Variety (Dec 1947)

4fl Wadtowribyt 'Pwwwiber 8, 194,7 Roxy, W. Y. Dan Dailev, Three Swyt», Hor- rtso» tc Fisher, Norman Yauttg, Miltofii Kaye, H. Leopold Spitalnv House Choir, Cae Foster Roxyettes, Paul Ash House Orchestra; "Thun- der i» the Volley" (20th), revietued in VAttOiTV, June 11, '47, und^r name of "Bob, Sm of Bottle.'' Current bill at this 20th^Fox show- case stacks up as better tlian avcr^ age. There's no whammo act, but they're''all entertaining and the show is nicely routined and attractively produced. This time the house orchestra is placed on an extended apron at stage left, with Paul" Ash batoning as well as introducing the-acts from there. At the opening the H; Leopold Spitalny vocal group is on another apron at stage right. 'As it offers "it's a Grand Night for Singing" the main stage lias three ballroom dance couples, with five other couples standing ' around for atmosphere, Sfiltoa l^aye, the house pianist, is center stage and follows with ^ -ahnrt solo' of the Tchailtowsky "Mtoon Love," partly in dance j:hythm. * With the choir backgrounding, Norman YoUng is on next with two acceptable baritone selections in op- eretta style. The stage is then cleared for the clever and laughable dance'js«itife of Hartison and Fisher. Team, does two numbers .skillfully, avoiding repetition of most comedy, dance acts. -Dan Dailey (New. Acts), -the head- lined, )8 "onJ>^ with-an enteetain- Ing jtoB^-jind-dance act' and some amusing -palaver about how he was ono! a cfaoruS' boy at the Boxy. -The Three Swifts foUow with their- fsuniliar comedy ju^Ung, Dailey. sticks, around to do .a simple ju^ling bit,- then exits for the -third -member <a the net,-who's introduced as the drunsmer in- the house band. Ttw^tcio jgo through-their funny se- ries e^-buildi^'for. seveml'standard- indisntrClub bits, to progressive audi- «nce:i»«:tion; ■■ JPimtle of-the show has the Roxy- ett» coing. through- a routine bal^ -ancing on lar^e balls, a by-now sdoi'dirird turn with them. Hobe; ?e6ra htt Hollywood background, ioei on to i-CivlIteaUon" and "You Like It," a Calypso ballad. Comes back for a curtain speech, which consists of a ga& that's becoming somewhat corny in these parts and could well ba eliminated. In case you haven't guessed, she says, "It's very nice to be back in.Washington, especially without a subpoena." Roy Douglas g^ets top billing from the patrons with his veiitro act. He and dummy always click,here, and earn the returns they «et. Technique is smooth, and character created for wooden partner is convincingly smart alecK. Highlight of act, which once made the Ripley column, is stunt in which veniro and dummy sing together in haj-mony in two different keys. Albins, slapstick adagio team, are mildly funny and ^t scattered laughs. S*inale,. which iidces pot shots at stock ballroom dancing, has enough good aero ierping in it . to give team a nice send off. Curtain raiser is Connie Stevens in a- drum major routine that is so swiftly expert that constant -twirl- ing never becomes monotonous. Gal handles firist one, then two batons SG well that she garners beaucoup applause; Sam Jack Kaufman and house orch .round out holiday layout in o-verture combining the usual Thanksgiving motif with a salute to the 'Freedom Train. Patriotic busi- ness is handled more, tastefully than most,, with effective, help from solist Kay DeWitt and narrator Charles Edwards. Lowe. State,. N. ¥. Jackie Cleoson, 3«ttt; Reilly, Sob Howard, Ladd Lyon K), Pritchord '& Lord, -Reg Kefioe Marimba 4iuems (7); "The Wistful Witlotu of Wagon Gap" (U) (2d week). -ApeHo, m. ¥. .Charlie Bamet Orch (17)., Dick - HalOtoin, Jeanne Louise, Bunny Btism, n>mrny Ropers, aUider Bruce ti Co.; "The, Spidr,"'; (20«). Layout at this Barlem vaude house currently is a below-par med- ley. Cliarlie Bacaet^s wtch.liowevep, n»nages to vtoke' ijp enough steam- to .please the ApoUo: jiunp set. While the oxilir other items, to be recommended are the reitular house- - comics and. terper BUnny Briggs. ' Best of'the show isititai-.' Composed of eight brass, six reeds, -'three' rhythm, 'BarirefB crew gives out with driving -brand of- itaz- ttaat'4 jiharply .atranged; 'ior easy listenind. Barnet's solos xtn the alto -and .AQwano aax, .moreover, are loaded with -xUft* fhai^CKi over par- titHilKrly -vwai 'to "this house. Nice- novelly ^totteh is added by two cotoced trumpeters with -band who .do a taObact wiQi their horns, drcb's baritone vqcdlist, .Dlflt aaldwin,. • «CQreifr well-with '^Ton Do" «tttt "Be- en .the .Secnine." SVsmme .Trocalist, Jeanne LquIk,. lacks as yet suffi- cient .'jitidr to "hoia the customers quiet* Briggs is completely mls«fipotte'd «s 4ne number oni it«n sand sfaoUld •be moved up. higher In the bill, be- cMse everything, following him -auiTers badly by comparison. Srigi^ .hashes xme of the smartiisirt tap-terp- mg routines in the business. Smooth iww ea^y without Usihg any acro- batic nips to win customer applause, . he features, a uniflue stylis oft hoofing punctuated b"<«ast and funny breaks JfBs to beg off. Other acts include Spider Bruce In ^ hangup skit which is, jegularly • repeated here with same uproarious rfeiiultg. Tommy Rogers closes the , layout, • with a wheezing style of -eoaiedy patter and singing that's - narrowly limited to Harlem taste. His-pipes are fair and he-does a.good job on the novelty .tune 'fFlagal^," but his comedy material is. a rehash of stale - mm mnS bis delivery is Without finesse. Hcrm. Cii|»itali Wash. Wa*hinBrton, Nov. 29; Marilyn Maxwell^-Connie Stevtns, Roai DoitpUu, The Albins (2), Sam , Jflcfc KofUfman'* House Orch u>ith Kay DeWiti, ChaHes^ Edmaris: "Song of Love" (M-G). - Capitol's stage bill curMnt session is some notches Hbelew top drawer, but is nonethelecs so nicely balanced and well paced that it is doing its flbs09 ,to pabk the house. Heiadliner Marilyn Maxwell, Metro player on a build-up p.a. tour, seems thoroughly at hoime and knows what to do with a tune. ChantODsey is plenty eye-fllling and has- » warn), sultry, voice. Yet, she Komehow misses the boat with the custtuners—at least she did at show eaugfat. Her Intimate style may be Jh too low register for daytime f Udiences, but reason is more likely thie material she. has been given, Which Ui a bit too far off beaten track for the conventional tastes of ibis type audience. Opens with "As !xou tMt It," ivcltteb for the occa- BKa, BaatoB Boston, i^ov. 28. Voushn Monroe Orch, Fronfc Fon- taine, Zigav Talent, The Dunhills, Moonmoids; "Killer ot Large" (EL). The -State show adds qp JBtisfac- torily- although wiOumt tite punch to .put it jn the -sock column. ItV one of- those shows wherein most of the acts do well individually, but in .the aggregate it's compara- tivejly tianie. One -of- the .j«asons for this CDhditiOn might be that tlw -hoi»8e-'had to be extranely careful this week because of the increased juvenile ^attendance: during the> Thanksgiving holiday. .Present are a few acts that can do well on any stage including Betty Reilly, Bob Howard and Ladd t^on. Jackie Gleason -will regain >enter'that category as soon «s. be gets fresher material. . tintcbard «nd' Lord, baUrjSiMnet& who canbine tapi 4md ^liallet, '-mbb in- the opening slot. T-erptwain provides an extremely mild offering. Their routines "are showing signs , of wear, -and <9n infusion of new and original material is needed if they're to maintain their f ormer .standards. There's -an immediate- lift in the proceedings with Ho-ward'a Mag. and':piaao-'Wotk. Ttiis ^aepian aoidcs. Across Ji guintet of numbers wiffa- vigor and a shade. of'hinnor -for .turns swarranting an encore, ^on,' aided by an. audience plant, shm- 'larly gets bis hand-to-hand balancing , across, while Miss Reilly hits it olr nicely with -an -assortment fit rhytbm tunei including some in the Irtttin -and Xididish idiom. She's another; encore .getter. Gleason's in bis capacity as emcee, and his -solo turn, does com- paratively well, butihat'4;not enough Tor a .performer .with hb; capabQities. The ract that he gets some of .the' too-familiar yarns'across indicates that -fae'd wow with some new; verbiage. (Bd. note: It's generally i.'the same criticism of Gleason -when he was at-the N, Y. Capitol recently). Closer is by Beg Kehoe-s marimbai band, a decorative group with six- gals. They mafee->e, pleasant imnress with the marimbas^ vibe and chime offerings^ Louis Basil's house orch, aside from oi>Fcrin£ - topnotch ba(>king, helps warm up the house with a f»Qcy arrangement of "I Wish 1 DifJn't Love You So." Hou8e< held oveii the Abbott and Costeilo s tarr er , "ISie Wistful Widow of Wagoh' Gap," for. a second week. Jose. Vaughn Monroe orch is register- ing biggest week here in many weeks. It remains one of the top band attractions on the cii'cnit as Monroe always comes, in with a staunch group of er.tertainers. Lay- out is soclco all the way. Band starts off with "Kokomo In- diana" to set a fast pace and never lets down. Monroe, fronting the band in his usual personable man- ner, vocals such top-ranking pops as "Ballerina," "When a Feller Needs a Girl" and "Road to Mandalay" to catch a begofl from the capacity houses he gets on every show. ; Supporting . talent includes the Dunhills,. a tap trio with an easy, speedy style; Frank Fontaine, long a. solid performer in a hilai'ious ses- sion of impersonations and satires (including one on Monroe), and Zifigy Talent, who wows with his usual "Sangi You Made' the Pants Too Long" plus "The Maharajah of Magador" and "Josephine." Moonmaids, smooth vocal quartet, work; with Monroe and contribute nice style to "I Wish. I Didn't 3tiOve You So" and others. In i contrast- ing- vein Madelyn Russell warbles "Papa Won't You Dance With Me?." "Two- Loves Have I" and ''Civiliza- tion." Besides being a looker, she has a .sharp way with a comedy lyric- and «oes very big. Whole show, in tact, interlarded with band niun-.; hers in superior settings, rates as a; smash affair, and wows from the, outset. , Opening, holiday J^im. biz was sen- sational jn a house that's been n.s.h, !for moutbs. \- Elie, , •■ Miami, Nov. 29. Gordon MacRac, Snjah Raboid, Alodelettes, (12), , Soimv Spares;, •PrydM^ It Dtai, Morey 'tc Eaton, Les Hhotte "House Orcfc; "Crw Wolf (WB). Fairish show current here, with audience -approbation ,in same vein.' Pace setters «re the Modelettes, A departure from, the house -policy, wiiich rarely includes .anything ap- proximating a .production number, the-12^al Hne turn in-two well re- hearsed, though -not too imaginative xoutines. Gordon MaoRnei topliner of the layout hits solidly with liis fuUy ■TOunded vocalistics. Guy leaves im- presh that he could range liigh with ,^t&e' -notes. As is, ,gets the mitting with his-easy approach to the pops with "Near You" and "Body and Saul" standouts.: ■Bajahe Heboid, a local fave in niteties, ^^a^ners a .good palm-pound- '.iag. 4iiiHt his .mentalistics'. Ansvlrers any and all questions sent up. Unicycllsts and balancers Pryde «ad DcQT di» okay with their stunts. Jtoutiningi «re well handled. Com- edy -ipot held down by -Morey aiid ISsAm doesn't go too .'vsr^L Timing and showmanship -,lti«re^ but not the material. 3fa emcee spot. Sonny Sparks han- dled the ehore neatly. Also clicks in songctanza, Larv. Variety Bills WEEK OF DEOBMBEB S Nam wall ta connectlOB with bUh'iMiow ladloato apealnt day at ahow yrtMli>«» full tir wilt waelt - Leticr lo Mr«H«lie>e» Imllvntes (lircults (I) ImluiiendDiitt (I.) Lmwi <!') I'aminimut; (ID KUOi (W) tVHriU'r >'J5\V YO«K CITV Clipttol (I') * Pawl Wliltcnmn O MarU.vn Maxwell Gens Sbuldott Bon BbvI - MUHlc ilAll (I) 4 Lucllc Cummlnsif M:rtiU & Piiuaiid AuTonuinluoH Unuditmllh Uro» llocUtttteH Wym Oi'(! X*armii4»unt (D 9 Ray MuKlntey Bd l^rnnkle lanine >. mny DeWoIfe ClarU Bi'OB fU>\y (I) 4 .T>an Dailey :■ 3 SwitW . Norman Youtir HarriMon & I'^ioher mite w * R & li Plukort The Tunosiiien .Tuhnny Morffun . Betty Jann Watson Four Moroccann KKONX WllHlHur (I) S-7 Alan Reno Cttthorinfl HarrJa. - Koslyn I*aKo Paul McWniiiiina BHOOKLTX KiMtbuHli (I) fi-T Uly Ann Carol C^ti-on Bros AbaullRh Kiltlu Bd.wai'a Sis J«<ikle Randall .lanuSlm (I) -8-a Horiaa 3 Jtima & Jamea ' ) Trumpet Twin* Stan Irwin . ' Althoa ((o»r to flll)- BAI.TIMORE RipSiMlKune (f) A WAlton ik O'St^utk* Coloy Worth Martin iiroH IIAKTVOlin Htnt* (f) S-l Tad Weems Ovo Jerry Coloniin ■ Connie Stevens MIAMI V. Qlyaipln. (P) S Carlton & Dell Paul Dnke liluKenlo Balrd Tim Herbert RitmUn' Bears AdnmH (I) 1 nilndla Jacduet. ,T Luncefard fire -Bar»l> -VnuBliii VttttevB'n & Jaclts'n N1«H «• Vcrsio Piirnniuunl* (!') 4-T I.kintilHttinplon O Choolateera », Rod & Ourley Mara Kim pattkhsox "Majestlo (I> *-7 Wilfred Dujiols HaUer & Hayden Olive White Anthony ife WoBcm . Go)d Tony - Romalne &. Babette Bobby Bel Bio Martin & .Florena Tommy Jlunlon Prltchard » Ijord rHfTJiURLPHIA- OmMtn (I) 4 Isob- Poufflafl' Alan Stone ^ •Plw Btirhtovreni ■*-H«fti( _ : VBOTIDiaNCIB «niiltaa (I) 8-1 jBcoree PreeuiH Jordon *Tarvis - Tb« Kanasinwaa ISileen JSarlon OeoriTfl Guest lUSAUINO Hojah (?) «-S »heii Kl«ia« Ore :Boh I'lopltina IBypod i'O M i c» Halto. Baltimore, Nov. 30. ATtpie Bond frib, Steve Murray, Walton & O^RottrKie, The Robems. (5), Jo Lombdrdi Souse Orch (12); "tt ff«d to Be You" (Col). Standard.layout plays well enough., Opening by Bobenis, mixed quintet of tumblers is punchy despite space limitations occasioned by house arch on alage. Make thinga right for Walton it 0*Rourke to handle vari- ety of puppets On small portable stage. Get over strongly with han- dling of skeletons, jiving blackface vocal'flnd piano duo, a very funny bit ot a drui^ken ilowager at a nilery and for a sock finish, two Skating cats. . Steve Murray is next with gag- gin^,. fiddle playing and a comedy vocal. Set matters for the Angle Bond Trio to dose with strong sesh of instrumental stuff and some vocpj- jzing. Utilizing piano accordian and bull fiddle for swingy arrangements, trio of femmes give out with "Cara- van," "All These Things," "Samba" a Bach classic and for encore, "Hey Bob-a-Hebop"—all sold to the hilt and a .strong closer. Biz good. fitirw. -material, seems to have added a dif- ferent suality. Perhaps it's just the same fare, only it's matured. It is now possible to sit really close to those 21 men -at work and enjoy the results unequivocably. A ooaversai- tion can't exactly be carried on while the band is at work; to say that is gohig too far. It's still plenty novel, but therells.jiew: color in most of -the things it does and the blasting Isn't as noticeable. Kenton now uses bongos and maracas for-unusual ef- fects, incidentally. Pete Rugulo, Kenton's main -wranger, ain't too clear hiimseU over what has been .done to change the band's approach, but admits there is a difference. Whatever it is, it's a great band. . .Kentoi).-sterns to have been soured '« bit by the' numerous objections he has heard in the past on the band's destruction of noise meters, its lack of attention to pop songs, and the tempi that go with them for dancing. And he uses this situation in a par- .tially sarcastic manner, along with other developments, to actually add a dose of showmanship to the pres- entation of the combo. For example: prior to a broadcast he explains to the kids what's going to cook—and warns that dancing shouldn't be un- dertaken since there's "vidous tempo changes and somebody's lia- ble to break a leg." Such touches, combined With his constant (feigned) inability to remember at what spot he's playing and a funny routine of introducing the members <il his troupe, add showmanship to the broad color of the band's unusual musical performances. Kenton still has June Christy on vocals and trumpeter Ray Wetzel as noveltyrtune backerup. Miss Christy i» a fried performer and her per- formance here goes over, as usual. She handles material peculiar to her and does it' really well. Wetzel wasn't heai-d when the band was <caught {Pri«U»y>i Wood. DoHiMffs and Kaya Sisters SENSATIONAL tIMOPCAN HOVtLTY 9et. Mgi.: WOli SMITH AMNCY mat - .Brwdwy Sfm' Lew Nelson -Aq£ie .B.ond one-to' fill) V State, (D <«-« Jsrrett & tRobsrts^ X.lnita Parish Tommy nnnlan PtidTO & Iniranft' . - Winton « Ula^i* Rei-< Bros Duciilt & Kay« (one 1 to nil) IBOMXOir ■ Boateii (K) « Barry SuUfvan Bontn's Puppeta < Will Mamlh « Connie Haines tStroud Twins ffAMnKN Toncm (I) s-T Morry & Frank Tvonne Moray ,Tulle & Russell Harper & Lonlse The -Warners OBXCACIO CMeato (P) S Welta Rhythm Boys Robert Maxwell -Pat Hsnnln* The Colstons Oriental (I) 4 Sntut Marshall Bros Caudlllo Hlstens Carl Sands Ore (one to Wiy Regal (F) B Nellie Luicher Dlzz}- Otllesple O Oaynor * Boim Xlynenilte .Tefterson Rivers & Srnwn FranlcJe Carle- Or«. -liliiyd-Ob !WJIIIb 3 Be<UnKt«»» •BiMCimSTKB , Mteee (B) 4 Tmniny -Bomey Ore (-lliriH' to mi) Falocfi (I) li 'BroatTwaiy I'asBinc* Wbltey Roberta RilltfA 3 Lester Omar Ca.tran Bros . SAN' WAMriSCO miMm date (K) S Babert Iticlium Ross & Stone 'Danny Drayson Knclianters (one to ,flit) Court Sa (1) 4-t J0hn ArcollYio Itevan &' Roles Brace Drysdals a Honey Boys I..eon Fields Caltes Bros A Marlyn m>i.H»o Puwmmurt <P) 4-7 FrankltL Carle Ore Ool^y -Worth Ikfartln Bros WAflttlNOTON Capitol m 4 Dewey Sis Noal Slanlev Ijander &-. ITolKind Francis Oraip Ilowanl (S) 5 Andy KIrli Ore Bill Johnson & Musical Notes Xiewls & White Tonduleyo & Calypso Buys .Dnnuy Dennis ^TAm CARim^- New Theatre (I) 1 OanBS All Hero DuifRie Wakefield Hilly NelKon Chiiok O'Neill Joe Black Cella Hart Hoy J.efCertcs Mills & Pauletle Tony VanKbn Pannora Imps 3 'Monarehjs Ca- Bmplre <I) 1 Ignoianoe Bliss Harold Bemns Bladj'a. Hay . Michael -Mopre Burt Nerman Foul Harttiunlcii, O l-en St Bill i«nre .llnimle tlobbins Koinic Conn Alys . Vam Ik ,1111 XiOs Valentos . Fttln«e (T> 1 Hurry Riy im Kathleen -West- ."Durosa i KniBlit * .I'.-well Ili«hty Atoms Olfcn Bca r.ion MANrilKST^B nippodroiue (I) 1 Happldi'onre Harry K orris Robbie "Vincent Cecil Frederick 3 Sbinley Bras Sanlna & Vnlrtcm'i Annn Mac Millard * filndcii .Tohn Tiller GIrlH Kmpire (I) i Dante Sini-Kala-Blni l!cv Cabaret Bais HEW YOBK CITY BacittcU* Ooiathy ttoss nine An«e1 Blls! T Martin I'earl lialloy Jay jMnrshall Hal Coolfe Ellin l.arkin 8 Carnival ucovSii' .Tesnel F.Inn & Wttldo (Irnhnin Sis l„uh<t Malina Bay Jacuuemot CMittH Irwin Chas Blacltman Oj- Ouo Ore Cafe Soc-iely (Minvntonii) ■ Rose Murphy Alsn Melvln Dorothy Jnmnc Hope Foyo Da^-e Martin Orr Cafe Ooeirty IJ|>ln tutney Aaie» doiui j^errlll Abbey Albert Oro (Jao Outsrel Oro Copui'ulHinu Peter Ijlnd Huyea <Tot MacUnnald Mary llciUy Bliiir & Dean Ray Avuet; Michiicl UursD Ore FornnnUo Alvurex O 'Kl Oillcn F Del Monte Victoria BiircL-lo Rita iS; Koziiio Xios .Fanohos Oreeimirh VU. Inn Jeirtt Pnrlter Herora: JS'eu Harvey Oro jjonny Koberls O .;■ • ■Harem' , ,Tack Goto Dcra Myron Cohen Kllsa .Taynu John Billot Paul KenioH . Mack TrIpUils Nevada Smith ]''nuato Cui'bello O Art Roman O Hotel Kdlaon Tommy Reed Ore No 1 Jtflftli «nv -Phyllis Grey Gordon Gmord ■llniiel -Webster Downey & Fonvllls .aieldlKhts Belmunt-PliiiB Romo Vincent ,Ton I>uuren:s; Taylor Line '. ' ■ Castlllanou Ore -Ilddle Stone'Uro Hot,el Blltinar* I,anny Ross ' . . Pat -Whitney Mark llavid Bonhy Wnldon O Ktpiilicn Tvlaley O Hdtrl -CommmloM Stan ICenton Ore natel Lrxlmiton Alomas na>ira(lann Jletol K«w Viaehrr Saitnray JSaj'e Ore 'Hatvl VeimwIvnnHi Cha-i Splvak Oi-e ilDtvl VIenrr I.andre & -Verna C;hn» Reniler Oro Gray Terrell Vmn Smith Ore HoM llHKU Pbll Regan .Tool Iterron Oro Hotel Bnosevelt Guy l.ombardo O Hotel St Mnrit* Sdo liUblnh Ore 4Iotel m Seals ' Knunk Parker Raye & Naldl Nype 8k C<ile ■ * Mvulyn T>ner Anrtre Andree A Bonnie ^: liasKlo & Peitito Tea Straeler Ore J Oiiurnerl ;i CUOii Uoll MInit A Una -^^'miB Sin .lianric Tjon,^ ■Beolriee. l''nntt Oye 11 Cnrbpllo Ore Jack Prase Oro nntel !niTt Vincent T^opez Ore Charlie Drew naTiina-Miidrltf Noro Morales Oro Alverea 'Mera Cords y & Triftno Sftcasas ,Ore: Iceland Lynn Allison > • Tiny Clark liiou Menxchel W«rtln< Ltn* •Bllmpy Blank Oro Iju lilBrtlnliiins I^ecunna Ore Ralph li'ont Oro Jayiuv Manners. Roberto & Alicia .l4ton A: JSiMle^a KdUlu Davis Art Wanor Ore Mayo liroM . Mttriiin Manners Hoy Davis . Run f,opex Wttliy Dean. &iho)i(trd Line Ulii Ronnmnlna Sadie Banks Joey Dean iloe I.u'Porte Oro -D'Anuila Ore I!«ii<« Ilanse Erwin Kent Oro l4«tin tlnnrter Harvey Stone t'umpiig:noiiH GeorKle :Tapna smith SJs - I'Htrlcla Adair C & T ValdoJS Gusneth Omei*on Bon vivants Vincent Travcra O Blvleni Billy Vine J»n Bart Demur Denlae Uet+y Jane Smitk Tony Hnvaar Catallno Ore Xabaa -Bleu Sonla Conts Connie Sawyer aean Palmer Nortnann Paris 1 lyalljr ^laelter „ . Sl^W* •flplvy Shleli Barrett Venatlllea Dunulnger Bob Grant Oro Panehito Oi-c VlUaice BflTii Pluie T*ete :T(>nl Palmer %li>ore Sis Ma<''Arthui-a Ranch Ore Village Vnnsmrd Irwin C'oi-ey Jjea WlWy Max ^nminsky t Don -Frye ■ WaMort-AslvrIa De ^lareos Nat Braiidw.vnno 0 Mislia Mori- Oro Wlvel Bob I.oe Kay Carole Bri'nne Xiorey Janle Scott Danny -White Zlmnkerinan'o Janezl Makula SSslga Bcla Piaulens, Doris Ha-ywood (3<-nc Kitrdos Q CHICAGO Phil I«Tant BKy Ohien HoWjittl Broolw Shirley "White TAJ Mfthoney ... . Xihei Tunw .' Marty Gould Ure Paul Draper Marttn Ji. I.wls JJon Chiesta fjro Chci! lAdorables t Id) Ja^n narllntr - Bot«l Blarkstane llona' Massey Ray Morton' Oro Hotel Bismurk Fred Harrin, Donmt & AnnettO' Rudenko Bron (2) Heiino Delson O The Stewaits (,t) Ilelsinxs Cleorm, Uubi'l 'iiHi t'hnndler Ore Mary F KfnculU Jack Bnrtpll H .KOeewutn' Jleach Gcoi-ea Olsen Ore ('arilinl J'dul ITnnkon Marian Fodels .HottK Stylists (4) D mm Duncrs (It) Hotel BbemMii Xeo Blamond Mel Tormn Bfartx Xbwan . . Jose iMells Ore •Teanne -Williams Carl Marx Eatln QimHcr T.enny -Kent liatin Lovelies (13) BUdkly Sha-w Oro Valida Snow l.nt* Hyd« • - Vllnw SIi«ny Valmer Honse Gritr WUIlams Oro Florence Desmond Artlno d: Counsuelo Ray Malone Konard Do Ccurcy . Hatel Stevens : Orin Tneker Ore Prat Lambertl Marcella Gould M & J Slack Scolec Harsh Bensatlonallsls (3) Boul evar-dears ^orit Kfzan Coin Contisaed 4wkim page 1; to Hollywood; his last pic waa "Gen- tleman's Agreement." HcretofOBe top reittuueratioh lor directional jpbs was around 16%, and s>:!c!! author-directors as George S. IvEiufman and Moss Hart are said to have rccaived' that share of the proflts in instances of "My Sister Eileen" and "Junior Miss." Around the same compensation goes to Jobhua Logan for his work with "John Loves Mary" and; in addition lo the weekly percentage, he is billed as associate producer, show beinfi presented by Rodgers & Hammer- stein. Guthrie McClintic also draws down a .goodly percentage, which ap- plies to "Antony and Cleopatra," he also being compensated for script work. . ' Backer.s of "Streetcar" did the largest part of the financing, which is not unusunlj angels often putting up all the money, but in light of the record percentage to liazan, Ihey will .sliare- in 40% of the profits io- sta- rt aSj 50% er more In some iia- staiices, ■