Variety (October 03, 1951)

Ortoher S, 1931 VARIETY BILLS >V, . • . ' ’• WERE or (KTOBCR S MH Ml •# <»v •» a# »L Lnwnri (Mi #• ROC • Pm BH i%»( «• •w«> u m i w ft T—(. ♦»' IT* T»v#M. ■■ + > Wf## I if i a in . m Ain BEACI «( ikW wri UN W.M III ns."? CM«r (IN ‘ tirkl H«m ft ■ lay !*•»»* al um na A ft*.** Inv UftH Or* «Mi ftMtair MW VOWS (IfT M«tM M«H III ft (»0 ftlNNI Mi< Wi Maul* ’ 141 !}*«(•>•»• Ta*i* mSrmrnm"- iMatt Rfl»'kntt#ft' .. ( <KN 4* ftalM kwD Ur* (ft* ft l..*UN »•> tiM Ur* Bariv ■ swMAfc. V <r»»lrl bill kntl Ion* • til ill ft jutritniM lUltr K#l Jlrmitnt A »(**€•*• ' CMICAftO CM(t«t (ft' ft .jTftrftiifti*' MHV •: t arm* •:■■• Unit* Art if A C* AWrttl If* ft 4 A I Km« fttU l Wft» m» A4rt«n« ft Chart* VWn Win*#. !>..« kKtrwiM H«itl Mf *M»i AOftlWMIA • tr'* W ft Ttf A. 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M. (aftvot ft SuMNita TolNiutnan l»aln Snnnallr M IhtrhH tier , P llttrri t*t t ■ t dm* ftt.atla Mrwft R #**#>*« |ni a A loo* 1 1 u «»n it Ra«. « lu la#hel ( tiniN. 1 I>rnalHt«i strvrnl kt.-h Hurl 4 H#mun Tutro* Ore.: 4ft I Ro»l M«*t *n 4 lh.At.ii (h< keif tkr* •it*** C •*« Ro* ' MR* Mt«h Pollunt • Ura Cfttrwir Efftft* Stif, in* si4 hint# Vnth«.nt Al|t * A HtolftOft U** t altl* II >11 Ron Rn|t 11 Uftuiil ktihu Oft Pal Two - Mata! Piatt* Vat* Sumac Ah mi A » un«o« * Air u Refit I Me |H Slanle* Melba Or* # C-I..M. I|« ' Mark Muni# Ore fhik 1 alkalln me M#r*» Rtwt»*M tint. I «*tAar4a (Hr _ H**nl Rf ft a*.. Milt Shan (Hr (I'-ttr# Uttr t>r« JAIkO W iImMI . Mnrat kt#ti*r H*lpA llanacan Utt Maftat T art k 1*00 it! I.apot Ott Matftl Mraowteft : J.#ftr pot*tat* Tattl Sitinift k* lukta I ' Mar* Mm. RuftWf i.itham j .1 Rifta Juliw# M.nk N.nm#n Pat*# J CrOft ftnart*r t ha* thaw RiMt Ihtuol* J*. k All! i Huftti Mr.if I Aiiiuftt thr* Ulorta l o Rpt la# PaAt.M t *n Ian Dirt Art » attar tMe Pftrk fto* <. hr lift KlttnoM Luce Empire Ri*« . Ptr4 s|«*ah j Me f <io Rft<|. Me l*.imffl# A Ikrtt/PT j '.i.r ft. ^ *••*'»' I ■■ **!.» _U«CftiM^ L*#n A l**.« t In.n< (.«> IhWah I. -Idhrtf l •mu # - !..•■* Min# Horn ‘ | lMt.fti.ft M«*r i* t t. i •tfii Sian %J#n ftiM . M .*••' ft in WII A ' Hoyot-M N .1 o*m V. I#nil lit#.! l olt\ . R. iw.i \| .ill. I k.e( p4|lo I - * * R Siltlt* lk# « it tilth* I Oran j SI I fto Ha t I t jintn Monlut« '• I ho R.ttotft • j i C'lttA Krhn* *'#rrrn Ckrr 1 M* 1 PirtA At* iK.nnov A UnitUt llarAT M ebfttor ii „ •* ;i " '• ■ | '. Or* ftaumanian l..*n Seller Itrhr I #rt.4l t «rw| t m*or iJiit ItlVit Or* H i-tail* rttc Park th*r«t*n ft* | LOMOOM Pftll«*.Um - in»• #i t htlo 'I.., R.thtnfti.n | RiU\ I MlHft R.I lenoii ft m rt• -y . M*.# Rv ir#irt Ranoo' Sir #n -o • 1 Ronllox Sfft : 1 R.mt in.tft I | 1'tlh.lium t, ir la ' sk*f.nkat« IW. MftNCMitn* M tMC-tmt « I l*o lift Rh.htm A|«i Ipn* rtirtH ^ |l.(*n kennoi * Cha* 44ot A Dana Rein Pft'ho A Hltltarft rwt Ut rv Karn I Fra.1 A ft-»Aertn ■ |R ftala* j Tailor .all A Janv 1 % Ail 1 M4WCARTL4 Mh | Py • r*ftpt**ii <■ si.mi M .urn I - novino lhMmot ; M**nl ftmftftiMfttr Jtaloa I .#*#!# OrC M***f k tit .e. ft r ft Mi*, h# H ift.nvftv u Mftiftl td<van Hontv Jo..Mft»o (Hr Mnftnt Man Vnrfcnr Tommy RotmiM* Ou Paul TauAtnan ft tela# ft I ona* Marne tfdn 1*0 Mill Rio!>ar I> r» >w rr» fttrvmt Nfttnr t romptan f.laik K#nftrt lift* M ftMar Vi# (He ftona I 0 ( 4.01 1 t*f f##*a* U.li *0^4# ^^4 OOO lari * Steel# # Smarl Vt fair ■ :.'Ttrn ftuMart , l/t Uuihll Ilona A Shpiuin Mi Sp.vak Minha Uutnl Mn hot SO. Ron RaPtva Potlanakp . Vo# vai it** John t #.rrall- Ltnita l**m Or# Pam-htlo Ore Villa** ftarn Sorto* A Palm 14 t oil* ( ftho# ■ Run Hither H-h*.. R# il or Prank Tank v vie Hr#’ . v,; Rci.i.v Me.or* Ore } v.iia*# von*ua#4 ikwtfltl# Nit Shoahaivft Ihmtri C ktrtft. » M'lHtam* ) RHeW KaJ Crun* l»u sinallpac* ' Muhin . (onuaueft tint* Ml* I williAfnfMi la shoot the work* coin* wik* in embrAcint v»<Uo A* part ftl theNsholft Lucp nducitiMtl c«n»- p*i«n Lurp.Hk sakL. wants lo expand hestmd ht» slake in TV M ft spun «or and As • pAckafer 'In the U(- tercate«»r>. he's repivsented by hit o*n ' t>u*Ade in Europe ’ And ViusAdp in the Pact ftt ’ wrtei * Inch hit TV *ub*idt*rv has prd- dlcpd ost r the past two yewm * As a ipoftatr, Time nu4 has for tike most part emhr*ted the one-sh«4 •! IffhMqUk, »u* h as the ‘'Japan’* 1 show and «pon*or*hip ol (he Kel.iuser hrirmc* on TV. ( Life nu| which bankrolls a sexmrni of “kukU. Pran and i OIHf.“ k rejMtrted dickering for a lop-hudgetrd khc*w which would fulfill the Luce Aims toward p ir- Uying . edut at ion with eatertAiA' nient Young A Ruhtcam. Agent > on l he Life-Timer Account, has »uh- j mtttcd a preaentAtion to Luce for either a I St ice-weekly or three- tunes-A-week TV show designed to introduce new technique* on fea- ture-new*. Source* rlose to Lure say that. In justApositton to hu bullish TV out- look. the publisher hat practically w-ntten off films. They point to hu dropping of the "March of Time" sene* and Life mag’s recent downbeat spread on pis predicated on Luce* own observations HELENE rEA.NCOIS MW 1$ Mina. Motel ftbeiry Nether land. N. Y. Helene Francoit is no retatioR to JftcquFIIA# Francois, another French diseuse, t* a aistex of Denise Dar«el. has ft good voice; looks nice, but la not ft* spectacu- larly constructed at the Gallic babe who came to attention in “Battleground ’ Mia* Darrel hat ft Iso essayed nitery and vaudery dates and scored more on her V« neck a t. than her vocftlislhenict. Thu brings up an a* ademic aside a trout the relative merits of a boll bosom versa* ft cultivated colora- tura: "V. 1 •' Misa Francois is chic, has an air of quality, looks attractive if not unuaually glamoroUa In her Parisian creations, and uncorks perhaps the must surefire Gallic hit parade this side of Ptaf, Boyer. Trenet et Cle lo short, they’re ait si. familiftrs. most of them also pope th the American and worldwide hit parade, and they are professionally projected and nicely blended. Perhaps It's this adher- ence to the surefire which achieves a neutralised end-result. Whereas Miss Francois should and undoubt- edly can offer something a little more unique “La Heine,” Bolero’* «v|t. “All My Love'*», “Les Feuilles Mortes ’ ("Autumn Leaves” (. *’M«!n Coeur rtt toe Violon.*’ “Danse Avec Mof f Dancing With You *) are all well known Somebody even asked for “La Vie tn Rose ' She also attempts “HeeauAft of Vou" ("my first American song » She does everything well, hag poise and polish, and for a plush- ery like the Hherry - Netherland s Camaval Room Mt*« Francois Is • natural It u a flattering setting, and has all the verve and color of a roftd company Dinartade Casa- nova. Grand** Seigneur and kindred Addle Joint* where she worked in Parts. Mt*a Pram mi broke the jump to the State# via • Montreal cafe date- ■ Hugo Pedell and Jan Brunenco 'taigane outfit' are excellent or- cHTdral aaalst* not only to the di«- cuve hut for the general hoofol- ogv The room, despite those awk- (waid four post* which rut not only the capacity but the general vision. | has been skillfully decored by Count Vasiliy Adlerherg long an ft**octate of Col. Serge Obolensky who i* pres of the Sherry -Nether- j land and i« also the ho*telry‘t ar- tiktic «i»pervi4or He has aim •potted French songsmith - pianiat Serge Walter Into the rale bar where no rover or minimum ob- tain*. a* again*! the ft SO and S2 SO in the Carnaial Room Abel. NORMAN BROOMS ?*3!L Palaee. N. Y. - Norman Brooks la • Canadian radio linger who. via opening “Darktown Strutters B«Jr r a„3 “When My Baby Smiles At Me establishes Jolaon aping To make sure the point hasn’t been miurd he then announces that he’s be*n told of the “resemhlanie So he K tten some sentimental stuff re lie as a precede to "Mamin> ‘ and Toot»ie.’* which further accentu. ate tiba likeness. Since straight Jolao«e*que chirp- j *n* doesn’t shape as a promising weapon. It la pnaaiMe that kit .“own” voice, plus Jolte impre**ion« I would provide him with a better ba»e for his stint The lad Is nice- looking well poised and earns * good mitt in hu Palace debut ■' v - r ; Trgu. ISABEL IT A CAMfOS I Ml ( hatean Madrid. N V. Isabetita Campos is a newcomer to flamenco ranks, and look* like she can work her way up to be- coming a standard though outlet* for this typo of work are limited She’s a looker and has a good in- terpret at iv* fialr. Misa Campos hag gome fancy routines, but early part of her work look* like they ara court dances rather than the more vio- lent folk dances. Her finale, a cappella bulena*. indicates that aha can do the latter type of work as well Inasmuch as thev art more colorful, ft might be Wtter if ihe did a few More fast flamm- jcoa. Her Interpretation* are good, her heel work is fast and loud and the handclap accomp* add up to aa applause-winning session Jojc DON BEXLEY Ap.ll. N. T. Septan comic’s Apollo imtialer lacks the impact to get him out of the moderately-prued vaude groove He display* personality but vintage material holds him down. Turn moves slowly and never draws solid audience* ypek*. Punch lines are telegraphed and hi* humorous insults come directly from the file* V Bexley get* best results In a brief bit in which be impersonate* a seven-year-old reciting a kiddie poem It's a neat satiric Job which builds to a sock windup, ('once nt rat ion on this tv pe of ma- terial would help turn ; CYos. JANE TLEFY Singer pianist It Mins, i'asina. Taranto AftFr b#ium ing around the bis- tro* for the pa*i three seasons. Jane Tu r rv is c urrently playing her ftrvt theatre date On the mar- quee for top-billing on strength of her trademarked ; ‘ Pretty-Eyed H.ihs * the svelte *nngrire*a socks over her vocals and boogie at the hahy grand Fine background ef- fects rum# from Bill Kuti on bass and Wally Tunry - husband 1 on gui- tar. though neither gets name mention. •i Kazan Burns ) » 444 mn* Vi *•»*»« Raft I ,## Wft!#*r H#»»# A W»M*rt A•*•#in ' Rnllim TrW 1 M 4 *#* A li##l* , '*rr«r 4 I *rt« 1 Mrts ft H«ri ■ K**' 1 «''4*#4*#n Ore i Mift ht Suri Urt 1 R»4 A i kfti«R mm l untinur4 trn«i * 44 * 1 l#egu>n requested cuts only inciden- tally. and phoned studio head Jack L. Warner concerning them for four days before he got through 10 him. That's one of the reasons he 's stating. He felt that he should have bren given an opportunity to present his Viewpoint to Legion off icials before the cuts were made He pointed out to friends that the industry's own Production Code Admmislra non had also wanted cuts, and that by his personal presentation of facts to Joseph I. Breen, the PCA greatly relaxed ita Though formerly confined to In- timate entertainment setup*. Misa Turry indicates that she ran hold the wrapt Or enthusiastic attention id a vaude audience Silver-gowned on full stage at the grand, the animated warbler opens cold with vocal of “It s a Good Day,” a husky delivery of 'CecUia>“ complete with sexy, hitting effects; a tempo change to “Sweet ;Violets’’ and "Mr Echo.'* a wham “Come On-a My House.’* and then her identify * ing Pretty-Eyed Baby. Whole stama rates a hrgoff MrSfay. NORTON A PATRICIA Ballroom li Mins. Village Barn \ Y Norton & Patricia impress a* a youthful, hardworking pair who show some excellent ballroom trb ks They have good overhead spin* and routine* are well de- signed Ths^y re better when work- ing in the straight vein, as their sole attempt at cornedr doesn't hit as forcefully as their walu. tango and foxtrot Norton A Patricia should at- tempt more straight dance pass- ages in order to give their tricks more forte A* they presently work, they try to emphasise every- thing and thus put all they do on an even keel. A few revisions in routine and AH improved wardrobe for the femme wuutd help make them eligible for the major time Jut. CELIA CABOT Y v . Comedy Songs • Min* Village Barn. N Y Celia Cabot la an uninhibited songstress with a good *en*e of timing and whose routines h#ve many surprise moments At the moment, it's pretty broad stuff* with little subtlety, that get* oser in *pots such as the Village Bam, but she’ll eventually have to hit some subdued routines if she’s to make the plush time Miss Cabot seems capable of do- , ing some smoother stuff, as ei k denred in ; her “Cecelia** which , shows some Rose Murphy Influ- ence* More on that order and she’ll do well In most spot* Jose D\NNY SHAW A JACK BLATR Comedy It Mins. .' Palaee N Y. Danny Shaw has been working as a single and Jack Slate >* ex- Siate Broa. Inateao of tailoring their talents in tandem, they seem to be doing a little too much from their separate books. Trouble if some of If Is tasteless; such as a crack about Gen MacSetbur which (all* flat and kaa to be explained m the bargaia. Their baseball game ; is be# whiskered and not well done Shaw nri'ri.sft** his impression of a bou- nder which, while no howler, is okay overall Wind with a nice ; dancing session.';. •:' • . : This pair U stage-wi^e snd de- set ves better material Tran. %l FRED LANDON A CO. <«• Area 4 Mins. Palace. N. Y. Tumbling quartet ConM<ts af three 'midget* and the normal- «iced London Considering the stature of the threevwne from which the act darives Its main ap- peal. their • aero execution* ar* topa. Earn good •core* with head-to- head comedy terping. feet-to-nog- gin and side somersaults Their (Continued on page 74)