on the other hand, judging from rehearsals, was wonderful, she said^ Although,more diHicult to do than "Watch." she .said, the Russian did it much better. Very-Varied Theatre ' Miss Hetlman found the Russian theatre scene-more varied than our own. On the boards the past season, besides her own plavsi were "Othel- lo," "Pygmalion," "M i d s u ra m e r Night's Dream," a, stage vention of "It Happened One Night," as well ais domestic fare of all kinds. A produc- tion of "The Man Who 'Came to Din- jier" was being planned; Of domestic plays, Miss Hellman saw "Stalin- grad," a straight drama of the city's heroism, simply done and very mov- ing, like a documentary film, and "Mr. Perkins' Mission to the Land of Bolsheviks,'' a mild Kaufman-Hart sort of comedy written two years Hgo, and not a takeoR of . Eric John- ston's recent Soviet vi.sit, as many think, Miss Hellman found over 40 the- ntre£ going in Moscow the past sea- son, and all crowded. Gypsy theatre, Armenian tlieatrc, Ukrainian' dance troupes—ail are encouraged to come to Moscow. She saw some fine pup- 'pet snows, and a very fine'produc- .tlon of "King Lear" being rehearsed at the Jewish Art Theatre. Not all the .theatre in Russia is good, says Miss" Hellman, but when it is good, it IS the best in the world. In acting, directing and staging—but not playwnghting—today's Russian theatre is on the highest production level in the world. Their play- wrights don't approach the Ameri- can level, says Miss Hellman. ours Ijeing much more professional. But in other ways the theatre is superb. "Most Wonderful 'Othello'" ';OlhellOi" she said, wjs "the most Wonderful production" »\\^ had ever seen in»her lite. Mi^s Hellman giv- ing great credit to its director, Zabotsky. The play Was wonderful- ly imaginative, she said; there was « perfect understanding of the play throughout. Opera and ballet also ; struck her tremendously; she had never seen such costumes and scen- ery, she said. Fact that all theatres are government-owned and financed, she felt, h.ul something to do with it. It v^ns Russian theatre audiences, however, that impressed Miss Hell- niaii most. Where Americans ofteii go to the theati-e for a casual eve- ning, to Russian.? it's .in event, she said, and one deeply felt. Our taste in the theatre is .slicker. <:aid Miss Hellman; Russians really go for <ieep enjoyment and emotional experi- ence. They cried as well as laughed openly with "Othello." Ru.ssian theatre-going audiences- are more .simple tlian our.s; they contnin many more workers, for in- stance. Admission prices are much lower there. There is a terrific de- sire for enjoyment in the theatre by the people, Uiss Hellman found. They walk, miles to come, and' line up for days in queues to buy tickets for v'eeks ahead. There are no brokers; .some newsstand-bookstores sell tickets, at regular prices, in ad- dition to boxoftice.s. Theatres in Winter weren't heated, and for some reason po one is allowed to wear coats, yet houseS were packed. Audiences, said Mis.s Hellman, never come in late, or leave early. One night, at a Red Army chorus concert. Miss Hellman and her com- panion got up one number before •"Permission, to leave for another ■engagement,. Wheioupon an usher rushed after them, .idmonishing them loudly, berating them in the a'sle, in the lolpby and outside, "You are not cultured," she kept shout- : |ng, "you have no manner,*.?' It was the most embarrassing moment of Miss Hellman's trip. Drama reviews don't come out day aftc): opening, says Miss Hellman, but later. She found a great number of journals devoted exclusively to theatre and -films, She also said the Russians were aniazed that the U, S. had no serious film: maga%ine,'instead Of the fan mags. Miss Hellman lias just finished scripting her "Searchifig Wind" for Hal Wallis filming, and is planning a play next. She goes to tlie Goast in September for two weeks for con- sultations on "Wind." Night Club Reviews iss Continuiid frem page 48 ssi Latin <(Hari«r, N. \. Andy" chatter. He; cantribs. gab while stooges synchronize in lip movement for plenty ot laugh re- ■sults.,, '■■ Raye & NaUii are next with balN l oomology that's - outstanding lor class. Terpers augment band with own harpist, Catherine Ann Johnk, perched on elevated stage, contrib- bing waltz to "Moonlight Sonata," a tango, a Viennese- number and samr ba. Motif then goes Oriental in build- up tor NOel Toy. erstwhile stripteuse, who keeps her duds on here. Saxon and Miss Shaw duet "I'm Getting Oriental,": flianked by line in nifty Oriental costumes. Miss Toy ankles on tor a special lyric. ''Yes, It's True What They Say About Us Chinese Girl.s," a little on the bawdy side, but sold with a piquancy that.otlsets of- fensiveness. It's okay iiitery stuff. Ming, Ling and Hoo Shee, Oriental hillbilly trio comprising two men and gal, loUow. to rock them with laughter, doing gab, songs and instrumentation. Baritone's takeoffs ot Sinatra, Crosby and Ink Spots send them off to strong applause. Four Moroccans have fast line of Arabian pyramiding and tumbling as prelude to "Rio de Janeiro," which brings on the beauts again nattily costumed in south-of-the-border garb lor Brazilian terping, follovired by Marianne, who does neat bolero dance. "United Nations" finale work- ing, up to National Anthem tor aud singing makes a snappy clincher, Wanger has staged with good pace, gaining creditable effects in grouping and parades of the chorines, who are top-drawer beauts. Ted Adolphus- has done well by the dance en- sembles. Marty Beck band is okay for both customer dancing and the show. , Btibo. .-. Lcs- Aiifjfclcs, July 19. George & Gene Bernard, Delta Rhyihm Boysr Shirley Dennis, Red Murshail, Folic Miller, Murray teoiiarri, JMolce & Poke, LeiylUon Noble Orch; $2.50 minimum. ■ Holdovers George and Gene Ber- nard pack enough wallop to carry floor sliow alone, but )ulery has lidded Delta Rhythm Boys and Shirley Dennis (New Acts) as co- stars for extra value. Delta Boys were not on hand for opening of new summer show, having been bumped from plane while enroute from east, but checked in following night to .sell sock harmonies. Bernards are perhaps best ot the acts, tiiiiing facial grimaces to re- cordings by name singers. Their tomfoolery is a hilariously funny sight act that goes a long way to- wards keeping patrons coming back to this Wilshirc boule night .spot. Boys garb themselves II) skirled, girighan-i aprons, wear John Freder- icks' hats for .siUy effect, and mugg to a fare-thee-well. Repertoire, is large, team giving plenty and having trouble gelling off. Standout numbers are "Sonny Boy,'' as. recorded by the Andrews Sisters; "Stuff Like That There" (Betty Hulton), "Sunday,; Monday" (Sinatra). "Wait Till Sun. Shine!!, Nellie" (Cro.sby and Mary Martin); but others carry plenty of laugh punch also. At show caught,, team was on for nine nuinber.s and liter- ally had to walk out.x'n further en- cores... ' , :■■ V ' Miss Dennis is only; other oiit- standing feature of the new floor sliow, balance ot acts proving below par. Others are Kobe Miller, dull I'emmc acrobatic dancer, and Moke and Poke, vvhose chatter and terping don't get over. Red Marshal) and Murr.ny Leonard and their aides are still working the blackout stage. Boys are rough, rowdy and raw. Mar terial is low burlesque at its blue.st but must be wliat the patrons want,, since pa.st elTorts to clean it up only resulted in frowns from the payees. Bros/. " Amor Koof, X. V. (ASTOR HOTEL) Gciic Krnpa Orch. (16) with Aiiitfl O'Dan, Buddy SLetoart;. no iiwiimum, rover tl loe'ckdttys, $1.25 loecfccnds. This is Qene Krupa's first location date' in N. Y W'th the band ho organized last year after leaving Tommy Dorsey^ It is a fine band and'with his showmanship on drums as a peg and all other things equal it should do buisiness in this spot following Harry James, who jammed the place night.after night. . Krupa's- band has come quite a distance since ite stay at Frank Dailey's Terrace Room, Newark (now clo.sed) the past spring. This date -was Krupa's first without his string section and the band was still feeling its way. Since then it has emerged as a cohesive, well re- hearsed combination .supplied with excellent arrangements, nicely col- ored and tuned. Krupa has his books : well stocked -with pops, : standards and originals and the .result is exs cellently paced sets. • There is plenty of spotlighting in this band. It incorporates some un- usually good soloists in addition to the crowd-holding- drumnastics ,of the leader. Charlie Ventura, tenor, outstanding in his ■field,''rates and gets considerable solo attention in Krupa's scheme of things as does the unusual ability of Tommy Peter- son on trombone. At any given time one or the other will be contributing som^hing individually, if Ks^ipa himself is not working out. Krupa's weakness as of the mo- ment is in vocalists. Neither Buddy Stewart nor Anita O'Day; both fair singers, do much to help the band. Andm a spot, like the Astor Roof, Misii' O'Day's lack iOf attention to coiff and dress is noticeable. Wood. (HOVEL BOOSeVELT) New Orleans, July .20. Don Reid. Orch (14)i Jimmie Levdx, Fernandez d£ Caxtro Sisters (3), LeRoy Bros, <Z). Hibbert, Byfd & Larue, Fritz Heilbroii; minimum $1.50 Sdturdav and Sunday. There is quality and quantity in new oflering here. Don Heid's musi- cal crew and diversified acts roll high in entertainment. Malting its first appearance here,- Reid's band is not too hot and not too sott. but an inbetween blend that's danceable and listenable. It features nice arrangements and boasts of men who are individually capable. Reid himself is no slouch with the slidehorn. Outfit also has flair for comedy that is convenient a.ssct and the byplay . by several members adds tp merriment -for good returns. Tecing. oft floor ,acts is Jimmie Leeds, a personable youngster who contributes a potpourri of .yo-yo tossing, patter and harmonica play- ing. Although, his patter ^failed to get much - response; - his>. harmonica Handling was better than average to grab a nice hand. LeRoy Brothers click with theif deft manipulation of marionettes. Tops are""Genc. Krupa and his hot drums and the Skeleton-dance. The- de Castros, . three.. Latin American doMs with nice pipes, score with Cuban and pop tunes in- cluding "Peanut Vendor, ' ^'Maracas y Caracas," "Rum and Coca Cola" and "Stormy: Weather." . Fritz Heilbron, Reid's vocalLst, contribs some horseplay with assist trom band members as well as comedy tunes that net good response. Closing are Hibhert, Byrd and La- rue, the latter starting as a "plant."' After disluiroing the ringsiders with his "drunk'' antics, he joins the act midway with shennanigans that araw plenty of laughs. For fini.sh, trio get together m a burlesque .ballroom turn in which femme is t.ossed around like a rag doll to close show on. a gay note. Reid's crew provides nice back- ground for acts and keeps dance floor crowded between shows. Biz capacity when caught. Liut. Variety Bills WEEK OF JVLY «C NaMrfai* <» MnMHIoa with bill* Iit4iieclt* aipcMiM d«y *( *il«w, .wlictli«r.'fnll .'vr ■jplU ''W«cii.'. Loew NKW TOKK riTW CbiiHoI Pj^iil lVliiit>iijiH.n ' ljoii«>l KjiA'e . Tilt*. (iII)ii4onii; Avti« .TXiiin 'I'll* WruUfK 4'«1»K«I . (?«) 4-;Alii,i-.lvw ■ ■ ■■■ -: -.' l.*»rani<Mini <%A> Phil Spiuilnv Ore I iunF,''«ii«) < CM'u Hack Trlpli^ts' < Hl€A<iO l'hli^ji:o itU) Bciijiv (jooilinan 'Inn Hei^btTt MIAMI Mori'tfi * Ryiin IMiii-va ^. .Alai'io RKO HOSTOX V Ht*tiUm (t«) ^ lieorv BuHfiti Or« Kuth T»'riy Skinnay fSniiiN Ore Stanton /rTfjn« Toiiitviy W«ini]«r '■ Karl Vlinfft Or*' l-trM*>)vinii A:. Van Afla , ftrun n l,.*roy rart'inKion HKO. ii«y PraiVkiw Ciii'l**. Or<t' * Wlni<"k A: 'Mf^«. 4<»rry Muiiu . Warner NKW TORK . MraiKI («;) ICrn ri:iAv)\iii'}i .Ore . 'I'lie .1 'hiiriijl of'i'K . ■ . ' K»rl«. (S!). . ' Gen r.'iicloii Oi-c Kl.h.'l Wa(.Ts <Sf«M-|;-lt' Kl(Vt> lill^lltllillK roMl* . .' Karl* (',"7) Wn.Il*'!^ lSjls«rnl 'rtirfft Maj-lin,-«. : A-r-riH* Ha,t-tniun VKW YOKK e;iTif MuHh- llHll CM) liomi SHiKlrv .iHiic J'on-f'.'^r Ilal-rition Fmlier WaltKj- l>ui-.' Willi I l>i«*K-. llj|.V|.U'>H lT(>len F«l'-i-<'Ht . .\vnUn C!7) ' Kilfi>Iel.li> ,Bi-<)B i.o\<i isi..4xn 'fuiunlrji, (siff-'jiV) KUi'-l Lvnii . iTllB-c IDV Hill) : (ili-lK) .'Msl.of) ii. Viiunt;' .Toe Jlay A +ion'jfl)nr»ls (Two r.o nil) Htwl I'li'r (2!)) Harry .l.-tincH KUfflfr .slutver Co. .('V R*'*»vw'S Ii-G \'aiiilie« Kittv Mtjri-iiv .(<>)mi V{i«->]H.i-dfl Ot-c T^mimv 'Vrfnt (I rayrHjiif: ' t ( IIAKTrOKIt (st«t« (3;-s») i>ui((^-. icujiifcioii Ot-v Ititiv-fJil Ik li(>iv.K«>.r *.'lar(i I.'.j-OK : li.4N.SAN CITY T«w«T. <t3) Flo.rhn.* I.ynn - I'HIf A- Sue. iH<-.Vailio Si* a) .Ie^H£^, . K<vrrKiil« ('T) .Ink SjjotH ■■ ICIla Vnv.XfmU^ • To'ft WiiniiiiiK (>.t'*- ('liK** *..l'oKe Rjilltli Rrown I-lill.AUFXI'HIA 4'HrinHii iltW f 1 )i>:i.s«>ii ^ Sanbo)-n ItKli Kllln l>'-i-ll.a Ik fioniinftj '.I I.a 'rj(iiK« . ■ M'illsw tiruvc Park L»<in <(uari4>r, Boston Bo.s!o:i, Ju'y 20. ■ Ton]] Brvno Orch (10), milh Mari yarei Phe'.au; Shea & Raymond, Renault * Riidjy, Galente {e Leonardo mid Bob Sauudirs; $2-$3 win. "Sea ■ Shore Varieties," at Latin I Quarter,: has been keeping nitery I lans away trom seasshore by dint of i eight; lookers ' in chorus, aoi'obaticsi dancing.i patlci-, music and chirping lar above average. Margai-et Piielan has a .sweet voice, nice. ; poi.se. ' arid puts oyer ."Dark Eyes" and "Romany Rye'' .smoothly; She swings through "Too Miicn in Love.'' and ends up wi th "You Be- long to My Heart," which, of course, gets bofl' hand. Slapstick by .Shea & Raymond is pointed up by impersonations of jit- terbugs and Peruvian dancers gone cuckoo, thus proving versatility as well as boundless energ.i'. Two sun- tanned, .lupple young acrobats, Re- nault and Rudy. st«ige classic poses to Tchaikow.sky and slo-motion; a curious, combination which they put over Avith nifty artistry. -The ball- room team. Galente and Leonardai; do same notJible whirling. Their act leaii.s more on adagio than .straight .stuff. ■■, Bob S.iunders is a lively .singing emcee with Bruno band, which has; been on .-ipot for three year.". Cho- rines are comely, eager and youiigi which IS enough. At bar Mark Se- bastian, young and peppy, patters at pi;.no. while twin si.sters, the DajrcUSi chirp iiici'ly. Dante. Eddie Snith Jlgency WANTS STANDARD ACTS FOR EUROPE ParoaioiMr Mf.. New York KALTIMOIIK llffHMMlninu! m) AhhoU * Ciiirtcllo <'on rue I rainr-s .«i<]lj»'.\' I'"i('IU.1 ,lo« K,ii-Jc Mill: Kron«on . Bob Math'-wt^ , niUv .Mess ■, ■ .. .toe A.i-*'na. \. . .1 iiTie l.ort-fliti« . ■I>Ji<.'Ji6lH ifc' Penny (2B-I) Hiorla. HIair , ..lacUle .r.'i..v Rob. K .< W llltf ( tUIIKX TtMurK .(:J'.--!0) -(■iif! Kiii-oiirt I'll.ViliB tl'lUis Dillon & I'iu-Iow ml l.«>ii r,v , f'«>I''nt:in ''la.i-'lc Ort Orii'iilHl (-{') («!Uh uHlj-) .Vii'luilH *; I'usns' ,1 iiiie. I.orrwili*;, .' AnWUHiy Ac ftoKei-F t,lltt)-l»'fi l>1IO KOI-liFOKn P«l»i-e <«-t«) T)ici< irfiiHe ; fa)-l.l,i;ri*, «-2(l). . VrolsL Kpmp - AI t'ufitXti Ik Jf4.-1«;n(> Ki^ac Troni ■ : SPMN'UKIKI.n ' <;<>urt Hq (2«-iiit) The lianfl**lil»i - Tt;lT-l(M,ri(, Bstrric • .foi'iiri- It, r«»Hlp)- Kiidic S.-lfal'i'*!-.- 'IMlc-.OI,»nmii-«.. K)h<i. I.n. fill n4»%viinl Cl^.) Amiy ivii-ti. (*i'<:: : ; "iii-ilK X; ,('VrT-Lv Curl .*, Hul-ri*'.!-. ISoWiy WiiMj.i' Cabaret BiSs NEW TOEK CITY tStlitil Gilbert t.{cri)l« (ir»uer r:hai'len Strli'KJfl.n<». It)''If flVSIf* Gay liO's . Oh.ti (• • W*'ft,t:fi.(* lv.car( rtttm nuvKftt 'Kufifiii Fi'V^Kl. . Mary Lou Wimr-. ■ Klwood' Smjiht .ioitii K lri»v Ore 'C'.«'rott«cl -.' >' Kan - BlaUeiofie , < «t|»u4'ul»iina . M»4jiKt'*^r±<' Ore AJ it;>.i Wi'fkfii (rwln. FolJ<. Ore; i*lHnsMi4 S«rr«aiia« Bob iiiiU ■lolinny Burli* i^lnria Leitoy liilly I3anl\s , Bin Qu«r,*TH«y<«' A)iieheil Broibirr ^^ov^ Jt«1«l Ore ■V f n'-t'iil *f rn v*^* Oi-c llavuHBfAlailritl - I.a Krian.*;<ini' ' 'iUm'tirv BfOfi ^ I 'd I a,)iufi', Ore ^"«rU)a Vftrela Ore Hvt el A HilHUHUirftfr Bctaneotirl O Julca IiJinde Or« H«t«l A«C*r <.ipn*i Krui»a <)rc H«tiH BrlMml .Norinan I^a wTenoe K.ttihi-vn Duffy Dcra Nino Afoi-Al«s Oi'c t*a.vf?oi) Re Ore He»ry Kibk Ore Hotel £»Mim4Mi«n MiKh'^l Curiirr.Orc Tedrty Kinx Ore :. ■ ■■ JQwurx tff<UIM- . -'. llMtffi I'Vxinjcfoii rapu Ka jA t igroid'A Ionia Ore iiAttfi i,riiH'«»to . .Art WtiorifV *)vr ' Hfltel '^rvs Yvrkcr J44«n Hyldoft 'i'erry iivent Phil .Romain*. Nerl FontRine Anjold Shodji ' !^fony Dunham Ore Mmtmt 'r«>niiii|v1yiiHh> '<5*'or4r« Paston Ore A laii 0«,I« ■ netfv Jo Oazry Hotel Vbmrn : EKtiiJfle.Jt Tatqv iSiu'^^HHl VaH Ore ymrk Monte Ore- - tMH K«>«irvclt M<i«#r i^t MM-ltz 1><>I *Vii*n»fMi no Hotel Tan V*!nJTt>r r.np4!Z Orr .Tiine .!*i»'U''H» 1*vul Winrlitll MiKclia Bori" Ore 4j*t)i'4i'« Olw n Ore ^ fcelMNd r.ou IMit-i'tin Ore .lui'KPt aiastffry , ■' Dei<}um(.'«y Jk. Given! *I-«(>ii iWiller Ore : Vivian tSarry Trt« A Mia , , J>Ulu Uai.vs . . .Nick: .li<riiic, ,lr Kclily Mimison Msirjon.« Wif-Me* Krsiu-K Npiim* Jane Dillon .Jan Muri-ay .socaKiscii Ore IrJi'iij*} SKiWMrt Ore Pat ■noon*'y - UWXi MucUl«y Sofrl Toy Ming lung' ■ . .T-foo'' 'SliiPe-.'-'-'.',' Shif^U Bund H W'ellH 4 Iviaye. .Mai'ianii*'- WH.iiK*r Orris Wjril IValBft Marty Beck Ot« . I^u Mt KMH'9 Vavio & ViAa Fi-ancme WMt« i .fltftaley. E'laelier .r^an -ATofle Bob KMvi , Arl Waner Ore JliHif e C«rt# DIc5f <i«RpJ|,rr« Or« Jean r Murray. T.-i<ly Acne ■ Alberto Ore IC<w«fw Center Harry l>«f(>otir| Ore Clai'Ic'e rrawaiijuui riarold GrecD Frefihrnen . . M a re Trio Korn Koblilera ' SIg firiiaiA'A.nrn Splvy*a Reof ■Splvy ■• </artcr & Boirle Jayue Mauufuve fftork €luk W.oral*?i Ore Kr»}m TJnlet Ore fetan Keller Ore V^reafllce .T<^rry Cwtpev Oartcne • Zito .rock Ifarwooa iiloX-iSL OftVW Mlnani Sfabel^ . Joe Ifti^rclel Ok« ; - ViUsce mmwm Wfl.ily tiofig '■^flHtlaeiilJLle IVfoore Sis.' I'iny Clark. j£(J(Jie AjsJinian Ore* Cab .Callowwy Ore " i'UfMiit lie Roy Pa.y. Dawn A Dneii Jiorry "Beon Prarl Bail<?y ■ Hill BaMpy Pf^ewee Marrjiictte 'look & Ttm\vn _ .PorotJiv >SauU*»r»- rin.ml^ rinpklne Ore Saranac Lake By Ha|>i>y JBcMwar Saranac [.ake, July 24, -Among those attending Rogers' an- nual lawn-party wile Lt. Phillip Ranch, Lt. Marie Clancy, Pat Schwartz, Capt. George Khoades, Bill Hart, Wro. Katzen and Floyd Thomf!, Paul Cremetti, the Mmes. Gertrude Shapiro, Arsene Okura, Franci.s Emerson, Anne Brown, all aliso visiting relatives'wh6 arc liioning •herei'-,,.-,, .,■ ■ Helen Marshall, wife oU Jimmy, accompanied by her t-wo daughter.s, visiting at fiis Gabriel, N. Y., camp, wliere he's doing OK. Dorothy Martin and Martha Mar- kowitz trained in frosn N. Y. to visit their siiitcr, Patricia Schwartz, at the Rogers. Ben Schaffcr all pepped up after receiving iinrej-lricted privileges, and upped for exercise after long bed routine: ' Among those flashing good reports Pre ."yiai-gie Itegan, Robert Goldstein, .lo.seph KcUeher and Mathea Merry- field. Jflclc PbiUips, ex-nitery m.c. who made tlie grade here, received all- clcnr papers on annual checkup. Takeoff on Crasby and Andrews Sisters, with Alice Farley as Bing and .Stanley Ranch. Clifford Farmer and Carl Kern as the Andi-ews gal.s, bjindcd the gang at the Rogers plenty of laugiis. C'nris Davis, formerly with Hart- mann theatre, Columbus.. Ohio, stiot in for an o.o, and will remain over .summeri;., Ford Raymond, former Rogcrite, doing OK in Los Angfcle.s with the routine, ditto- for Monroe Coleman and HtUt'l Glaci'^tono. Eddjc 'Vogt (mceed » . ortainment and lawn-party at the Rogers that lated orchids and "^ows. Eddie docs these things fretiuently to keep up morale of gais and guya here.. J-.t> Latoy iLaToy Bros.) floored bv Ertbritis. Pete Welcome *tc May) .<,hot in ffo.-n Buffalo for a sfe'h of rest and nVtte t» thasc wti* are ill.