Variety (Feb 1928)

Wednesday, February 1, 1928 A E VIEWS VARIETY 37 in the VUOlll lady de- ad- next effort was iwirtment. The , . Sreesed herself to the le£t side ot the house, soiindhiR a luiidor nolo 'In that section and; gaye vent t«>. a ditty entitled "Is Your Heart Filled With Pain?" WluMeupon a ^B-at crjed, "No. but my ears, are." Failing to create an impression . Miss Reilly switched to hoohpK acain, this, time with h^r own ver- ion of the Charlbston. She .passed - «ii meekly. ■Miss ■Williams, colored entertam- er* sane twice but no one heard Ser on account of Uie yiftpr with Which the boys in, the: hou.se or- ^estra rattled their instruments. Jackie Rooney, the Rooneys are iLlmo^t aiwalys represented on ama te^r bills by name; came on hooling. He left without objection; In. the next act Miss BeUm ,was • the central .figure in a lamenlaWe niece of business which might well he called "The Tragedy, of the Broken Chord," Miss Bekin re ceived a warm welcome—niaybe be- cause some of the girls in the axuH- ence liked her • ytllow. dress, bhe ■ sainE a tuneful pop number with She passion of a soul in • torment.. She carefully treaded the dimeult paths of musical .piissages with trick notes in every bar. And^ just as she came to the triumphant ch- •max her voiL'e broke and -the re- sult was a long drawn out wall that resulted in a burst of ci'uel, . unfeeling laughter fi-oin the .ho;ise. After that Miss Bekin danced an Irish jig and sang again, but \vith- avail. However, . ."^he won a PARAMOUNT (stt'iiiunsi. and lln)).' out '*'*Dfck Hurl, Irish te.uoiv died;. He- tried to sing, but (he- vastjnajpnty decided it was a Ava.'^te p£ time, and since they all.told him so.AVitnm^SO seconds of his appearance. Hiii l d*-- cided that riiaybe they. werp ; right. He' cut it short. . There were othei-s, too. (.>eorgie Moser. who should he in a regnlar act on account of the cliinax.^r in his three-minute hoofing number: Bapper Dan. who sot the ou.stomers BO excited .some of thoin applaiid.Hl with, blocks of wnod the railings; - Jackie McCiu tinvr. acrobat, whose sole piece ^ of prop- erty is n chair; an/l who .should de- Telop with trainii(g. and a eolored male songster who. Ic-Ct them un- concerned. . . „;..;, ..o.vim The feature picture was inwim, r-iio «;wiin" (Pair.). As an answei S'lliS^"Sut£ who said Geitnide Edcrle didn't mean anything it as noteworthy that the audieneejip- plauded Avhen Miss Edcrle nnme was flashed o n the sore en. -Uoi i. CAPITOL (CHICAGO) (NEW YORK) ■ New York, .Ian '.J9. No -out.-^iundGi'.s on the- .^lngi; iii: .J. Murray 'Ai'ulcr.^Dn's .sj-ciiir eiivitVod "Milady's Fan."' tl)ini.uh two wwms of ho<n'rr.^, Koi'nice and Kiiiily and Ojeda jind Imbert rate higlily. I>raw evidently- ehtru'stcd to the si-jven feature, "Old Iron.sides.'V . Slgmund Krumgold, • Who . has Jesse Crawford's spot, is. iho: {.jiiest organist and delivers in an ex- tremely ■ entertaiiiing 'manner .with •cO,m»'dy iyrii'S oh. slides..- A high-hat version .of "Sundown," replete \vilh seven-syllable words,' ..oreattd a heavy respun.se.. Light material on the organ, but only if as well done as in this instance is a change from the usual ,for the regulars. > : The Adiii Kaufman . girhs, 10, are attractively eostuhied. but flop on tormations nnd. other .business, at- tempted. Returns slow and light. Rae Eleanor B.all, in bri.s'ln yellow evening gown. failed to conAince the customers aS a violinist. She recov- ered slightly by taking Al Mitchells spot, as leader d^the stage orehestra for a number.- 't ',. . Berhioe and Kmily, sister team with an acrobatic danOing routine, clinch with twin somer.saults clear across the .'•tnge. Hardly nun-e than an inchin space .showed between the two when they landed. The guis also stL-.nd on their hefids .for a cou- ple oC minute.s.;. doing.: splits at. th.e same time and in unison; They double into next to closing for about two ■minutes of smart foot: work.. ., Dorothy Neville, in broad- brimmed hat and hoops, sang. Cold,^ but held the: last high note-for ap- plause; Oj''da and linbert scored in a Spanish f.nn number dance. The man is the feature of thi.^ act, with his tambourine interpretation. Harry Burns, comedian, .a.s.sisted bv Tony de T.uca, lightweight, here. 'Xewsr.-'el mo.stly Paramount and M-rr-.\r. •i^'>'''- frii.nds .out front by his The turn got over snroriiv had to bCK off-for Maxin<>. Girls on again for a novel .versu'n of- the ."Var.sity I>rag." whh .Mi>-=s I'aKc doing an eccontriv dance that qlicked ■ nicely. the ' l-'our' Chci-r L.'aders; and four di; the; orchosira bOvs, teamed up with the girls for some snappy stepping, revealing ^ u; Smith, of: the band as a .no'mean comio. : Doakes - and Doakes Were nex t with a new act which they originated here on the coast. Garbed - its a couiile of hicks they put over si.me parodiei and specirtl coniedy .song numbers-that.can't.; go wrong with any crowd. Their.stuff was uniaue, to' say the lea.st, and . they put it across-with plenty of showmanship. Headed east soon, these two boys ought to knock 'emi. Harry Vernon, after a long stay at .Loew's State, Los. Angeles, made hi.s local debut in a cycle of .song num- bers that a\t)0 stamped him with t.h<> badge of showmanship. Vernon radlate.s personality and .sporcd han- dily.. • , For the finale Wol.f had a numho- .. the band boys play" soloes that brought but individual.talent; Paul Morgan, played- a cornet solo. Jo<- Palange clicked handily -\vilh h:s sax. Vic Snhlith followed with a pic- eold number. Then Friday Smith on the tuba, Julius Shanis on- the oboe. Eddie . O'Mally on the : xylophone; and Joe LaRocca on the lii^i'P-: ]''di' the windup Rube performed on the cornet in a fast hot number ths'l started the-hands going long before the curtain stiaftod.. Oil. the.'scr.?Pn Norma.'Sheal'.er in '^The Latest from Pari.s." . . . . Kd wards. ■ VAUDEVILLE REVIEWS PALACE (.St. .Vaude) HAYS-REPUBUGANS Jan. 27. street of these Chicago, Broadway may be the chumps, but why overlook Chicago neighborhoods.' Oh^ inefficient stage band leade was In a helghborhood theatre Joi several months, disliked by- ma- jority of patrons, but was, reta .ned because business wasn't terrible. ^tl"er than blow into^ .Sflghborhood .or into, the loop foi their entertainment, the continued /handing out .shekels to thft^eatre. i>roba.bly J"st Jecause it was m the neighborhood. r'l*?^'^ neighborhood chumps who fwaHow :po<S Programs^^without^protesv^o and twlco as dumb as the babies who buy tin watches expect 'em to tick. , r,^r.\i^\ Al Short returns, to the ^Capitol after leavnig as stage band leader a year ago. He is a legitimate^ at- traction. The presentation bu.U around Short is rather mild stuff Short appeared first to . direct the pit orchestra in a ^classic and pep medley overture, and did it w-ell. He belongs in the pit. ^tit in all pvob- abillty will be dragged back onto the stage by demand. _ . Following a newsreel Insert, Short again appeared in the pit to direct accompaniment for a Presentation titled "Hello, Al." ' Grayce Mitchell, ot operatic tendencies, took t li.e first ■olo spot with as sweet a pair^f pipes as you could want for *)0 cents flni.shing with a pretty number em- ploying 20 undecided chorines for ballet and tableau.background. The chorines muffed things considerably but may get to.gether as the days *^*^Pet[no and Carthe had a short in terval with ballroom dan.ilnR, dis- playing fair footwork. Then . Grace Hamilton,' who sings snooky songs with palms forward and elbows out Grace crawled into the pit to yamp Al as she sang, and a few tittered Buddy Taledtt proved tne nios enterta-iiiing act. He appeared ^in baggy clothes for eccentric dancing. . and later he eats his .shirt front and a box of rtia,tche.s: This is none other than C-ha2 Chase using a new nanie following a per.sonal episode. This boy is a cinch comedy act foi all classes of. picture houses. • The 20 ehoriues wore more in.- pre.^sive doing a haii.il and '"''y-: tine while sitting ■ down. . TIk > worked in fait- unison this time, as Short as thi- maestro came on stage and pull. d oft: a good trump<'t^ solo^ Harry Waiman and his Debutantes was the . Vitaphoniv offering. H he. buus.-acoustics are not attuned, to •the talking pietures more than br.-ak. Kyd Chaplin in Ilnhter" (W. B.) LOEW'S MIDLAND (KANSAS CITY) Kansa!3 City, Jan. 27. . "Svnoojiation" is the name of this, stage, show, and how the boys and girls- lied into it!. Selections from "Vagabond King"; was the happy pick o: Carbonari for his Midland- ers, and the airs were heavily ap-. plauded. A short. M-G- newsreel followed, and tlion the stage show. Band was seated in two tiers, witi: plenty of room in front for the Rockets. Cpening number brought the girls out as nurses for a .dance. A short musical bit by one of the band, playing a one-string fiddle, was next, and then Al and Gussie Bloom, in their rag doll dance. Team has been seen here before, but hit with the Midland crowd, .lack Sid- ney, m.c.j then sang a ballad. A band novelty, with the gang plstying well-known tunes relating to different parts .of the country, was sure fire. A huge map of the U. S. was shown, with an electric marker following the musical tour from Los Angeles to Baltimore. The Rockets were introduced during; the number and stepped about. Rome and Dunn, vocalists, had the next .spot, and offered pops and some burlesque grand opera stuff. Great singers and entertainers, and the customeVs couldn't get enough; Finale was one of the best flasheis seen here. A huge piaho, covered with brilliants, had a dainty toe dancer pirouetting on the keys. A set of electric chimes were also used with nice" effect. For the finish the Rockets were out again and, with the sparkling piano as a backing, the b.and in front and the dancers doing a .sn'appy Tiller routine, made a smash closing number. Screen feature, "The Student Prince" (M-G).' Tfuffhrs. WARFIELD (SAN FRANCtSCO) give M niod'-rat' "The Fortune feature. , ^ P.. .-au;se- ..f .Short s- rettirn hnv<- l>e. !• '.v.i.v lHi'-«. at r.3r. i houM hasi/L h .d thi.s for some time. thi^r*' San Francisco, Jan. 27 -Big-^stage-show—at-thft —W<ar-field this week—6T minutes the opening show. Of necessity. it had. .to be trimmed for sub.<5etiueht lierforni- ances. . : Ivot of outstanding "specialties, with Rube Wolf; bandmaster, car- rving away plenty of honors S'unnv thing, this audience view- point, 'j^yia of professlona:! talent and along comes little MaXine Doyle, just a step rerrioved from the Farichon and Marco chorus, of which she is. .still an integral part, warbles a few song numbers, dances and clowns a bit with. Wolf and -another of the band boys, and a wallop. Second w.eek in succession that this Gae Eoster protege has come under the c.Mtegory-of a ".show-stopper" .She should be in fast company, be- fore long. . . • Op<ning was a special arrange- menc by the band of "Souvenirs" whi'-h put the. mob (and it sure enough was a capacity gang) in Inv fettle.. Tli'-n Johnny Dove, in soine intricjite roller .skating, after whieh "thT^^SHnnFTam^l^i^itr'T^ Lucille Page, dancer, and Po-Pecp. int<-rprfted a waltz .darii'f> that drcw favorable comment. . Another hot number by tljc-band. with Rube, g'-tting everytliing pos- sihledut of the boys, and lli> ii M 'X- ihe on for her opening song. ' S-'ni" nifty .stepping, with the leader and Maxine re.-iuisitioned Jo.. T^al^nfi:. one of 'he saxorihone vortlng with him. Jot siii-i (Continued from pag<; l) tioh. Dicture industry by . pointing out ibat the producers .and di?trib- iitor's control only the screens of their own chiains. - They are members of the Hays, organization—independent exhibitors are not. From authentic sources U is un der.stood that the picture • Industry a whole wiH not dare eoninilt itself either way. Hays may be able to dress up two or three hews- reels, but stands little: chance with the others for more than an equal break on political propaganda. ■ . Hays' Limits As far as exljibltlon is concerned Hays' po"wer r?eems to lie mainly \vith about 400 or BOO chain houses, if , that many, and it. Is doubtful, if these will be allowed to run an ex- cessive load of political material. The independents have control of the political . situation as far as plugging Is concerned. With over 90 per cent. o£ the independent ex- hibitors working for, the pa.ssage of the Brookhart Bill and demanding a readjustment of business condi- tions In the motion picture industry it is estimated that over 7,000 houses can b« mobilized for support of either or both parties Not having committed them- selves the Independents dan co'ni mand attention from state political leaders of botfe factions, supporting only those candidates pledging themselves to support the Brook- hart bill. An analysis of possibil- ities through Independent film the atres, which has evidently. already been brought to the attention of va rio-us poUticai leaders, may swing the scale In favor of Brookhart iat Washington, Hoover ahd Hays Of the close contact between Hoover and Hays there Is concrete eviden^e'^ilf'the" p the Department of Commerce and in the Instance when Hays brought Hoover to New Yo-rk to address the A.ssdciated Motion Plctute Adyei - Hays Is the logical man as direc tor of the Hoover campaign,: not only from the screen angle, but from general polltlcar phases.. Biit It is doubtful if the Hays contract with the picture jproducers can be bro- ken. ■ ■ ' - , Meanwhile, the Democrats are on the alert. They remember, .the newsreel plug for the. Mellon , plan and do not propose to be caught m a-.similar- way again. - . - Radio The radio", situation is al ways be -' Ing studied, It Is expected that the time on air will be evenly divided be'wfen candidates, when named. Senator C. C.. Dill, Demo.cral. fath-r .olL.=thiJ^£adjlil^bHlUs,J>I!=l^^ to prevent the Republicans from Of the nine .aets on the current i'ahtcc bill four are featured and. lOreign. 0£ the nine, .acts on mc v urri^iu Pala.-e .hill there i.s no man i)r . woman . Aiuerii an single -vrlnr- nvighi have Vomedy or talk, there is no mixed two-act-and there is no. eomedy two-act. I.,ait week the Palace had an. All- Knglish bill, ' Three of. those turns arc held, over; among the. four f.ea - Uired foreign turns. . Whioli leaves the Palace program this - week miisi.^ .hall, .and without :-nough-euiUedyV . " , ' Attendance .Munday . night nni.st. have informed ihd management the citv is onto it.' "r tlve'show, (.ireat stivte1v(^s- hi; va.-aiu'V on ' tlie. side-s, all' sides Mid- taking- in the boxes. To the. artist on lln' stage the or- ehestra'.s population must . have looked like a. tria'ngle-willv tlie hroail- Side' n<>are.st. the: stage. ,It was tlie smallest attentliinee ever. .n(vt<Hl at the Palace on a Monday <>veiVlng since tlie honse went through its lirst disei)ura.«;lng ivriiid, while try- ing-to put IIanihT'-rsti>in's. Vietona out >,>l' bnsinioss. That was. some yeaVs ago. (m-n. while Tharle.s T,'Aldrl.-h still- held hopes of .pliiying the Palace. . To the «ld-iiniers. Chas. T. Aldrieh is the most. important .act on the Palace program, tlie niost inipenn.-nV- in years in fact. , The newest turn on the bill is .Moss'aiid Koniana. a i-:ass l.mlirooii. dance act with a nite.-club, orchestl-a of 6 and neither meaning a thing, nor even the catch 'cm encore musn; of "Halleluiah." Mo.ss and .Fantana might see "l':.\ei-.ss Haggage" to lind out how best to steal bows. The tui-ii is under Now Acts .and prob- ablV in lor one week only. Palace Turn bill(-d as Julliiii . lloU aJid Paiid. With tliQ double eouibina- tlon.. the. team iiro splitting their regular act between the two sec- tions w ith Hair.s .suri'iire ■ Chaplin impression rdversiul for the' b.and s"eeti(Ui anil Mis.>=! (.Ufd) Dexter', ^-it-'wing them up .coiivv^i«'jeiy with, a black bottom finish. Tlve band, nine. . pieces; offer . infltruhHiuatidn. in^ .several ensembles and fur the suc- ceeding Hiall-Dexter voeals. ^X^dmbo an out : and. out p.ihic with Hall clever enotigh showniah not to give them .an Overdose. Perone and; Oliver, mi.\ed' teain, were pleasing in a convjiMitlonal harmonizing cdnti'ifiution. of . a mix- ture of classic and..seuii-pop stuff. Both ha.vo splendid volee,s and conr tribute a routine thi^t should hit. It did "i-.t'i-e. Shone and lUch, also mixed, went over neatly in'O.-hotel lolibv aet Shone ha.s used -with "divers partners, Mi.s's lUeh being his latest. ■ .Sh(mo carrie.s. the comedy throir.;h wisecrack conversation over iihone with .Mis.s! Uleh, «in eye-;. filling blonde, later engaging for. .soine rep.artee, a;, vocal, aiid much flash of revealing 'costumes. Had them iill the way tlirough, but winded hi the. final niihutes, al-- tlVfUigh getting over.. . Margie Coate, .next, simu over a song repertoire with hiT usual dy- .namic delivery and .stopped every thing after her fourth ivunibcn . a ballad. A beg-off s.peceh named a cold. Xrarietta Trio, girls, closed witii'a pleasing combine of dancing I and gymnastics prefaced by. a vocal ensemble and registering with all, "Sorrell and Son" (U. A.> screen feature. /v'rfba. depended upon Moss and Fontana to diaw, since the hold over obcrs couldn't be expccte<l to, although i?veiT'one got a reception Monday night. AVith all of the claciues .or friends present the hou.se -should have been fuller. • ■ Sessue Hayakawa was the only foreigner, not a holdover.. He ap- peared in an Edgar 'Allan v\ oolf sketch (New Acts), one of those Edgar might h.-ive written while cooking spaghetti or mixing a high- ball—highball preferred. Still, not so bad, but easy writing and the Japanese is a good actol'. But as an example of poor support casting, Its superb,- , , Aldrieh was'No. 3, and did very- well. It's a question of how much real comedy there is in the whiskers bit for the time consumed, but with his fast changes Aldrieh got them, and plenty. He's a novelty turn and one of the reasons why Keith- Albee found out actors could live without them.. ^ anils' and Goodwin. (New Acts), No; 2, a couple of young women with voices in popular vintage songs, nearly ruined the show. They were over oh a nice appearance, and the audience warmed right up to them. They had a hou.se heside.s, as the vaude did not start until 8.30 and it ended before 11. Among the holdovers from Bng^ land, Ella Shields and Lily Morris were a tie. Miss Shields did a new number for an encore, and not so fancy. . But she has two bears in Bertie " and the sap song. . Miss Morris, next to closing, hurts herself by the waits. It's a danger- ous spot, and they started to walk, not because she did not please, but- the waits were too long, A sugges- tion by the reviewer of the Palace of last week that she use a .slide of the "Cellna" song to cover up was an excellent idea, . . Scott Sanders, Scdtch «ingle of the usual character .song and talk thln«, had a soft position, No. 4. He's all right in his way, but there 1 have been so many Scotch singles with the. character song, .and talk thing, besides the Engli.sh slnglsr^f the same type. But with Sanders at the Palace and Sir Harry Lauder at the Knickerbocker at 12.20 top. no one will regret if a devout wish I.s expressed for the spcfdy recovery of Will Fyffe.. ■ ', , . The Flemings closed the show and the De Valery Girls opened it. . The girl.<i are 12, with a boy masquerader who uhwig.y as the ballerino.. He s f;eorgie Hale, and okay.. For an en- semble turn, importance for this act wa,t not indicated. If the pro- ducer esires to improve the act bed better lower the Ught.s on the gals. They look no better th.an they toe dance and-their costumes go with both. Harry Lauder Show . -Vt'Ilii.im Morris present.^ thi' Itili Ameri- ciiw nmr of Sir Harry I^autli-r. ai;c'uupanled by fL-vnuileVIUtf bill. At ihi> Knlclon-bocker Diod'ri' for four. weeKs, b<>Kintilng Jan. '30.,. r$3.3b— toifz — AMERICAN ROOF p..tiing anything, over; through .th'- r. ■ -'nl ill Bordoni's Special Songs Col«.- Portos will write, the. sp'-lal. M,ngs Irene - Bdrdorii- will have in hi-r new' show. L(i;);«-e Crosser. Hai« i-v '-.nK .t.-Ml (Vaude r Pets-)- .(-iuod .show, for the money the tirsi half, and pU-nty watching it Monday night'.- flail and Dl-xtf-r with band, No. 4..and .Margie. (.:o;ae. smg- honor,". . , • Lew U' la Co. opened with th«' n;an ffTitiiring - his contortion and jii.'iniiiiihiti'Hi -o.f. fui-nitur*; . willi ler-tli .grip. lJurl and Ifuzfd Sk.-i- tdl". next, offerM a fast routiiw' (if daji'.-iiig ()U -.skat's • that al.-:o -gof over li'-.-i vy. ll.'ill and Dexter.' mi.s* d team., mopped up a.s ustial .w-iih tlieir reL'iil.'w two ai.t. i-hatir.. .-ind The recurring, unending and in- tensifying miracle of the. worl^ stage.. Enough panegyrics have beori! written about HaiTy Dauder. Noth- ing can bo added, Ex'cept the after- . ; glow of progressing time. And. plenty of water- has flowed under the bridge."? since Harry wa.s here last. And, in fact, since he ap-. pe.ared before an audience last be- fore this New York pn'miere at the Knick, Every time ho conies there is .something new. He was the only single comedy star to ever play the Metropolitan Opera house a full, •week; Now it Is the first time he plays a four weeks' engagement In New York. Not since last May, :when the-sec*- ond and final tragedy of his roman- tic and unique life came to him . with- the death of his adored wife, had he faced footlights. Monday night, to a sold-out theatre, he wajj . the rollicking comic, the comedian ' extraordinary. . The Pagllaccrin the flesh-. I-Ie made them laugh, he - wrung them dry after he had doused them with laughter. Then he drenched them again—with tears, A few well-choflen words, no reference . by name or direct implication to his loss, and a song of courage—and he had a thousand people weeping. And he, too. Wept, IJo glycerine. The honest tears twinkled in. his eyes as the lights played on them. He filled up and cut his customary curtain speech of Jollity and phi-, losophy brief,, ,Ju^>t then ho wasn't' the great artisti he -was just the big man. Maybe only a big boy. In his progrram he practically du- plicated the first routlnc TTd did in New York, which set the nation aflame with his name. In succession he sang the old timcr.s—"Toberr mory," "She's My. Daisy," "I Xove to be a Sailor," "Saftest of the Fam- ily" and "I Love a Las.sle." And for encores, "The End of the Road" (the song that broke their hearts) ■ and "Si;ig a Song," which touched and prepared them for the punch . \ nOTjt^Jlmax the"bleeding"heart of--^ a genius of comedy, singing a song and going on to the end of the road. , Other, details are repetitions. Same Inspired clown and character star, same meticulous, costumes, same method of operation. The. compara- tively Intimate Knickerbocker, a big house, but one of the smallest he has ever played In this town, gave :hlm summary advantages. He was In flupei-b voice, and sang "Rocked in the Cradle of the.Deep" without accomp.animent iii as rich and true a bartltonc as has ever been heard oufsido grand opera. Fi'om tho. looks of tli'- (jpening* the -Tttendance, the enthnsl.'ism, th^.. genuine and unabashed affection her stowed on him, he is more popular than ever, und even the fom- weeks exp/'riment .should turn unt a money .sueer-ss ns -well as a e'linph-iely .sa- •tl'fi.tlng visitation- to thr-atregoers. He-.s'land.s alone, and will as ibng as - he e.'i 11 stand at all. He niak-s any and evirv other .Seo'eh .•tirne.dlnn— at le;.i>.l-..look like milky water ag.-ii.n.--j j"ir''.^wjh'_'' , ' _ . _,__^w« ■Tie- lirs't i);irt~Vaan'("vTlTi=~1>iVl. yiTC*' hiost T>re('ntions with . whi-"a Wil- liam .M'.ri is has e-ver -■ii).!...i,»e.l. his ImiuMiii v. . .' N'elli." ..nd Sar-i Konii-:'ei..-eii in- t. i-ini--- ion Willi a lirilli;jiif-array of fliKi:-- -lU'l '-■•111.'--, .still-a n.it <1U0-. harm-in-, oi' two so|)r:im.s. .-Lremark- .'il.le .-r,M-il.in-if i'ln.. • Tin y. .-^eored tre- td'-'-.i' • • ' lally . ^In -'i- most j'-rnaining on . for follow .ui>. ' I^ii'ider. i-ations rorelv u'o to theatr^