Variety (Feb 1948)

WfMlneeday, February 2S, 1948 47 •1 Roxy* N. Y. Hazel Sco% Gil Lamb, Rat/e & jVoldi, Don Henri/ Trio, H. Leopold Jtoitolw Chorus, Roxyettes, Paul 2lsh Orch; "Coll Northiide 777," re- viewed in Variety, Jan, 21, *48, The virtually lost tribe of vaude- ville adherents is probably finding much pleasure in the shows at the E<)xy theatre. Despite the presen- tation policy, with its tasteful pro- duction and , excellent settings, it's epparent that the backbone of the majority of its displays are the solid Variety turns that offer a high de- gree of entertainment. In the curtent .layout, the lour- ct bill comprising Hazel Scott, Gil amb, Mary Baye and Naldi* and _ioh Henry Trio (latter New Acts), constitutes a potent parlay which is jgiven increased effectiveneiss by the orchestral backing of Paxil Ash, and the vocal accompaniment -of the H. teopold iSpitalny - vocal ..group. In 611 a satisfactory session. Miss Scott,, who's devoting the bulk of her playing time to con- certs, seems to have attained a ftarched attitude since hitting the longhair circuits. The boogie-woogie that once was the mainstay of her tloV is now done as a condescension. .;t's true that she throws everything nto this rendition, but when taken n relation to her entire turn, the down-the-nose attitude is painfully evident* Her opener is the "Warsaw Goncerto" given in concert^hall style for goo^ returns and other oflpering is a. medley of tunes in which she |ings In French, Italian and Yiddish. She's still an applause winner. I^mb hits the favor of the house with a reprise of the strongest bits in his comedy catalog. The impres- {ion of a jitterbug in a: theatre and lis harmonica bit win top * hands. Us opening line of chatter Isn't of the same calibre. Baye and Nald! spend most of their playing time around New York without diminishing their ability to Impress with their lithe and lively jroutinea. Their stint here is no ex- ception. The crowd takes to their "Moonlight Sonata" terps, paso-doble jlifl f'Begulne" as avidly as ever for le usual top salvos. Jose. . i§1trandl, N. Y. Vaughn Monroe Orch., with Ziggy falent^ Frank Fontaine, Mayo Bros\, Madelyn Russell, Eddie Julian, £arl iluwMnell, Bobbie Trelcase, the Moonmaids; ''My Girl Tisa" (WB), reviewed in Vabieiy, Jon. 21, '48. Vaughn Monroe doesn't have to dominate this show with the weight of his personality; the weight of his name on the marquee should suffice. Monroe continues to ride the crest of his popularity. On records he tiops from one smash topseller to another, and he's approaching the third year of his own radio show for Camel. During the course of the stage per- formance Ziggy Talent, as a preface to mimicking Monroe's style, refers to him as the "voice with muscles," The characterization is an apt one }n more than one way. It exempli- fies everything about E^onroe. That calm stolidity of singing, moving, talking and whatnot suggests any- thing but the studied manner. While others excite audiences with an emotionalized bag of tricks, Monroe ^ets 'em with his effortless, throw- away approach. The words, "effortless" and "thuowaway" pretty well tag the bandman^vocalist's demeanor as he performs and presides over this 55- minute package of pleasant enter- tainment. The customers may . not turn handsprings in the aisles from sheer exhilaration, and even the bobbysDckers downfront may not be trying to get into the act as ob- Str,eperoUsly as is their habit on thfe Street, but the show is bound to leave with the departees a feeling of solid satisfaction. It's all nicely diversified, .brightly paced and ^5partly produced. Even that finale "political number, which could have got its inspiration from the current stage show of a competitive house nearby, namely, the Capitol. The Monroe department of the runoff gravitates almost entirely toward the familiar in repertoire. The songs Monroe unlimbers—with the Moonmaids in occasional sup- Sort—are those that have got a heavy earing on wax. On the other hand, the band's one big interlude is of a different stripe. It's a special; "The Sabre Dance," which has begun to press "I'm Looking Over a Four Leave Clover" for No. 1 spot for in- cessant performance. The Monroe version doesn't exactly pull 'em out of their seats but it's sweet and zest- . ful. ■ To his "Ballerina" number Mon- roe imparts some fancy dressing. As he intones this ditty, which seems headed for the 750,000-mark in disk sales, a pretty little ballerina in the flesh, Bobbie Trelease, flitters and , pirouettes on a beeline between P'sinotop and stage apron. She's part 2J the Monroe entourage, and tne bit comes under the head of ob- ^'ous but adroit showmanship. i-he acts surrounding the Monroe troupe have an above-average flavor, especially the witty impressionist, ialent, and the hooiEing Mayo Bros, lalent chaiks up hi.M usual score, and that's boflo. One of the mosit rejaxed and surehanded workers in P's neld. Talent draws his reward in heavy salvbs whether he's im- personating igoMift personality, car- boning some name vocalist or sketch- ing the dimwit who had just won a big bundle on a sweepatakes ticket. At foe the Mayos, they've got something a little diflerent in hard- shoe style and routining. One of the boys has developed a shuffle that's a darb, while both are super- doopers at flnging either an eccen- tric buck-and-wing or a precision rhythm.- They also weave in some infectious comedy bits. Most of the tapping is done on a small platform. They go over big. Somewhat less impressive are the vocal doings of Frank Fontaine and Madelyn Russell. Fontaine is of the violent type of comedy singer; One of his numbers has to do with a maharajah who's addicted to the rumba and the other ditty involves the use of vitamins. It could be that if Fontaine toned down the volume of his voice or dispensed with the house mike altogether the audience could get the drift of his recitals and find them quite funny. When caught, Fontaine's collections from out front were meagre. Miss Russell, a lithesome loolter, whose specialty is romantic pop -tunes, makes it rather tough for herself around a milte by limiting herself to two ex- treme registers; she's either very low or very loud. Her style inti- mates that she's been working pos* sibly in night spots where you emer have to shock 'em into attention or be lost in the rumble, . Of easier effect on the ears is the violin playing that Earl Hummell, the band's concertmaster, contributes in an earlier spatt His choice for the solo is "Hora Staccato," and his blending of fine tone with a nimble technique earns him hefty applause. Odec, Apollo, N.Y. Cob Calloway Orch (14), Mary Louise, Berk & Hallow, Apus & Estrelita, Berry, Bros. (2); *'Road To The Big House" (iSG). Periodic appearance of Cab Callo- way's orchestra at the Apollo always spells a big week for this Harlem vauder, and current date is no ex- ception. Energetic maestro-vocalist pulls aU the stops to keep 'em iiye- happy throughout the 70*minute stanza. In addition to the band, the maestro also carries his own sepia revue, with exception of Berk and Hallow, ofay terping act. Band, comprising four rhythm, five saxes, three trombones and three trumpets, open with a sizzling work- out of "Cab's Boogie." It segues into sweet stuff on "One For My Baby" with Calloway on the vocal to set things in a pretty groove. Then Panama Francis bangs out some tor- rid skin-beating on "Sailing Down To Panama," just what the doctor ordered for the usual jive-happy audience here. It all combines for a neat buildup for Mary Louise, band vocalist, who sends 'em with sultry versions of "Wildest Gal in Town" and "The Gentleman Is a Dope'' to garner nice returns. Berk & Hallow follow and click with clever tapstering, Open with precision tap as team, then solo and fast challenge stuff for getaway for nice returns. Band takes over again and Calloway whams again with his impresh of one of his yesteryear hits, "St. James Infirmary Blues." Apus and Estrelita, mixed team, hold down comedy slot okay with a mix- ture of cross-fire gab, comedy songs and dancing. Band follows with "Rhythm Cocktail" with Sam Tay- lor, tenor saxist, spotlighted for some hep hoodling. Berry Bros, practically sew up the show ,with their clever sesh of aero and tapster brand of stepping. Lads knock themselves out in strenuous routines but gre more than amply rewarded on the applause-meter. Edba. RKO, Boston Boston Feb, 20. Mills Bros., Gil Maison, Yvette, Billy Wells & 4 Fayi, Marshal Bros. (2), Lorrv Flint House Orch; "I Love Trouble" (Col). ■ This layout's fast and lively and clicks from the outset. Billy Wells and the four Fays get show off to a fast start with their slick tumbling, with Wells supplying laughs via costumes and antics. Marshall Bros, two lads doing im- pressions and gags follow. Have a good turn with lots of laughs but stay on too long and miss a sock finish. Yvette, neatly stacked blonde, scores nicely with "Necessity" and "Civilization," handling fast tunes especially well, Medley of ballads includes "Body and Soul,'* "Last Time I Saw Paris," etc., and bows off with "I'll Be Yours" doing it in French and English. Gil Maison, with his welcome Switch on animal acts, clowns with ;a huge Pyrenese trained to do every- thing wrong. Uses a couple of the small purps around too, and does it so well even the dogs seem to enjoy doing it. Finales with jitterbug rou. tine with chimpanzee for solid bow- off, * Headliners, Mills Bros., wow with unique .styling. Do "Across the AHey," "Til TJMJn," "Paper Doll," etc., but stubholders'wouldn't let them go until they did one-of their familiar instrumental arran8ement.s, in this ease "Basin St. Blurs." Still tops in tiveir field. , , ,, u u Biz good at opener, and should^hold up with this pacltag*. » El^e- Mnsie Hall, N. Y. Larry Storch, The Juvelys (2), Eureka Quartette, Ballet, Glee Club, Rockettes; Mwic Hall Symphony Orch, with Alexander Smallens; Richard Leihert, organist; Double Life" (ir-I), reviewed in Vabieiy, Dec. 81, '48. The stageshow at the Music Hall this week has a turn-of-the-century flavor. It's moderately entertaining, with, tlie production and. costuming contributing materially. The Larry Storch impersonations and The Juvelys balancing act are standout. After Alexander Smallens has directed the symph's playing of tlie showy Prelude, Intermezzo and Finale from Maseagni's "Cavalleria Rusticana," a foursome from the house Glee Club opens the show. Billed as the Eureka; Quartette (Paul Franke, William Shriner, Al- fredo Luizi and Lawrence Nickol) and costjimed in circa 1900 garb, harmonize such oldies as "Gee; But It's Good to Meet a Friend from Your Home Town," "Oceana Roll" and "Wonder Who's Kissing Her Now," with lyrics flashed on the screen, a la the silent film days. The ballet follows with a number called "Playtime in the Park," in which the dancers make use of large hoops in a formation group at the finale. The costumes for this num- ber are particularly good. Storch is on next with his familiat imperson- ations, this time including Ronald Colman (who's starred in "A Double Life" on the screen), Ca^ry Grant, Akim Tamiroff, Gary Cooper, Frank Morgan and a couple of femme souses. As usual, it's an effective act, though Storch's facial stuff is lost in this huge house. The Glee Club, in colorfully atmospheric clothes, sings a roman- tic number featuring first the men, then the girls and finally the group together downstage. The Juvelys are on next with their familiar, al- ways click balancing act, this time costumed in the motif of the show. It's the same act, however, with the girl standing on her head on rubber balls balanced on her partner's head. The Rockettes close the show with a woman's suffrage parade turning into one of their standard sock pre- cisipn numbers. This time the pink and red costumes are unbecoming. Hobe. Olympia, Miami Miomi, Feb. 20. 3 Stooges, 3 iVTciVallie Sisters, Roily & Bonnie PicJccrt, Prof. JWarco Maliny, Ronold & Rudy, Les Rhode House Orch; "Secret Life of Walter Mitty" (VA). Current layout here is not as solid as previous bills. Topliners are the Three Stooges with their standard slapstick routines that border on mayhem. Hard work- ing trio gets laughs, but its a tough road at times. The Pickerts tee off with a mix- ture of tapstering, bag-punching bit and a routine on stilts that wins ap- pteciation. Shadowgraph accomped by back- ground music and good -continuity makes for a neat novelty turn by Professor Maliny, with appeal aimed at both adults and juves. Hand-balancers Ronald and Rudy get- over nicely with posings and adagio tricks. Three McNallie Sisters turn in a hillbilly turn that doesn't register too well. Trio could sharpen their harmonies as well as pace. Lary. Hippodrome, Balto. Boltiniore, Feb. il. Sammy Kaye Orch (16) with Don Cornell, Carol Deering, Laura Leslie; Helene & Howard, Georgie Kaye; "Woman from Tangier" (Col). Band shows may be on the down- beat but when they pack the mar- quee strength, musical competence and general all-around entertain- ment as contained in Sammy Kaye's stint here, they're the answer to any booker's prayers. With a weak- sister film accompaniment ("Woman from Tangier") the wicket has been spinning steadily to a big figure topping Kaye's previous take in this same stand a year or so ago. Full-bodied instrumentation in- cludes six brass, five sax and a full rhythm section of two pianos, guitar, bass and drums. Arrangements are smooth and smartly jnixed, for change of pace and sidemen pitch in for gags and voeals to good returns. Opening of "I'll Dance at Your Wedding" is a nice springboard and vocal of "Golden Earrings," by Carol Deering, provides a groovy contrast. Band's other femme vocalist, Laura Leslie, utilizes anpther style to sell "I'm My Own Grandma," and Don Cornell pitches in for effective sing- ing aid in the slushy sentimentalism which calls for some poetry by Kaye. Latter is a^good touch and well rCf. ceived when caught. Another high- light is the polka with rotund sax- ster giving out with some hectic tooting of "Too Fat Polka." Interpolated acts are Helene. and Howard, comedy knockabout duo imaking it count to the hilt, and Georgie Kaye, a promising comic with a fresh bundle of material. Both score solidly with latter spotted just before Sammy's "want-to-lead- a-band" gag which is a potent spot and tops to bring setup to a rousing dose, Burm. Variety Bills WEEK OF Fl^BVPAKY ZS Svmmaja In cspnectlon nlth Mils, indicate onenlns day of «b«w whctlier fnll «r $nlit weeic, tetter in pnrentheBOs Indicates ulrciiit: (1) lildenendent; (I.) Loevv: (r) Puramount; (B) KKO; <S) .Stolli (W) AViirner msw voKK ciiv CaUitol <L) -^6 > Hoi'.ice Iloidt Oro Music Hull (I) »e Ijarry Sto^'cl^ , Paul Frank WiUiam Shriner Alfredo Lulzzi Ivawrence .Niokol Uockettes Corps He Ballet Glee Club Syrn Ore Fnniinoiint (I*) ^tt Loiiis Prima B4 01ck & Dot Reniy Itosy (I) i!S Hazel Sqott Don Henry 3 Raye & Naldi Gil Lamb ' . Stmnd (W)' 27 Vaughn Monroe Oi' Frank M.dntaine Mayo Bros BKONX WliidKor it) .Sliem^n B & Tessle Grace Johnston Harry Hose Stuart' Sis Tlie ManKinIs BBOOKT.ICN HatbOBli (I) %7-«B Day Dreamere Marieloulse & Charles Wlnton & Diane Pat Roonoy Jr Meyers & Walker , ttUEKNS: Jamaica (I) «S.«8 Arnnut Bros Sonny King Corri & Blsa The. Martingales Bud Sweeney Rudy Horn Oathy Randall Maurice & Madda D & H Readine ■ BAIiTIMOKl Hippodrome (I) 26 i Macks Paula Bane Blton Britt Jackie Gleason State (I) 26-28 Mann & Ross Cameo I^ee Buddy & Ollie D & D Cats 20-3 N & V Collins Ru6se11 Sis Ben Ross Caplell. & Rose BOSTON KeitHs (B) 26 Rubs, Morgan Ore Lew Parker Tip, Tap & Toe \ Luba Malina CAMBED Tovcen (1) 27-29 Hicks & Berry • Don Hooton Burton Bp ■ Janet Le,vere & Handman Datfal 3 CHICAGO St«te-I.a1ie (I>) 27 Phil Reagan Owen & Johnston Hooaler rHotshots Oriental (I) 20 King Cole 8 Tvonne DeCa,rlo Jack Leonard Carl Sands Ore COLL'SIBI'S I'll luce (B) 1-a Clyde McCoy Ore Joe B Howard Alan Carney Lathrop & Lee HARTFORD State (1) 27-2B Lionel Hampton O Red & Curley Mara Kim .Helene & Howard HOI.2k;0]ilS Valley Arena (I) 29 only Larry Clinton Ore Corri & Elsa Plnhus * Po.5ter Johnnie Burl{;e Tile Martingales MIAJUI Olymiila (V) 2B Arthur Le Pleur XjOu ,^xon Hal Le Roy Connee Bqswell MSWABK Adunis (I) 26 Stan Kenton Ore Mcribeth Old Pat Henning rATERSON Majestic (I) 26-29 3 JCayos : Thelma Baker Benson & Mann Great Lester 1-8 .Tordan & Parvis Don .Hooton Gilbert & Leo Glenn & .Jenkins The Latinos' PHILADKLFHIA Carman (I) 26 C Byrd & Leroy The Lloyds Lady Frances T O'Neal & Cathy KKADINU Bajtth (I) 26-28 Johnny Long Ore Sibyl Bowan Florida 3 Chris Cross KOCKFOBD Palace <I) 27 "Smart Set Rev" Allan Rogers George Lerch Knight Sis Barret "&, LaSaile <■ Willys Paul Walker Ore SAN rBANCISCO Golden Uttte (K) M Louis Jordan S Budels Dave Barry (iPBiNdtFira.n Court 8a (I) 26-29 Pal Mason & Pals 3 Bentons Al Norman Al Verdi Co O & A Olier Bart Gilmore WASHINfiTON Capitol (£)l^2C Tex Beneke Oro Marshall Bros Lou WiniB Jr WOONSOOKBTi' Capitol (1) 29 only Pamalee & Louise Gordon Girtora Danny Grayson Dell & Andy Gautiers 6teeplc*se BRITAIN BBISTOI. Hippodrome (S) 23 Babes in Woods Arthur Lucan , Jean Adrienne Bert tiatt . Finley Bros Valerie Lawson, Jeanne Goddard Josephine Anne Harry Sims Carol Ijane ,Doreen Davles Pamela Roye Rita Baker Yeoman 6 CamcPb'U & Rog'r ffl Flying Ballet Dassie Bros Peggy Barnes 12 Little Olivettes CABBIFF New Theatre (S) 23 Sleeping Beauty Freddie Forbes Nita Croft Phil Strickland Bert Murray :6iilie Love Isabel Marden Jill Dunckley Leon & Kikl Hamilton Robins Sidney Trevelyan Vilma De Boer Robs & Globe G1.S Balmoral 4 ^ Charles Ahcaster Beaton's 12 .Tuves CHISWICK Empire <S) 23 Vera Lynn Gaston Palmer Norman Wisdom A Fontenay,, Co Pharos & Marina Billy Matchetf .1 Astairs , George Doonan HACKNEY Empire (8) 2:{ Reamon & Farrpll Ciarkson Rose Murray & Hinton - Paul Wingrave Co Cilia's Dogs D(u'een Blvthe Clarkfjon, Rosehiids Scott Sanders I.EK'ESTl!B Opera Houne (S) 23 Humpty Dumpty Dug-gie Wakefield G Huntley-Wrlght Stan Little Doreen Lavender Harold Chllds Roy Jerterles Hugh Harden Little Jack D Harris & Stan Biel'e 12 Juves Palace (S) 23 Billy Cotton Oro All Bey Johnny Lockwood .Tohnson Clark Grafton & .Tacques Lupo & ■ Valez Joe King ]:.oNnoN StoH (8) 28 Stars on Ice. CASIN* 01-«50n .— .Tohnson 3 Pitchmen - Gloria Gilbert Keaton & Armfleld Palladium Danny Kaye MANOHKSTBB Hlppodrome^ (S) 23 Good 2 Shoes Ronald Frankau Sonny ,Jenks Jack Stanford Joan Davie's Joy Hayden .Stneddle .Bros Rosamund Belmore Ager Younger 2 Stuart Pearce Braemar Pipers Tiller Olrls 'Terry ,,TuvonIles SHEPH'BDS BTRH Empire (S) 23 Rocky Mtn Rhym BUI Campbell V Julian & Pets Peter Raynor Shck Ben A.Ii Mstidas .1yd Makln 8 Ane Girls Co wool* etJKEN Cimiilre <R) 28 Ohefalo 5 Smith Bros T. & B Lowe Bpn Dova Floyd Sr B'Nay Bil * Bil CUfford Ik Freda Cabaret Bills NEW YORK Cin China 0o|l Katharine Chanff Jack Soo Xiaurie Long 3 'Cantona Matt Tuck H Cui'bcIIo Oro J Froae Copacftlmna Henny YoiitiBmaii Carl Bavasiza Dig'atanos Susan Graves JefiC Clay Michael Durso Oro F«rnan<3o Alvaress O El Ohico F Del Monte Victoria Barcelo Rita ■& Roy.lno lioa Panchos Cass Franklin Monica. Moore 51 Flames Fifjliei* & White Dorothy Blaine Louis Vavano Ore Jose Gortez Or« Barem Myron Cohen MG.rthft. Rave Chandra-Kaly Dora. Uot«l nam HUilefi:arae Joel Hereon Oro Salvatore CM0O Hotel . Roofiioven Guy. Lombardo O Hotel St MorUa Menconl Ore Hotel St Kesli Hal Saunders Oro Kvalyn Tynor Rosalind Gourtrlght JUiszJo & Peplto Hotel TiiU Vincent Lopex Oro Charlie Drew Hotel Wanvlob Alan McPaige 3 3 Suns La Martlnlcine Menasha Sltulnlk Jaek Carter M "Valdea Ore Ralph Font Ore Lnndcr & Holland Leon Ss £ddle'o Eddie Davis Art Waner Ore Sherry Brltton I^ytla &. Yannl Winie Dativlllo Lenoro Ro^'ers Betty Gaynelle BEN BERI ' NOW AT' , '■ NICOLETT HOTEL MiNNEAPOllS Mgt.: EDDIE SVaiH AOEXCT IfiOl Hrondway New York Bllsa Jayne John Glilot Nevada ,Smith Fausto Curbello. O Artj. Roman O HavMin«l(adrM Iieattoba OnVn B'yi Barraneos Miriam iM Velio (ieorge Jason Sacasaa Oro Iceland Boyd Ho^th C & F Simpson Ginger Kinney Ben. Rlbblr Ore Jack JRlptoy l4ln* Botol'lEdiBOii Tommy Reed Oro No.l ruth Av* .loan' Casto Hal Baokett Hazel Webster Dotvney & Fonvtllo Uotet Beljm't-naxa Jimmy EdmundBon Marso; Wad* ' Tayloi Lino- Oddle atone Oro ' MacUlto Ore Hotel' Blltmora Larry« Green Oro C' Tncecamo OrQ Hotel .Cbrnmodore Eddy, H0>w»r<I Ors HoteT lestustoB Pineapple 'Ore Hotel New ' Torher Shop IS'lelds Ore Marshal./Beard, Phil Romayna ' Terry, Bront .Tay Martin Helen Jjta Hotel T«nn0lTanla Dick Jurgens Ore Hotel Flerro Nina Nova Eri« Thoreon .Van smith Ore Ohas ^)id4r ore Danny Sullivan Shepard I/ine Old BonmRBlaa Sadie Banks Bella Sraaro Joe LaPorte Ora D'Aqulla Oro Essex, House Brwln Kent Ora I<atln daartct Frank ,Llbuso NIcIt Long .Ir Marion Mannera Radio Aces Patricia Adair G & T Valdei Lou Stoner. Arthur Laurent Bon Vivants Vlncen.t Traveri O Buban Blea .. Connie Sawyer Day,. Dawn, Duak Muriel Gaines - Paul ViUard Nermann Paris I Wally Blaoher Sptvjr Diane 43onrtney Hayes Gordon Tersalllea Edith Plat Bob Grant Oro Fanchlto Ore Village Bara Piute Pete Kay Carole Cor^ano & Corlag* Populalres Buccaneers Oro vniago VnnRnari Maxlne Sullivan Paula Drake Max Kamlnsky I Don Frye Waldort>Astona Luclenne Boyer Emll .Coleman Or* MIsha Borr; Oro CHICAGO Blaebhawh Art Kissel Gloria H&rt Randy Brown T & J, Mjibonoy OhU'fares . Marty .Gould Oro RayBolger Larry Marvin v B Kratt Dancers .Toe Kovao' Onch Ches Adorable* 12 Bileen O'Dare Hotel Dlaobstonc Ray : Morton Oro Tito Gulzar Hotd Blamaik J Sudy- Oro Benno Dcleon O Tracy Slstors (2) i.iVcrne & Jon 'ilie Martinis (2) Paulons (2) Helslngi Al Morxan Bin Chandlw Oro Dick'Gale Ellen WWto Dlek Hayleman _ H Edjcewntoi Beafli: George Olsen Ore RoUy Rolls Boy Foy _ . , Luclenne & Ashonr Marian Fedele ^ Song Stylists (4) D Hlld Dancrs (11> Hotel Slieruiaa Jijhn Kirby Oro Marty llogan Mildred Bailey BarboFsas Oroh K A K Ring Carl Marx"" Liitin Qunrter Billy Vine Co Buddy Sli.iw Ora .Tdannle Fields Ann Hathaway ' JFalmer HooM Kay Ballard Murray Arnold Or Andrea AHaelio ,Trt« Rudy Cnrdenna Hotel Stevcna ■ • Paul Rc«an ■ Skltch Henderson O Pryflft, & Day Bottle'vadears (}2) , BagatelM Dorothy Boss Blue ABird Alice Pearce Marc Lawrence Jay Marshall Delta Rhythm Bills Larkin 3 Cafe Society (Downtown) Hal Sherman Helen Humes Fats FIchon (lllff JaoKson Bdmuna Halt Ore DIunuiiid Horseshoe Mata & Harl Choral Octet II Sandler Oro Alverez Mera Juenger Ballet Line Cdr. Kelly Continued .from pace 3. and gave him a "great feeling of uitr easiness at all aoeial functions." Suit is based/both on '&lm and the' script, which Kelly says difter. Rim was made from the book of the same name by William, L. White. Case is being heard before Federal; Judge Charles E. Wyzanksi, Jr; Kelly holds the Navy Cress, sy.ver Star and Medal, Purple Heart and other awards and currently is in- structing in marine engineering the U, S, NfiVAl Academy, Annapoli*. i