Variety (April 1956)

Wednesday, April 18, 1956 jARIETY FILM REVIEWS m Toy Tiger (COLOR) Entertaining 4 family comedy, with U’s Tim Hovey an en¬ gaging moppet star. deficiencies, it’s a passable pro¬ grammer that should take care of lowercase bill-filling needs. Martin, who has quit his cap¬ taincy in the Army in disgust over Otte Sacree Gamine (That Darned Kid) * (FRENCH; C’SCOPE; COLOR) (Songs;. Dance) la particularly brutal Indian massa-I Sofradis release of ^Luteii^-SLPF-iiono-1 most beautiful as well as the most done a top job in covering the sports festival, taking advantage of the color stock and lensing tricks, plus an obviously lavish budget, thereby capturing some of the Terror atf Midnight Lightweight programmer for the action market. - , ’ * . —-- | ui Ajuicuaojurr-aono* i mvouuaui qo wen aa laic nu/ac | Renubllc Droduction and release: acsn* ere under Custer, IS persuaded to dfft- S f^ii?AQ d Ti. C J' i0 R ? tars - Brigitte Bar- exciting footage yet shot at the elate producer, Rudy Ralston! Stars Scott undertake a somitint* fcnrl- r*f r»ri_ features Jean Bretonniere# Raymond Br’adv. Joan Vohs: features Frank J^avion. Hollywood, April 17. traversal release of Howard Christie moduction. Stars Jeff Chandler. Laraine § J Tim Hovey; features CecU Kellaway, Ridard Haydn. David Jansser, Judson P-aU Directed by Jerry Hopper. Screen- v ’ Ted Sherdeman; suggested by a ci #»rv bv Frederick Kohner, Marcella ftm-ice; camera (Technicolor), George Rob- editor, Milton Carruth; music l, s Tl i " 8 JT r L? f . p u ri : fe°S2 vate eye) detail to find out what Fabian, Michel serrauit, Misha 1 ai Aue S r! While one may object to tech- Brady, Joan Vohs; features Frank JFaylen, John Dehner, Virginia Gregg, Ric Roman, John Gallaudet, Kem Dibbs. Directed by happened to a secret shipment Of vL r rti^® d «. b ^ Roisrond - Screenplay! nique Of rapid cuts back and Franklin Adreon. Screenplay, John K. forth betw.eS two events,.^ «KWJ? JSSK supervision, Joseph Gershenson. Pre¬ viewed April 9, *56., Running time. 87 on the Bozeman Trail. There en- Reich: music, Hendi Croiia! twice in pic, and to rather inade- Tony^ftiartineilf; sues some incredible derring-do, Sng e timJ°9o a Mms Al Paris> Parls * Rwn ' q uate coverage of the figure skat- Tradeshown. n.i m which the writing never permits tZtT Brigitte Bardot ing tests (with ° R ly a few quiek-Z? „ M, ” S - LeslPv SplnnrlPr’c 7™ glue '■.^ Brigitte Bardot + . T tc Neal Rickards , Tony Martinelli: music, R. Dale Butts. Tradeshown. N.Y., April 13. ’56. Running time, 70 MINS. Lesley Selander’s direction to be- Jean Jean Bretonmere shots of the U.S. winners), Neal Rickards . Scott Brady Susan Lang . Joan Vohs mins. T,j,. k Todd . Jeff Chandler Gwen Taylor . Larain ®v Day Timmie Harkinson ....... Tim Hovey Tames Fusenot . Cecil Kellaway jZi Fusenot . Richard Hldyn. Larry Tripps . David Janssen Mike W.vman ... Judson Pratt come believable, before Martin r% oms ... .Raymond Bussieres remainder is both exciting and Fred Hill ..7.*.’.'.V7.7.7.7 Frank Fayien Snffin 10 . 6 ?^, 8 ®, on rrandaii. post EatouV ::::::::::beautiful, some of the highlights captain, as the traitor who sold out inspector '.!.';:!;;:.::: Michel serrauit are the closeups of the fatigued sgtVBrazzi ' .7:.'. h™ 1 *Roman to the redskins. Ballet Master .. Misha Auer endurance skiers struggling up a George Flynn .... John Gallaudet Martin is not cut out for the T . , *- J ‘ , , hill, the near-crash (caught in slow- s&ee?e ascotU . tvna of hictr-ionioo v.nc*..i v.sv.3 „ e wu _ Lighthearted eomedv benefits motion nloeonnl t-.lort ir T O O "D^K ' .. Fercy Helton *‘Owlv” Klmmel . Butch Bernard Fi-cddv Doobin . Brad Morrow tina . Jacqueline de Wit M s, Elsie . Mary Field State Trooper . Robert Anderson type of histrionics required of the , Lighthearted comedy benefits motion closeup) of the U.S. 2-Bob, Ltcdnway 77777:7 Fiwi^DeSaie" lead role. Peggie Castle lends ff om aR unpretentidus production steered by Tyler, Toni Sailer’s Capt. Aiiyson.John Maxwell blonde beauty as a gal who had to l‘. ,ou .Sh it is wrapped mtheC’Scope triple-medal descents and some jf - get to the outpost to check up on dimensions. Akin to the U.S. com- the most • sensational skills seen. Action and mystery fans will I.U uiccn. Ull , . . ,. , . .. 7 - mum, • omiouiiuuai 0^110 accu. AllUOIl dllU UlVbLeiy 13115 Will whether or not her kid brother had e(1 Jes, plot is slight but it has some Pic finales with sequence showing fl nc i “Terror at Midnight” oassable actually been killed in an Indian engaging inventive comic bits ana the ski jumping, caught from all Terror at Midnight passable Universal has a most entertain¬ ing family comedy in “Toy Tiger,” its’ second screen outing with little Tim Hovey, engaging moppet initially seen in the same com¬ pany’s “Private War "of Major Ben¬ son:” While slanted mostlv to strike the fancy of the family trade, the comedy is such that others will get a full share of chuckles, too. With the names of Jeff Chandler and Laraine Day on the adult end, pic shapes as a welcome bill-topper for regular dual situations. Little Mr. Hovey, breezing through his role with a natural ability, gives the adults a run for their experience and makes this one fun for all. Of course, the way he shows up is due' in sizable measure to the manner in which •director Jerry Hopper stages the scenes in the amusing script by Ted Sherdeman, suggested by a story by Frederick Kohner and Mar¬ cella Burke. Adults Chandler and Miss Day, plus some choice charac¬ terizations by Cecil Kellaway, Richard Haydn, as schoolmasters, and others, do their full share to make the film well-rounded, gen¬ eral entertainment. The good Howard Christie pro¬ duction shifts in. scene between a plush New York advertising office and an upstate boarding school for kids. Chandler, art director of the firm and unaware that executive veep Miss Day is a widow with a young son (Hovey) at the school. Circumstance fixes it so that he's dispatched to nearby the chool to woo Judson Pratt, an artist gone arty, back to the advertising fold, and is conned into posing as young Hovey’s fictional explorer father, a character the youngster has made up to satisfy a loneliness. Audi¬ ences might .be able to figure the outcome of all this but it’s fun to sit back and participate * as the script and players bring it off. George Robinson’s cameras do a good tint job on the lensing, with print by Technicolor, and the art direction and set decoration dress the footage well. Editing keeps the unfoldment smooth and Joseph Gershenson’s music supervision provides a fitting background score. Brog. fight. John Bromfield is a stiffed- un ^°^ s Rs 90 minutes without a angles. Lensing under difficult' entertainment. B.o. prospects gen- neck shavetail requisitioned by {?!• b0Rgs and dances are naive conditions is tops, with a special erally aren’t too encouraging. Martin for his undercover detail r, ®P r . m 8 frohi plotting, rather nod going to Giuliana Attenni, the Weakish, too, are the marquee val- and Randall is a stiffed-lip, teeth- t,ian being dragged m, an improve- editor, and her two collaborators ues of stars Scott Brady and Joan clenched heavy. John Doucette is ment here. In short, this lopks like for a fine job. Francesco Lavagni- Vohs clenched heavy. John Doucette is ment here. In short, this lopks like for a fine job. Francesco Lavagni- most believable as a sergeant \t J tr ?, nd » ^l.h m Au en ^ e no has composed a musical score serving Martin. I but definite Gallic- taste. It may which strongly contributes to the combined effect. serving Martin DUl aenm >-e uanic- taste, it may Photography by Joseph F. Biroc worth , dub bing .for dualer was not given a good display at the F. Sco P e spots on its simple enter- preview, but the scenery came tai h me .ut values, through anyway. Editing by John * . F . a ™ lliar P lot has a charm singer F. Schreyer and the score by Les !- a ^ ing 01 ? the care of a-shapely, Vohs. Yarn, screenplayed by John K. on the care of a-shapely, Baxter are nkav Th* innocent but trouble-makmg young „ , , - --- .. . k, o are Xi ] e T F, le tune > girl to heln out his esteemed hnss Rank releas e of a Noria Film produc- tion angles which exhibs can use by Sammy Cahn and Hal Borne & P ■ s m mu DO c SS ’ lion - SLars Franco interlenghi, Antonella f or wha f H.Wre worth is a lesser effort ooorlv t..no ’ the father of this gamin. The fa- Luaidi, Cosetta Greco, Sergio Raimondi; 101 vvnac tueyre vortn. ’ p ny SU d°’ ther is sought by the police. She features Gino Cervi, Valerie Moriconi, But for the most part the script Gli InnniKiornii (ITALIAN) Rome, April 10. Butler from a story by himself and Irving Shulman, relates the mis¬ fortunes of a girl innocently in¬ volved in a hot car ring and a brace of murders. Plot develop¬ ments, offei some minor exploila- lesser effort, poorly sung. . Brog. Safari (C’SCOPE—SONG—COLOR) the father of this gamin. The fa- Luaidi, Cosetta Greco, Sergio' Raimondi; t0r Wliat tlie y re wortn - ther is sought by the police. She features Gino Cervi, Valerie Moriconi, But for the most part the script falls for the singer and vice versa, by C Mauro an B 0 oiogninL Sc?ecnpiay B e oio e g var f ies . little from routine action but complications keep them apart nini, campanile, Franciosa. from story material to be found in the aver- untii the finale. Among them are J> y 9 am P a ”} le . and F ra ncios a ; camera. age half-hour telefilm. Brady, Victor Mature, Janet Leigh in jungle thriller with Mau-Mau angles for sensationalizing. Okay prospects. _ touch in his direction and he gets Columbia release of Adrian D. Worker Plenty Of laughs. Brigitte Bardot, a band of counterfeiters operating At Sy,Se ’RunSng time. »j mins! c °P J ust upped to detective ser¬ in the father’s club, a talking par- Franco .Franco interlenghi geant, finds himself in an embar- rot, the singer’s psychoanalyst girl Adriana Antonella Luaidi rassing situation when girl friend and" sundry difficulties caused by . Miss Vohs turns hit-and-run driv- the girl’s candor. oteiio. Nino Manfredi er and later becomes a prime sus- Michel Boisrond uses a light ines . Cosetta Greco pect in two killings. touch in his direction and he gets Ines ’ Husband . Gino Cervl Obviouslv Brady displays some plenty of laughs. Brigitte Bardot, Small-budeeter iust alerted for fanc y sheriocking to clear his fi- now rated a star here, is the srnnd- . Duagetei, just seiectea lor Qn . 00 rool m ,i r , r u c Miss Vohs turns hit-and-run driv¬ er and later becomes a prime sus- rproqucuon. stars Vmtor Ma- now rated a star here, is the spind- - u ^ w * ancee and bae the real culDrits ^ver^^at^f * L S n ^ but wel! stacked innocent. Al- Ngakane,* Stline^ coforfuV^^poplar quarters ^ ad the hot.car mob. Intentiorial- Directed by Terence^Young 5 Screenplay! If' Lg f^ ]in 1 f er I nIStoble ne a tly served up by a young group J ° r otherwise much of the story, Anthony VeiHer; based on a story by age make h .f r r o le , palatable. f fil t. lmaker „ ^ ho -; e labor of love di aiog and performances has a Robert Buckner; camera (Technicolor), She dances well and looks good . j , . tonsue-in-cheek oualitv that nro- John Wilcox; editor. Michael Gordon; enough to be the cause of the this obviously ,s. A word-of-mouth i 4 .?, ° William Alwyn; conducted by Muir _ . j__ t _ _ 2 _ 2 - __ itom it lnnlrs a slow starter whi.^h VideS more of a ItlllthfllL than niuiam A.wyn; conauctea by Mutr peparToHec Tean Rretnnnier* i<! an item, it looks a Slow starter Which -- “ ■* Mathjeson; played by Royal Philharmonic escapades. Jean uretonniere is an ' ld denfh v XDor t chances melodramatic touch, orchestra; song. Alwyn and Paddy Rob- engaging leading man and lends can Duna in aepen. export cnances _ engaging leading Ume. 9 P o re MiNs ed Ap " U ' 58 ' Running a pleasant voice to the ordinary are Spod for certain^ markets, but Reb . Victor Mature songs in the pic. Misha Auer adds handling is important Janet M Leigh I yocks as a zany ballet teacher takeml . . st ® r y treats loves, intrigues and John Justin tn ramming down doors with his ttoubles of ai Roman neighborhood Brian sinden .... . John Justin to ramming down doors with his Prize anti-climactic line comes at the film’s finale when Miss Vohs plaintively inquires of Brady: “I’m worried about you, Rick. Does this Roy Shaw.Liam Redmond Jeroge .'. Earl Cameron orSS.’iffiSK ?olor°?nd C'Scop 1 / arewelfuOlS! sense Tor^evclipment of character as similar lines’they're called up<m 9 don eo . .luma Thi« looks in fnr gnnd local returns notable. There s the soft drink, to mouth, both Brady and Miss . Lionel Ngakane A 0 ?., vendor whose involvement with Vohs do about as well as can be and its people—mostly its youth— mean you’ve lost your sergeant's in realistic manner, with a nice badge?” In light of that as well O’Keefe ~Ha7r‘v Q*uTsh£ Boisrond, looms to be a new com- y, end ? r wh ° se involvement with Vote do about as well as can he Renegade . Slim Harris pdv-sitifltion director to be heard the tavern-keeper’s sexy wife is expected. charLv assai .r ? y «- rant from additionallv Mosk ^ ust a means of 8 ett ing Jiis girl, Routine support is supplied by SSSST. additional^__ whHe the latter accepts the bar- Frank Fayien! a garage proprietor Aunty May . Estelle Brody ’VWfSrfimo u; n „ An ber s proposal to counter her jeal- killed by wife Virginia Gregg 5f" n L. . Christopher Warbey ousy * There ’ s the seamstress who when she suspects him of being Kikuyu . . Giyn SsSS IITAII4I>I V rm e oi« nev t r realizes her love for the unfaithful; Dehner and Dibbs are African ...:.,... Frank Singuineau (ITALIAN-COLOR) mechanic until his slap brings her stock heavies and standard charac- Police Inspector f . Charles Hayes Rome, April 10. to her senses. There’s the young tprization*? arp also turned i'n bv Special Mau Mau-Bartholomew Sketch ENIC release of a Film Luce Istituto w hnse thieverv is enred hv his tj;/, ori j Tnhn Collon/lot District Commissioner.John Cook production. Official film of the 1956 Win- £ia wnose tmevery is cured Dy ms Ric Roman and John Gallaudet, Henderson ^_n,. __:_- firet nve and manv other cameos ofKorr lorror .nUe Vertigine Bianca (White Vertiffo) (ITALIAN-COLOR) Rome, April 10. just a means of getting diis girl, Routine support is supplied by while the latter accepts the bar- Frank Fayien, a garage proprietor ber’s proposal to counter her jeal- | killed by wife Virginia Gregg ousy. There’s the seamstress who when she suspects him of being never realizes her love for the unfaithful; Dehner and Dibbs are mechanic until his slap brings her stock heavies and standard charac- to her senses. There’s the young terizations are also turned in by Henderson . Bob Isaacs ter Olympic Games, ’under the auspices first love, and many other cameos j among others, in lesser rol^s. - of the International Olympic Committee, of people living on a single Roman ^ _a j- “Safari” is a iunele thriller directed by Giorgio Ferroni. Screenplay, sa uare P Dialogue rinss true -action FrankllR Adreon s direction is par 3 ! 1 is a jungle tnniier, Ferrom and Giorgio stegani; camera square. Dialogue rings true, ••ciion okav oil the action sequences, cam- lensed in Africa, that promises a (Ferraniacolor), Rino Fillppini, Marco IS colorful and often moving. Dl- R lld Thaekerv Ic enm- profitable reception in general rector Mauro Bolognini has done a? is Walter Kel!e?’s art playdates. Cinemascope and Tech- Metropolitan, Rome. Running time,’ 105 a ^ ne 3° b witb botb actors and direction and the R Dale Butts nicolor dress up the jungle footage mins. pacing. r T Martinelli edited to a and animal scenes, plus giving vis- - Thesping by large cast is uni- minutes Fhvsical values ual point to the regulation, pulp Italy has come up with an ex- formly good, effectively under- f g a „ oeiate Dr oducer Rudv Kal- and animal scenes, plus giving vis¬ ual point to the regulation, pulp direction and the R. Dale Butts score.. Tony Martinelli edited to a tight 70 minutes. Physical values of associate producer Rudy Kal- Sfir I I & /KSS- -ton reflect a modest budget Quincannon, Frontier Scout (COLOR—SONG) qiiees, the Warwick production be- ment of this year’s Winter Olympic Besides such vets as Gino Cervi, ing released by Columbia has the Games. c It rates a plus in almost Antonella Luaidi, and Franco In¬ familiar names of Victor Mature every department, and should draw terlenghi, other fine bits are con¬ sulted stuff from the great outdoors with Tony Martin doffing tux for buckskins. Hard going. and Janet Leigh. sports-lovers and. others to the box- tributed by Valeria M<?riconi, Sergio Adrian D. Worker produced for office in most countries. Looks Raimondi and Nino Manfredi. Irving Allen’s and Albert R. Broc- good for some special situations in Location lensing in Roman streets coli’s Warwick outfit and makes the U.S. though its length appears and alleys is well handled by Mas- good use of locales and hunt foot- a handicap. • simo Sallusti while uncredited age. So does Terence Young’s di- Director Giorgio Ferroni and his musical score is in keeping. Other rection in getting as much as pos- big team of color cameramen have credits are very good. Hawk.- . Hollywood, April 17. Artists release of Howard W. Koch (Bel-Air) production. Stars Tony Mar- c n \F eg J? le Castle, John Bromfield. John Smjth. Ron Randell;- features John Dou- Morris Ankrum, Peter Mamakos, Ed Hasliim. Directed by Lesley Selander. Screenplay, John C. Higgins, Don Martin; camera (De Luxe Color), Joseph F. Biroc; editor, John F. Schreyer; music, Les s°ng. Sammy Cahn* Hal Borne. MlNS CWed April 13, * 56, Running time ’ a3 La Meilloure Part (The Best Part) (FRENCH-ITALIAN) (C'SCOPE; COLOR) Paris, April 10. Columbia release of Trident-Silver- Noria Films production. Stars Gerard Phllipe; features Gerard Oury, Michele Continued from page Linus Quincannon . Tony Martin Maylene Mason ..Peggie Castle L( l, ur ¥® . .. John Bromfield . H °sted d er . John Smith W ‘n 8 ? R .. Ron Kandell Pm JP alvm . John Doucette B?';,Conover . Morris Ankrum ■{not Sam.. Peter Mamakos Iron w ol£ . Ed Hashim Regulation, and stilted, frontier action is unloosed in “Quincannon, frontier Scout,” and it will work out its destiny as filler material in foe mme-run outdoor market. Sin- glRin }ick attached to the umte d Artists presentation is Tony jWartin in the title role, in which tie singer doffs tux for buckskins, good use of locales and hunt foot- a handicap. ■ simo Sallusti while uncredited Paris ^nril 10 age. So does Terence Young’s di- Director Giorgio Ferroni and his musical score is in keeping. Other c . . , . ’ T rident-siiv'er- rection in getting as much as pos- big team of color cameramen have I credits are very good. Hawk.- Noria F iims production, stars Gerard sible out of the Robert Buckner ' Phllipe; features Gerard Oury, Michele Story scripted by Anthony Veiller. 1 T“ swdaro.* DReJted by^Yves- AiTegVet! Mature plays a white hunter ma If I A I *V* I Screenplay. Jacques Sigurd; camera c se M y a o u ung He son wa i ^s k,1 t l o ed g ^ ^ New York Sound Track leader of the particular group that _ .. . . .■ Perrin .. Gerard Phiiipe did the killing but authorities III . ■ ■ ■ Continued from page 4 ■ . Micheline . Michele Cardoue stymie him by lifting his license, ^ucer Hermann Schwerin, head of Fono Film, to the Coast by car . . . Doctor 6 . Michel Francois Warner Bros, re-licensing only 250 of its own old features from Eliot worker . Umberto spadaro his 'fiancee Miss Leigh, and in- **yman for foreign distribution. Remaining 500 will be^disposed of used in two French films Mature mn«5t ipad thpm nn a by Hyman who owns the negative rights . . . French underwater ex- C scope, usea in two r renen nims, Uon h™t U M a to S eVwiUing?7nd n by Plore? and film,producer Jacaues Yves Cousteau due back in N. Y. ^"nd 1 ' the time the hunt is over, lie’s to finalize a major distribution deal for his “The Silent World.” ket<i unless it i? exceDtional in en- gotten his native quarry, as well RCA motion picture equipment—“the gift of Philadelphia friends of ter t a ; nmen t or offbeat values to as won Miss Leigh, who really Grace Kelly”—being installed in th% palace at Monaco, according to warran t dubbing This is because didn’t love Culver, just liked him RCA International v.p. and operations manager A. F. (AI) Watters. c’Seope limits pix good only for because he was rich. It includes a 35m projector and complete stereophonic sound system. arty situations. This film does not Cardoue, Michel Francois,,. Umberto Spadaro. Directed by Yves" Allegret. Screenplay, Jacques Sigurd; camera (Eaatmancolor), Henry Alekan: edi'tor, Claude Nicole. At Normandie. Paris, Running time, 95 MINS. Perrin .... Gerard Phiiipe Micheline . Michele Cardoue Engineer . Gerard Oury Doctor . Michel Francois C’Scope, used in tw r o French films, usually narrows its chances for the The trouping follows the easy Private cinema is being built currently in the Principality’s palace, possess the necessary qualifications ir n loin mir hv rhft nmtt lTlor with I t*_____ A. w/r_ -i r , ys i i • i . _ __« i_ - ■ _ _ x. path laid out by the plotting, with for usage pos t-May 1. and Columbia has a risky pic, at Mature a stalwart hunter and Miss p au j L azarus j s sunning in Mexico City, heads for the Col studio at best, for any U.S. possibilities t - - - - - -- . — Ui j • raui uaz.aiu 3 10 OUH 111115 111 iucailu U/auj, uvauo iui me vui oiuuiu ai MjUbl, AU1 aujr u . 0 . junlL a s C e C tting bl Culver is°properly I l he end of . the __ m ? nth _*. ’ Ar ! hRr Mayer;will talk about “War and | Fi i m has some fine visual attri- nriMish and ‘ bull headed P faults Peace in the Motion Picture Industry” at an exhibitor, meeting in bates in having been photographed whirh himliSd in the end Washington today (Wed.) . . . “The Harder They Fall” had a budget on a dam building site. It concerns Tnhn Tinttin Liam Redmond dIus of $1,900,000, plenty tall and due to extended shooting in Chicago and the men involved and particularly Jonn Justin, .Liam weamona, plus «p a w.mc-' a devoted engineer who is fighting such notives as Earl Cameron, bere • • • George J. Schaefer is the producer’s rep on “Patterns' Orlando Martins Juma a toothy! Frank Sinatra will collect $125,000 plus 25% of the profits for essay- heart disease as he strives to com- . W . K - - l J M _•_ nrk i T._ii n * r_t_i.' - p _Ti_ irv_TV_.1_____I nl afn f Vi A /T o m xfrilrDC U PP1H Of! I Cl ih* c wuwu t uruuu even rw song, * there’s not much merchandising for ticket sales that will result. J? y John c - Higgins and fJOn Martin Is rui. rvf tian accdlR P a nies every bit of ac- explanatory dialog. since he doesn’t croon even grinning young lad- Lionel Nga- ing “Pal Joey” . . . Before heading for Europe, Don Hartman uncon- Plete the dam. Strikes, accidents i i- kane, Harry Quashie and Slim firmedly signed Daniel Mann to direct “Desire Under the Elms” . . , and bls health are against him. Harris go along with story demands Bob Perilla, Col column contact, got his M.A. this week at N. Y. U. Sober pic does not get the in okay fashion. Danny Kaye left last week for tour of Europe and the Near East as needed injection of character to “We’re On Safari,” tune by Wil- a UN ambassador at large. Accompanied by pianist Sammy Prager, make this dramatically palatable, liam Alwyn and Paddy Roberts, is b e gone about six weeks. Comedian will visit Yugoslavia, Portu- Director Yves Altegret has given gal. Spa In . Turkey and lsrael, _ . . . it more documentary than moving hapir« st ^ scenically beautiful background iensed in De Luxe rfT ^ nn y ' wh!nh' n Mifir Loew ' s Inc - brass - headed b ? P rex J r Arthur M. L»ew, returned th ® ee ^ i?f t G era?I Mathieson conduct th? Royal Irom the c<rast Monday (16) from a two-day meeting of the board of £ flne as d the 'dedicated Philharmonic orchestra at a thm- atrectors at the company's studio first meeting of a major company's engineer but never gets a chance derous pitch John Wilcok’s lens- board on the Coast. It was attended by all but three of the 13-man to develop his role beyond the ing with second unit work by Ted board. Returnees included treasurer Charles C. Moskowltz, sales v.p. sketchy phase. Others are accept- Moore and Fred Ford, editing and Chatles M. Reagan, pub-ad Chief Howard Dietz> v.p. Benjamin Melniker, able and technical credits are ex- other assists are good. Brog . and Irving Greenfield, secretary of the corporation. cellent. Mosk. ’ sensed m De Jbuxe A?r ( A n i ar Kanab > Utah, the Bel- Rnnhi br £ y Schenck-Howard -W. trapHn pr , GdRC tioii has a visual at- HowiSS- 1 j surpasses plot worth, wever, despite story and acting