Variety (September 1922)

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48 • ■> i VARIETY September 29, 10% "COME ALONG" With jtfftf&i . . y • ■ < • • OLDEN POPULARITY - PERSONALITY — PROJECTION Make Gilda Gray's Song, "COME ALONG/' the Outstanding Hit Of the Ziegfeld "Follie$- NEW AMSTERDAM THEATRE, NEW YORK 1922 PERSONALITY If popularity be not for- tified with personality even a.good song: will fail. Miss Gray's personality is so dynamic the audience is quickly attentive and the projection is not han- dicapped. PROJECTION, Popularity and person- ality may fail if the pro- jection be not perfect Miss Gray is recognized as an expert in putting over the lyrics of such a song as "Come Along.** When she sings the au- dience understands every wonL GILDA GRAY .. \ Gilda Gray's y's big song hit "Come Along" of the Ziegfeld Follies was written for her by Creamer and Lay ton and is published by Irving Berlin, Inc., I607 Broadway. • ^^^ • BECAUSE GILDA GRAY MAKES YOU ■ DANCE WITH HER SONGS-AND-SING WITH HER FEET Ifer tremendous reception the opening night of the Ziegfeld Follies CAUSED THE CRITICS TO'CALL HER • The Stop-the-Show Girl i;