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Wednesday, April 1, 1953 19 i *V f ' \ 1 »s. “You’re wonderful in the best musical production to reach the screen in many moons!” —Kate Cameron, Dotty News “You have an air of spreading affection all over your audiences!” —Alton Cook, Wortd-tehgram and Sun “You’re inimitable and magnificent!” —Leonard Lyons, Post * “You’re terrific! You have the audience with you every moment. Your dynamic personality comes through the screen with the same force that it does on stage!” —Rose Pefswick, Journat-American “You’re wonderful...in spades! You make ‘Call Me Madam’ bounce and zing!” Bosley Crowt her, Times Bless your talented heart, ETHEL MERMAN! —Louis Sobol, Journal-American “You’re a tempest of musical comedy perfection! A double magnum of dry champagne!” —Otis L Guernsey, JrHerald Tribune 99 “You’re great! You sing as no one else can!” Ik —Frank Quinn, Mirror “You’re in high gear, and there’s nothing much higher than that!” Archer Winsfen, Post “You’re dan-dan-dandy! Sensash!” -Earl Wilson, Post “You’re the gal with 3-dimensional personality!” —Hy Gardner, Herald Tribune i “You’re an even greater personality on the screen than on Stage!” Hedda Hopper “You’re undeniably the songstress with the mostes’!” —Time Magazine “You spark a musical that has everything!” Coronet Magazine ETHEL MERMAN DONALD O’CONNOR VERA-ELLEN GEORGE SANDERS fSi, IRVING BERLIN with Billy De Wolfe Produced by SOL C. SIEGEL Directed by WALTER LANG Sctnnplayly ARTHUR SHEEKMAN There’s No Business Like Century-Fox Business!