Variety (September 1953)

Wednesday, September 2, 1953 Pel Mar Hotel Del Mar, Calif., Aug. 28. ' Jo/ijinie Hay iviiih Samyny jTtfie), Al Doiyahae Orch, Char- lene Bentley, $12.^0 yniriiinvm. For cryin’ out loud, Johnnie Ray earned his champagne $alary^re- portedly five figures for four nights V-rat this seaside spa and the tears :iflowed-'.likev Wine.. ■ y,■ Ultra-vipient Ray; |iad : troubie Afilh noisy first-nighters — who ehelled out $12.50 a person for the hypoed '‘Carnival Night” but his brand of .showmanship won ’em over In the end. Still, a close call for the frail-framed bleater. ; . c)pehihg with -Don’t Talk A.b6ut Me,” the one-rtian platoon system, rocks into “Glad Rag Doll” and ‘•Walking My Baby,!* latter eom- piete with black derby, sortie hdof- irig, and bussing of babes at the: ■••ringside,.': ■ V- “With These Hands” sfervea as pace-hanger but also points up Ray’s disregiard for pitch. Onjy his apparent sincerity sells, this one.:; Recognition applause greets rec- ord Hits-^‘.‘Cry” and “Little While Cloud,’’ belted, with tradehiarked head-shaking and arm - vvaylng: “The Jubilee,” a tertt-meeting type of .shdut-song, closes show dri up- , After so niuch mimicry by the dojtiics, Ray seenis almost, a cari- cature of himself-^-a bund ’ of ten- sions, released in rhythm. Some of • the. frantic;iealoushess may: be gone, hut wild-eyed vitality je- '..niains/. ; There’s ah odd contrast, too., be^ tween his spoken intros-r-gentie overly humble,. something of a Libeface with lungs---and his nor iToIds-barred embilonalism: in .song. Throughout, Ray gets fine back^ iiig from ; Al Ponahue’s versatile crew that can play the- p ja^z demanded on this assignmeht.: I MlillT 1X1JH nPVIEWS channels. Allhough on top long at show caught, his . yocks mounted steadily into big walkoff palms. For this trip can drop the ditty “I’m Here With You.” and iii his refur- bished “gimmick” set, the impresh of Lena Horne. His Billy Dahiels is still. tops, and with new, smart wordage about agents segueing into gambling vith parody on ‘‘Birth of the; Blues,’^ he is abetted by plenty of sharp lines. Texart“Buddv Buddy” is sMll a highspdt topised by boff 0 WQi"d torrent on siiow's reprise...; , Barry Sisters are^ saluted for oic- celleht harmonies bn their initial Vegas stopover. Vivid brunet look- ers, Merna & Claire, know all angles of selling songs. This- they display during thrushing of ‘‘Ber cause You’re Mine,” ’'Black Magic’! Houistbn, Aug.^ 21, ; ■ ,Guy . Cherney, : Los Barrancos. SUfwe Kislcy Orch with Dee Dfitvh ■jno.hd ;: cpupcrf . Posses.sing' what is currently con-: sKlered the best selling vocal com.- •atiodity, a big voice either with a mike or without. Guy Gherhey got bfl^ to a stampeding .;start at his Hotel Shamrock opening. First- nighters tiked; him and got off their hands in a. very unusual, man- ner tpthe tune of four encores,. This is the same Cherney \v]io : 1 ef t sho w, busi ness for more . lli a n ihree years after, his voice went dead in trying to corivert from a resounding singer to a crooner. The .soft vocals aren’t nearly as ple“ .Infl as peppy .blasting numbers aihd with an above-average .m.icropbonc manner,* he seems headed .;for a vt ry satisfactory ertgagerhent. “lOs^^ . Bari^anebs’ jilterliuHging ' with a CUban flavor proves accept- i H.ble as an opener. Blonde Toby . -Ford serves as .contrast for.; Luis Barranco and their sarbbas, niam- bo.s and rhumbas plus what. ap- pcared to be a ;Latin version of a ; snake-hips routine wdth a dash of : acrb-dancing that makes the sJrow ‘ starter pleasant: • . . J Steve kisiey’s band with the at- ' IraGtiyely tanned Dee Drummond I bri the vocals has made a solid hit ! in Houston..- Hi.S crew has been held over long ehough to Vote ' Texas style. They. will, femain at • the Shamrock until Sept. 1,3 when : he gives way to Jan Garber, who j is an annual visitor here although • H Will be his first. Shamrock Room ' engagement, : ; . Doyl:,: \ : • : , \ . Las, Vegas.. Aug, .27. . ; & Gower Chan Len- I n.y Kent,' Barry ■ Sisiers (2), • Fia- ' miugp scarlets IS). Kichanl^ Pn^} , oof .: TofrW^Bra^ UrtW' OO 'v.io ] (‘QKer- or minimuiiiu. • • i . After breafcihg their new act ; in .•I . the Flaraihgo back in May, Marge & Gower Champion return for .:everi greater accolades and; ;promise. bf. SRO . bi^^^^^ the large ■ FJamingo Rbpm for; the fortnight. : Champs of duoTterpsichbie whirl .their poetic' fancies to. tremendbu.s ; ovatiohs- and begoff; Their iihesse. .iv tops,, from, charming opener; ,vT-et’s Dance;’’, through' the exa mg repertoire. Movihg from nibbd i .tn . niopd, the Champions heighten Msual effects using.■ dranriatie im- *0 •^’Tbke Gets in your Eye.s.” ; ^.D^ncirtg in the .Dark;” with wit • humor V in ‘‘County; Fair ”;' ; -Margie.” and “Vaudeville;” Rich-' aid .Riibpr does a stahdbut job a.s, i.nacstro of the Torris. Brand: bich; . “ducting from the keyboard. .'Y Denny Kerit has: had several = honkings in various local .spas to i. in th is \ -^Hfitirltr^rop^m~e‘mcrg^^^ i, Winner. ‘H -ha'.s chopped his blue 'lihes and.* '^'-ggestiy* jibes, routing his hep . w.k waggeries into beltei ■ —•their best tune.Y-^and. rollickihg .“■Side-By-Side/’-: Flamingo; Starlets. have .some curtain-raising prahees. to terp- scenes from“Ainericah in Paris” score .Torris Brand breh lays do'vn the pmsicM lines smartly, WiH. Liillii, X. V. :-V; (FaLLQWlJ-p);;::,. The longruhnihg Latin 'Quarter revue,“Ca .e’est Paree,” gets peri- odic renewals, bf talent ioT: ah inr fu.sibn of fre.«!hness. Consequently, this combinatibh of freshness arid. :the glibness. it’s . a . during its tenanc.V .at the Lou Walters spot makes, it good summer enter-.- tiunm'ent..-Y- ; Latest to get a. shot in this show is .Jackie .Bright, whose aiictioneer- ihg .has. been effective.In:. Stem spot.s, Bright; h^ .a fast and light' line of patter frequently punctuated:With double talk; vthat finds faybr with the crowd. A.s with otheis types of auction\ acts, fre- quently the type of show, given .may depend: largely oh the; calibre, of volunteers from the audience.’ At' the Latin Quarter, Bright sCenis ■to get a variety of affable, citizens who seem 16 enjoy a fling ou stage in order to get prizes, . Brighl'.s largesse : includes, gifts; many de- signed speciOca 1 ly for gents; : The applause-gettjhg portion of Mie turn comes with the hat-passing game, which brings a good quota of, laughs. Bright gets off to a fine mittihg at the conclusion of his turhi'.-.' ., Rest of the shoW; comprises, gen- erally of vets at this .spot. There’s been some generaJ tightening so that Cass Franklin & Monica .Lane double at the .production singing, and .the linegirls provide a greater than'usual .portion of the di.splay, ' Toppers.of this sessian are stifi • the GharliVelS, versatile: French. trip, who play a. series of musical instruments excellently. tbP ‘'Ind ballet in a mariner that brings top applause and perform a series of •acrpstunt.s that brings down the house. The Pe :Ga.stro k^sler.s (3i iri comedy .sbngs, are aT^.^ too rau- cous but go over Well; ■ Franklin &., Lb iie ha ve excel l ent voices and'. ah experienced stage mien,; Their tunes are . well-pro- jected ..for. maximum applause. Nejla Ate.s, who does an Egypl.iah belly ballet, is a cute and amusing trick. The; stomach solos are. taken good nat.uredly . by the - crowd. .Glofia'LeRpy does-'a brief stint of GharloWe *'Grc:c.nw.oo_dcsqUe kicfc.s to railnd out theDsession. Jose/ : llirdlaiitl, X. V- ■ Sqrah Vaughan: Dizzy Gillespie Bandy, c.') 1': Bud. Po,irell Trio; $1 general adhiission. T.ki.s Broadw'ay hipster hangovrt has come, up with one. of its; strohg-; est layouts In some time with this ;parlay of jazz hamc.s. Despite the heat wave,. spot iook.s set for a week's-solid biZi \ Headliner/Bafali Vaughan, . has unique pulling power. The squarei- ,custoiners; dig her, via her: pop...disk. releases; and she’s; still caviar for the cognoscenti because oL -her 1 fi;cky stylistic atlac.k,, Miss. Vaughah is: superlative oh ..bailads. ahdV deV .spite the u.sual frantic, atmosphere in this rbom, hold.s. the customers quiet enough; tb get.her most. Subtle voeal modulation.: .As u.sUal, she. .does a ib.sleful repertory, inciuding - Li nge r .• Awhi !e, ’’. ’ ‘ $ u m me r t i me/! !'C6ver. 1 he; Waterfront;” : “Blue Serenade,’’ ‘‘Tenderly” .-and a. flock. •of-others;-; Djzzy; G.illc.«:pie . is. another' regu- lar Birdland fave. Woi’kirig w ith a. good CTCW; of sidemeh/ Gillespie c ah s h 0 \v • J o p f 1 i g h t-: m u si ci a nsh i p ‘ when ,he .\vant.s. to Shut he. acceh'L.s; his clowning, more:Jlian his. tru pet, He’s an effective .showman for. the cool Set and gets enough laughs tq ju.stify the mugging and ad: lib- bing amidst the incidentai tooting . of his;_ horn;- ' ^ •./ . . Roiinding ,b6t 'ilie bjlT^. the mod- ern jazz piahiKl Bud Powen; backed by drums and bbss, dishes up in- /slHlm eMa ITBea .s“f .esbtcri'C' than rnelodiCi but; ailways interesting in their intricacy. Siililirfi, Las Las Vegas, Aug, 25. . Vagabonds aA) , Condos In Bran- dorr, Maria Neglia, Nand Cromp- ton, Skylarks (5 ), Sa'Harvm Danc- ers i 12), Frank Ltiiale, Buck McQuade, Cee Davidson Orel} (1 V; }i6 cot'er Or nirhfnrum SpaTked by the Vagabonds in their semi-rpackage show, this ioad- ed fortnighf .show' should: have 'em . standing in line for |he full run. Giiltihg VQcal and musie^^^^ capers to pile up yock after yock, the frantic foOrsome-—AH Torrieri, Til- lio (Mumbles) Ri.sSb, Dominick Germano, Pete Peterson-—plant zany - antics that build into boffo reception. Pe.tersQp, who otherwise wraps chimself around a beatup- pass; viol/ grabs honors for ..expert muggirig and milking. He; helps: centralize such. Vng .staples as VSalt:’ and “Hawaii.” Lads intro, several hevv routines, ihcludlng "McNamarn's’ Biarid,” spieled / In Italian dialect; :hatch Of .sock oldies vintage 1919, and a: .*»atire,. “HbW ,Ya. Gonna Keep ’Em Down.ph the. Farm After They’ve Seen TV.” The i always-ihcluded “I .Wonder,” .spot- j tihg . Ris.so’.s aecbidioni.siies; plus j hilarious klowvmotion. mechanics by the rest of the- Comba/; also I clicks/;-/;-^ ■ Steve Gpndos &. Jerry BrandOW cleat the pai;(|Uet with fine tapis- try, Brando w’s impresh of Satch^ ; mp, hi.s pianistics .. am .:torrid ; hoofing Ph mihiature .stairs; goes a 1 long., w ay tpward accuinulating solid .mittvS, with. the. .Condevs' ex-, pert floorbeats adding - fla.slv for Whistles and cbeers; .. ; T; Mafia Neglia wMrks - iiup show- s toppi n g , segment, ni a nag in g : lief fiddling . techniques ; with deftj Strokes and showmiahship; ./Fro ‘.'Hpra Staccato,’:’ a Gyp.sy air .by ;Sarasate,. “Hot. Canary’! and/ lioe- .do.wn sawirig of “Don’t /Let the .Stars Get. In Your vEyes/’ .fe.inme vvihs :h(I- high score, witU : NamT.; ;Cr6nlpt.on. .sepi'.os .Avitli da zzi in g (oC I e i’ p. C n t fa hce a h d = I'a t c s sa 1 vo.S for fo11owup :baliel triekc*ry Sk.vlarks .pul. heat ;pn the Pponihg g r idd 1 e by; e h a nt i n g :i n ca tnp ;m e el - ,slyle/ .“Yes Jndeed” and. !‘i laL lelujah/’ then .aid pioduclioni round, when .ihc three . males .of combo ;• vocali'/e; introsfor Sa- Hare.m Dancers’ individual cn- .trancc.*;, Giils, look .stuiihing and prafice accordingly. /• Cee . Davidson .. orcb* weiives .around the many; .‘icoie.s: capahl.v, assi.sted expertly, by Vacabottd.':>'. maestro Frank I.j hale: ah(l ;(lrum- iuer Buck hlcQuadC; " Will. •iiie opens with such conventional are as “Without a Song” and “I Feel a Song Coinin’ On,” but ven- ture :lmo/Frlrul’s “Some Day” is surprising switch /handled neatly, That’s - sustained by “Eternally," a b;ea.u.t iful. interpretatioii' to a hushed hpusev. Vlpbeat is gained ilv '.’SiUlug oh v :$00 riub^ A* fv Atlantic City, N./J.. Aug. 30. Frank Sinatra aiid eusenible (8);; .^|aHo|l Blair, George DeWitt; Henderson girls rfi); Jack Ciirtis, Joe Frasetto and Pete Miller Orchs;’ . ;’ns .solid palming which hriug.s ^.y, * 2 a.in. < luiIng. r back I'Of “How Deep Is the Riding a ncw vvaye of inieVeM tion .to go Willi the. pleasing vtiiae. j with iio less .1 h.uj 2() niihi-.; llie,.tc»ous.,, .Dou, • lu. Y^hlted for /the customer to/ 1 % .Xollioil* Af(cr':aM iiitvo :on.oj>eiling night ' ■ ■/■ •: : Keho./Ai.ig: lO; .; liv Sainniy'Davis. Jiiwlu) did tre-.' / LAHi is Jip'daq:: it (Ah yl K.(h.O):ne •ncruloiK hu.sme.ss in c.iis spot, (or Kirhi/,. ParilyzKiiii/, (.hlld/u /(iitls;. tlic./p^-st- two/we^^ Sihntra iiu- Gnrirood Van Or eh; nO: .(n>i:irr: or : Mieili: . -\/ v\Viin^ •:•'! Gf»t A nhihirhUiny . , . r ' ; KicL'; . ' Pf You.’’. /Frie ' ■ :' ore-;?• .r(vpJared; .hy-'if >vrrijig/.»'n-.; -: ;AlW':ayk:a:lg.ht; lof .tlijs' •^■(Voln .will,./ ‘‘iiu/fc ;l*oin|»i.:iMUg/ three . yipliiis,. be the ,sqri: of .i,lhilv(>-la>.nu| w iiiviv / ■ .cello vMiliiir,-^ .ohiho ; and Louis Jordan lU'e.sviits.. it: ()r.(/u;Ts;[ d.iiunv, u hich vpay inii'.ic: .sptMj.al.iy put all ea.slno nois.e. and stacks the ' •'•■•“anged. hu- .Siru'ilra. .Most,of hiis ;. tiveatiT bar four and/fivK (tecp/ / ;j uum)><!•». are olfllcsi: inahv (d'.lhein/f I. I.npurple slacks and.yi* I low-;(■().I Is., i!** .knoyvijhi i/ie niot.lerri ., ./thch-c’s'no' ihist.'ikih ahoal (t ‘ - ‘‘ind. reiMird sek .; f'and . fii’st/offering sets llic i)ai'c::oi A, His,- M'rpiid .■ninnher/ /'Mv Otie .'; .- the driving fanipape w hiclv i.(jri(»\yV: and l>n|y Love;’.’ js; folIpwiH!' ;by . ‘ Tile ;.tVvo.' sa.ve.s, ' 1 ru.fnpf/t. giiil.’ir;. V,\* ! T‘*ke ;’I!liat: .A w.'jy •;ti-o.iii; . ;.ba.ss'/ piatul' and (1 ruins begin ., (o! :JL-:’/:“.Mv. Funny V.'d/.'rdine,’.! “1 jt-. ilff .ort..a..limHip |)f r)uj'.sei-y i liyaies, t !</ tj.irl tllMC,'’ .'.'Ir yir IUmumkIs. on / l.fue to .origirial vvofililig.' hut iii a Von;,'. “J. MiiOgld : yon Vioreiis.; lof • • jazzed-up. v<“rsi('n.-Moil\er .Goose A’oor. Furs.’’ .aiul. ‘‘This' f^anJ Re ;; Ijviv, up. would / hardl.v: . reeogni/e.. . .loj-dan clowns .through .l.iis • vocals 'liir ..licavy; nviitihg all (iie. way along. la>ve“; Whii'h j'oiiclodes }lie fir?.! : part: (if-lds MHigaJoc;^ . . /^ . t fi.- tluv.: Wake of li>‘;iv.v ,.niitl.ln,g. , .giving .parti,<'ular .:;!tteli^ lo a: he ■ conuss h;iek •cai-i-vip" a .'eup ef . “.Kiss of Fire” burlesque. ’J'liis sleantiiif*. .java for “Ce'i eo; h) .Bi-jj / .singles out one tabU* lor .(vVCrphil- /il“ and, Ilien goes i>iio “Foggy' • ping, in I heir rliieel i(iu Re.sj of .Day in , lauidon 'I’oWn.” Me ca ll.'s book i.s equally, I rant ic in (|i tvt* laiid for’‘ and . ts given O'Ve .c ndf . «t)d- . slows only (iilce hu' a jilea.'^-anl oi I'ffei s- bjj- .My B.'.Mi.y ;ind ()he fenng/:df ; 'I’rclend^ :; 'jbe- Ty:nY i(>f I l.i</ ilhad;:’’^ li'-lilV a: elga-// pl.iahy .5.ise\ ('ll str»vng i In^g.cjiral.lei- i'elte and sing.s' "I O'igw.i/i/jud ,,n two cne(ii‘.«’,s, aiuf i luitiiiig. sever.d S'oii;’’ . ' ,i.vi.vut,.s ^ 111 -: :;/;;* i; j. , . (Jeiirgtv Kirby is up iq la'-hion “Don'l Worry . Ahoid /i'le.’’ :and ■aild i-naulMal ll.e''s (le(-,Ked .iir;t.-ii-i';u • . • .. . ; >e- goes, iiilo: JiJs ‘ Iasi fniih- jfX'ket, arnl short;' e\ ening p.''ni s. hi'i s “I 'v.e C/fil. a. ('ro* Ir oh .Abii ’! ..plu.s' :sdin:( lUpreshe.s oj . ( ni reiii Laves’ (qji rent hits I le, kiio( ks oid Eekstlne, ladne arid ('hie' fin: Ihe ’/AMil.iiniM-lr) New Vol''- " alid ihen- Hie titie .vong iroin--“l-’-j-(*ii.iHere (o FternKy/’ He jivesi v||.h .“Got- ea.sy jobs in lijis iirofession add the. V/.oild on a Strin" “ ;'nd dfferv .1.. ■.s._ I :ik ti • •• •> . t **■-•*. throws In a lU’arl itaijey aiul Iva.v Starr /for somelhitig. different: Hr conrlosioiv,"p|pf , Yo.iu' .Themes Amai.o*N* INiHliinU. Or<»» • ., (FoLl6-w CP): ■ -,/ Portland /Ore./ Abg. ; Thi.s is t he . fifth rcturh; dale of Arthur: i-ee: Simpkins /tq Amato's Suppei' Club. /The velvet ropes h.lve ibCen up for the. pn.s/l two Week.s. despite :Vhe, biolling heat a rid l he Ifan.sient name atlradiohs. Bps.stri a rt • (; eorge A m a t o , s igh (‘d Sim.pkihs for three frames this trip; The guy. does a soeko Joh of puli ing e usipm e rs into. t he shot;;. Simpkiris hiis gainec): m6r(‘ cori- fidehec ^h- iris harrdlihg; .of cuS-; t (imeps and h e 11 e r .qual i Iy of voiee. if .such ij< po.ssible. ;He enicr.s the rai.sed .stage to.an ovation.'and heeoriies, j he .co mpiet.e inasler of ,(he. enlife: 50; iriin ut es .'he i.s, on. E v.(* t;y I j.s:t en hr 1 s more 1 ha n p j ea sed a.s . there Is a /song for each. He runs IJiC- gamut from .jive to grand opcia, drarnatic seriousness t.o ex- cellent humor, with ah amazing knack: for cliangi.ng pace; 'i’hc guy sings in seven lingos,.. Th i.s good loo k ing, well -d i'e^sed lad is a: crqniplete. n<durai for any spot, a rhaster : showtnah with a voice to match; It’s a begoff act. His pianist and; conductor, Chris Gage,; does a fine/Job- . . Chaz Gha.se is new on the hj 11 •this framev having i’eplaced the -Q;!erins,: (hjle;dlltfe: jguy baffles tlw' knife; and ■fpjJk trade with his buf- .fophery; lie amazes a.s.he centinlies, tO:; eat everything . in; .sight. ilj.S St»IP:/'iS Srifk-.'-‘ /Wynn Walker bich. doe/s a heat job of . playing .;the ahoW ; and .set-, ting the tempo.s fof ."de'acefs.. Orh- filling/chlrpef; Rene \yeis. vyorks: thibughoiif w i th .Hop .tufips; 7- ■' • /•:// ■ ;/ '■■■ / ilpl i’OPOWJidb . Coronado, Cai.-Aug. 29.. ■ ■Oog.i- Grant, ' Jloivard BrrrfH, '.Ofdi, -•Sl./cpiief. ; '- •/■ Kfiowh; as . A'udfey, Bi'pwn until lier /RCA Vicio»* paetihg neaily a /vear ago, iGogi Grant ha.s gained poli.sh . since . her • .brcakln ado'-s the bay/ at Diego, in June;, • 1.952:. - Petite ; brunette has new economy: 6f. gestui’e to go willi (he. w a f n 1 th, and e I a r i t y. o f, voice/ , :Mi.^'.s Grant Win.s. this normall.v cold audlen.ee: m hotel’s va*-!. C'ii - c'us Room wit b a varied ■ .spngalog. Bedecked in fflacki.clinging gown; StaiT ; for Soincthing dVffrrcnt. ;A w; y for allot her .Day ’’ OUiywiij.: . i,,,rmk-|,■<!.;,rc- . sh ttimjs ui. i„W,. Hiiin : 1 .-^ ^ n’*-.-"; ' .-m of.- •.‘.in-.'ioj/ ,-in- Koy Rogers. .. • / Jiarenriy ; as: Irc'-h as When he Paul King. is. ,I long-legged Lip- * l.'rrfed. ' jler :wlK): llashes; id niopcm vAvilh j. :hill/wilh lirm/iire .Cedrge / blui- ol leqg hyYIuns. ,aq(l; <|l|q i:wim> -ixvWiti,' yoiilig Vornh' Wbo/c ioil.^/ •doys a Meacly ^xil) of daq(-iqg: wllhr|-laijqq^. ' voqgs. aiw) .. patler ■; HbrC;// ou.l iiaii, ;/ • .Vl.ariciri lllair.v'a.-fniodleiqke)-:w.jii;i. ai^ . Golden .Girls' are.^ llieir .qsnal ■(ikay- (la.riei/nii.ilihe. 'arid ihe Ifeq- ’ sex.y selves,: j)()qi;e(i. in.' h.lack. I)i.i/'f Hersori .girls with if'.- qsq.e) riff’ej.v / tights fpr “Sli’iilg of, f'earl^’’ intro' lf),gs.. . . ' ^ • • , .JVq///, I and ;w.cll;'exposed for.-a Latin '.mid- • / . / • , . way :prance; ■ /jiH-wobd. VaiV. : ,bddl,-d /;Wiilr/*Pr ' practiGi'lly an ;,i.M-nivlit.clvori’, Davs . ' •Monlr.fal. .Aug. 29, / 'ainazingly . alive ihro.qgh Ilir-'c j' - ^A'Oriin Bny ;r2 k Sir yn Gene .‘shows Wdiich . run HilmoM: eruititiii- ; V ('hainiiofn nreh n H ry ously,' ..p,iiis'''ir heavy (iT-mand 'lor , y’f{h GVornifi flntpiri. iPII Mooille .. ■ claneine. .V . - • : l/qi/.; : f!’'0 /.$f $1.99; eorer ■ , ; ously, ..plii.s-'ii lu'avy (iT'iq.'irui 'Hq- daneing. / .y .Mark: , 314M*aMilMifi IIu/€Mtid ' : . . / : MfrllyWood; Aug; 2(»: ^ ' '.Vie-. Dauipne,. Fddie OUr.e.r 'Oreh-. - f 9. *. J 'Ca.S'Do Qi/rr rf el;• f <n‘'< t e .S'”. ■ Thi.s is in ihe riature. 6t a ‘'\vr I- epme iTome’’ .booking Hu- Vi;r‘ 'D;)- • 3’Wo lU'w .'.'lel.s.. to! lire Ipeal. Ciife . ej re nil, |;lie ,A ndriri i. Rri.t''.,-; and I lu!.. (erp teaqi of ISiisaq/i^' G'mr* SHrr tq'oye a siirprlse. '';hqw. H''iei';q./c.‘;)nd holh r'eg'cior . ojif-jiv yd.H/ I hf' Npr/ iqaridle; Room foris' in .eiirreqt .- ■ l;avdqr,; '' ; ' TlVe Aridrjqi hoy^^, 1.; .v^renee aqd I monc and' Ihe odds are. .good t hat . Frank, are. 'no ‘ vontjV.'-rers on - the h(‘-prle.of the hri-glitgr. foii-. ■ -vande/ radio' and -w heel, hiit ' nrghls of Hie year for the .Mo- Hiis is-fh/lr firsf (*n'-'fr."'qienl- in . eamho:; Singer; neiMs ; lo slahiliye , 'Morifreal . In/a rooiil v,q-i) a^^ this ; Ihe torn fo- some: exlenf, .-lait it s arid aHer a few lihinler'. a ./onie- . ; <1 gOOfI Job pf '^'oealivi-qg .flirai.nvh- v,h."!'skfirltjeal aiulierua’ Iceof iiic<e ' - out and .-wil t./ earri the .ex-pro^liil:qeko ;ihsfl|tmr-nral.i^fM nq lI'O/ffoor ; re.sppri.se/■, ..''or h: liefty.-;,'{.5 n,o'nii.f.r>S; L<^ 1 .'• Damong. at/I he.: iiioiiieiil • .i>. - a-. .1* ra.nK :.on /:;gijjtaiv..:Wjth La wrern^^ :. '■good., singer/-.; He - has- one oi; l.he ’’hlying a' iriO-.vr'ar-fiid , I heller;:.- .voices .; Cfirr-enlly '• heing cornhination qi;a.h;doi)rrend/lira';, ... • (drefed . along . th<? ..iafoori <‘ii-e,iii,l i a roi'.sing ■ (,aHn ; arid he could easily beibrne/a fihe;/.L/^mn,/;Avvjtc)| in of ■ the ./cafe' ;entcrlalher.-/lle 'ri;elqjs/..how':i /db semj-ebu'sif-s . and :H)/p. lev ri :•/ /eyCr,lo: develop Ifis'lvwri'deli very;'ip if ing /a erpun of/ni'qri-/.--; j rather than .T/iiboninjf. Hiti Dan*' '“/t's,“u/q'esterl hv tin* oavees.; Oh . i Je.ls' o,n.'lh.e. fhyt.llm linies .ari’d....Toriy . .show i.hls f; tj> d 10 ,-haye' / , ;M;n.tin .oh t he hajlad's. ' ' ; ' ■ ■' he impaet .exneei(;-d--: fot;./ot»v.i;oii.'» '/ or wbu tiir-h b-rn-rHc ’^e .most pae| h‘!l an . ear'v ; j'^ c.nam f . on Love, .i.^ :/O'/'-nine wor.ds j hat .'ea/u^ .oul on l^ill. Be;Mine,” lack impact, when/ Mtisie lor/: gJi: pmformers i- they have to he .jead,. (7rn;ihlv hanfneci bv .Alax Chamitow ; Bert . .Bichraeh’s exeetleqt ae-;; ohb wlih; Norma;- fi'jHon as femtm ^TT)T5TplTiiE!^F^^H?RiF^f»ffihr'MFrrd/M!'Fr“ee>''^arifi^‘>TrM^ u.sual, the Eddie Olivei' en.-ehdx s lude dancirig. The Bill .Moodie frh. a finc:; job. of en'*enible. b-v p- vp.ells the C’harnitov . aggregation . ping.. : . ■ ' Kop. .handily. /.; , ./ /ve/rt..