Variety (Oct 1945)

Wednesday* October 10, 1945 49 light Club Reviews W>«l£w «M»«f K4KMU. X. (HOTEL WALDORF-ASTORIA) Ediwt- Bergen, Anmniary Dickey, Emit Coleimn and Mischa Borr Bauds; *2 convert. EcIk'oT Bergen, has been KcUint; a "strong professional crowd .since opening. «n d the vaudeville yets, Jike Tony de' Marco, who was there Saturday nisht <6>, summed it up best "It's ,h*ke watch m y a Monday matinee at ihc Palace with that per- fect timing." . , _ '••: ■ He was *fcf*e rri ntf to Bergen s . i n - nate sense Of showmanship, the heckliny from Clvrhc McCarthy -which isn't just 'cute", but adult in its effectiveness and realism, to the df"»ree that Berber! can still five his colleagues jn the ventrilOQttial racket vowels and consonants and leave them larynxes behind. The trick no lohser is lool'ng the public w>th the dsfclpan, o" immobile lips—it's the iniitcrii'l ' When • Bciven (luffs the "John Aldfcn and Miles St;indifth" routine, and Charlie "corrects" him, and then rt oro-'ches the cnmedinn- voiccthrowcr. -I'm■■practically, doing .» sin'-ile up here." that's showmiii- shin. Not. rount'ng the. other abides, ■ such as "Mavbe you should be the dumm v " and the like, Whoever au- thors Berf en's material, of course rates proper kudos, but the manner of presentation and sense of values »•■<» unuiucly his. The trade knows tljfit Berucn is fulfill.'!)" a delaved commitment to the Waldorf for three weeks, and the hotel is the beneficiary of an ac- cumulated value which no hostelry could normally afford. Hence the .showbiz bunch is turning out. along ■with the customers, whom Bergen greets with, "You now see to what extremes one must. go nowadays in o'der to get a room in a hotel " Mis . material is bright, brittle yet broad enough for all, as evidenced by-his radio Hooperating^which he nron- ,erly salaams when he signs off with a salute to the microphone for "hav- in" taken Charlie and myself into your homes and hearts.". In between lie introduces Mortimer Snerd and Effie Clinker, but Charlie is the box- office Jure, and none knows i t better than Bergen, save that the other two arc good for contrast. Opener is Aivnamary Dickey, a looker of a thrush with a Metopera ■ background and a nitery presence and authority which she has mani- fested before: This is her fourth or fifth return in between legits and opera. (By the way. she'd be a fiifc Magnolia in the forthcoming "Show Boat" revival.) She has lightened he'- repertoire almost to the degree of being a pop chiroer. Save for her openeri •'Grand Night for Shiging." and an operatic aria which she "ex- plains" plot-wise, she is more Tandy's than C::rne"ie all the way. Such as **If .1 tiOved You." "Hflney'VDecp in the Ocean" medley, "Grow Too Old to Dream.'' "Make Believe" las an audience flirtation number"). "And There You Are" i which she charm- fp"ly explains is from "Weekend at the Waldorf' film, hence she is com- pelled by the povvers-l'.iat-bc to plug it), etc. She's thoroughly "in command, of the floor, now chats .more and ap- pears to be a lot easier and assured, K'.iiil Coleman, of course, is a guar- antee for ultra dansapation; and the Mischa Borr band is a very okay al- ternate combo, more expert than the usual "relief" orchestra. While spe- cializing in the Latin and waltz in- terlude. Borr's js also a good all- round combination. Coleman has been pway a loin' time in HollvwoodV notably at the Mocambo. Abe/. "Push, Push, Push That Crossley Up" lyrics to "Good, Good. Good." Gal introes her gallery of. takeoffis— including Ethel Merman. Shirley Temple, Gracie Fields and Carmen Miranda—with a clever switch on "Follow the Girls."' It's a refresh- ing stint, slowed down only at one P0int~the Miranda friipre'sh to "Rum lind Coke," which is wearing thin.' , Hal Fisher also threw, the book at 'eiii at the opener. On the tail end ot a. long show, he still manages to ■ ut himself a good slice of applause with his sock bashful drunk. Fifth Avenue Models, a new line, are the best looking the spot's had. Duke Yellman's oreh backs things up smoothly, end same goes for em- cee Bob Davey. Mike. Iridium llooui. \'. V. (HOTEL ST. REGIS) • f( e - Qnukex" revue starring George Arnold and Jeanne Soofe; with ' Briulzman Sisters; i2>, Woody Spears, Ice Cube-E.tes <4); pro- duced <(iid staged by Billy Daniel; Paul Sptirr uiul Theodora Brooks Bands; twice nlghAy: $4 minimum ({inner, $2 cqtioert tiippcr. SI H«K«lr«Ml 4 l«b, 4 hi '■■;,'. ; Chicago. Oct. 4. ; George T«pps, Hal Fisher, Viola Layue. Fifth Avenue Models <6>. Bob Dnney, Duke Ycllfiwn Orc/i t«); $1,50 imiiiiHi/iii. Though off the beaten track, 51 Hundred Club has been batting a fairly consistent big league average lately, and this time is no exception, Offering packs as much—and. in some, cases., more—punch than some of the highly touted Loop divertissements. George Tapps. oft to a stow start in the middle spot with ballt^aps to . 'Always." ■"When Day. Is Done" and DcFalla's "Ritual Dance of Fire." dpcsii'f really got oh- the -ball till he. geis around- to a soft shoe routine to ••Ida." which may prove that this nabe spot is no place for those high* brow improvisations. Anyway, the «ld corn pays in this case, He calls lor requests, and does "Paper Doll," ■ Sentimental Journey,' Moonlight; and Roses" as tapped in the "20's, Daughter of Rosie O'Gra^v" a la Pat Rooney. "Trees," and "Holiday lor Strings,"', latter .being a : fast, vAr- y willc, 'uP. Strenuous stint is a Iwle too long but nobody seems to mind. . ■ Back at the old stand. Viola Layrie has sharpened tip her Hildegarrie impresh with some fresh material by Lea Morris and, as it now: stands, it's " al ' cl ■ to imajfirie' a more sharply etched caricature.. The beginning 8Vm. fumbling with comb, gloves and wo-way stretcheroo. asides to pay- *«s, sidemen ahd IATSE aides-- weyre rll there, ahd dished UP solidly . with some Weird . One of the smartest little iceshows in any class hotel or. nitery. is the Billy Daniel-produced "Ice-Quakes," starring George Arnold, a young and graceful skater, and Jeanne Sook,. a blonde looker. Tastefully costumed (whoever did -the gowns rates a nod but gets no billing), it is patterned on a "Paris in the Spring" motif with Woody Spears as the typical garcon, the four lee Cube- Ettes as waitresses, and the stellar pair as the romantic couple. In be- tween the Brinkman Sisters, a pair of cuties, .interpolate a French poodle dancoskatirig routine, topped by a tiptop tango double. From that point on the revue loses its atmospheric "plot'' and Miss Sook (who looks like a cross between Jeanette : MaeDonald and Dorothy Lamour) does "Lovely Hiila Hands'" segueihg into a hotter "Hawaiian War Chant" with mild bumps, etc., and the finale is a rousing "Tico Tico" windup, with unusual fishnet sk miners and costuming. Arnold himself clicks with a cork- ing "Top Hat" (Berlin) routine. Earlier in the proceedings, as the young officer, the chorus as flirta- tious midiivettes. and Miss Sook as his romantic vis-a-vis, they segue into a neat double by the starring duo. -,..'.•,;■■.-.'■ ' ' It's a compact, slightly-less-lhan- a-hali'-hour ice revue which is ideal for the class Iridium Room which, incidentally, has been stripped a bit of its gingerbread decor so that it is now truly a smart interior. Back again are Paul Sparr and Theodora Brooks with their, orches- tras, which combine for the show aeeomp, but alternate otherwise. Miss Brooks' Hammond-organ combo has been enlarged somewhat, and maestro Span- does a capital job in batoning both for the show and the dansapation. And. of course, .the Iridium Room wouldn't be the same without, the personable Jean at the door, a smart maitre who really knows how to handle, a smart room. ' Abel. 4'irn**, llollywo**! Hollywood, Oct. 2. Enric Mtidrigriera Oreh (18). with Pittricu Giluwre and Eddie Gomez; John and Sondra Steele. $1,50 .cdi-er week days; $2 tceefc ends. .. Again- .spotlighting the orchestra as the main draw, H. D, Hover has put <»« an additional act that is solid en- tertainment but seems to be unneces- sary to the customers. Sunset Strip nitery has top drawer chili bowl group with Enric Madriguera. who knows what to give the dancers from sweet memory medleys to the: latest samba'imported from south of. the border.- Mnestro's. styling is strictly for Latin emphasis, however, and he doesn't over-orchestrate as so many of the maraecn-shakers do. Eddie Gomez and Patricia Gilmore, who warble with the, band, also do a stint in the floor show and both deliver their tunes in sock style Gome/, does the Latin turns and Miss Gilmore, ranges from novelty to torcherg with equal facility in a- warm voice and showmanship. Joint and Sondra Steele, who are making their debut on the Coast, have a slick style that is very ihi-chi around the niteries He plays the piano and duets \vith her on pert little, novelties. It's all very neat but not quite necessary, when the audi- ence wans more Madriguera. , ■■V -'Huts..... Wiv«*I. X. V....-'..":::.;;.'; : . Boh Lee. Komar. Sheiiu Rcj/'iohls Pduitns" (2). Lee Rois; Harry liof- ion's Oreh 16); din ners from, $2; no ininiinniii. . '■; The Wivel is one of the oldest niteries in the Broadway sector, spot maintaining an evenly high keel of business whether prosperity or de- pression is the order of the. moment. It's been done, by emphasis on the family.trade with an ample"smorgas- bord spread along with moderate prices' and a comparatively lo w tal- ent .budget. Latter item gives new- comers a chance to develop in com- parative obscurity. One of the chief attractions is Bob Lee, working in this spot for nearly a decade. He's a mental marvel who remembers the slightest details after casual conversations with the cus- tomers and sings extemporaneous rhymes oh the floor about them;, The suburban matrons and out-of- towners go for if in a.big way. .''■'. The Paiibus, ballroom team, con- stitute the sole act on the layout that has been around elsewhere. They're a personable duo displaying some nice spins and lifts, but need sharper routines for better-paying spots. Rest of the bin Comprises Lee- Ross, a ballerina; Komar, magician, and Sheila Reynolds, singer, all New Acts, :,-.•■'.■'■'■'■"■■:;"; ■' ■'.-,■■' Harry Horton's oreh cuts a good show, :■ ' ■ Jose. , ^l.-iritw K««*Mi. CM (EDO EWATER BEACH HOTEL) ■. ' . ■■'•''■'■''■■' Cliicfloo, Oct. 3. Johnny Long Oreh (16), tcitli Fraucey lane, Tommy Morgan; Zarc.o £• Beryl. Maxellos (51. Dor- olhy Wld Dmiceis H2); 4J-S3.50 liiiiiiwnm. It's a ni:ghty lopg jump from the P.intiser Room, that jive mlerno down on Randolph street whore Johnny Long played his last Chi date- to the sedate Edgewater Beach hotel, but his gimmick in switching from a swing «tylc .back to his old swee.t-svving method makes hint, a logical successor to Wayne King, who closed. •Payees out here like, those tricky, double-phrased "Shi'nty. in Old Shanty Town" and "It's a Sin to Tell a Lie" arrangements. Only quibble . is that it's going to take some practice to adjust'the 6 reed-6 brass-3 rhythm outfit to backgroiind- ing Marine Room production num- ber:' ■'■-;'. ■,-.., ,'-■'.- :"-:■..■■ Maxellos spin like tops in their standard, but always, enjoyable, ris- ley turn, and two guys and three girls put a trio of customers—one of them a femme patron— : thi - ougli the twirls, too. for hefty laughs. Quin- tet are a great addition to any show Zarco & Beryl, ballroom duo, also spin: and dizzily. Tango, and later a rumba to "Malaguena." are show- stoppers, topped with a fast-stepping overhead whirl, guy lowering his partner to a hreath off the •■flmr.- Gets the flashing couple off loudly. Pair are also soloed in the Dorothy Hild production number that closes, in. which the line, Tdreodorcd, flash capes iihd step lively. Lino's opener, '•Babalu." • in white-feathered cos- tumes, is another well-lighted, in- genious, routine. MiJce. I*flIiiNth»*s. IMiilly Philadelphia. Oct. 3. Eddie White. Frank Hall; Juliet Uastty. Al Blank, Virginia It Gene Miller. Line 18). Louis Del Rio Oreh <8). Billy LuPata »4): no coyer or jnnimwn,, dinners $2 up. • Plesisaiit shoiv is provided by cur- rent bill :t. the Palumbo freres boite m South Phijly. Paced by Eddie White, longtime favorite with Palumbo patrons, the entertainment op- the raised: dance floor '.provides a diverting 50 minutes. White is in good form this trip with a few. new gatis to his already long repertoire, and a couple new novelty songs which . he does, in unique style. A newcomer in these parts with Dlen'y of -looks' and talent is Juliet Masiry. Gal is talented soprano and essays difficult songs with ease. When eaufiht she sang several show tunes, operetta stvle. : - She also teams with m.e. Frank Hall in a duet on "Till the End, of Time." which i mps the bell. Hall does a workmanlike job of emceeing the show as well as contributing nicely ,1o the vocal department ■':- "' The Millers are a couple of kids with a style of hoefology all their own.;, Best ; bit is a. Russian dance in Ulns. which nets them a nice hand. Al Blankopens b'll with a nice bit of harmonizing on harmonicas of all sizes. Music is provided by Lou Del Rio's able aggregation ot musicians, with lulls handled by the LaPata quartet. '•."-:■'■' . V ■•;'-■■ ;.■■'■' Shut. ■♦.■♦♦ ' ♦ ■♦» » ; «- Maybe it's because he's been read- ing too many radio scripts, Anyway. Danny Thomas, back in Chi for a filler at the" Chez Faroe 'twixl radio jobs, displays, somewhat less of the ■scemin.iUy irrepressible, ad lib kniick he had. when he first hit the big time out at the 51 Hundred Club Too, the siugnufty. knockabout f ormat: has been, toned down, and that doesn't look good on Thomas. Yiddish stinis remain strictly his. forte, mo.-t potent being "Calypso." "Kosher Cowboy." and "Ciiioe.' Tnomas friis are jamming* the joint, withal, and it looks' like a lucrative eight-wee.it stay. Wally Clark accom- panies- him on the keyboard, and well, .,'■-' ■.''■•-••'.:'.■ Gail Meredith, siood-looking thrush, nuts a lot into "Good: Good, Good," '•Summertime." and "If I Loved You" for good nutting. Cabot & Dresden, ijallroomologi.sts. and Dixie Roberts, pert tr-pstrefs, are h.o.'s, as are, the Chez Paree Adorables' rout ires. :'■..'■'. : '•'■".' ■:;''.■: . '' '."Alike:--: .■,■"':'•''■■■" week ok oct. u Nummlt ■ In «ini)«c()oa null bills lirfiiw Indicat* oprnlnc U»» or iliow ~ '.-■■:■ wli«ri|li« (Nil «r aulil n»k : . Loew smt VaRK HIV CupH.il (II) i l-.'-i' K pipii t.»ru !>•»'!: Itritiotl. : Srlioi: Wcni:*'^' SlMlV (III IUriwjiS:iiiH»s .M llill-rO -I.'.ili.l«iy ■., I'l «»f.. t.iMlllMTl i ■ \V',lli« lln«»ril M *SJUN«.TON «»|>ll..l III) Tin 1 K,-)ijiuy,N ilij(li», ("!ojii'('ii#'V ' ■ I.K.nol K*>» ' A.lriitli lu.lnil t Paramount m;w. Y4IKK vity raraiitoiint (HI) A n«li>-\VK Sis tun HtMiint Vi'o vScln'rt'O ilji n<] llni^rs I*' pi** .sajfn i "lrt«, 1.*-ikIlioii I'ig'iin'aI, 'Mar'^luVni niic.%<;4V riiM'joro Hit) Ft!(Ml' Imw r**y udsutii It. 'itrOK , MIAMI : «>Ur!|HH (III) Tioy & l.y im ' S>nor- ■ i' , i'ant,'is( , o ' I tjiiT.N' rlin '•" l ; iii-up «;irJtK rouiiirt l*kr»Ni4i«iit i 1*»-I5> .I«'i i \ Manin \\ iniU Xr Mac, !.»cK\ t'irl* KniH I lit u s J'ni'k IMrun ■ \VAlSHIMiT«X iMarva, Ii,*mjS« ■ i*frK H*tw« «*<n>k *. Tir«« n K»Ith'»> .IE*V !«>!.■ MorlftiVMft Allf'h' .liiimiy A jmI^i-wiii "' • .hlll HMUl * 10 <> il l* NEW TO&S CITT RXO . BOSTON IUw44mi (It) Tony l l Ms(«r i *r« S^iulra Xlz vy*-\ t. '. .Via rion I I un.ni ■Mi-It liuf-KN'y COtXMKIS 4 Mk«i(iuif: Aia4-Uii Vii'sitlfa AUKt'U)'-', (111 Lamb Sa ra, Ann MrOf-be .Bill Kulnnwui Kill'* Gay VT» F3tUtl Giltmrt liVcfo Rvan ilan.Ul tVill^rd .1Jtii ntv Burn« tlift- lv.eJ.«ey (Ja V 'HIV i) J.irl*>l l« 151 Anjcfl l«:v.',lyiv Knight, Irwin <Virtn ■■■■■.,'■■■ i:o.*i; - Mnrpliy ■'.'■.;. \ felon llOWO '..•;.• i'iili tis4)n Trio . iD««ii(««n) -liulli Ncal i n.loifK Martin ItnivKiMie i -oiia., , iw-nny Alorhm ore i'Mf«. ^K i^ty ■■'•'. ' ■ (I plfWu) . j f \'i n);i l;a,iir«Mn*ft • .\Sa.n.n>; l>«> litvfl Susan Rff'O • ;'■•.. l Aini'y I^'mi Williams' ;'SariR .St^JiU-Dian'^r* bUlmmui U«ii"i~Oi 4 c . '.ifiiie l?\?U) - , . Van Jiia hnronv Mid llixrtn Viii'-e Wrnon I'*v*mI K«-sm inj; IJllian Ki|KK«rald I'alriria Brent T * : in Oi'i* <>oi'K# Aritold .l» anii«t 'Ki)»tt< --■• H••inktin: n Sis '/ . I'aul Spa fon ; I IteotlorA Brooks i l*n 4*1 I at i « s v'-f«vt»ttf;■ i.oix'/ Orm llofot H«l«l«rf-A Hi i K t\ A- \!--«'a thy . A nna.ma.ry l/ly 1%W ... i mil, * "M^nia n *>rc v i ,\;,irs<;'llfl- BOIT B4 I. ,1km. I Bn>.l llfatkfii ■ ■,. ■ IVrtlv Jade Moor« I.^Hron * <'a.i(i|i»b*M •Inn Wonts Troup* I.on aia.rtth Ur« ■■. ■ Krlly f « HtnWta ; -''J .Marria Baye Boti.y Boifl Noma Mali lm. H'-tly M wtoll l'»'le l'U«twti Lm Mitr(litl4|H« l,o,ii Holla- Jo Siaflot-il l.ari.\ Slpwart k'f nuy . f> Roy ' Krii to Stew a rt Orm l^tlo Baker . Put Jtoo hey . Dick Buukley AGE N C Y "The Outstanding Agenen" :: loatta, for !*• Met* DijcrimtMrtHif *f U4fe n6umt Tti«atf Ownwi ■ -; : » : : ISO! Iroadway^rwHouM New York « i.iv A*-' ' W*W*J3-lP.~f «'i,i:vni.ANn . Valnv* (III \Vo«.iily H«*riiiiiu ».'lr Mtcvo V'Cfii,l*»« , Murikti si* .. ■ Ilfth i'ulVmii riKs san (•KANeisrii (iattlirn. 4iMl<- : ltd) K«:V H^i'Imm-U Ore 'I'ttc .luw-l- K Herman llyil*. I >U|.I<:>: *. >•)>:, Warner N Kit" VilKK CUT Mnxir Hall III) Val vU-Ui ilnwumit lluilulf Kr<.<-H/r l,u<v Kmivn Kuli Kv«n«- V Vi- M Hurtnf.il: . Kdnsn-.l lleli-'K-rl \V«ll«-r (Sraf . 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Ilu v e. ■ >■'-,; Ifiiilrl l'*-.Mt«itl»i»«l: Kiaii K.-nil.n Ore ■ Hotel rirrre ilait-i Uli : I tii l 1 ;! i it nit A- . A,la nt fiinitley ; .Me I ha Ore ■ llolel tHyuaf' ' in Sa\.» - i;i.i,.t f/, A;.,lii l atri '*' i, uttoitil \:in Ore .Marti 'Aionie Ore-; - .tloiel ir.Htweieli Ore t-; He I llolri I. K toll I iieor*.;»i Jx-o li Noel Toy Altaic Ling - iioo sijett Silinla.Boiirt IS Wells 4 Fay» . . ' .■Vtariaithe . AVimeer Girl» WtM VValsti Marty Beck Or* ■.•Mi it RMIe'* Eddie l>avm .■Sherry Rrition KsU Tin ., tvay & AWrielD i.aiilatt.-rn A- ilarcta Art Waiter ui« MatllWHi ♦•«fe Hone Kmoi json Tony I'raiu •1 it tin h Arlta . lliuilt ruin DI-iU (IliMiJitri^r Or4l .loan If .Murray Lady Anne ' AJIi ii.i <ire if 4 Kotnaaiaa ■lae Mlllijta'■■ S "1 •! HanltH Al-tm Keljertttan .1 ctaire Sii Helen -Hower Jne l.a I'iii-i* Ore - linaal A (iuwi Hurry Ler.-oari or* i.larlt'a llinvaiiana Harold. Gieca Krejilimim Atara I'no Kern KobMera Sig Sfhaia ore . ftulraw, Hleta Mile iji. Il'->ar ,f«i 1< Slliilll Alaxrno Sullivan •fctne , Meiirj - .'•■ifttll XelM.n I 'eil rie W.,tla. 4' Trie (..ai-laud x\ jltn.it • fillMtl krrlvba . (ilani.H llifH',1 l"etileen ' .-':! ri 'iSdrbl' -' A! tle-ll» rtwlaiwiff I refi* l-'e«..li,,-A ' I >»■!•» Hir«« Ka-ravaeir Sii»J - » ICnnf sitlvy ••arler A Row !• . Jay no A)ant;« t-a , ' SMrk t l»b Alorales Ore l-.rnie Uolat Or« V«rmlN«a .1 intnty I'am.ll Jlitrlette '/.Ho- •luck UaryMiotl (Jtoi'te Uavia Kendall Ktrtly Aliriani Seil.tioKI. . Jae Kteardf-J Ore > illattK* Mara Iter, S;i,ttt ■';. . . :'. .■,,, ■I'al,sy .i^ttiMi- .. ,'.■'■.■- ,...', Aliriiiin. V?tt'i'nrt /••it I'arx r \ illaee \niiKiinrtl :iii K lull.- : ',..■>■>■ . I'aut: VillHiit: DI W Ola i (•« a lit. Wl«el '■ '■ I..e f.nm ■-. ,' ia tleynit'iN • I .• ' •.-t.-n/iis ■ tin 'i'»r 'i- . •• II.trt,te, Oto ' Zanilltar niilje Kllinirt.iti Ore .limits' .liii'ila if i lte . i-loltlei) Mittv *■; .I<«se. A .ll.li'H ■ I 'liner A ,.Vlorelalld Ciaiete i.ioniitio Ore ' /inioiertiiniiV \V A- .1 : lito« u ■■---■-, Wlty he Tliinni.te.nn Ailtii i>|ie, lM.rt,.er -. . i:. ia /.sim ;' ' i.'t.iie Aviinioit lire