Variety (January 1952)

Music Hall* N* Y* Leon Leonidoff presentation of "Star-Spangled” with Music Hall H m SymplJnv, Raymond Paige con action m xion nmd causm. -• The Tien Tst lie Troupe does a — M v and sensational crotch catch and 9 , f • . , . rollover for finish, but patrons Alan Dale, Lew Park eriassisted don»fc wake up in. lime, due to slow by Zeniq, Banks) ^ Lou Wills, Jr., te ' * Beatrice Kroft t Doncer* (3), Jav Brian Farnon orch back! well New Acts Sictfnfl; &orpa tie Ballet, choreog wuTtte SEKt »toii« to ”c“ roph»l>» Florence Horae,, aolos to. .“*£ towjna wun f .ft. Marriage Broker ” }r“ n°e p “ zdbe. ass oM. dbw :sar parv^sa#. ^ ww * *«»* *» »>““• soloist; Rockettes, choreography by Russell Mafkert; lighting, Eugene Braun; 'sets, Janies Stewart' Morcbm ; costumes, Frank Spencer; spe -• » 1. ...f . 1 A 1L MVI 44fff Casino, Toronto ?6m" mstUmes H'/rank Spencer; spe-. m . „ j ^2,r9n^0’ ’LL nics, the current Roxy stageshow Josephine Baker, Fat tiennmg, Harry Altman (Town Casino dal'. lyrics, Albert Stillman. “The T*°f Ajrjten, Bro|; seems to be a letdown, both in the ^Cel1/cSleMRep)/ "«} B}11 Miller <Rhriera, Greatest Show on Earth” (Far.) feeo^e, &y CoS%n, Ar& selection of acts and its presents fred Stamen Raneychile (Rep)* Ft.Lee. N. ^^^^ves reviewed m Variety Jan. 2, 51. ston| House yQrch. “The Strip” tion. On Opening day there seemed The tremendous boxoffice re a “ oupL ^eeks aWJ daf ^ttohow _ .._•■■ (M-G). to be some loose ends that worked I ennnea nnapnrtppprf bv .ToSGDhine I t_.5 XT r %l, ’51. Following the holiday pyrotechnics, :the current Roxy stageshow Paranaonnt, L A. Los Angeles, Jana 10. Josephine Baker, Pat Henning , BOBBY LUCAS Songs 31 Mins. Town Casino, Buffalo reviewed in Variety Jan. 2, ’51, (M-G). 4 ~~ . a new boy. Discovered by Altman The tremendous boxoffice re a Couple weeks ago at Rainbow ,, : “ TT (M-G). to be some loose ends tnat worxea pn tendered bv Josephine xr T Radio City Music Halls session — ; — against making this show into a ^ker on her first Coast date six anj this semester is byu necessity a Toni Arden is a ladylike song cohesive unit* Its probable that SaShs^e^t 1TCO HUlstreet am £, b**efie because ol the le“6th .°f stress who engagingly switches after the first day’s doctoring by Saintly8 will be equalled in this Sd^elrc^ lwlks ^like S a^find" “The Greatest Show. on Earth pic. frnm whiRner Mi*.* in hniin the staff/ this defect will have been Jilt iMmr t. a ?*?;. :£°¥ i1??, * fi.n<L pFeatest' phpw^on *!ai%n" Pjc. j"om whisper /style” to bounce, 'the staff, ttis defect will. have been ^^int sUht la£*VX: with thtbacSS? of ^ two iS’ 8SrfueAn? SfbwJi cast with :Br«net. youngster is on her swift eliminated. P^m^WotS%t mouth and MeM&wSeS lie?sf die to ai a ^massive stale headlining way up the ladder and will be Presentation has some difficulty the exuberance Of repeat customers fonf3 way. ’ g of^ ^the^breVRv outside crowding contemporary songbirds getting started. Although Beatrice should turn the trick-even though * nmd n^t of Howard tt w,ctl talenf Si'tf DarticUlarly’ missed, fho are currently perching on the Kraft arid a pair of hoy dancers the return visit isn’t as rewarding inA0S n c L^SkeYto^?^! Whenever ^ rehlf from the^ mass top rungs to. varying degree. make a competent terp troupe, as the initial stand. of Sir e^’a ^duK o' waW SS formations ts ‘ needed Patricia restrained ppeping of their stuff didn’t have the. usual It’s still a socko bit of showman iormations is .neeaea, raincid “when Vnn're Smiiinp ” on r* u. ik.f ,v.n tiAv,,. .Li. L..i iLi„ tima avAim/t Tvricc youth and tne natural expressive fnrmafinrta ic needed Patricia f v» uieir siun uiun i nave vuc. uauai us jsuu a sui;n.u un ut aiiuwiuau , .Kb hafiiraV Bo^man^nd^ChariesLaskey^per^ ^henu .uYoure,.: on punch. It might be that the Roxy ship, hut this time around Miss fn0t^sitVo{ racen^onefhlmto £ some fasty balleteerih? The Sj‘0UfJl ft® ^rkil^ b°uucy ettes’ background with choreogra Baker works oply, with a local »fch ^n6v sipyrf00f^^ H he^an rl CoiSs^ d* billet exercises to8 ai col ‘ ?ou Gofc toRhow Me * and a mood phy too similar to the act took the conducted by her musical director, £f£k .SISS ^ disfimSive leXn 'oL ChopiJ^ ^ Reels' i/ pic chai?f to “Soirento/VMiss Af den starch out of this turn. The Kraft Fred Stamer, The trio which she ghness ^ and®llmnUdty^ ^he^shomd turesque TheP Florei^e Rogge consistenUy whama across to a offerings are well-routined, but the utilized in addition to the orch on Sf nJr with the 7 best S h\l choreograDhv ^ makes ^ deS use o f b^g0ff ^e^epS0“ViTthis Particu arly applause was enough for just one her last stint is missing— and gone J?ff£rpar witn tb0 best hls both ' the ^snac?^ and ^he ^ daneers cUmaxed by hi et * ^^LoverV in initial b^. with it is some of the driving me«?r* • . 4 and latter^e^orts ^re amDlv an ly.Ae"de/ style and then a^bounce ToDliner Alan Dale makes a good undercurrent that was noted then. For his Casino . preem, he is SrecittSr WO**-*** m* ap switch for a finale that has the . f^SSSS targe part of her material is given a smash ^ buURup and presen P The Sroeeedines start in a suf customers pounding. aDDarlntlv ie?elvink on record reprised, ineluding the “Begin the tation. His intro andencores are in addition to his headliner, “PPfJ^uxijr is reiying^ on j-ecora Beguine.’’ “Night and Day” and smartly cued and a trio of muted M ^symph rism^f rom the piT^ Murray Little has , whipped to "afe m^ssJm^ tl»t Sri ?dds°some; “Solitudri” medley that comprises violins for the romantic numbers m. n. syjnpn nsmg irom ine . aether a lustv 70-minute nackaae ?aie to assume xnax.ne aaqs some . ... . AV> DnHij,Li,n(ni,I,a «hiff add a striking note of effective medley that comprises violins for the romantic numbers transported tothe riearpartof ?®tber a lusty 70-minute package i Jstre tothebo Dale’spipings bulk of her English-language stuff, add a ^strikingnote of effective staSePThe trfcksSiatcan bedone that act scoring when ^stre. to the b.q. Dale s pipings .^ard again is “This is Happi ness. The skillful piano accom with this acreage iA always enoSgh caught. With house hand on stage, cta^routin^iroLv S ness,” Cubano item that gives her paniments of Isaac Royal are no to 1 cause thr^easanS^ to gape and, lending staunch t selhng sup jm ^ essions of variou^ t?ncers He^ a chance to sell some stepping and small factor to easy listening, and gasp It’s ^ show ^hat neve? Puort to tbe Individual stints, plus am^0od ente singers. He s intros her first wardrobe change. Lucas is at his best in numbers !eemfat?*loSeSite wriSder. *^y # ^ ^ Still a designer’s delight, she makes exploiting his youth and-natura! and gasp It’s, a shpw; that never ^ ^ ^UotiSr S Jimmy « feood entertainer. Seems to lose itS WOnder. _ r^mornn m, m a .4V>a Wa TJipoo T.Oii Wills. .Tr.. wi kert routines The block4ohg line ?uana xviaBJg1ie weisoni swmiy xmS cancer nas a cnoice une oi With La Baker thistime are Young Lovers” are standout. His 6f cheesecake precisions out a mitt roll the proceedings underway with flii>s, nipups, etc. He delivers a comic Pat Henning arid dancing idiomatic treatment of “Jericho” wiShinS ^ei ^-SS^ The Glee concerto taps, graceful waltz-time bnefie > of strong diversion. Miss drummer Norman Brown. Henning and “Plantation LuUaby” are of Club^imflarlv scoresstionelv with ^fut3’ a£d a*m™h challenge flnate Conley’s offerings help him atmos is an amiable clown who wins stellar proportions. “One For the western ^thCmed tiinM00 Stanley 7hen Bfrnle George for. his celeb pherically; laughs with some confidential com Road” seems too sophisticated and Kimes fronting impressions, all over nicely on car Lew Parker, who hasn’t been .on edics and a takeoff on the impres -<So Long As I Care For You” is * Lavout is skillfullv produced so R?1! e?epT’ t i “e cut out a local Vaude stage for some time sion stints of others. Brown dis welcome return ’to the romantic that there’s the custoriiary amount ufi?ishj ^ie?rtu thu ”1?® JIJ because of his preoccupation with plays some fancy tapping and groove. “Ballin’ the Jack” is for of varletv despite the lack of such wh c£ depicts the bombing of video, didn’t fortify himself with Slingerland stuff although the drum the jivesters and the closing “Black acts The tricky entrances of the ai city? c°mPlete t with crashing an act for his first recent trip to session was spoiled at the first Magic” is uniquely delivered various components make for con Pf ane»„ and an^Jfcfaft defense, the boards. He didn’t get rolling Show when the electrician’s failure without leaning on anyone rise's KidnrnhlA nnvpltv i..?_ clever on technique but not | uritil late in his turn with his im to darken the entire stage weak interpretation. Inevitable changes pressions of various types of diners, ened the luminous paint gimmick, in makeup and lighting will inEven his bit with his: wife, Zenia Kap. crease the already potent impact siderable novelty. Hall staff has cornel through with mucho showmanship for this session. Jose. • ' • UA&VAA, 1HVV bUAU PU1I AMO AIM . amusing, ' pressions of various types of diners. Ken Whitmw, with an assist Even his bit with his: wife, Zenia * ; _ t>>na .« || M ▼ w«ft «M» Uiw VTAMI AIAO IT1AV| M yilAH from Kitty. Marshall, has. no Banks, didn’t have its usual effect -^^iBS^JPSSSS” kotm, in makeup and lighting will increase the already potent Impact of his personality and routine. his versatile musical switches from tLn ■ _* « „ •_ vuivn^v; -«>■■■ .. -. TVmr»>io,r Capitol, Wash., dSi^tan^olto S*e’f **Tff ^ TWs gabbing mynah . ^ Chicagb, Jan 11 X low“'^to a Sf Washington, Jan. 13. nlus a terrific “Sugar Bluei"’ finish exhausts its major impact in the Saul Grauman & Co. (3), Bobby mendatory comments coming from April Stevens , Joey Forman, Qn the muted trumnpt Calgarv first few minutes of the turn, when Winters, Bill Snyder, Pearl | Barley, ringsiders. Casino is holding him L aurette & Clymer, Tien Tsi Lie Bro ais0 SCOre on their slow mo s established that it can speak Chicago i Theatre Orch; Double over for an extra wdek, following Troupe (4); “Model and Marriage fion drunk act and allev bra^d and whistle and offer some imita Dynamite” (RKO). which the William Morris office Broker ” (20th). JLRr tions. After that it’s evident that . 1 : '' ' ■ . .. . has provided him' with' several Chicago, Chi Chicago, Jan. 11. Songster got vociferous reception at off-beat Thursday night vAVll UA UAIO Uvv HAAU BAl^J U1 QTM, .♦ 4 , ... a . for well-disciplined coordination, tions^ After that it s evident that Whole bill adds Up to one of most Jhe bird has to get a. writer both evenly diversified' wrap-ups: seen • r itself and its assistant. evenly diversifledT wrap-up? seen t»r Itself and its assistant here Several weeks. MeStay. „ Jhe RM^ette *offerithein Dynamite” (tutu). which the William Morris office 1 , '• . -v has provided him-* with' several While this might lack the lustre months on the plush nitery circuit, of top record or video names, there , Burton. attraction lies in fact that quartet of acts are all newcomers to Capitol stage. Apollo, N. V. Dizzy Gillespie Orch (13), with Ch an toosey April St evens, whose Joe Carroll; Ralph & Lorraine, sultry Victor recordings have, won Jellyrool & Zuzu, The Cabineers her jukebox attention, doesn’t quite (4), Ray Sneed, Clark Bros. (2); live up to the buildup. Despite a “Stampede” (Mono), low cut black velvet gown, she fails 1 tiowara, tsnan a amon uren; "My uu«a aume luiics uui ui. mem. xaung ww wiw ammai (iwcuuat m i » to project across the footlights Standard acts in current sesh Favorite Spy ” (Par). .time standard act might go over and nitery dates. Team has novel with the same sexy appeal so many make up a mediocre bill in an stronger with a more modern se approach in its offerings by hav admirers find in her recordings, erratic production. . Show has a Management here continues to lection of songs, newest being ing Ralph essay the role of a winHet mikje approach is more self tew high points^ but the overload ride along with too disk personals “Bells of St. Mary.” Bobby Win dow dresser to Lorraine’s manner conscious than provocative, though ot routine stuff lulls the pew ties, this time Eddy Howard, whose lets, droll faced juggler, also quin. In stiff-bodied, rigid-legged she gathers assurance as she goes n°tners. .. “Sin” has been in or near No. 1 would register much better in a manrier, gal gets across some neat along: Headliner Dizsy Gillespie whips S]0^ £or months. Howard, no John slot further up, perhaps midst contortions which net solid mitt. Miss Stevens tees off with a hit. uPJmost1 of tne enthusiasm m a 'ny-come-lately in the sinsingranks. some orch number. Lad really has In another bit, she simulates a tube of the 20s, “I Love You is All wild scat-bpp set with his small js a relief from overanimated and a comic puss and, his nifty handling mechariical doll, andl they step to I Can Say,” and segues into “Give combo, 'vompriseq of t h r e e psuedo-comediari crooners, and of tennis balls, Indian clubs and gether in a smartly paced rou Me A Little Kiss,” a tune for which rhythm, a reed and the maestro gathers applause as he sings each tambourines get him a nice mitt. tine. her style is particularly unsuited. Sg .br?ss', group clicks with pne of hls past record hits. Finale to "Yankee. Doodle Dandy” Both work in sharp, deliberate 8&. "Ihi learnt o?W> . There’s no chatter or buildup, ^ 2*#** *W>« M» fly s_We tomake.the most of showbado1 “Seteiluy P “iose h t0° wel1 tintil the >?st half W‘«> RALPH & LORRAINE snownacKs competently. Jose. the audience not waking up much Acrb.Dance before bill is over. g M. Oriental^ Chi Saul Graumari and his two All_n *v v Chicago, Jan. 10. femmes, after a bit of hoke duel APouo, «. x. De Santos Trio, Martin & ling, finally get down to the busi • Ralph & Lorraine, white acroFlorenz, Joey Bishop, Eddy ness of kicking the giant stairs to dance team, shape as sock .Vaude Howard, Brian Farnon Orch; “My coax some tubes out of . them. Long bets with similar potential in TV Favorite Spy ” (Par). .time standard act might go over and nitery dates. Team has novel stronger with a more! modern se* approach in its offerings by hav . . w i_ _ e> _ l: ’ a. i » • impt D a1«.L At. her style is particularly unsuited. Sgw!jr?5s'L ‘be <« M» .»#' record Mfe. Finale to “Yankee. Doodle Dandy” Both work in sharp, deliberate Hits her stnde, however, with ..^e NeanS f'??*',. hfd 'ooh There’s no chatter or buildup, ha„s ‘he Plates spinning like fly style to make the most of six-min“You Gotta Know the Tricks of C5uneu ® a™eas 51 a"a inct cfraiPht cinpincr whinh mg saucers. ute turn Gal’s eve aDDeal is an* {b®-Jrad®v’ aA®at®by tune with £Sf°^hS with^he sitters; Starts with Bill .Snyder, who also does an other .important plus pThey pro bright lyrics, At this pomt pew ■ M« Wggest click, “To Each His »kaJ. ?»b „af . S" .;?ft pdenty of charm and work act Finale to “Yankee Doodle Dandy” Both work in sharp, deliberate has the plates spinnirig like fly style to make the most of six-minmg saucers. ute turn. Gal’s eye appeal is an* Dill Cn«f/«AM ■ ««rn A Al ha H/mVi am -All,. i _ . a • a w ^ holders get 'off their hands and are scatplogy at its best. Qilles ^ggest cuck, "To Each hu ?S”.?^a“a pie’s big band, a pickup group Own,’ and corrals some brisk mit start acting as though they’re fi ^"ri~-“d “0l'"three " ‘rhYthirT* Tix ting before he socks over “Sin” Sl«°" Wlin so'”e Iaciie IinBeAT8’ his "—fanwS &psU’?rChe ^ Retrirns’ fnrVthe^item that launched A5th^'«»W. in the clos Style with the brisk quips getting h^r into thebfetime ‘TmlnLove in^ niche from the Clark Bros.’ some .fine chuckles. Wan-faced asouidehave done i^ and then doel A^ain” and is good foi several expert taPWork. The two boys run comic^ berates the influence of. TV ^ fancy cadenzl wJrk in a curtain calls v 1S g00d tor seYeral through some routine cleatwork, and utters a tirade against modern sonie tancy ^aenza^woTK m a Joev Forman has an uneven rou but their ease and speed make U S?ngS’ gett^g ofL? creditable soft the f irrt cho rds of “B Pitched” aS joey loimaniias an uneven rou „ standout tuf*n Wind with aero shoe meantime. His impressions of ■ I?e xirsi cnoias oi oewiccnea ap Si? top stunk which although a B®tte Davis and Ted Lewis are SomnLitmn "Flvine Ftaecrs” unnecessauly _ trite and maudlin fan foam riicniaxr not « sharp and he has 'revived his composition, r lying ringers, Own/ 'and cPrraTs some bSk ££ vacations, fills the third >Po into A begoff. Gros. ting before he socks over “Sin” ^arV.cS<him “* " with the aid of unbilled duo. which earns him a^score. After Joev Bishop has chaneed his Hungarian^ Rhapsody he para Jean Arnold in last week’s New style with the brisk quips getting Pbra?es “Mary Had a Little Lamb” Acts department was erroneously some fine chuckles. Wan-faced asfttlftehn°id Abd referred to as Jean Leonard, comic berates the influence of TV w04ld 5aZ® ^t, and then floes . Jean Arnold in last week’s New Hollywood job-applicant back standard tap team, display, get a good mitt. Jellyroll & Zuzu fill sharp and he has revived his -f.1* Army routine number, one of his geS<,&imT»R,ii«^ rlii ground. Lad has an appealing per g^^^on^dy ^potlde^te^ f^^worl^ of "se^al yea^s . Pearl Bailey fills pot only the sdnality and a nice, light satiric sthc^o“J spt°^ ago, for topical effect. singing needs of this revue but touch, but needs to step up pace. garc ^rindt; y and hlmloi 'rafhS However most of his aoolause the comedy elements. Lass has a r„oe: fi,v<v„«iv tniro B31.8 gnnas. ana pumps ramer ; aavwcvci, «iu&v oi appiause „,;f .a„A *»c fn,iv.K Goes thioii^h the standai.d take than ' the patter. Material is in ts stolen from him by his three ta • mi aa HAoitl fo «iri fh rtn 1 1 AMir .. • . . * . • * _ I' i j • t . . i’ a Variety Bills Continued from page 55 LOS ANGELES I the comedy elements. Lass has a Ambassador Hotei^j natural wit arid as much of heir John Garroii . Clro'a Facundo Rivero Quintet hffs' to* nice results With pnllery. g“ncliX S, bSerink erooVe y^rTd sob who does borne find M d e r i v e d from her Wto. ,,or. ThlTSi,. ® utaKtiok. «r •». i,»X i,;. „r uic wmne «jy, -gm oicxering groove woo aoes somq. nne .h]1.b)(, „rnvokinff actions as her ruck stabile 01 &&&£&&£ and would^do better with sharper facial squirms' of n 4 ' J|, — • * * . |t • . # UUM 1TVU1U UU MVVtbi WAVM headline eaipitalizing, is h is return Hues and less slapstickery. With impressions .of the Kefnuver Rav Sneed, in an inte gart, Groucho with impressions, pi the Kefnuver Ray gneed, in an interpretive Lewis, Youngster /is really at home crime hearings. His brief glimpse flance turn a la Paul Draper, is too on the stage. cnliiuv Fni of Senator Kefauversuggests there stylized for this house. Sneed is , Marti & Florenz have some specialty, ^ That s Good Enough should be. more, with hLs southern an interesting dancer, but his 10 clever marionettes; Carmen Miran ^ g d drawl arid easy personality a ria Dick Stabile Ore Marx'"' "an'ri'",Terrv tune material. She interpolates Homo Vincent Bobby. Ramos pro Really Rt S 3a’th»*\ iW. SW • . then Sets real yocks with her Artie James .. Eddie Oliver arenz have some specialty, “That’s Good Enough m Derwin ore Latm-Aires. es* Carmen Miran For Me» which is also good _ • ; • „ dance T enough for the seatholders. LAS VEGAS, NEVADA dll illlCiCdliUK UdUtCA I UUl lliO iv .« ■ r- vanuvu rnuair, nWAiirtU fAH ikA waaIUa 1 mi ute stint is top slowly paced da in a conga dance. a sad sack •fnr .cfnnH raciilfc TTo dnocn’f Yi/in andtoUffh. sergeant haftRlA. find thp ! , easy philosophy and: wori tural for the act. There’s a good f0r g0od results. He doesn’t win and tough sergeant hassle, and the -0^®r ®afy , riaminga bit of Rudolph Halley--not quite aud until final stretch when he. inevitable Jimmy Durarite; Latter nfe;«®PravS-*f ' :aind'*0Tn5fth«2^ UD to par. but recognizable— and parodies the Annleiack as it’s comes off best with a real comic llvery..of Frankie and. Johnny, Bobby Sargent The Colstons Alan Gilbert Arden-Fletcher Dcrs Carlton Hayes Ore (ITT llj T m VUIOtVUD, comes off best with a real comic ilvcV R?vie“ppppto Alan Gilbert note of small poodle jumping out farIfpl&u wasbed I0,r l*!® ■■■.SfSree Te&o-shea cSuo^Hay. of toy piano as doll hits the keys.’ ^ar!e’ ^Seugags ^3iiro^ig^ Million MarLy.May arid very creditable takeoff on Russe. ’* There’s an^ encore interlude with . aarn;T.i£j0»eS7?heng E righteous Senator Tobey: It’s a The Cabineers, a vocal quartet a Dagmar creature that’s a little witn.ner tneme, iirea, z.aoe. Maurice Millard ». Commentary of .the times that the comprised of three guys arid a gal, rough but gets heavy laughs. MiehtvaX?nmo TamCavan * Crowd welcomed this segment of are only moderate in their song ' De Santos Trio, combo dancers KaIIayi fo Hnan n t g calendar Gis Angos Perez, act with all the erithusiasrii once alog. Group looks good and has and aero workers, would be at AVOI,C11 w v/fcu oclIC3 ^ Michael Edwards Ted Flo Rito reserved to crooners and. film some okay vocal arrangements, better advantage in a club. Here Of Dates in Detroit Bobb?paeeeo?dc Thunderb •tars. but fails to project any excitement, their slow tango and buildup Last Frontier Martha stew* Laurette & Clymer do okay with Offer “While the Moon Was Mel doesn’t get the score it should; it f,n P®i. at ■} CarmenCavaiiaro HCnny.Youm • series of comic terp imoressions, low,” “What’s the Matter With looks too easy. Lass, very decora P®r0^. A‘.le Club starting Jan. ^phibiniiig pantomime .with dance You” and “Each Time” for a quick tive, does some neat terpery with 25, . This is her first personal in Steps. Though their vers? of a getaway. Ralph &: Lorraine, white the partners in between the flips Pet * • Ljrn-of-the-century “lady and acro-terp team, are listed in New and catches of males. There are She later moves west for a series roll” has much merit, with the ActSb Gros. | a couple of beautiful balf-twists j of dates in Vegas, Reno and Frisco. Don Baker' . . Desert Inn Ted Flo Rito Orch Thundefblrd Martha Stewart HCnny. Youngman Laudre St Verna K Duffy Dan$ationi .Tohhny O'Brien Normandie' Boye uimrny Sisco Al Jahns Ore Gros. j a couple of beautiful balf-twists j of dates in Vegas, Reno and Frisco. | Rosalind Courtrisht Jack Martin Five