Variety (September 1953)

FILM IIE\1ffiW9 VfJneiJay, Sept^mWr SO. l‘r,3 s% mg Rc-mak« of E4na Ferb«r*a Pulitsrr 9rise*wlaiiinff botcI. Has emotional impart to draw the femme fana for hetter- than^averaae b.o. retumt. Jane Wyman starred. Witiiur itlran# of Iffnry Hlni»k** III ixluclion. Man Jaiie W>rnan. Slt-rliiia ll.iMira •itrt Nancy OlMin. Directed by llobeit Wise. Si reenpUv. John TwUt. fiiiiii K'lna f'eiber's novil Camera. Kll*- viiith I rederii k(i; •ilifor, Thomat ftrllly; iiiiMir. Max Miimr Hieviewed in N, V. hepl. 24 , '.T'l. Kuniiina lime. 101 MINS. Sriina DeJony ...... I'ci N tia lie.Inna ... Ii. llax O'.Maia . link fie.li.ni! .hilie lleiiipi'l l*aUlB lll'lllprl llitell (‘iiiil Hoelf l'rn)l ' \re 12 l»i» link lle.litllk i.\)’e Hi Klaax I’oiil Aiii'iist III l)i|i)'l .M.iaiMe I'ki.I \\ iiliiw I’a.'i I lenliei k Ail:>m I'limx Jan« Wvman . MerlinR Hayden Nam y oiinm Steve Forie.sl F.tiii.il>eth Fiaxer .... .Martha Hyer Walter Coy Fiirliaid Bevmi-r 'I nmmv Hcttii; Itnland W inter.s .1,11 liiiex Auliui'hiiii Kiith Sw.inson Dniothv ( hr.xtv l)li\er lll:ike The L«nla Biof of a former champ dono with plenty of heart and car- rying a powerful b.o. punch. rtiited ArtUta reltaM of a Walter P. riiivaiei. Jr praaentatlon produced by sieilmc kUUphant. Etara Coley Wal- l.,ie Paul Stewart, Hilda Simma. James Fdwartla. features John Marlev. Dotts Johriron. livelyn Ellis. Call Rocky Lati- mer, John -Marriott, P. Jay Sidney. Isaac Jones. Royal Beal. Buddy Thorpe. Ruby (loliUiein, Ralph S'lantley. Anita Kills Dll ei ted hv Hohejt tiordon. Si reenfday, Kiibert Sylvester; camera. Joseph Brun; editor. D;ivld Kummins. Previewed, Sept 24. ’5'l. RunniiiH time, Joe l.ouis 'li-d Mi(«ech.in ■ . M;ir\a l.oui* ‘•t h.ipple " Hlaiktiinn Maiiiiie Sediiioii Julian Blai k Mi'v B.iirowi Ailliiii Fine y.iiii l.niiKlord ll.<i,d.'i I .'•■hiiiiv Kinystoiki Md'i* .t,,i'iil>x lloliv (.old.-iciii •I MINS. Colev Wallace .Paul Stewart Hilda Simms J.imes Edwards John Mariey Dotts Johnson F.velvn Ellis t.iil Bulky Latimer .lolin .Mairiott . . .1*. .lay Sidney ... Iss.ie .lonis Hoy 111 Beal Himself Miss I isti 1 I lly Kernlde ('uopei' This is iIm* third tim»* .'iroiind for Ktliia Ktrher's I’lililztT Prizt*- winriiiH' ritnt'l. It was made as a jsihdit niiii hy First National hack in 1511!.') uilh ('ollrt n Moore in the It ad: as .t t.ilkcr hy Wanner dlros. j fn l!i;t2 with llarhara Stanwyck as flic si,If. .Jane Wyman, who has gained in staliire as a dramatic .•ictrcss since her memorable por- ti.ix.il ol the dc.d mute in ‘'Johnny itciinda."^ handles the emotional Icstiniiiifs this re-make. Ks.senlially ‘So I’lK." dealing with motherly luxe .itxl saeiiliee, is a woman’.s plCtllK*. j l*ie shapes as a .sidijeet of con- xersalion at te.is, hridite Kames and aiMotm the Eroop^ that gather with llicir hahy eaniages. The femme It ade w ili go for it, and if they Mieeeed in dragging their spouses along, h o. returns should be better tli.'iii axi'rage. j ' .'^o iJig.’* is big and sprawling. eo\ Cling, as It does, a period of some 2.’> years. Il’.s basic flaw is tliat it attempts to cover too much, resulting in an episodic quality and in fl.d suilaee character delinea- tions. Tlte prolilem it poses—to toil Itir monel ary returns or to create "lu'autifur’ things for a sense of inner satisfaction—appears old hat ifi today's coin-happy .society. Many may feel a sen.se of unreality when Miss Wyman, as Selina De- Jting. urges lier son to give up a liKiative position as a sales pro- motion and merchandising exec for the uneertain career of an archi- It'ct who. of course, will design only iieautilul •non-commercial) editiees. Miss Wyman is superb in transi-j litin Iroin the young girl with thei aristocratic background to the widow of a Dutch truck farmer. M’hile the actress’s handling of the role i.s always fii*st-rate, the charac- ter of Selin.! is a bit cardboard: in its undivided emphasis on no- liility and self-sacrifice. Nothing! slops Selina's nobility from the! time she aiTives in the Dutch com- iMunity outside of Chicago as a >oung selioolteueher to the moment; her son decides to return to his: draw ing board. She takes poveily,, hiiek-hreak'iig farm work, w idow-1 iiood and disappointment serenely,! philosophically and with dignity. ! riieie are some good portraits! ot the truck farmers of the mid- west at the turn of the centurx'.t the Chicago Ila.Miiarket where the tanners sell their good.s, and the! 1 i.'C of the nieat-pueking barons ol llte time. Sterling Hayden scores as the till learned, rugged yet gentle farm- er who wins the schoolteacher from Chicago who thinks "cab-j hages are beautiful.’’ Nancy Olson IS appropriately flippant and under- ' standing as the Paris-trained artist i who values true creativeness over lin^nt ial success. Steve Forrest, as ' Selina's architect-son, wrestles, tuatly witli the money versus art pmhlem. Walter Coy, as Roelf Pool. Is fine as the successful com-! I"tvt-r who achieved his goal j tlirough Selin.t's influence. Richard I Ite\iner. who play.s Pool as a young ; i.iiin boy, plays the role under-, st-mlingly. Martha Hyer is okay in the stereotyped part of a frasp- iiiK rich lemme, other good portrayals are given Itiiih Swanson, as a poor farm J.uqins Ruhuchon, as a non\ eaii-riche meat packer; j Fraser, as .Selina's lov.!l P«‘Opl story ulu) and king h> w lie, kindly Fluaiieih M hoolfriend; Holand Winters, as a steiii. nan i)w-minded fanner. Dorothy ('t)risi>, as a designing willow, and Tommy Reltlg, as the .'onng Diik De-long. John lyyist's screenplay, whi’* iiei c.ssai iiy I piM)di( , has momt n ol emotiop.il impact. Henry Blant. has not sp.ared the product io lines and lioht'rf Wi.se has <li- tiiDd with kniiwhoyy. Ellsworth 1 led^j'H k'-' l amcra has sncces.sinlly • ■iptiui-d tin drudgery of the farni. t e eyiitf rnent of (he market r ■'( af.d • e -pkndor and gautli- <• ■ ‘ . h Hi Chieago. lioh. .Add to the screen's many recent hiogi aphics "The Joe l.ouis Story." It's a dramatic recap of the |)erson- ;il and ring history of the respected N'ecro .American fighter. United .Artists has a surefire winner here, .Mitny things might have gone yyrong in making a picture like this Imt fortunately, none of tlicm did. Tlie film, acted out hv a pre- (lomini.nlly colored cast hc..dcci hv Colcv Wallace fas the champ) rate-' liicli on sincerity, is alternately towe lling, understanding and hearl- pounclingly exciting. That's a lot. ol merits. Hecauxe Robert Sylvester’s SI recnplav niak(‘s no attempt to improyc o:i cither tlie man or his deeds, the Joe l.ouis in this pic- iiiie eonv.'’.por.d.s to a Joe Louis e Can accept. This l< tl.c of a simple, Koedhearted guy purv'u il his v ay to the lop flayed there, [ an authentic of sports. Producer Stirling Sillipli-Trit was blessed in finding Coley Wallace the spitting image of Joe. from his muscular body to the expression- less face that so unexpectedly hrc'aks out into a broad, friendly grin. M's something of a tour de force for him. He carries off the ring scenes and does well against Hilda Simms who plays the former Mrs. Loui.s. Integraiion of real r.:,iit shots, from the x’ltiiy bouts to the pum- meling Joe took from Schmeling. the triumohant return match and the tragi 2 attempt in IQ.")! when the aging Loins came out of re- tirement to be "murdered’’ by Rocky Marciano, is excellently handled and accounts for the pic- ture’s sock appeal. Surpri.sing how much tension there still is in that old fight footage. Director Robert Cordon deserves kudos for keeping the action tight and dramatic, never losing sight that he Is ttwing to humanize the story of an idol whom most people only knew in the glare of the arena. Sylvesler’s intelligent script helps a great deal In making Louis come alive as a slugger and as a colored boy with decent instincts hut incompletely equipped to live up to ewerything that being a ‘’cel- ebrity’ iinplie.s. In the supporting parts. James Eclward.s stands out as "Chappie" Rlackhurn, Louis’ long-time train- er. Paul Stewart is eonvincing as the sporlswrlter who tells the sto- ry of Louis’ rise and fall in the ring; .tohn Maiiey is fine as a Lemis handler and John Marriott impresses as an old colored fighter Mis.s .Simms has a routine part as .Mrs. Loui.s. the girl Joe lost be- cause he didn't know how’ to com- bine marriage and the duties of a champion. Evelyn Ellis has a more rewarding i-ole as Louis’ mother. Anita Elli.s warbles a song in ex- pert fashion. The ston’, told In fla.shback fashion, l.s .spiced with human interest anecdotes about Loui.s and his rl.se to fame and a fortune which seemed to run through liis fingers. There i.s no question that "The Joe Louis Story," Silliphant’.s first entry a« a producer, is headed for bo. wallops among all kinds of audiences. But even more im- ponant i.s the fact th.nt it shows the Negro on a level which Holly- wood too often neglects. It doesn’t x'train ti»r effects. It doesn’t have to. Ilift. C’Seope Cartoon In making "Toot, Whittle, Plunk, and Boom.’’ his first cartoon In the C’inemaScope medium. Walt Disney has come up W’ith a delightful and drastically different short that should have audiences in stitches. One-rceler runs 10 mins, and l.'i seconds and makes the adroit use of a jscreen which at times seems almost too large to be effet- ti\ e. Most striking innovation c>f this sc'cond installment in Dis- ney's "Adventures in Music" series—the first was the 3-1) ".Melody"—is its liasic change of design which reminds strongly of the drawing tech- nique firxt used in some of the I'nited Productions of .Amer- ica cartoons, and particularly "Gerald .McBoing Hoing." This is a new, more sophisticaled Disney having a lot of fun with Cinemascope and Tech- nicolor. C. August Nichols and Ward Kimball were the diiectors of the short for which no dis- tribution deal has been set yet. Dick Huemer dreamed up the .story. "Toot, Whistle, Plunk, and Boom" rates as one of Dis- ney’s best in the animation field. Hift. Hollywood. Sept. 2t. Inilrpenili'nt proiturliim <no r«*lcas« »,<t) by Hall Bartlett. .Siam Elroy llir.sih. l.lo.yil N'olan. Joan Noha: fialuirx Janiei. Mlliiran, Jamra Brown, John Brown, Nor- man Field, Loui.xe Lorimer. Jiineph Cre- han. Bob Waterlield. Bol> KelU-y. Direo.eil by Frani'is l>. Lyoii. .Si-rcenplay, Bart- lett; rninera, N'irKil E. MiHrr: editor. Cot- ton NVarburlnn: mu.sii', Leith .StexeiiH; Kama Fight Song, Bartlett and Stevenx. Previewed Sept. 22. ’53. RunnmK •7 MINS. Elroy (Craz.i lee.*) Hirsih Win Brui'Kineyer Ruth The llnma’ C'oaih .... Bob W atei'field Bob Kelley Hill .Tame* Brown Keller lohn Brown .Mr. Hir.xi h .... Mrs. Hirsi'h .. < Hank llatih .. Joey Hill Brundige NVin Hirtfh Melt in Arnold .. .Norman Field .Louise Lorimer ..Joseph Crelian .. Joel Marxtun Himself Ilimaeir Him.<irlf Polaroid Working Up Solo Projector for 3-1) Hollywood. Sept, 29, Fotaioiil Coip., yvhich has turn- ed cm KlO.HOO.iKH) viewers, is cur- iintiy w(irking on the new A'ecto- i-i.apli. an invention making it pos- xihle to show 3-D films on one prcijci itir. according to F.dwin l..m(l. fuinpany’ pre.xy. Land, in Hollywood as guest cf Lett 11 L Ryder at Pai.iinount, ''.'I’d I hat his ( ttmpauy’s rieyv teeli- mcHiex lor liltning 3 -D pictures .iic .•dy.iiMing i.ipidly in the ^lu(lios. Thi.s independently-made film sa- lute to football and one of the game's stars. Elroy Hirsch, is a good human interest feature, ll i.s a natural for fall bookings nuyv that the football season is undcr- yvay, and in tlio.se sectors where pigskin interest runs high exploit.a- tion sliould help it. But picture, produced hy Hall Dartlett. does not vet have a regular distribution outlet. Barllett'.x .script, his first writing chore, and the production stick clo.se to tact. Hirsch’s real litc has just the rigid touches of sen- timent and inspiration and nis gridiron feats run to stirring ac- tion. Only official footage of games in which Hirsch appeare<l, both college and prole.s.sional, is iis«>d and it adds tremendously to ,iu- ther’icityj Some of these clips aiv not of the best leasing clanty, but othei’Nvise are thrilling recounts tif gridiron hi.story. Hirsch pla.Ns hiiasclf—a tougher job than it appears—and comes off verj’ well in his first film assign- ment. He is likeable and helievc- able. The film al.so is a fiift for Francis D. Lyon, former film edi- tor making ids directorial debut— and succe.ssfuny. Joan Vohs co- stars as the school da.xs sweetheart who marries Hir.sch. 'Ihl.s is her initial major drarmatic role and she is very’ good. The.se two young leads get top help and are made to look better by Llos’d Nolan, co- .starring ^ as Hirsch’s high school coach. Win Brocknieyer. Script spans Hir.sch’s career from his days at Wau.sau High School, through All-Aincrican fame at Wis- consin, his winning ol letters lor four major sports, football, hasc- ball, b.'i.ckethall and track, in one year at .Michigan, and then take.s him into pro hall with the Chicago Rockets after service in the Ma- rines. Inspiralion peg for the fi'm IS Hirscli’s comeback with tlic Rams after doctors had told him the injuries received while with the Rockets for tlirce years won hi prevent his ey'«>r p'aying foothill again. His earlv fame yva.s a.s a back, and when the Ham> switch'd him to end he gained new fame as one of the game's greatest pass receivers. Norman Field and Louise Loii- mc'r arc cxccdlent as llirsch’s pai'- ents. Jaiiic'.s Millican vlmyys ep C’analile ax a n.'uiicle-x Ram coach Otliirs with acting chores inc hide James Brown. .h)seph Crenan Jo-' .Vtai'stun phis xnch viiftyts fictii'f.v ax Mob W.'(tcrfielcl .and other Lm.i . xi.ii’s. Cutiimcniai.y t>ii liu* gaiir's seen it handled by Bob Kelley land Bill Brundige. . Technical credits on the picture prove of considerable aid to the presentation. Virgil E. Miller’i lenaing is top grade and the pic- ture if adaptable for projection widths up to and including 1.65. Cotton Warburton did the good editing and Lei^ Stevens the ex- cellent music j^pre. Stevens also wrote the Fight Song iistfd In the pie y^(nn Bartlett. Ilolany llay (COLOR) Picturizatiun of the .Vordhoff- llatl sea-adventure novel. .Alan Ladd, James .Mason, Techni- color and good b.o. prospects. Ilollyyvoocl. Sept. 29. P-raniouDt ri*l« axe of .lost-ph Sixtntm Pi oilui tioii. Siai s yi.in l.add, Janick Uaxon; ri)-«(.iix P.'il i i< i.t Mrdina, Sir c.'dru' Harriw'ivkr: o-.itui'i-x Mur) v Ma. thf.st.n, Doiolhv l*att«'n, Joliii llard.v, lIuKh I’ryx^. y*^ rolin l.«'<‘ Bi r'.'s. l)iroct«*«l j __ . liv John Fallow. S('r«*vii|dav. .tonal han | east l.aliiiK'i: from lh«' novel by Charles \ordliolf and Sormun Hall: ('.iiiiera iTerhnieolori. lor, Alma yiairorie: I 'raxyAll-Am<‘ri«*ain Aulhentir, human interest football feature based on ca- reer of Elroy llirseh, L. A. Ramfl star end. Good gridiron season booking. man. I’rr\iew<'d Sept time. 93 MINS. HuK'h Tallunt. . . . . . . ( a)il. Cdlbrrt S.illy Miinror C.ov. IMiillipii .Sir Bev. Th'nne yiri. N»llie earth j .Nat earth I Ned Inetiing Nil k Saldi ... ! Moll ( udlip ' (lakb'v I .•enkinx ' .’till Male .S|,fiw*'r (.Hard 1st .yi.it* C.irea John S(< 1 ? »• I-'. Seitz; edi- Fian/ NVa.x- liunninK Alan Ladd .lames Mason I’.ttriria Medina C'ediie Hurdwieke yiiirrv Matheson Dornth.v i’atlen .tohn Hardy Hiiifh I’ryse. yi.iholm I.ee Betit-’s .ynila Bol.ster .loi>;ilh;in IhtiriN .Nlec Harlord Noel Dra.xton I’.rMuhin Toom.'v . Ben NN ri):ht supporting feature, la that fication, the rtguUtlon ty it x situations are okay and the m. u , hi passable filmfi, for th? duced independently bv j rSl Thomas for Broder Prc’idu. r.oni and ha.s been purchased cMitiutf by Columbia for distribution John Ireland, tough, comii.r . , soned .sergeant, and Lon ,\h ( jler, a green, frightened ki.'l'V! jment. star in a plot that toin, , a platoon -of G.I s thron 'h ,v sorted i mounters with cnen \ m.i’ diers. The light story Imc m i J Wyott Ordung script is con. < chiefly with Ireland's proint. the rookie until McCalljvt, , xliake his fear and pio\i* t; under lire. Scver.d of tl..- sodcs of battle action (on,- yyith the proper amount ni t rived thrills under C.\ I. direction. Setup doesn't demand ii.ui the yvay ol perloiinamts ,, strolls through the ploi out straining. Ireland i- „ this type of role and (ho Stone, a medic serving in In : yvar, also gets over. Hal t. and .Norman Leavitt pair loi .. touches of G.f, huinoi' (oik.. yy ith tlieir yen for git Is. Di-i Jill Hollingsyvorth. I.incla l).it.,n, Neva Gilbert and Eilcan How; seen briefly as USO cnt(ri;.iii<.iv The technical credits t)m,_ i , their functions adequately Do i:n lilin's modest budget. f; < ' tu (1 n of ' .Ml .'if fpi- '■if ' n- s t ‘11 '' «; ' in K. '»d n il ll W ;,i li. s Romance and adventure cm sea .niid land cue the action in this picturization of the Charles Nord- lioff-James Norman ILall novel. "Botany Bay” It's u good subject for Alan Ladd's che.st-baring hero- ics and Janies Mason's suave, eal- culating villainy. Their pre.sence, plu.s the Technicolor cloaking, the Till* lloyal AfrU*aii II;iI«‘n (COLOR) Static programmer Nyliidt yuli need Louis llayNvard name ui sell. physical charms of Patricia .Medina ! I,*””'*''*' ►Jh* cartef: editor w..ii • .•exi ‘ HBiinemann: inusic*. Paul Dunl.iu l‘» I exploitation \alllOA | s^pt, 22t, *53. Runninic litD#*. time Himself .. Lloyd Nolun .. .. Juan Vohs Jumes Mlliieaii HimNeif . Himxelf Holl.N W OOd. .S» |)l L’o Allied Artists release ol ;i i:.. 11 .. 11 I (leermaiiee prodiietion. Stum l.mo- li..t w.-ird. eo-stars Veroniea Htii ; t-.iiiim Mieht.el Pate, Angela (ireei.v. x,,.\,n Heruy. Hruee Le.ster. Direi tert »• 1 . si. > .Selander. Sereenplay, Dan t ll(n..n; Ellis Carter: editor. w..iui . - -- U MINS. Denham . I.unit H.i.'\«.'i.: Jennifer N eroni.-,. llui«i Ciinninshum Miehuel r..t« Karen van Rted« Angela • r.rm r an \ an StPile . , C'orp. John .. .Saxon I Futkina Carney Colonel Burke Capt. Curtis .. .Steven i < i..j .... Nox (.1) nr ..Bruer I e^'ci Barry htin.ii. Robert 11 1 . 1 1..) John W < 11 iiir r««t Mii'iiii Thi.s unexciting progiaiiimer h h the makings of a taut ady c niiiit meloctrama but misses right cloy't the line through an unimaginati< c 1 -- . « . a a A . and the natui . . of the period subject and locales give P.-iraniount plenty of selling angles to hypo good business on most of the film’s dates. Its possi- bilities are favorable. The film plot i.s loosely con- cerned Nvith the birth of .Australia ns a nation, its founding settlers being drawn from the dreary pris- ons of England, condemned to live out the rest of their existence in the noyv land and given a chance |lor reformation. Ladd is a rebel- lious medical student doing time for higJiway robbery. Mason is i iy^leveloped plot. StoiA^ come in the deadpan sadistic captain of the BritisR f:ast Afrka at the ouitm .i prison ship bearing the white set- of World War I, where the poori tiers to the new land—Mis.s Med- equipped Ro.val African Rifles, w« r ina. a ctitey sentenced in a dispute | in sore need of machine pun over ow nership of a necklace. | which they steal while en lotii While the story doesn’t permit any .soul-.searching depths of char- acterization. director Farrow gels a .satisfactory nieaningtulness into the development and plenty of ex- cellent e.soapi.sm. Keeps interest up during the 93 minutes of foot- age. Ladd^is at home in hero role and Mason a .sock heavy, mean to his.sahle. Miss Medina carries off her part of opportunist voung ladv. Sir Cedric Hardyvicke docs yveJl by the role of tlie settlement’s gov- emor. a kindly, just man, .■liarMtoI)5anoni’'anl'.\l\'irr^^ K.m-iunnln* heavy i,n,l It. e»o„, a hy PaUen | to the Germans. Here’s a hack ground which might have proy id. i colovful aclKm. Instead, it eim tut a talking piece for routine d.-tiin' s with only the name of laout H iv ward and Cinecolor as pu ilth sales advantages. Wordy script allows only icitiiint direction by Lesley Selander. v'i< occasionally has a hard time n jt'Tting I’calism. Ha.vwarcfx ikh I rayal i.s as straightforwaid .. script allows, and for his cu-xi i he has a pretty British iniinut Veronica Hurst. Pale is ulvjiv u the gun-running heavy and John Ilanly, mother and son who are vietini.x of Ma.son’s sadism; Malcolm Lee Beggs, a gro.s.s in- former; Noel Drayton. » third mate who suffers fnmi tlie cap- tain’s cruel whims; Hugh iT-vse and several oHiers. Tlie production gel.s expert color letising by’ John F. St'ilz, plus good special photographic effects hv Gordon Jennings and Wallace Kei- ley. and process photography bv FaiTiot Kdouart. ’fhe Franz Wax- man score i.$ another goo<l point and judicious trimming by editor Alma Macrorie pare.s anv excess foolago. Broij. C'onibiil Squml Regulation grammer; bookings. war action pro- okay for lowercase , Hollyyvood. Sept. 2.A. yi>li.rnhi« relexKe of .terry Thomas pro- flmtluii .Mar* John lrelan<l, l.oii MrCal- lister; fealmre Hal Mar. Ii. (lemxe E. n rl"*;.. 't'cen He;.)ev. Pire.'lrd by ('> li„th. Su.rv and srreen- play, Wyott Ordvinic laniera. fharlea Nail F.ntfi I; editor. Hairv (;«-i>tad: imi- I'omposed and .ondinted bv Paul Dnnlai» ProvUved Srpi. 2.1. '.Vt. Running time. 73 MINS. running lish lieutenant, Steven Gei;.\, Dutch doctor, and John Wathin ton. British colonel, top the 'ii( poi-t. Richard Heennance’s prudiu'ii • supeiTising is strictly routine an technir.31 credits are avci. »' S'Xf. Kiel, her .'l:.rlin (lor.lon Brovt ti •lonas Mar lev S|ft. NN .ley , . C'..|>f. Jolinxon c;.^r^ in hens.in .... 1 .e u I s N X onoe . . .. ■Nil*)*' N n t:int.i ..... I’a'i i.'ia ( oloiiel t. I. 'Heioi t;.l ty\ i.iinded) •lolin Ireland ■ l.i’ii Mi'Callieler Hal ,. t e4.i *e E .. -Norman Leavitt . Mtron Healey Doiy, Haggerty Trie Coffin David Holt • • D.« k Fortune Boherl F.a.>ton ■MU lloiliny.xworth ... . 1 .o<ta Dan«on Neva t.ilbert HiJe..n Howe I’.ml Kraxt Dirk Evane B-'l) Peoples Tlir I>||h of (COLOR) .Stock Oriental fantasy in or; poor entertainment for general program bookings. HollvNvood. Sc pi. 29 l’iiiyer«.al relcaee'of Albert •. Cob. Ptuductlon. .Stars Victor MaU»ie Mt. Blanchard: feature! Vliginia Field. t,< Rnlfe. I.ecn Nakln. Janiee Arties*. I'alni Lee, (’ravat. Directed liv t>. i Sherman Story and irreem.M..' . llam R. Cn\: ramara cTechnicolo. ■■ 4 «eU Mettv; editor, Paul WeathecM * in yical direction. Joseph f>i dances .Mated by Eugene I ortr.*'. T'l viewed Rent. 23 , ' 53 . Riinning tin r . MINS. Antar Reilma . Koaanna Ka.^aeim Baxha llonimam Targut O.x’mnn Ahmed . . Kaffar .... , Karxh •March ' /ap<tlya Stone : Handmaiden Ntuvtapha Ben All Abdallah Berger Boy Mik-Kel Bedouin Spy NVreiniler NVre!*tler . V’re«|ler W re»i ler .Ncfotiatir Art N idol ,N(«ri Itlaii. ll.' , •.. .y .. .. N iraiiuci • u ........... c .ll \ Ho l.eori Srk .Ianie< X t r • I • CirtUK I'rtln < Ni. k ' '*■' Lllilvi ir I ’ ' ■> Hotvuid l'« I Char'-- " tackle I.olKt.e Thomas Browne ll< " Da' hI S’.^' , Si.nmi' . . Hohlu Hl- . . ,i, . . C.leii'i xt- .r ... . t’harle* XX .vc ' ti* Che«lei ... Thorn,-'* -y > • .< ' H in« V, ' Vic H. i»"'' Ri^ss Saitiidei - K(ii'i',n fighting fiirni'lits tlic Ii'»M iNHkgtmind lor tliis program .Some run-of-the-mill « is offered in this slot k (> tant.ixy. Only so-eo cntc'i''’ 'CoMlinurd on pngt' 22* I* i ll 'I