Variety (October 03, 1951)

J. 1*S1 VARIETY BILLS Will or OCTOBKB s ■ • I lb a r * Cm dMrt n 4 l> i Rek* wi M*I4* M Aik»n la HIW TNI CITY AIm C arwey NmbIMmi Rtos* M.M (•> « t«M« TamOy R A A r< SL'UfTCL. # r * i#. I 4 • Myl4* **k - _ ttibo SbM; to irM Alton Rvi fiLSr** ***** *%mSNStvSii ,c iuSSi'c XiSri J£L* m2Si ^ fc»«too nan* j *'?*** ' iZr'SHLi?” 5ts»°’tsi- VnE S“ T -’.jirs« ■***•- urTiii 4tor»MM ktor *»“• *35 rn iwmim iA **y*. I-!, *•»«• »••«• r»MU T> CNICMO u«r wwito ll I# UiHt l C *n«e#e tO* • - Art»• I R *#0 MOTtll pe*«* Cm '.v CpaNMi i««rt D or bob Herrte B oimNi 4 fnw Horry Bailey ' - . i££* %2*tt# | Bf o5jS »B nrr Be**r Uttoai (WANNA ‘ tmm*f >M> I B*u> Barrie (Tm*m Tmb 4 Dm J « arte* Or< Tony f#ll» AUSTRALIA r^N 11 w™ 1 Am < teir* Rimm tn«l# Mil— (■Of > I uti • ;■ IlIlM feirorNlBf 1 Mnn an l+Af acioll Camel* Tr#N . : M» teirtte Utflf MOT TIM# MAM !»»<'» iM I P*k#t hrmmk ■iwN Tatter Basic 4 (ten* ••* ,(l ( JMHlf Rim Alton Wtolatt . . Hto«aa 4 Mr*Art Norn* C**toy Jack M(* f Fi N HmK lol*oU fmm A# ksim! ReJeei a Or* See late *•« Dm*M UMf Nmni Daifa Deni*# Darrel, hot • food voice. "When My Baby Smile* At Me - look* Dice, but U 11 spectaru- establishes Joisoo aping To make larly constructed at tlu Gallic aura the point banal been mined babe wrbe came to attention in ho then announce# that he's been Battleground ” Miss Darrel baa told ot the "resemblance * So be aiao essayed nitery and vaudenr patter* aome sentimraui stuff re date# and scored more on bar V* Jolie as a piecadq to ‘ Mammy *nd neck a a. than her vocalisthenlcs. “TooUie “ which further accent u- Thia bring* up an academic atido ate the liken?** about the relative merit* of a boff Since atraight Jol a one sq ue chirp* bosom vertua a cultivated color*- ing doesn't shape aa a promising T a O DtoMM ■ Empire <.lrU WAL TMAMtT *W *#*•*• Hi I Hanoi# 4 IteMf 11 AWCKLAN* C*»toH to.* ttoiMirt t|i t Tim* 4*»r* Cf M iM I*» f AU*m Lm *«to I inn# e* HW | ;ppn H**ry B an i an Un a r*« a«*4 BWtm l*** k«u*v*y Hn (Ml* a* *uim a tM aaiiOAMS t m muniti ««i t n**u I Beag 1 Tim* 4 ar»* rb^Ver*- Cm MHm Nmtm pBr«M « ( etetelty Aibk.i* Willy ►'•Iwar# VIH*f t*b» a#tou.k J*cfe frit, 4 JOI ,. /gSM ELe 4 *ur««y V Hiwc totlortk Aattot Asket R«*R«u* 4 Jacks* Ato M* r I i*m ; I CyrUilrl (Emm AMiii fridm Vluthfi A*4b? WOi VBO- K to'^tyh dal WNM yte# t Troii. 14# Rom CHICAGO Nttm RUitaii 4 r«Mly * Merene llt.n* Kksma Pm to# To Itotr.. Am «*tofe Via m kite? a VOMIT TtooH U* I Ami*i **»»»• IWlltt# 4 Bltt# Ctetto Marik* RmiT rte ue^Tyte l t t* *w Ctn«m to «####VWM ft* « JoAnttl* UH*«*A Ouitol #(#***• HaI CUIM ; Tatter Ctrl* U*ry O Ntll Jack » rten# Arte** PraaA M <*» M»r »»ret 4uA« ( HO Mart*# 144* O'Neal Or* .4« tws ■*•’• 1 hto ilR A irtht WOO© a#IIM l*te Joyce Girl* #*»#»'• C#i I *to/*Mlr.M: , !l\— • aortta tea* ‘ t’MyU a toarwt. Tte#M •#* I v," lM*BM (»n»m tei Nnau Jtmmj t(4ar Aten CWre ,J !•# Wtetote*»a» /; I Ul Trtatta* Ate** Trratela PtUi Terry Sretote* BUT ADI at #Mt MOM44* 1 m* NteA* HlUtortat M. | ofOOT K iltevOto Nteteruw <#• t i«m Hate to** Wall ItMt**4«ra 4 *41— A#* «itr 1 a Art Mat Km* trail lurk layer* Dw*««m 4 Kara* Lata Rtartae MataM 4 He*# La#tor Stoat a* 4 la*! 4 Ladf J»t* Iwto 4 l-aaa I VaAaaSaa - •LAceeooi lattoia 4 i«aa Oaa. a Mae** <li I j Tewa In lar. br* 4 4 B Jtotnar# #A»T MamCTOM Vat# l-tnn A***ra#*M*an I la. k RaAlO* C# Wmt#ta4 AimII & >rry Aa.a«te C# Wetar tellrra lltf Veto 1 Mntoar. toa Cataca t(» t NArtoMA* 4 Ueari# K ill Ann (towel Mwrr*. Unrtte y leMat <4#* var«a*a tnan. Matllv aOkte Dannt# A 4 V Cant an (at lymnretrw at* Inantn* FeWa Vir Way f AUh. 4 Ty Oaiaea •(* I a«y JeOerNM - Tanulla Caatrtil telly N.<mma.| Harriett 4 larte^Ubt 4 l» ( »♦»« r A a«M* lonUW* Nartia draft IKL?® (tent y Oran# CRN *• aiarkteim T ►errenr# BdeTto#»*en ssl e.iru' tore key Htylbi Rtote# ran#ire Or* Pnakl* Maat< Pmtmm •SmoSSr^lwamA K Rtertonai U*u k.iunan yoae lartU* Alter 4 be*«f* Hi t dartoara ^ I (I A#« ia« neetine far rail A A4a#t« OrtM vtoermaa Ctatoer i.|« 1 laaetri (UeoaaiANO Uaree Anltot# amnir* '**»••:'• ; e.#n *.• rtankre (toweea iRterieite Cttl* terry M*eea lack dadiner • tetSSy S«e ! ixtfcom versus a cultivated colors- ing doeant shape aa 4 promising 6 tura. ^ /r. I weapon. It la possible that hi* * Mias Francois I# chic, baa an air own ' vole#, plus Job# impression*. of quality, looks attractive if would provide him with a better , ,1 not unusually glamorous in her base for bit stint The lad Is nice- Parisian creations, and uncorks looking well poised and earn* a perhaps tbo moat aurefiro Gallic food mitt in hi# Palac# debut hit parade this aide of Ptaf, Boyer. Trmu. Trenet et Qe In short, they're - • i :- all si familiars, moat of them „***^*. also pops in the American and JJABBLITA CAMPOS worldwide hit parade, and they are professionally prelected and nicely >• ^ . A . ^ ^ ti rnded Perhsp* it * this adher- H. T. , ence to the surefire which achieves ■ Iwheliu Campos la a nee comer a neutralised end-result, whereas Bamenco rank*, and looks like Mias Francois should and undoubt- * h ^ M » nork her way up to be- edly can offer something a little • **»4«r4 though outlets 1 more unique “La Seine/* “iKwlt-.o** Jf W tFPt ** »ork are limited. 1 vis, “Airily Love“* “Los Feullles ***** ***** . md • *•** »«* « Mortes * (“Autumn Leaves”). “Mon “ lr ‘ . . . o Coeur eat Une Vlolon.“ “Danse »}■■ *** f**t Avec MoT ( Dancing Bith You') ***** ^but aarly^part of her are all well known Somebody even ! n®bi like they are court asked for “La Vie Ea Rose ’ She Aances rather than the more vio- alao attempt* “Because of You** folk dance* Her finale, a Pmr firil ISirtrsn irnf ' caooeiu huleria*. Indicates that 1 ... she can do tha latter tvoe of work l.eeaea (141 >>ub.*t tean <4» *«m*w t.Mie 4 R<4 SariaM Atesaode* J«4y toil to 1 teia a y a..** Otoe Tiers* Rtoiteor Deer* <4* lUruM PUi(«r«M pr M iee Mer*b Oartoi Twk** Ore CAXADA LOS ANGELES MOeTllkl 4eav .(» I I »M Pilie Sert-to 4 Statfr toimti >A4i# I toy# , Warua ■ k«.ia •to 4 » wto M#*M*M fr .re •w ter. k a Mantel ►tony WhHr Seattle It I I Herraowtoat* RtrtetA Htrra - trtibrrf 4 K .*wtl « (At Wnena Snare Itouai 4 V lea (tower# (Are frankte Carte Ore LerryW SMe •rrett erwey Hel Derwte Ore Cte#** 1 tae Ctrl JLf.'.V In. k Statele Orr :>mi» VaraU Ore Hi I NEW YORK CITY Me«kl«a# 4 Deyte Freaer* Hainaen I'Mie «.«n4w#» 4 fa N*aury ; towel > r»a*ll Marat 4 Nuaat lektoa Wetoe Tearer CtMat il* I Arrkia (.toe A to#r lie ( atratl 4 I t ea Tvtai toteMtoa ■’ ■ Mite* 'Tetote heie* Freer 4 Mill telly W*. aia Heeeee *IMA*OBT *AR« Oarer R*at4l . !**<*• •#*• I {•tear Itortaaee Terr* (r.b te * SBIMBMo •Malt# to..tg IteilWi 4 1*4*1 (tertoare (a# Tel Teary 111 AtruaOi T* VrrtM* iukaa 4 Tela In.f. Anneal* 4 Rh Ak.i 9 I.WateMS Mai. T# Airt#ne*e 9 II.MK* Jnei*.. Atoll FHMAO I'vnAtlkaliua I ill* Aimaey Aneeltea Ctrewa**|#4 so sc ot# as Hie»*#r*«ea • ? .adt Waa ’ 4 M Nwreaee MarC Morn* j .hnr.ir MefaA neawtt#«ls Mania 4 «l Kwl*» a CauTK felr her 4 Mite* Tetwa [^7^^MI TJk^ , Mill tell y rate, at a o,. ^ *?* : ptMsauav FAIR i4K.1II* tLTUr lean* <Mt I » . . Deete 4 Rtoee Ih*mi. rJnLSr* I tsJJ-isr ••*»*» Steetey MelSe Ore paign Dearer* »Cie?*feteHr So# doos everythin* w#U. has *** ** typ# of work reerka~ma IT " °** pOiSO 4Wd polish. *nd fOC 4 Plu*h- “ Wfl * ,rt Me^Naau 5%^? rr > like tho Bbarry - Netherland s d°,d i n. 4 i n >uirt*r Dmh ( 4 > Comaval Room Miss Frsnr oi* (# g N fBT mu • PPtP kbOffU gRgg ggpvs* a*!X Lina 4 leg Mariam fuiiwaM natural It if s flsttoring setting. co *- M#r interpret at ion* are good. Atoaantoe. |rw H #e Aee#b_ -TT fl her h## work IS fast and loud, and J -’ —• MB T ~*“ •» T^JTSLm^SStT&S- ,h * .*•■**«■# .trom*. MB OP to « IM unrin tm. Gruli toiMiv ml kMn. •»«"'» Jow. Ltm AnuteteM fiddle joints where she worked —- 4e»4atee#er Mate Hel Derate Ore in Paris. Miss Frsnt ots broke the ham Bfvi r* fiank>e ceri* ore _ nSS** Jum F to ^ Stales vis a Montreal Comedian t#rryJRftote gSleS^nr** • mil " 1 ^. UfTpii Oto.4 SteSHe Ore Hugo Pedell snd Jan Brunesro *^ 11 * M V BX>7.m., utoiw •*«»'•'•* w- S»^. 0 .Lie-. Apollo tmn.lrr stMwter# Me*ei lUr .t# u*i fR^r*' assist* not only to the dis- ieoks the impact to get him out (Rerrtene 4 into* Helen (laltotfSer euwe but for the general hoofol- the moderate I v-oriced vsude SSSfTSwSm* 44 *^ liul Auee* o«> . The room, despite those awk- gr00 ve H# displayN^f^rsonAlitv* but . s.-r 9 *"*** »*rd four posts which cut not only SSSt BmeeriArhoR* Mm down j I - I »h« capacity but the general vision. Tur^moveT iowly and nivS | has been skillfull) decored by draw* sohd auVmris I ur* Fmnflrp 9 Count Adlerberg long an Un+% are* Udegraphrd I: LIICC Empire I associate of Col Serge Obolensky hu hum Juous insulta come directly I u ~m mi# ( ^ 1 •* Gm* Sherry-Nether- J^ thTfUe*. airect y "* c ** u *~ 4 IM * 1 land and >• also the hostelry*• ar- W g re%ulti , willingness to shoot the works coin- tlftte superviso r Mo has also brief bit in which he impersonate* *lw I. »»br»cln* *UW w p.n rf EST* ZSF'Lm?'*'!* the •whole Luce aducational cam- #rbenr no cover or mlnMMBJJ'h- JJbj ch build* to a sock windute P»(P. '5LS1 80 "43 “ riinaefejp o« MmJVS*- ■ N*. ..iJ MrMla In >«u.n.l 10 t amSVSl NOOSS. AbcL larul would hi- i n turn fZ%am a riahar Hen C Mar lurte tierreUeeto ‘ I'teT **♦»« June btaeito Lelin Airee .•Turner Lacs Empire rSertte Hunt ;, t^e One lte«eel» to# ( Sarto • W wrren 4 Jeen C anftei# ton* Me* S#,..n 0*1 4 M#err#n OlASOOW Bmnire (to, I Tni f »I«S ! klSerta Hunter I Ktaaene ftolto* 9 CrefBew Me#rk i Hel ( iim» I m belli* (upm Pram fetate* telva WUIrtm# 11*0(010 Ateenare <**> I Arthur Aakey Mil Gref Pun nr Deyte Che« alter Pres Clrelne t’neer 9 S 4 g Nuaeell berm <.torta 4 Tony a kIA Arthur Imkii Kill) MtWiar toente. 4 Attalte R«#tUu S Ctoalaiy C« III t I Turner Uii»a S 4 to Herrtaun ae : Fteek 4/ Lu< •* aatMsav i fatare <»l 1 C*rtl Ih.wler RM« R'M'.r. tom Ugrtototo ( • ir 4 tell* ttonrui KUto 4 H*»ee e* R»|«n, » Twins-'' Mset to* »m Arthur Hbi# 1 Punn* fee*) tort, MACKMSV Snyue *• I PertteM 4 S«ea 1 UwaUa Herns for# 4 • .tons 4 1 ia« Pwan 4 l-eieh paiSTOi Smeire il* I teHv SWIUker POT ( teyton B el ttetoer to Mar ah ' Cell /Iteryee , , • Jack Lennar# c:*r.finer 4 to.'rf Hi Diddle Diddle - Deha Terrr- a : lyvn RSIITON Imnreaa «> 1 ll :i Milter Ik»u« Harris 4 ■ Mae f rkOi r 4 Thelma T 4 C Dur#nie »> raw 1 Warmer 4 Sell Delia’ h.n aSrAndrew* 4 toltla CMS ISCA faieae ‘l.i ( | Dr t ie ! 4 r Cr*>rke*d# ittoi 4 Pen r I win teua S on (►#*»*''. '.'.'•’•‘•.'•I *rt»n A Rimii • S’ C'erouet* cmicumck Smeire -(« | - t^oe Cnrte* i ' v J Cw eS A4ev 4 Da wn | Pei »e A IWteaeO ! f #g DtHlfWii fterre tampr Keene ler*( (n terrm LSCOS •metre M I te# #»em I out* Hayden Maa Cerele •• FyeS Mean Rr|(W K*d. tide Duwiwrte 4 Ih-n/er | Tin (touHe llMCOiM Bevel *J» | , | Alan Aten tedd to #u ('am to 11 4 Rwter«.>n lean Attend l.rr*t Frill* Resina MwmI* i'hte# Lflr |\« a a \marine Rtoerle Rrf«»e Draan I ouoom : - f ailed*wm M I Snea ^ Ch.te ROD CeOn# Pd ’ feeell 4 WertriM Mas a»«r**e* Renee Stranee Ik . Mwjb - -: | Caltedtem^ Otete laekelMa (.mew Me*#( S» Re#*a Santa Merrra Milt hhaw Oyr ( elkhne On- I tor wee Itoea Ore Ceeecehene Julte Wtieen • Me*el S*ar«kr «*teh ftenecen he ul A » * R«>e# P M, , , _ to*« «4Vrey 4 Me*#t TeH teiMM* VuaeeM L eer* Ore red Norman . Me##( Warwick v Date Vennelty £•# fnniere M Duran i»rr Terri Aie«ene F Al* Ki.i (»re I is Se4en W#u It Ch*«e Mary to*... ’ ReeMa Rme Runute Unban Ramon. hlt« 4 t een * «•«* Vuio.u der.ete [ Julius toonfc tee hel ('eebeu 1 tout men far la 9 Fernand. Mrienl I item Seeder Sodtldwef 4 • ha* Thaae Ramon Torres Ore tellt Daniels ^kRMRr* tel Kilty Red N«Hryn 1 , Mane* Proa I to kWv Ha.ke.t Ore T Matsnne Drr# • •toed Caee Ulerte Id K.»> (ten Moe Ida fahtee IdMbF.llu*. ten (an Urra • tars ledrene Art toaner Ore Krneet tors* me R*rb Are •Ud Mete Gtorte glwewd Anihwny Ailye 4 Reutheuae l« tHymi I I-MCO. B‘l “K. Mint* to CXp«fld inr " to illiama Orae b#)Of»d hi* Silk# !■ TV 44 4 SPON- iSL tL sor and as a packager. (In the lat- JANB TV BIT Me*ei ■ iistru ter category, no’s represented by his Sksger-pianlal Guy l.xnherd. Ore OMR “Cruedde in Europe” and ft Mibb# torial would h#lp turn G*vt CELIA CABOT fi. y. la Cabot is an uninhibited a sponsor. Time mag has for the ” '*r**'£ *'**'* timing and whoso rout! moil part embraced the one-shot ™ !«*!*«.«'«?*'’ui 1 ?*!# surprise moments tecbmquT. Sticb •* the “Japan” ***** \ ^ fEitfrrl mf>meflt «*• brc .k,. i - - - — -»— • k« her trademarpog TritKy-nyvs &iik littia uiiitietv that “Crusade in the Pacific” series Casino, reroute* Village Barn. N Y. which hit TV subaidian bas ped- After bourn ing around the bis- Cab ot U an uninhibited died over the paat two years l As Jk S u*?!, JS?. *^iV^d *>**** r *** with a *‘K>d sense of a siMHisor. Time mag has for the f *»» .^ p a Z^* timing and whoso routines h#ve mokt part embraced the one-ehot b * many surprn? moments. At the technique, such as the “Japan” JJJJ* «• protty broad stuff. jw md wtem <*• arw’^^-eammiS K>l..uv«r 1M-WU.K. Ml TV. __ . „„ h<r voc.L» »"<* >»«»«■» »». Of but ^11 »v»ntu«ll> h.vf bit ^Ltfr m.* *hlch UnkrolU i b*by ertnd WUrml H- , u bd««l rout.nc. •< ikt'i M "fU °* K “ k ‘* , rr,n *«l •ect.rom.trora Bill HuU on bow mak , th . plu>h „ mr Oltie, It rrported dickering for a and Ually Tun> husband' on gui- Mm Cabot seem* capable of do- top-tmdgeted show uhich Mould . tar. though neither gets name ; n - imixither stuff 7 as evt- fulfill the Luce aims toward par- mention. , denced ip her “CeceMa *’ which laying education with entertain- Though formerly confined to In- shows some Rose Murphy influ- men! Young it Rubieam. agency timate entertainment setups. Miss turn More on that order and on the Life-Time account, has sub- Tuny indicates that the can hold »he'll do well In most spots Jose mittrd a presentation to Luce for **• •* eothuaia-tic attention either a twice weekly or three- ol *L im lira si an ww* TV tbuvk designed to — l«lt .«•*. «« «h« *r.nd, the DtSNV SHAW * JACH 8LA1T HwAsee feut Taabtua l>i we Stetefe ('*1*1# M U ten? Htarwe Rue !••<.(. U#w Da Milt laa ki f b kdkrn oyc B ietoer Hr* Nt to b i stony »<#• #«i* In M| t.f'o* tetowk G-ttoM Zowiri (Aa Mine Iter# * l —m V StMte • IBMU Dan* t U 4 e# (keee Al Itoltei litaua Mwut.tye The jjeuara UtH* (lab Krwte to orr re Orr M* 1 Site# A«* A.wwey A reunlle D«>w#ey 4 fee Hdtil W*#eter Nawrt Cruayliw CterR R#n«*r to'#u#r Ny# Ore Bette Twwoet (kr< |yg|. Wg || . Urn StodWi 1 Smart Alteira "we SuMera let Sttttdi Ktotta 4 Aeatute ID »e*v»s - toiH ha IwUkdf toii tort MV tom Keetya rolUnaer Ava intr.wiiw # am liwi niaura on fee *«*mated Wirbier Op«>ns COid With Cosaedf gf ntroduce new tochn.qu.« on fea- vocal of “It s a Good Day.” a husky It Mina. uw*e tdtu-uipi» S-. delivery of “Cetrtlla/' complete Faloee. M. Y. Sources clo^ to Luce say that. In »tth sexy, hiaamg effects; a tempo Danny Shaw hag been working *■ juxtaposition to his bullish TV out- change to “Sweet Violets” and •* > single and Jack Mate is **• look, the publisher has practically “Mr. Echo.” a wham "Come On-a Slate Bros. Instead of tailoring vena . written I»ff Alms They point to My House/* and then her identify- their talents In tandem, they seem his dropping of the March of »nf Pretty-Eyed Baby#” Whole to ^ doing a little too much from Time" aeries and Life mag's recent *tanxa rates a hrgoff MeStty. ***** sepyate bo oks. Trouble - Si *•»«*».. sprv.d o« p.. prrdic.lrd | _ . - _ _ . .L>wt G»n M«Arthur *h^h NOBTON A PATBICTA • 0 Kazan Burns (wtttetttte# freas mi* 1 I Stttlis- .(BSKa* - *^ l.mt Seiler Irene t *rroil I atwl t imer Fee I aCkrte Ore D‘A#w4ta Ore no tasrsi## 1 Ct i'<»lem#n 9 ... j Mini Warren ' KrneelMte HaRam Jute* l.antte Ore i«ba 4‘arrttU tteaite Pent Ore i - Fdiwbu* Orr vttoaee Bern towr l an 4 fatrtite (>to# CsiMto Skirl Mil tor Ro kk. barter .. Frank Yubwl* Orr r- ! — •«h4y Mner* Orr v.ite#e Ven#usr# Ourteie Sac This pair is stage-wise and dr- ives better material. Trait. uura * I • Sktrnrkel* Orr Mate* Stem I MAMCMSSTSS Ml*, ha R«*mtev %> 1 to.##*Sr*m* (» ( M**et f#*u Delta SR.Mm K..ia Henry Jermu. ■*»•» Tammy Row* i Fre##te Setei 'dm Teiiridil 4 Jerry Adrian RoUlw i tell Farrar 4 l *r MCWCARViS ’ A># Kram earraes t arter *># Kra/n Kusb-" re [ i terator* M illu * O Wteet i j KaJ RCnrawn Orr Tern Amalie**# Wee tol NwM* ** M Lee rrctirf Ait*< Trie Hare* 4 Heel* Mate 4 Man Ktoul C a lenKi ww . - v . _, w . • i . • . . _ t n it t a iiuui wrii Tiet ti uvui w im *■ Mm on Luce t own observations NOBTON A PATBK l\ | fall, flat and has to be explained w. ■ - " '■■■ » Ballroom in the bargain ^.e. ~j| ***** M % Their has? ha 11 game is be- Autnte ** RW ' !?*** *' * wbwkered and not oell done Shaw ^ Kazan t>ums I Nor1 °« R Patricia impre*« as a reprise* his Imp region of a buv- j ;' ' I youthful, hardworking pair oho ri J r r which, while no howler. Is jmZW ml iwmtkmm * 4 Mm mi* l 1 *how some excellent ballroom ©kav overall. Wind with a nice nta* Le-u.n r-.oue.tert end . niw — lrk ** _ 1 > e> h *** food ov «**** dancing session •m Legion requested cuts anly inciden- Mptn* and routuies are well de- This pair is stage-wise and de- T;, tally, snd phoned studio head Jack Aiyrned They re bHter when work- mrves better material Trau. JStm 1 W * rner «”w*ming them for ,n f in the sfra l^j trefd | as their - “ four day. befor. be «o. throu^ S I'uKfLSSTli.m £I MO LANDON * r ° iter te him That's one ot the reason* and foxtrot. he * sixsling. Norton At Patricia should at- palace. M. Y. r ere ° rr He felt that be should have been ,ewi Pt mor 5' Mraight dance pass- Tumbling quartet consist* of Um given an opportunity to present his !£nre^ a f, ti!ei ,h ' mhIHiu thr *T “J5 1 *,”2™*Km n*m*ri \ icuuoini to I •nnn nifirinU hef..r- more force. At they presently nixed Landon Con»id« rmg th# nniem. . ^ ^ toork they try to rmphasiie even- suture of the threesome #*™* m *. tn'frimnZl JKSfte thlnf and thui 901 * U they 60 °* Fvhich the art derive* its main ap- 5m. °»»t to tq—d> Ibfll the toNiretr yA aa even kael. : peal. ' their aero execution, are Dun hkd^Lui rint r.i| Xd, r , H ,S ih*. A i*w revisions in routine and tops ^ _' : Aateeie /J* “4 that M improved wardrobe for the Earn good score* with head-to- iterty b> his personal presentation of frmme would help make them head, comedy trrping. feet-to-no«- ulln Ore facU . to Jo f** h 1 Breen, the PCA eligible for the major time gin and side somersaults Their rr A^kUy relaxed its demands. j Jose. ' (Continued on page 74> with