Variety (April 1959)

Wednesday, April 8, 1959 REVIEWS 67 House Reviews show caught, he exited into wings to drink glass of water after an¬ nouncing he’d do just that. Wins through pleasingly with Irish tunes and the surefire Scot number, “Scotland the Brave.” Gord. VARIETY BILLS WEEK OF APRIL 8 Palladium, London London, March 31. “Startimewith Frankie Vaughan (with Raymond Long), Roy Cas¬ tle, Kaye Sisters (3), Charles Man¬ na, King Bros. (3), Pinkey & Perky, Joe Church, Peiro Bros. (2), Spencers (3), George Carden Dancers (16), Reg Cole Orch; pro¬ duced and devised by Robert Nes¬ bitt. With this presentation, the Pal¬ ladium modifies its familar vaude policy. Instead of the liormar season of variety bjlls running from two to four weeks, this layout which followed the Christmas panto is scheduled to stay for two months and will be followed by a Max By¬ graves season. Latter, it is antici¬ pated, will continue in residence until end of year, “Startime” is, of course, basically a vaude show, but given added pro¬ duction values in Robert Nesbitt’s handsome and lavish staging. Headliner is Frankie Vaughan, one of Britain’s top entertainers on stage, film and disk and who, strangely enough, is only now mak¬ ing his debut at this ace variety house. He’s skedded for a season at the Copacabana, New York, later this summer. With his familiar top hat and cane, Vaughan is an artist who de¬ livers his own brand of schmaltz appealing largely to the teenagers but also captivating an adult au¬ dience. He’s a smooth showman, a hard worker and with a natural flair for giving the customers what they want. In this .stint he was on for more than half an hour with a mixture of pops, among them "Just Give Me a June Night,” “Stairway to Paradise,” “Kisses Sweeter Than Wine.” “Green Door” and “Garden of Eden.” For . one number he brought on the King Bros., a vocal trio who have their own spot on the bill, and for another he introduced the Happy Wanderers, a quintet of buskers he had encountered on his wanderings around town—a gimmick that gave the perform¬ ance a big popular lift. Roy Castle, who made the head¬ lines after first appearance in Royal Command Variety Show last year, impresses once more as a versatile comedian who confidently handles a variety of musical in¬ struments* can dance a little and gag quite a lot. He has an appeal¬ ing brand of humor, a friendly style and a wide range of offbeat material. It’s his first time at the Palladium, too. and he justifies his prominent billing. The Kaye Sisters, a blonde vocal trio, have been around for some time and their close harmony style has a polished finish. A particu¬ larly neat entry is “The Last of the Sisters,” a peg for savvy impres¬ sions of such family acts as the Dolly Sisters, the Andrews Sisters and, nearer home, the Beverley Sisters. Other hit offerings in¬ clude Charles Manna, previously known here for his tv appearance, makes a sock appearance on his live bow at the Palladium, with a shrewd and extremely funny rou¬ tine in which he sets out to ex¬ plain how a number of renowned singers derived their styles. It’s witty and highly diverting, hypoed by lively comedy touches and re¬ markably lifelike vocal imperson¬ ations. Other vocal trio, the King Bros., fill their early spot with vigorous and vital interpretations, opening boldly with “Wake Up Little Susie” and holding the pace with “Torero,” “Back In the Good Old Days,” and “Leaning On a Lamppost.” Pinky & Perky, Palladium first- timers, are the stars in a puppet routine, professionally manipulated by Jan & Vlasta Dalibor to pro¬ vide an amusing diversion; Joe Church has a non-stop flow of patter which includes several amusing yarns; the Peiro Bros, again contribute one of the best juggling acts seen in town; and the Spencers offer a standard com¬ edy aero routine. Presentation also has invaluable support from the George Carden Dancers and the Beryl Stott Singers, while Reg Cole, in the pit, batons the resi¬ dent orch with his familiar preci¬ sion. Mi fro. Bobino, Paris Paris, March 31. Mick Micheyl, June Richmond, Pierre Doris, Nino De Murcia (2), Eddy Siefert & Co (3), Cuban Boys (2), Maria Lea, Jack Denick, Fa- biola; $1.75 top . Singer-cleffer Mick Micheyl has gone in for a transformation in her physical style, though keeping her varied, good songalog intact. Result is not a finished product yet with plenty of roadwork is needed. But her obvious show¬ manship should make her veering from a white-collared, pugnacious type to a more svelte, dramatic singer acceptable when the kinks are ironed out. Now in a blonde wig, much heavy makeup and a form-fitting black dress,, tiny Miss Micheyl is uneven in her early brash street songs but gets into gear in her knowing songs of requited and thwarted love. Her voice has de¬ veloped a meatier timbre and she looks to emerge a solid French chantoosey with enough individual¬ ity and poise for near-future book¬ ing in U.S. intimeries. June Richmond, brawny U.S. sepia songstress, blends out¬ rageous mugging and fine tech¬ nical prowess for an amusing in¬ terlude. She clowns cleverly and injects a poignant note at the right moment. Her French is good and she is now a solid staple here. Pierre Doris brings the Yank sick-sick-sick jokes to France. Piling it on, he brings it off via his timing and delivery but, in French, it gets somewhat cloying at times. Nino De Murcia does a flamenco interlude, backed by a girl with castanets and guitar, geared for house needs. He sac¬ rifices the color and throb of the songs to more showmanly bellow¬ ing, but it goes over here. Maria Lea is a singer with defi¬ nite possibilities. She has a good, controlled voice and understands her torchy ballads. It looks like she needs, some more work, for this is her first house stint. A more personalized, group of songs could make her a good addition to the song ranks here with possibilities as a headliner of weight and sub¬ stance. Show has fine fillers which should help the draw over the two weeks. Jack Denick is a bright magico act as he seemingly cuts a patron’s tie and seems to knit up socks In a flash. It gets mitts. Fabiola, the Cuban Boys and Eddy Fabiola, and Eddy Siefert & Co. were reviewed under New Acts last week and the Cuban Boys are j dittoed in current issue. Mosk. Empire, Glasgow Glasgow, April 2, Marino Marini Quartet, Fran Dowie & Candy Kane, Patrick O'Hagan, Frank & Maisie Mum- ford's Marionettes, Rey Overbury & Suzette, Aurel Verne, Bobby Dowds Orch. Marino Marini Quartet are un¬ usual bill-toppers here. Foursome (piano, electric guitar, bass, drums) have clicked recently via disks and U.K. tv, and have strong following as result. They score with Neapoli¬ tan tunes and hit numbers such as “Volare,” “Come Prima,” etc., ■and wind vigorously following en¬ thusiastic and lively musical act. Group succeed in making their sound onstage like that of their waxings, using echo-chamber box. Comedy is purveyed by Angelo, drummer of quartet, in zany ex¬ pressions, while Tot®, on electric guitar, succeeds skilfully in play¬ ing instrument blindfolded and held behind his back, garnering solid palming for this trick: Act has bright appeal and will also score with Italian communities in different world cities, much of songalog being in their native lingo. Rey Overbury adds to the musi¬ cal novelty with offbeat instru¬ mentalism while dancing and mov¬ ing on wheels; he’& aided by cute¬ ly-garbed partner Suzette. Aurel Verne is dancer in modern style. Frank & Maisie Mumford offer en¬ tertaining puppet work, male op¬ erator descending into front stalls to serenade male customers with his femme puppet Mile. Zizi sing¬ ing “Je Vous Aime Beaucoup.” Fran Dowie, Canadian comedian, has relaxed and sure style in topi¬ cal patter re marriage and women while puffing at cigar; he intro¬ duces local touches, .and has cus¬ tomers intent via harangue that’s simple and philosophical. In post¬ interval segment, Dowie, garbed cowboy-style, is joined by blonde partner Candy Kane for some goofy travesties of oater heroes, exiting to warm mitting. Patrick O’Hagen is stern, good- looking Irish tenor garbed in eve¬ ning dress who wins outfronters rather naively via his straightfor¬ ward approach and lack of sophis¬ tication. Warbler’s Irish blarney and accent are also offbeat. At. Dario Moreno is a small, rotuna, Melbourne Sydney belting singer with a tiny pen- _ ... Tivoli „ , Tivoli pilled, mustache. Essentially comic joSyToc^od 3 Andrea Dancers in mien, he has a solid pair Of Martha & Adolfo Horne Dargie 5 pipes which can give out with ® &B Carley S & M Harrison throbbing love ballads, Latino sue peters SSun Seniors rhythms or rock n’ roll. He has Barton & Stuchb’r’y Nicoli Bros, become a star here and his offbeat Monnier nntonHol _j Frank Ward. Edit Juhasz Jeff Lenner Mongadors & Ann Jim Couton GLASGOW Empire David Whitfield Anton & Janeita Des O’Connor - Elizabeth Sc Collins Donovan & Hayes Patricia D’Or Ray Alan FJlisi Raye Roxy & Glenda BIRMINGHAM L’Olympia, Paris ■■■■■ _ . ., Paris, April 2. NEW YORK CITY Dario Moreno, Francis Claude & UIIC i<»ua.. • „ _ - « Louis Lions, Garcons De La Rue schoia Cantorum ?oxy ‘ (4), Linon, Jean-Marie Proslier, Kovach & Rabpvsky h Young Bros, (2), Guylaine Guy, If^y Tremain P Trovers Ballets HOlympia (JO),. Michel Corps de Ballet llalladeers Gaillard * $2 top. llocketles RoUt. Boucher - AUSTRALIA Dario Moreno is a small, rotund, Melbourne Sydney belting singer with a tiny pen- _ Tivoli „ , Tivoli pilled, mustache. Essentially comic joSyToc?^" 3 Andrea Dancen in mien, he has a solid pair Of Martha & Adolfo Horrie Dargie pipes which can give out with E &B Carley S & M Harriso throbbing love ballads, Latino s “ P °£« 3 SiJfm jSSSrs rhythms or rock n’ roll. He has Barton & Stuchb’r’y Nicoli Bros, become a star here and his offbeat Monnier potential and okay showmanship Deidfe Green Jeff Paiker could put him in line for U.S. rditaim boite or video airing. dkiiaiim Francis Claude & Louis Lions a are a local comedy team with a Piddock & Penny jim couton ribtickling takeoff on two Fjench Annette & Noel Glasgow peasants. This is strictly local. ^wg^Nudes David Whitfield Garcons De La Rue (4) have the J Sc J Dawson Anton & Jane plus of savvy production values £ee Allan Des O’Connor for their well selected group, of j^Gienda do“v£?& h5 street songs. Expert choralling, Birmingham Patricia D’Or mime and clever costuming, a .la w,.« H *?. p ? dr * m . e „ S?^- A1 ? n T, , the oldtime street toughs, and ae- ^2 D « WaU,s ^Id? 1 cessories have this in for big mitts. Alan ciive Empire Puvloinn id oTintimn Hi« Mumford’s Puppets Billy Daniels Guylaine Guy IS another big Dowie & Kane Benny Payne voice with a well chosen songalog Dully Co. Ballet Montmar and remains a fine staple but sans ?*•£???? * Jackson s & p Krye that personal quality for the big- Jnmp B RiGHTON Tracy's* 1 time. Linon is a clown whose Hippodrome Kemble & Chri: knowhow side: the vock values of Jewel & Vfarris Rondart rtnownow aias me yocic values oi Jojm Liverpool his precarious adventures on a iris Roy 3 Empire tight rope. It’s a good house entry. Hollander Sc Hart Marini 4 t n jr * tv. i , Rostando & Gerda Harvey Sis Jean-Mane Proslier is the house Laycock & Bee Patrick o’Hagai regular whose patter on current Tiller Girls Arniey & Giori events always gets enough laughs EDI E N m B £ r R e 0H JacTiiLkm to be worth having him around. Robert wuson London Ballets HOlympia (10) are also Gordon Folk 4 Palladium regulars whose well fashioned terp s^ffiey D^ne r”" c-«Ue Ughr ' •entries dress up the show and give wm starr kaye s* it a needed production gloss. Crochet & Jeannie Charlie Manna ww- v, v /"".fin Desmond CarroU Pinky & Perky Michel Gaillard imitates other Tommy Loman King Bros, singers and also does some special Cornkisters Peiro Bros, material. His mimicking has little Heather Girls Jce Church insight and' the material is ordi- R? ya i soencer? nary. However, he has a good pair Russ Hamilton Geo. c~ rden Di of pipes and could develop into an De n vere a | er S0U Gra i nd‘ PT< okay singing staple. Barbara Law Cyril D~wler Finest filling Of the show are the Mandy Sc Sandy Rhoda Rogers Young Bros. (2) who do a sock and I”"” smooth acro-balancing number in n , n . fl which one walks on his hands KlIlQ with the other in handstand on the vaiMJ Cl llIUo end of his feet; or one stands bn his head, no hands, with the pard -ITT... v _. ' ' 1TV in a headstand on his feet. It is a NtW TUKK CUT solid entry and a natural for U.S. Blue Angei i Hofei st. Res Manolo Torrents Ana Sc Julio Manteca tsodino Singers “Dancing Waters" Hotel Riviera Corona & Arrau | Ramon Calzadilla j Sonia Calero | Natalie Herrera Nancy & Guille ! Faxa Q i F. Guerrero Ore LOS ANGELES Ben Biue's Ben Blue Helen Boice Roberta.. Lois Ray, Sammy wolf Dick Berate Richard Cannon Ivan Lane Ore Cocoanut Grova Tony Martin Freddy Martin Ore Crescendo Mort Sahl Kings IV interlude Jeri Southern i Gateway Singers < Matt Dennis j Moulin Rouge j Bob Crosby and i Bob Cats j^WoiKenul World" j Slate Bros. J Don Rickies i Ann Richards jlhe Players statler Hotel i “An Evening with j Sigmund Rom- i berg’’ ; Leignton Noble and j his Ore j Ye Little Club ! Ann Weldon I Joe Felix 1 Roger Nichols LAS VEGAS Empire Billy Daniels Benny Payne Ballet Montmartre S & P Krye Walter Li Tracy Sis Kemble & Christine Rondart LIVERPOOL Empire Marini 4 Harvey Sis Patrick O’Hagan Arnley & Gloria Roberi * Jack Beckitt LONDON Palladium Frank* Vaughr.n Roy C-stle Kaye Sis Charlie Manna Pinlty & Perky King Bros. Peiro Bros. Jce Church N & P Deirina Soencers Geo. C-' rden Dncrs. SOUTHAMPTON Grand Cyril D~wler Rhoda Rogers Desert inn Gordon & Sheila MacRae Jackie Miles Art Johnson Treniers j Ray Sinatra Ore Dorothy Dorben Dcj Sahara | Mae West l Jiarvey Stone Donn Arden Dncrs j Louise Beavers Carlton Hayes Ore Dunes “Nuit De Paris” Frank E. Marlowe Libby Jones Latona, Graham & Chadele The Musclemen £a;.?rem Dancers Louis Basil Ore Louis Prima-Keely Smith Sands Sammy Davis Jr. I Dolinoff •& Raya Sis j Bob Melvin Cabaret Bills NEW YORK CITY ! Roily Rolls Naja Karamura Gwen Harmon' Bob Kennedy Allen Conroy Jimmy Cavanaugh Cee Davidson Ore El Cortez Dubonnet Trio Eddie Bush Versa tiles El Rancho Vegas Joe E. Lewis Dick Rice Ore. Flamingo Burl Ives Darvas & Julia The Skylarks Count Basie Don Kirk Flamingoettes Jack Cathcart Ore Fremont Hotel Honeycones Deedy & Bill • Gayle Wdlton , Make Believes Golden Nugget . Harry Ranch jLee & Faye May¬ nard Tyler Gilman Texas Copa Girls Antonio Morelli Ore Shownoat Sons of Pioneers Hank Morton Johnny Cash Merle Travis Silver slipper Hank Henry Sally Rand Maxie Rosenbloom Joe Cappo °eggy Dietrick Toni & Harry Wham Mark Hall Red Marshall Danny Jacobs Geo. Redman Ore Stardust Lido De Paris “Ces’t Magnifique" Vagabonds Winey Manone Thunderblrd Four Lads Jay Nemeth The Carlssons Samara A1 Johns Ore Troplcane Sons of Gold’n Wst j Eddie Fisher uneven but looks in for four weeks cy Young Of okay biz. Mosk. Rudy Tronto __. Claiborne Cary J immy Lyon 3 Bart Howard NCW ActS ' Kaye Btuard^ IT WIT nidO Bertice Reading • ___ Little, Dane & Mason BETSY & DICK BAILEY I Jimmie Daniels Songs Casanova 4a Mine Alex! Rosati ^ . Chateau Madrid Purple Onion, San Francisco Los Chavaies de This pleasant young pair of folk- D t nr „ singers still have a great deal to pfiSno o r c° learn about showmanship, but Candi Cortez seem to have considerable natural f_i p nt Frankie Lame latent. Henny Youngman They come oh with an Irish-im- Zeme North migrant railroad song, do a French ^ t ®™ I o rc folksong (“Mon Petit Mari”) in ipSgan ore New Acts ' BETSY & DICK BAILEY Songs 20 Mins. Purple Onion, San Francisco This pleasant young pair of folk- Hofel St. Regis Tonia Bern Ray Bari Ore. Milt Shaw Ore In Boboll Bob English Liz Williams Dick Hankinson Lat.n Quarter Betty Grable Dominique Schallcr Bros. Dick lurry Pony Sherrell Jo Lombarui Ore B H.-irlowe Tire Le Cupidon T. C. Jones Howard Beder Living Room Eddie Heywood Jack Kelly Intern ticnal Myron Cohen Barry Sis McKenna Line Mike Durso Ore Palmieri Ore Savoy Hilton Riviera George Gobel Georgia Gibbs Senor Wences Herman Kaye Ore Jerry Colonna MIAMI-MIAMI BEACH Americana Joni James Lee Martin Ore Nina Ramon Balmoral Dick Sterling Norton & Patricia Sacasas Ore . Qarnpo Ore Harbour Lounge Sammy Walsh Gilbert & Tracy Tony Matas „ . , Lucerne Marta & Tobey Havana Mardi Gras Rodriguez Revue D]r» 53 Costello A Bar of Music Roberto Sc Alicia Arthur Blake .Miles Velarde Guy Rennie Oon Casino Harvey Bell Pepe Jordan Sc Coby Blanco _ Carillon Fausto Curbelo Ore Lou Walters Revue ■ Montmartre Arthur L. Simpkins Eddie Schaffer Tun Tun : Francesca gfTVh Stewart j Les Stevens Elsa&WaWo j Freddie Calo Ore Piroshka Sc Niky j Murrey Franklin's Dominique Paul Gray Judy Reece i Murray Franklin ‘ Jacques Donnet Ore j Dick Havilland Ruth Wallis j Kay tarroll Jewel Box Revue Ned Harvey Ore Sicari Ore Two Guitars Olga Valdi Ivan Nepa Xenia Brante K. Poliansky Ore Misha Usdanoff Vienrer- • -ntern Vicky Aut'er •ose Duval Ernest Schoen Ore j Buffy Dee 3 , which femme does all the singing L <»voy Hilton i unti, oc hpr hnchanri ctrmnc tho anitar ' Lenny Bruce Tommy Purcell Ore j Ruth ,'I a , Uis . as ner flUSDana strums tne guitai, j Donna Lee Town & Country j _ Diplomat follow With I ve Been A-Wan- Downstairs Room Jewel Box Revue derin’ ” and then do a very funny rjemi Dozlta Ned Harvey ore number about a fellow caught in f^ a C o^cii 2 Tw°o rC Guitar, Boston’s MTA subway. They knock Ceil Cabot oiga valdi knock out something which sounds i ack Z 1 u^n er ^i 1 . . iike “Blue Mountain Faretheewell” ge?£y i£«!ew. k Poliansky ore and Wind up with a children’s song. Stan Keen Misha Usdanoff th.^ U t t ^ilin S « d , 0 n' 1 1 Prett L Seri0USly ’ “nS?!™?™,.. vS’S.;-"'" 1 thus tending to lose audience in-. Robert Downey -*o£e Duv^i terest. Diction is a little fuzzy, Harold Fonville Ernest Schoen Or< too, and Mrs. Bailey, a looker, who u^'Sr announces numbers, must get more Irving Fields Joni Roth poise and try to develop a little Hotel Roosevelt Lou Mosconi light nattpr hptwppn ennoe Guy Lombardo Ore Belle Carroll P a . ue l*, Between songs. Hote , PlaM Jim Lewis This IS their first pro engage- Marie McDonald Lou Harold Oro ment—they’re still at San Jose Ted Straeter Ore Village Vanguan State College between jobs-and “"hVT&S eSSTWo be worked up more effectively. Earl Wrightson Jim Lazarus 5 They are unjaded and natural-ap- ^ Tabbert pearing but have to discover .the JSSh rnSel Ore Ballet Florence Sc basement bistro circuit is no dif- Alan Logan Ore Frederic ferent than any other part of the commerce of show business: show- ■ L ^ p manship, the unusual twist and CHICAGO the light touch are the essentials, Black Orchid ! Farra & Carter c fpf Joey Bishop , Ben Gee & Bern* Joe Pamello (3) 1 Harris Jaye P. Morgan : Morgan Bros, j Blackburn Twins & I Collins i Elkin Sis Mai Malkin Ore Eden Roc Harao Sc Chico Marx Sc Co. Walter Nye Ore Jackie Heller Giovannis Village Barn Larry McMahan Joni Roth Lou Mosconi Lou Harold Ora Village Vanguard Trwin Corey Ernestine Anderson I Baekctao* Jim Lazarus 5 | Wal^or' Astoria | staa Arnold Ford Sc Hines i Rene Joubert Bal ir e il 1 ? r ® nce & 1 Blaekhawk Ph-VSfo Gerry Mulligan 5 K^H a Si k o?» C I Canterbury Be n Bahai Ore ‘ Geo . Alexander AGO Benny Strong Ore Easy Street Farra & Carter Marty Marsala Ben Gee Sc Bernie Wally Rose Ore Luis Varona ‘Ore Sue Lawton The Cooks Eddie Bernard Nautilus Jerry Lester Lois Phillips John Keston Joan Laurence Van Smith Ore Singapore Lillian Carmen Freddy Stewart Sin Ling Snuffy Miller Dansations Sonny Kendis Ore iMickev Gentile Ore I Fontainebleau Johnny Mathis i Corbett Monica ! Sovereign Marie Austin ; Frankie Hyera SAN FRANCISCO the light touch are the essentials. Black Orchid ! Farra & Carter c fpf Joey Bishop , Ben Gee & Bernii OLej ' Joe Paraello (3) Harris -- Blue Angel Jack Kodell MAMBO GENTS Barbara Velasco Eddie Ash Tkonnp Malley Sc Margot Manuel Del Toro iT? Mighty Panther Inez & Gordon 1Z M1HS. Sir Tony Anthony Keh Harris Ore Steuben’s, Boston - Blue Note Drake Twodancing lads, Mike Vasques Jgjw™™ Cro and Tony Costello from Puerto Chez pare# Gate of Korn RlCO, do fancy terp in the manibO, LaRosa Tommy Makem rhumba aud cha eha idiom to tie Ro lo„J , o°n be „ r *ol.. UT> a neat opening show package. Chez Adorables O) Carmen CavaUaro The tall, tuxed and personable „ ,nl * „ Kenv** teerpers work in some comedy bits SSk Go/^i Many nShS^in with Costello doing impressions Of Ramsey Lewis Trio Marx Sc Frigo Fack's Earl Grant Fairmont Hotel Billy Eckstine E. Heckscher Ore Gay go's Diamond Lil Joy Healy Dncrs. I Hangover | Earl Hines i Joe Sullivan j Mugg-y Spanier ! Hungry l • Mime' Sc Me Frank Dltone Frank Buxton Jazz Workshop Sonny Rollins -3 On the Levee Xid Ory Ore Purple Onion Coachmen 3 Dick Sc Betsy Bailey Cathi Hayes Ronnie Schell 345 Club Clifford Guest j Belasco IV Bee Sc Ray Gorman J Moro Landis Ore j Dick Keegan Ore ; Bill Clifford Ore. how Liberace, Jerry Lewis. Charlie „ Conrad Hilton Chaplin, E. Presley and James ^frty N |?iiis” Cagney might hoof. Opening with a hotsy cha cha. they intro new dance, “Guaoacha,” Hotel Capr and segue to a fast rhumba for Rhdera?** 17 Closing. Guy. Raquel Bardisa | Harrah's Club ; Ish Kabibble 1 Conley Trio j Debra Hays Frontier Girls HAVANA Maurice Chevalier I pjfjf,. Ben Arden Ore ! J 4 ™, 4 Rogers ANA Don Baker Hotel Nadonal A M Martinez Casado Gina Romand Harold's Club Buddy Mars Frank Moore Holiday Gaylords 4 Barons Maakuanua's Hawaiian s Mapes Gallions Sc Ginny Esquires Riverside Dave Barry Ruth Olay Jo Ann Jordan ’larthy Riverside Starlets Ed Fitzpatrick On