Variety (Sep 1928)

Wednesday, September 26, 1928 FILM REVIEWS VARIETY 15 tlriuU to stive a gal. The lirst lime, he .savt'd IKT for himself and tlio next he saved lier from hl3 pal. N«'{'tlipr tlio writers nor the title malter took the trouble to denote any time lapse. That left the main ljurden of llio picture, as Emerson and Olive IJordeh, meeting each other lor the first tlmo In their boarding house Sunday mornlnpr. becomlnb' t-nRugod Sunday evening after the Coney trip, married Mon- day, taking a furnished apartment the same day, and then the gal- saving ep in the. evening. The second gal saving brought on ■X parlor - break - all - the - furniture iscrap between the two men. Duke Martin Is the rough and heavy tender of the searchlight, with Emerson hi.i sub,. Miss Cor- den was twice attacked in the film; once on the after-deck of a yacht, but Emerson" saw lier go into the. water to escape the man,- for- hxf then had the searchlight on that yacht. lie went over after her. Again he saw Fte.v6 try to as.Ma.ult his wife a.s tlie boat passed their PAlisades apartment and the spot picked out the silhouette .shade. Again the kid went overboard, mak- ing his apartment just In time to apparently bo left In doubt as to liow far Steve had gotten with his idea. „ Direction pool*. Film unmercifully padded in building up. One pas- sage, where the newlyweds rent a furnished apartment and with Steve conniving to get back alone to the flat, must hrve run. for ,1,500 feet, merely \ip to that conventional light. . . "The Night Boat"-is; a good name for any story under it thit would keep to »thc suggestion. Here It may draw In some, but they will be far from raving when it's Over. . The Hattons may debate with .. T-S and Al Martin, .Who wrote the titles.' There, needn't be another fight over that. .As a matter of fact, no one .shoiild claim them. chronicled, and played With plenty of pep by ICsther Delteure, Mile. Andree Mounier, Geo. Hamlin and Georges Gersan. Villers, having Inherited a for- tune, gives his time to football. By a clause in his uncle's will, Villers must marry within the year, and in the event of a divorce all the money goes to charity. He advertises for a wife. Among the letters received is one from a girl of a well known family, , Andree N'alois, who has without reflecting answered the ad- vcrtlsomeht for the fun of the thing. Villers picks her out and' , the maiden is quite astonished to get a reply. To square the matter - she persuades her. aunt, Esther, to attend the i-endezvous in . her stead. Villers, not being "Uite sure of the situation. delegates his elderly friend, Robert, to replace him. Rob- ert falls violently in loVe with Esther, and when Villers Is shown, a ph6,tbgrai)h of Andree he likewise is smitten with the real applicant. He calls at Andree's home, offering his services as chauffeur, and is en- gaged. One day he saves her life when she falls into the sea. _ Villers has been on the point of confessing the truth, but is called by his football team, of which he is captain, for an international match at Antwerp and quits his livery without revealing his identity. Andree is vexed at her chauffeur's isappearance and astounded to sec is picture In the papers aa the captain of the "Belgian team. She attends the football match. There Is a pathetic explanation afterward and the couple embrace, but minus the glue-like ki-^s customary in such romantic sequels. This Pclgion production is going to be okayed by the international c.inenifi fa"s. . JK:('n(ireu\ THE ADVENTURER M.G,.M. priiductlon and release. Dlrocli'd by V. Touri;insUy. Screen arranffemont by Jiick CunniuBhiim from story by I/fon Abrams. Tim McCoy aUrred. Oydo i>e Vlnna, cnmi'ramari. Titles l>y R\ith i um- minffs. Cart: Charley Delariey, C.ei>r«i' fowl. Dorothy Sobaatlon.' At Lfocw's N.^w Yol k, one day, Sept. 18. ' as half double bin; Kunnlng time. 50 minutes. hi THE HEAD MAN First N'ailon.il produi;tli>n and rcleafp- Starring CliiirllR Murray, ^vltl» Tx>retla Toungr, I^arry Kent ana Lucleii LiltlHIeM featured, .''tory by Harry Leon AVil.'jpn. Kddle Cllne, director. At I/)eWa New York, one d£«y. Sept..12. Huns (i.^J minutes.. Tim McCoy dips into gaucho land for "The Adventurer." In rescuing the mine president's daughter from marauders and restoring the stolen property, Tim wears several color- ful costumes and sticks to old lines of never licking under six big bruis- ers at one encoiinter. McCoy.thea- tres know what to expect. Too much bravado,and. too many extras Avho topple over like props every time McCoy tightens mit rob Tim of chance ot rising to real mel- ler heights. The fighting stulT . is so exaggerated at every McCoy climax that 'IThe Adventurer:' and other recpnt releases are practically identical: They get laughs where the fans aire supposed to be slightly excited. Leader of the upstarts and his assistant overact to a sickeing ex- tent. ■ ^ . Spani.sh sweeties well done Dorothy Sebastian. by SHADOWS OF NIGHT M-G-M pro<luftlon and release. Lawrence Ctray, Lillian Lorraine and "jnasU"' (dog) featured. .Siory by Ted Shane. Directed by D. Ros.t I.oderuian. Cameraman Max Kabian. Titles Uy llobert Hopkins. .Cast Includes Tom Dugan, Warner. Klchmond, I'uUy Moran. At Loow'b American New Yorki-Sopt.. i^t-lT). Itunningr. time, 07 mlns. PARADISE (BRITISH MADE) London, Sept. 14. Briti.sh Intornatlohal Pictures pn)Juctlon. U. K. illslributiou, Wardour Film Couxpaiiy; AnieriUiin, Wide World I'ictures. Ulrei-Kid by Denteon Cllft. Adapted bx -V. E. I'owlII from bir Phillip. Gibbs' Btory, "I'he .Cross- word I'usszle." Photography, Rene Oul-s- sart. Censors' ccrtincate- "U.'-' Pre-vlewed at the I^ndon Hippodrome, Sept. 10. Run- ning time. 8T nUnule.a. tV W„.- Kitty Crahfilori -., .... -Pftty Ralfour Doctor Halllday..............Joseph Striker splrldoff Alexandre V Arc-y Reverend Cran.ston.v.... i .Winter Hall iipening shots are almost IdentiiMl to tho.se in William 11.lines '•TelUnK the World" uM-Ci-M>, also a news- paper yarn, with its scenes of speed- ing railroads, airplanes, telegraph wires and othermean.s of comuuini- ..Uion. all hasleiiing to inlerpret themselves into printer's ink. SUiry, in wilirety, is pn-tty fa- miliar stulT, of a .pattern oftiMi en- countered, before, hut lent a some- what timely touch in this ])artlcular season of newspaper plays. Stone who is starred does not merit the distinction excepting for name value, his performance not be- ing consistent with the honor, not liocauso of inability but plot limlla- tions. What he does, he does, in his iisual impressively restrained .man- ner. Miss Day did not quite click .fis the femme lead and that went double for Maleolni ileOregor in a role that seemed beyond him. Tl'p tiuhch Is. the bombing of the newspaper plant. 'Ahcl: "Q*» SHIPS (ENGLISH MADE) Made' by New Era with the co-operation of the British Admiralty nnd released through nim Aria Oulld. Directed by tJi'offiey Barkaa and Michael. Barringer. Photography, other than oflUMal war scenes wMch are froni archives or Imporlat war Muspum, by Sydney Dlythe. Technical nd- vlMcrs: Llput. (?omninnder Harold Auten, for Uncllsh. and Coinniahder H. Itohnc for Ger- miin. At CiimPrt. New York, week bept. lo. Uunning tiniei 00 minutes. This very good program comedy is quite similar to and not far be- hind another recent First National : release. "Heart to Heart," both deal Ing with small town people, politics .and gossip. While "H«art" played the Paramount and "Head Man' shows at the lesser New York, the contrast does not properly gauge their respective values. Former however, has the edge, though not that much. Also, "Head Man" may be Charlie Murray's first starring picture. Al- though the payoff in a series, of screen comedies he Is not' known to have been mentioned above th title before'this one. In starring h is hot without a battle for comedy honors from Liicien Littlefield, who clicks again as he did In "Heart to Heart." Viewing Littlefield's per formance, it is wondered why he i billed below both LaiTy Kent and Loretta Young. "The Head Man" .falls back on its story for impressiv.encss, and too often. That must have been th fault of Eddie Cline. Neither hi handling of the plot nor the char acterg equals the tale itself. All about a small town lawyer once state senator and supreme leader of his political party, but now only a lawyer without clients. And in "his lowly—comparatively—posi- tion,, he is one. of the town's staunchest anti-prohibitionlsts, in practice as well as belief. He has a printer, as his friend and drinking partner. A llashback shows the lawyer in his former powerful position, refus- ing to join a crooked deal. The boys threaten to break him and appar- ently they did. The same boys now control the party and are about to Inst.all a new- mayor in the lawyer's oflice. I5ut ^^thejJiasbeen -knows, plenty .and. stilL has a following. "With the aid of the ladies' auxiliary, they induce him to move to another town, advancing him expenses and supplying him with flattering letters of recommen- dfition. ■ ; Instead of getting to the train in time he .stepil In for "one last drink" with his. pill and comes home that way. His d.aughter's odltpr-boy friend .<(pots the doped up letters, prints them in his paper and enters his j>rospeetive. i:ather-in-law in the moi-row's mayoralty race. The lav.-yer; still inebriated, slee.t)S it off aii.l the next a. m. is still unaware- th.it he is to be the next mayor, tliMugh he later finds out he's in the Ti .iiiing from posters plastered all () T the town, Result of the elec- 11 is .a .sure thin.g with the audl- hut the .«tory itself ni-'ina'r;es to iii;iin s-iisiicii.';i' until llu; linish. li'wc-. MY CHAUFFEUR ^^■(.BE.LGIA-N^.MAD:E=) Good canine melodrama... Not in- tended for do luxes. Geared fOr ac- tion from start with characterizjt- tion and plausibility entirely inci- dental to the tempo. Differing from the conventional dog picture, this one is not laid in the open spaces, but In the close quarters of a big city. The dog does not have to pull the switch to (1) save the train (2), shut the flood gates or (3) stop the advancing buzz saw. The exploits here of "Flash" arc quite modest. He tears the license plate off the fleeing, aur tomobile of a gunman and thereby mixkes possible the identification of the murderers of Policeman Barnes Lawrence Gray is the young re- porter who combines detective -work with news gathering. Lillian Lor- raine, less familiar. Is featured leading lady. Polly Moran has .a mere bit. Warner Klchmond is his usual nasty self as the tougher than that gang leader. The gang stuff is remiui.scent of the present cycle of high voltage underworld melos. Pretty good production a;il told with a novel twist for the finale when the cop-killer, tries to get away as the occupant of a collin a trumped-up funeral, JjCna. FEAR (GERMAN MADE) London, Sept. 71 Moastru-Orplid production. Directed by llan.s Stelnhof. Adapted f a siory by Hiephen Zwcig. Photographed by Carl Puih Censors' Ccrtincate "A." Released by Drltirsir & Foreign Films. Ltd. liannlng time, 100 rnlnutca. Previewed at the Lon- don Hippodrome, September 4.. , Henry C.odfrey • • r/iflk Klsa Oodtrcy 'J^'^a Jean Francard vw-^i, cib^on x.T,.u iini'niiril ..^ Vivian i.iliison Franc 3 IK nd • - • "run* K?stner Claire Cd Margit Manstad ti P;iris. vScpt. 7. '■.Mull-ii-iii- uiDH i.''i)aiilTcur" was ))ri)iliicc-(l in lii'lLr'.iini by (lusfon- Schakens. .nnd is listed hk a Hel.iiian ket picture. 1( is not often a film hails I Qimla 1..)on), and i from that ;;'all;uit liid'' cfiurVtry, and; Contitvnl:.l i>iclures. this is a most creditable output. 'Th.> \t]<'\ :s .uddd (oriiedy, g;iily If somebody could tell us why the story was written and why the film was made we'd be obliged. We can't iigurc it out '^ny It is sl7nv7duTT;"mudlca^TTd-withxjut--in-- tercst. The acting is wooden, tne direction fast asleep. As a c^urc for persistent insomnia, admirable. As a movie we never sticcecded in find- ing it at all. . , " I-ienrv is^ an attorney. He prefers his business to his wife, but doesn t really nioan . to neglect her..^bhe wnnts to be l-6-o-oved, and howl lie offers to take her to Cannes, but cart't make, it at the last -axo- ment owing to an important -Ase. Elsa gets kissed during a storm hy an artist when .she takes shelter in a cottage, ;and thi.s seems so wicked to her .she. Is afraid to tell ber husband. Ho suspects some thing, linds out what it is, puts a woman on to blackmail her so she will be forced to tell him, and, when ^hr^ (lofs. ;ifter trying to commit suicide, he ("Us Iier he knows, all ' iilioul it find never doubled her 'in ' his heart,'; ; I Tliere'" so'Uie other bit of a .«tory ' of two other folk who are' going to ' t,'et a divorce; and change their r rnlmlsr^li" tv=saA^fr-to-fl nd-iLn^(:j4tiUSXi= j for some suggestive stuff, it does ' not s(>em to belong. riiis is thf; lirst offi-r in this mar- by a foiiipiioy floated on the niMking Anglo- Tlicy have at le.nst aot, a .••■niiMlilf title for lV»ls An excuse to take a vacation on the Kiviera. That's all there is to this. In every way it is on the level of an average American program picture. Sometlihes not that. Riviera hotels, the bay from a. balcony, the dance floor—all the stuff that has been shot to pieces. . So slow and draggy some of the pre-viewers went to sleep despite the orchestra. 7,000 feet, mainly scenery, Is about its description. Cliffs direction Is competent but. uninspired and slow, Perhaps the story was the cause. Or the cast, which, except D'Arcy, is as flat as the film itself. . Betty Balfour doesn't need many more like this to back her way down —not with the critics; they give everything a hand. But with the fans. This is one of those pictures they'll walk out on unless they're rabid, for the star. Kitty Cranston la a parsons daughter, and c; • action. . She turns down an offer of marriage from a young doctor. After win ning a large piece of change in a crossword compietition (that's the kind' of girl she is), takes a holiday at N^icc because she wants to ex- perience that joie de vlvre. She falls for Spiridoff, gigolo, and the doctor boy friend comes to>hei' fescue. Outstanding is the acting . and screen appeal.of D'Arcy, newcomer, cress between Novarro and Valen- tino. Good appearance, line trouper plenty of It.. As a juvenile lead Striker—who is said to have come out of the De Mille stable—Is badly cast. He Is ai young character heavy, maybe. But as a juvenile lead—^^so's your grandmother's false hair. Photography id patchy. So are sets. And an episode in which after apparently a. week or more the doc- tor looks out of a window and It is still raining got a titter even from a nice, kind, pre-view audience. This film has all the faults under which British pictures are handi- capped at present. Will probably book well here on Betty Balfour's name and D'Arcy's press, but will not ^idd anything to public enthusiasm for home-made films. For America, it may get by in the daily change grind houtics il' they run it fast. ~FraJ7 " 'Q' iShips" is one of the finest pictures that England has tumbled our way. It is largely composed of picked sea war material with some of the greatest submarine and mer- chant craft action yet worked into a production.: The government film is so skillfully pieced into the iirtillcial that a story crammed with suspense and action dims to a vague outline episodic tendencies so apparent in other productions that have delved into'governmental galleries. No exhibitor need hesitate over booking this foreign made. It will draw If properly, publicized In the- itres of ail classes. . An outstanding feature of "'Q Ships" is that the editing is near perfect. This state is aided by the texture of the war .shots from the Imperial War Museum; so well pre- served that an expert would have a difficult time discerning any differ- ence in their color from that of the recent production additions which round out the stOry. Blazing mer- chant ships and sinking hulls from the Museum archives fit into a con- tinuity getting its start and con- stantly referring to recent shots of studio sets and submarine interiors. The studio work is equally excel- lent. Lap dis.solves from war stuff to action within the s.ubmer.sible when it is struck by depth bombs or when it is cra.slied by a projectile from a phoney merchant .ship, callecj "'Q'," are almost as convincing as the original. The production is largely a .study of the success and defeat of German Undersea warfare in 1917; success until American destroyers were •brought Into pbiy. And this is one English production that gives the home gobs a certain amount of credit. . The "Q" boats, or merchant ships, secreting guns, deliberately laying themselves open to get a sock at the U craft, come in tow.ard the last half of tiie production. One Such ship and the suspense, with a touch of comedy thrown in, which if builds up Is alorie worth the admission price. Long after a torpedo has bat- tered It and after a part of Its crew have manned small boats to decoy the sub. commander within range, the gunners remain aboard, eagerly awaiting the word to let go. Germany's Side of War A6SEMDLED Miko ^tin•lliIl pii«iluc:iou. oth-.v , • ..dlt, \; th.' Fifth .\v.-:-.u- lMii>h.m.-.- w,-. k .-I'l-l 1.1 UunnliifT time aKnit 10 lO'-fii-J. Not a very .uood argumi-nt for tiornumy. It doos not atteiuiit to explain'or give a reiison for that country's part in wh.it tin-, iiilllng ealls "the great- misunderstanding. If Mike. Mindlin took, the credit for its making from somebody else, that somebody else shouldn't mind. "Gei-manv's Side of the \Var" does not approach what the title imphcs. It follows closely ."'everal made on this side or for, thi.s. side, particu- larly that one pieced together some time ago by the American Legion, (for propaganda). This is a loosely connected series' of war shots,, some good but nio.stly uninspiring, to- gether with some news red items and a. lot. of dupe film.- Titles not credited but in spots follow a style set by"The l!ig Pa- rad<>." At all other times, very foi'mal. A few dead bodies pictured are not ne.ar enough and may be over- looked, however gruesome. . Probably the best shot, and one that will go down In history, shows the Kaiser at the front, personally directing the troops. Large part of the audience was German when the picture Was caught. Applause only for Hindon- burg, a couple of hisses for the Kaiser, and dead silence for the . Kaiser's little boy. Only for Mindlin and Germans, if there are enough cliump Germans; The only suggestion of the true attitude of the German people Is the scone of the anti-war demonstra- tion at Munich. Bige.: THE DIVINE SINNER Trem 'Garr production, distributed by Rayart. Vera Keynolds atarrt^d. Directed hy .Si'ott I'embroke. From story by nobert Anthony . Dillon. Hap Depew, camera. At I,oew'» New York, one day, Sept. 14, halt double bill. Running time aroun(J m mm- Mien. Lillla LudwlK....... Mlni.ster of I'ollco..; .lohann I,udwlB..;... I'fince .loHct MIkucI. I.uaue IJern-Hlorff.... Millie Claudert...... Ambassador D'llay.. Ilelnrlch. Paul Coudert ;. .Vera Reynold.s .N'iKel DeUruller ... Bernard Selgel ..IJrne.st HllUard ,,... .John I'eiera ,. Carol Lombard . .Harry Northrup .Tames Ford , .Alphonse Martel FREEDOM OF PRESS Universal production and reloafle. firar- rlnK Lewis .Stone In new.siiaprr story by Peter li, Kyiie, directed by GoorRe Mel- ford; continuity by J. CJrubb Ale)can<K5r; titles by' Walter Antltohy. Ih casl: Mul-, rolm MrOregor, Henry B. Walthall, War- Celine Day and Hajden Ktev('ns<m. .Nrw York prcmlero at IJroadway. New VorU, week of Sept. 17. Huns 02 mlnulM. THE APACHE RIDER P.aLlio western HlanlnB T,eo Maloney. Sl.-jry by Ford I. P-eclJC. Cuneranian, Kd- ward Kull. ■ .Dlrf-cted by .alar. CaMt in- cludes KuKenIa f;ill)er.t. Don ColPinan, Torn London. Walter .Shumway an.l Fred Dana. At Tivoll, N''W Vf.irk, on" day. Sejit. l.>, double fcaturo bill. Itunnlng time, O'J mlns. If this Rayart picture were not a quickie in the making it was In the writing. Such a sloppy vague story Is seldom found - even in a sth-tes Tighter. This leaves"The Devio? Sinner" about what Loew's New York gave it, half a double bill. Suitable for the cheap-looking . rentals. Best point of production, other than a carnival scene, is that the foreign atmosphere demanded has been somehow secured from the characters. The carnival : scene looked to have cost more than the rem.'ilnder of the film, for it could not have been ah insert here. Noth- ing .marked In cast, perhaps all one day people, other than Vera Rey- nold.s. • Press sheet credits De.Mllle for the courtesy of loaning Miss Reynolds. That's all the credit any- , one, deserves In this film. Production fair in appearance with photography evidencing rapid work. Story Is of an Austrian girl after the'twar going to Paris, to se- cure work to aid her destitute fam- ily and blind brother. In Paris she becomes a' designer with a fashion show parade at this juncture for exploitation perhaps. That's about all It Is good for. The girl falls Jn with a forger, becomes his aid and both are finally arrested by the police. The couple are given their liberty on the girl's pledge to Involve Prince Josef Miguel, heir to soriae unnamed throne. It takes the girl two weeks to mix up with the Prince, after she had' protestlngly accepted the job. Then both are In love and then the PrInce'.s father dies. He Is apprised of his succession by the diplomats, but renounces the throne with his .lady .l.ove Th.e^latter .scorningly re;; Whether an original or a pub- lished yarn, I'eter-B. Kync has ob- viouslv arid almost admittedly taken his plot cue from the. Don Melletl murd(-r of the Canton, O., new.ypapr-r publisher and the attempted wreck of his plant. One title, In a warn- ing threat by the undttr.world ele- ment, makes mention of Mellett. It all sums up as an average society- underworld yarn,- merely tmnspl.uit- ing the naual hooey formerly wished , Another telling of the venerable fable about the liiun who was inno- cent but nobody except the girl be- lieved him. Everything from mur- der to cattle rustling is charged, against. Ai)a':h(i Bob Morgan, and, as the smarter pupils will guess, the real culprit is hone other than Daw- son, the mustachcd respectable citlr /,en. And yet, despite the so well kniAvn plot, "The Apache Rider" makes a good, rip-snorting prairie melodrama. Leo Maloney, Who Is director and star of a series of cowboy operas releasing through. Pathe, h.as devel- oped his technique to a high level of jH'oficiency. lie puts in every- thing, including the mob breaking into (he (own jriil to lyneh the inno- eent outlaw, r'ight or-10 men are murdered at vnrioiis iiolnts in the unreeling, ..The IniUels fly frorxi every direction, but mostly fi'uin malned pure throughout the entire period,., although she didn't mind confes.sing to forgery. • With titles written perhaps .by the office boy. If pictures like these are built for dumbbells, the dumbs can have 'em. CHICK (BRITISH MADE) l,onrlon. f^ept, R. Predticpd' by HrlllHli ■ Linn Film Cnmpany, Dire':U-'l hy A. V. HrambU;. AdaiiU-O frotn an KilKiir Wallace .slory.. ItcleaHDil by:l.!fial Films ''o. fVnsors' (.'erlKlcale "IT" "Run- ninK ili>:c, 1)0 uilMUlPH. Previewed, at the tyond'.n lllpp'xlrotne. Hi • Chi, k Uraiiiwell Fleli-lier fiwenda Mayn.inl. Tillby fark .7:,,.^ j...,. ; .■ .Inlin ( rtnii'-r M'ni.i.'' .'I'liv'ls I'l'ili .Mr. 1,ell her.... , K'-.v.-.i.l <i .Nel-l .M!ir(<iilv or Man-:»r. Re-c .M-eire e A.eui-ioMS cf)nli"i(licllon, this film. ("Ik;i() and on the whole poi.irly on the shoulders of some insurt;eni ; llie rear, ;uid- l.iorscs gallop m.'idly i ^^^.^ Jj^_|^ ' j^,^^ ^^^^^ ^^.,.,] ut. :ind old a.ssislant district attorney, onto j through somber (-:in.yi,ns. . ' r.-i^ lVi '' lilin. /-•/•-if. .i.lrose.-gf ■a.jlf>.ug.hty.^ae>yjgJ>apcj'._Tl'.'b- \^ li.sher and. his son wlio i.s' forei^" Into his sire's shoes when the po- ^\11 the jwii-ts_?y-e_[MlH. hilt some of ,^ ^ ^ j T^TTc^fiiFETng iS^pr(aiy^ViTf)rr'':i)i"d~^TVi~'"^^^ iieil in i'< i4ii.Jj.!iLltl iniMue. it .'■•I ill stic- ■1 ii.r'i:v'.-.^eTii'.,iJli.b . ;.ijj.'J,. lilical pirates, wrenk venge;m'-e «<: thp e.'impaigning editor. (jUtay oH' daver. As the title indicates, It'.s n eon flict for tlio pre.urTv.ntion of the in-- I iloni r>!" tlie lof-al J-^-ee r'if:-!S,' 'i'l!- loney himself is much betler U\:\n ■the .T.vf-r;ige eowhoy si.'ii". Sim)'!'- matter tf) find Ineon'-iv.tcneii-.- In tlie i eurilinui.ty ;ind boles In ll;e iirod'ie- ; «ion. but It's fi pipe U," we;;ie! ii ' f;iTi<-. won't notiee or, if rif.': -'r:;' i \'. on't rniiid. Lunil. the avei,-iL;e . |inii.-li piodiic- I h-in lion. It>; onlv Viox nflii-i' .-uiul" is l-,o'r>i' W;ii: I'-i', N'on>' oi' (be CM.-t n;!iM'-e.c! e\eii in llie II .Ml" rn.'ii'K'el. Th" m'»l • !■ :..l h.iS never 1>; "p. in .-i ]> i-lii;i' (i.'iill 1 in ■• '! oil -i' li"• - 1 .'