Variety (Nov 1928)

Wednesday, November 14, 1028 L E GIT I MA T E VARIETY 53 Plays on Broadway This Yei^r of Grace Cbarles B, Cochran's English revue, ■liirrine Beatrice lilllie and Noel Coward; presented by Arch Selwyn at the Selwyn, Nov, is book, lyrlce and music by Noel Coward; »tased by Frank Collins; dances directed by. Max Rivers; some numbers by Tilly Losch. ' In support.of Mies Lillie and Mr. Cow- ard, co-stars; Mos& and Fontana, Made- line Gibeon, Queenle t«onard, Oriel Ross, O, P. Huntley, Jr., Nan G. Hearne, Billy Milton. Tommy Haye?. I>lck Ftanols, Phyllis Hnrdlng-,- AJbertiria Vltak, Rita Mackay, William Ham, Muriel Montroee, Mervyn Pearce, Audrey Pointing, Florence Pesmond, Wyn .Claire, Sonnie Ray, Noel Coward,' author of dramas, writer of lyrics, composer of tunes, eatirist and humorist, in addition a,n actor, is regarded by many as the most brilliant of JLondon's younger playwrights. Coward wrote .the whole of "This,Tear of Grace," which Chsiriie Co9hran . produced over there as a shiash. Arch Sel- wyn, in association with Cochran, displayed the revue to Broadway at the Selwyn and the show stood 'em BP for the balance of the week. . While it is conceded that "This Tear of Gracc^' is a money show, the matter of a long run is ques- tionable. The combination of Bcati'ice Lillie . co-starred with Coward is bound to attract class patronage.-. Neither was in th<i London presentation, but both have a draw over here, -.. Plenty of scene changes requiring » whole. gang.;back stage, but in production the sho\y does hot pre-, tend to measure upi to American re- vue .standards. : I?or that matter, neither did the "Chariot Reviie," which brought fame to Miss .Lillie •ver here. The elements of novelty, clever playing and satire made that Bhow popular, and with the then unknown Coward's numbers out- Btanding. Perhaps it is the same factors that will count ifor "This Tear of Grace." , . New. Tdrk's critics went. into raves over the English revue, but there Is no denying that, .other ob- aervers were not so rapturous—-In fact, eixpressed reverse opinions. Despite Miss Lillie's cunning as a clown the laughs are not numerous. The fun of "This Tear of Grace" is rather subduied. It requires an ap- preciation of Coward's polished, satirical sallies. One of the best of Miss Lillie's numbers has her in the guise of a young clerk tired of his job on the books. It Is called "World Weary," a. really fine lyric and with a snap- per in the last chorus, The lad iwears, and It cpriies so unexpect- edly that It provides a real laugh. Another of her solos, this time with. evening frock iand feathered fan, wan "I Can't Think.'' Good, but not equal to Miss Lawrence's simi- lar iyrlc in the first Char-lbt show. Miss Lillie's travesties included a bit called "The Bus Rush." in which only one word is spoken. JTou imagine the thing is real. In'an- other billed "The English Lido Beach" she burlesques a channel swimmer and warbles .a humorous, ditty, "Britannia Rules the Waves." The skit travesties the lower class Britisher on seaside vacation. The punk lodgings, rotten fare and the general discomfort Is expressed in a number, "Mother's Complaint," sung by a,frou.sy female quartet. Coward's- outstanding bits, are topped perhaps by his rendition of "A Room with a View." sung with Madeline Gibson. "Lilac Time," with Miss Lillie, got somiethlng.. His dramatic rendition of "Dance Little Lady" was received as beist of his work. A block of dancers with tnasques implied the author's mean- ing, the deadliness of the inveterate dance hall hoofers. Miss Lillie and Coward were to- gether again doing a mazurka In .the. old-fashioned dance number that provided the first act finale, ' called "Teach Me to Dance Like Grandma." It provided n.n ad- mirable setting for Marjorie Moss and Georges Fontana, ballroom dancers, whose waltz was given the applau.se honors of the perform- ance,. Miss Moss is ever vso grace- ful even when lifted; as she often is by Fontana. . The dancer.s ap- peared late again In "Valasquez," since taken but, to speed up the finish, which is coJlogiate, American stylo. "Love, Life and Laughter," with the stars principally concerned, seemed too far dbvm in the show. "Rules of Three" and "The Legend ©f the "Lily and the V.illev" wero made attractive through Coward'."? mannerly announcements of themi Queenle Leonard and Billy Milton teamed in several numbers per- formed well, especidlly with "Try to Learn to Love." Mi.'^s Leonard "ang . "Lorelei." with Albertlna yitak dancing as the maiden of the sea; ~"^lRs"~^Gibs^^^ •Inging "Mary Make Believe," thou.gh later having little to do. A ChauverSburls'.! ;bit,. ■gootd, Syr- (wque of popular play.q, f.alr. "T>ove',. *^fe and Laughter," with Miss Lillie as "La Flamme" and Coward *s a wealthy Britisher on the loose w Paris, went well the fltst night, not so forte the second. "T^his Tear of Grace" Is one of ^e high-scaled muRir-als, $6.«0 top. ■wairony strength . figured a good sign of its chances. It is protected by an agency buy said to extend 16 weeks. . Big money for a time, though the minority will be surprised if it lasts through spring. Ibce. TREASURE GIRL Alex A. .Aai-ons and. Vinton Freedlcy lAltoh Productions, Inc.,- owner) present this now musical tomedy starrlnB Gcrirudo .Lawrence with Walter Gatlelt, Oliftoji Webb, Paul Frawley and Mary Hay .foa tured. Music by George Gershwin, lyrics by Iru, Gershwin, l>ook by Fred Thortipson and Vincent Lawrence; staged by Bertram HaiTlson; dances by Bobby Connolly; cos- tumies by Klviette and settings by Joseph X'rban. In two acts nad six scenes, Opened Nov. 8 at the Alvln, New York; SO.OO top Betty............... Madge.-............. Kitty... ".Nat" McNally..... Polly Tees;. Mary Grimes...;.. .Tack Wrigley...... Footman... ........ Larry Hopkins...,. Ann Waln.wright..; Nell Forrester...... Mortimer Grimes... ■Bunce....... i...... "Slug" Builiird.... First Mate,;....... Postman .Dorothy Jordan ......Virginia Franck ...Peggy Q'Nelll .Clifton Webb ..Blary Ilay ..Gertrude McDonald ......./Charles Baron ......Frank G. Bond ..^....Walter Calletl ...Gertrude Lawriencc ..........Paul Frawlc- .'.. ;Ferrls■ Hartrnan .... i ..Norman Curti.s ..;^,.John. Dunsmurc ..... Stcplicn Frani-is .... . .Edwin Preble Victor Arlch and Phil Oilman at the Pi.-inos Ladies of. the enseinble—Florence Allan, . NHza Andre, Marcia Bell, Glaire Cairoll, Jean Carroll, Betty Clark. Peggy ConUUn, Cleo CuUen. Constance Cumminpa, Dotte ■■DeSylva, Kathleen. Edwardcs, Evelyn. Far- rell, Sherry Gale, Alm.a Hookey, Joy Johnson,. Adrlenne Lampel,; Annabel Mc- <(»3vianh-,- Maurice McNeil, ' Helen Mann, Vida Manuel, Frances Markuy, . Mabel Martin,' Paulino Mason, Ysobcl Mason, Kth61 Maye,Lillian .Michel, El.sle Nenl,' Wlima Novalt, Tony Otto, Ruth Penery, . Peggy Quinn, Aill Radlgan, Marvyne Ray, Wilma -Roelof; Helen Sills, Kay Sithythe, Flo Spink, Betty Vane, Gwen Vernon, Beryl Wallace, Betty Wright. Gentlemen of the ensemble—.Sidney Ayres, Edwin' Bidwell, ; Norman Curtis,- Eugene Day, E. M. Gall, Regis Geary, Bob Geb- . hardt, Thomas Hodges, Edward Humbert, Richard Keith, John McAvoy, Billy Mc- Garver, William L.. Mack, Lionel Maclyn, Jacic-■ Morton, Alfonso. Mullarkey, Daniel O'Brien. Edwin Preble, Fritz Relnhardl. W. Kenneth .Sliepard,- Sam Simpson, Jack -Stevens, . Jacques Stone. Sims ' Walker, Walter Wandell. Prodigiously mbunted, generously peopled with ultra talent and in- vested with every qualification for a click, "Trea,sure Girl" is not only disappointing on the whole but hap- lessly, flat in spots, shaping up as a grand conspiracy by the librettists to nullify what should otherwise be an unqualifiedly successful class musical show. If "Treasure Girl!', lasts It w^ill be more of a tribute to the lissome star's draw, the gen ^ eral aura of the prpductibn and the contributory talents rather than the basic creative ingredients. Not to mention the practical advantage of the house and show hook-up under common inanagerial control. The GersTiwin score, matched with some of his lyricist brother's best, lyrics, is a paradox Jpr musical comedy. Just.a bit tod pretentious and a trifle too thoroughly mu.si- cianly, the "Treasure Girl" music is distinguished but not contagious. If the show survives, the Gershwin tunes will doubtlessly attain some vogue. The composer's name alone insures an Intensive application thereto by the dance maestros ex- tant, but, from the song viewpoint, while there are sundry pbssibllitics, nothing Is spontaneously whlstle- ahle. The chief bane of "Treasure Girl" is that book. Fred Thompson and Vincent Lawrence plead guilty al- though, mayhap, some of those re- leased familiars might be Interpo- lated stuff. Such gems as the.se punctuate the proceedings:- "How much is nine times nine? Answer: 81. Straight ^an: Tes, that's pretty, good. Answer: Pretty good, hell, that's perfect." And one other: "Do you . mind if I smoke? Comic: 1 don't care if you burn." But aside from these sophomoric excursions into College Humoran.u, the ~book writes drag "iii- a plot which even Bebe Daniels has fore- sworn, that of a proud heroine whom the cave man wooer curbs and bends to his will when they are marooned on a supposedly deserted island. If Aarons & Freedley; insisted on that, they should have realized that Paial Frawley, a good enough.juven- ile, is not quite the type for the he- mah heroics, particularly contrasted to the romping and effervescent Ger- trude Lawrence. Therefore! moti-r vated into that particular situatipn with a particularly forbidding mem- ber of a gang of hijackers oh the self-same i.sland in the background as the mienace,. it all apijear.s so vapidly ineffective as far as the hi.'^- trionio as.signments arc concornod. Be It understood that Miss Law-, rence l.s one of those willowy hero- ines who, running true to mu.sical comedy heroines, Is paricularly proud, hauglity and unbending. So is the hero, 'a Long Island r'.-aUor. Again.st this is old man Morly Grimes' plot Idea of a week-end ^trr-asur e' h u n t-^to-^ rel i e.ve=.t he..=xalQiOi_ sphere. From a gorgeous Urhan- csquc garden pirate party, thro\igh ■driv-cs, islands, pjazza.s and tiall • V.Dbms, thfe action moves 'Ih - .He.eni<;.. splendor if nothing el.^e. - Walter Catlett Is the chief comedy mime. If his stuff isn't funny, Cat- lett lends it sufllclent to make even the comic magazine quips sound im- portant. Clifton Webb and Mary Hay, reunited once again since "Sunnv," are a.") brightly divertlrfc ^^^^ \^ •«*' it 'v ROSITA MORENO All Broadway production . man agers should see Rosita at the Palace this week. She is a great bet for musical comedy or ;rcvue. The New Tork Times said, "I^bsita's beauty Is equalled only ,by her charm, her charrn by her graco, and her grace by her mastery bt the art of the dance." VV ' Direction ■ RALPH G. FARNUM ? 1560 Broad>iyay ., Webb seems himself again working better, -with the diminutive come- dienne. Frawley, the fourth fea- tured member prominently billed in support, is an excellent juV, singing and dancing well and impressive throughout. ; Miss Lawrence, a bit broader and more clownish in her, stage work, is ever a highlight. Her absence from the stage is immediately marked by corresponding sagging of the action. Unfortunately, she is off the rostrum too often. Probably the most outstanding in^ dividual foatui-ei is. that whirlwind dancing chorus, iri some effective routines credited to Bobby Connolly. One g;al partlcula,rly, later identilled, as Kathleen ISdwardes, will probably start a new vogue in musical com- edy production through building the routines about sonae particularly eftervescent. chorister. The stand- put effect of a particularly peppy member of the ranks has a strong audience reaction and they gave the big Miss Edwardes a big hand a couple of times.. . Of the Gershwin songs, "Crush On Tou," "K-ra-zy for Tou," "I've Got a Rainbow" and "Feeling I'm Fall- ing" are outstanding in the spotting if hot in their audience impression; ■The latter two got the most on actual returns because of reprises and production embellishment. "Treasure Girl" is not good enter-, tainmeht and not worth $6.60 top. For purposes of box-score rating, if the musical survives It will be only a combination of the public regard for Miss[ Lawrence as the star and her istrong support, notably Catlett, Webb and Hay and Frawley, plus the Gershwin musical associations. And then, too, Aarons & Fre.edley, With their Alvln house dark until now, and with nothing in the oHlng to succeed It, might be inclined to force their show, with the knowl- edge that both of the producing team have declared themselves tired and eager for a vacation. Individ- ually aiid in. combination, none of the elements—talent and creative components—clicks sulliclently to warrant the longevity of "Treasure Girl" on Broadway. Alet. THESE DAYS Comedy drama In three acts presented by Arthur Hopkins at the Cort Nov. 12; writ- ten by K&tbierine. Clugston; staged by the producer.. Rosilla Dow...... ....Mary Hall Virginia MacRae.....- Mildred McCoy. Pansy Larue; Mott.. .Gertrude Moran' Veronica Slnis.,...:...'.Katharine Hopburn Miss Guadalbupe Gorham- .Gladys Hopeton Chippy"' Davlsw Dwight ElbrWge.. Stephen MacRae.. Frannle' MocRae.. Mrs. MacRae..... Mr. MacRae....;. Miss Dorothea, Utlerback Stephanie ' Bliss... . .Urucc Kvans .William Johnstone ......Edwin I'hilips 1.... ..Elaine Koch ....., .May Uucklny ....George. MacQuarric Marl'; JJruoe .lluth need Miss .S'lgnhild Valdemir Van Al.Htync . Ilelon.. liYeeman Miss Cleo AJmeda Toupr. . ... , A.da Potior. Winifred Black. Miss Wllda Hall... Mis.s Serena lAib,. Dolly. .Marjory. , i. '., Ulchard....'. <>uy I'hlllp...... I'u.ss Suzanno l-Vfoman .........Mary 'Jfu'bburd ...-.'.... Nel II' Ma Icolm ,,.. . . .Marian Leo .....Ruth WlKon ; Francis C'orbln Uurko .Willard S. Ilolx-rtson ....... H>M)rl L-i.«c ,l(uih \Vi!'-')x "The.se Days'' in a pioduct of Profe,«.-.sor Baiter's dramatic school at Yale, where is was Jirst .-iliosvn. iinder thc title of "Finislied." Katlir ci'inc' (jlugston is .said to he (>{ Die JJuker organization and it is P'.m-- h;ip.s in tunc that her pLMy'." atmos- phere be that of aflolesee))!'... in "ilTiS"=instance=-tlie---^cO.)at-a;tU^iis..=.ajL<.4 flappers in a girls' finishing -liool. That may excuse the t.'i).l:iii'-KS of tlie,- play,'.•but- hardly . J!.'.';..erj.s it.« e^ha'ric-es :of clioklrig."" ' . .' There Is no doubt tlmt "Thef-e Days" is unusual.. It glv<-s proriii.se in the first act but prou.v 'b'-iej-i.-me in the second, con.su'med fur tlie moot part In Miss VanAI'-tvrie ex- amining the friends of V;i-;.)fji.i iTontlnued on prijre rr4) 'Tear of Grace " Starts as Strong Hit; No Other late Entrant Standing Out Though, e.lootion week, along Bro.idway. was spotty and under normal, "This Year of Grace,", the Kngllsh reviiei got oft to a sensa> tional start at the "Selwyn. import- ed show played six pei-formances, but,a $22 top for front rows ivt the premiere soniewha,t balanced the missed two nights; and takings were $34,5.00, The Selwyn ca;i gross between $38,000 and $39,000 wevkly at $6,60 top. :. . * In last week's new shows Is "Treasure Girl" af the Alvin,. hot fancied by the first nighters, Brokers did big business and it got over $21,000 in the lirst four per- formances. ' Bolstering of the per- formance wii.-? recognized but it still has a chance oC landlng. Oilier proniit'i'cs not iiiipressivo. "j-lotbod"! - at -tho Klaw and "On .Call" , at the AV.aldorf opened late in tho ■\\'cek. wilhout Ktartiiig any- thing. Musicals Musi<:al i'eadors are closely bunched: "Show Boat'* about $•15;- 000;."Animal Crackers over $43,000; "Three Cheers" about as much; ■'New Moon" almost $40,000; "Scan- dals" .off to $.39,000; "Vahltlesi" $35,000; "Hold Everything," nearly $30,000 (hit); "Three Musketeers." dropped under $30,000; "Good Boy" claimed over $26,000; "Rain or Shine," $25,000; "Billie" about $22,000; "Good News.": $20,000; about the same for "-White.Lilacs"; "Us-a-DAisy" under that mark; "Blackbirds" (colored) Still big< $19,000; "Hello Everybody" about $20,000; ; Ltickee Girl" and ''Just a Minute;"' trailing. -Dramas VFront Page" up over $22v000 again, "Pari.s" $21,500, "The High Road" $18,000 and "Strange Inter- lude" $16,000 (capacity) are the non-musical leaders; "Mr. Money- penny" claimed $15,000 but may move; "Courage" which has been jumping claimed over $12,500; "Jarncgan" about the same; ;'Llttlc Accident," "Machinal" ' and "Dia- mond Lil" about $10,500; "The War Song" $10,000; "Young Love" Im- proved to $9,500; same for "Jealr ousy"; "The Grey Fox" and "Night Hostess" $9,000; "Gentlemen of the Press" $7,500; "Gods of the Light- ening" $5,500; "Exceeding anall" jumped, nearly $6,000; '^Olympia" $8,000; "Revolt," "Relations,""Skid- ding" under $5,000. New Shows Next week brings a flock of at- tractions: "Macbeth," Knicker- bocker, "The Sacred Flame," Henry Miller'a; "Major Barbara" following "Faust." Guild; "The Liv- ing Corpse" (Moi.ssi), Ambassador. "Just a Minute" moving from there to the Century: "The Wild Duck," 49th Street; "Capon.sacchi''. follows "An Enemy of the People." Walter Hampden's; "The Jealous Moon," Majestic; "Rainbow," Gallo; "The Royal Box" follows "Girl Trouble" at the Belmont; "A Play Without a Name," Booth, with. '"These Few Ashes" moving. Plenty of Buys The 20 weeks' agency buy on "Scandals" expireg this week, but George White is Insisting on an Additional 16 weeks, including mati- nees, with a 10 per cent return privilege. The ecaile for the show will be reduced from $6.60 to $5.50, but It was not'sure that all the agencies would accept the deal be- cause of difllculty In selling allot- ments. "This Year of Grace" jumped into the demand lead In the agencies Immediately on. opeh- iug, the I'.iiy.s. rep.()riefl to be^ fi;i- l<i week.s. "Three Cheers'' was rated" .second in strength of demand. The buys arc: "Treasure Girl" (Alvin), "Scandals": (Apollo), "Girl Trouble" (Belmont), "Tin Pan- Alley" (Bilt- more), "Hold Every.thinij" (Broad- ,hurst), "Hello Yourself" (Casino), "Vanilies" .(Earl Carroll), "Black^ birds ot 192H" fEltinge), "Olyrtipla" fEmpire), "BllHe" (Erlanger^s), "Aiilirjal Crackers" (44th St.); "Three .Cheers" .-((Jlobe),.. "Good :.T>oy" ni.'immerstein's), "The Nev/ Moon" (ImjK'rial), "J.'inicgan" (Longacre). ""The "Three Mu.sketocrs" (Lyrif;), "Young T^Ve" (Masque), ."Jealousy" (.Vlaxlno )':iIl.ott), "Little Accident" CMorosco), ■ "Tlio War .Song"-. (Nation.'ii), "The Grey Fox" (Playhouse), "This Year of fJr.'ice" Y.Solwyn), "Tlje 7''ront Tago" (Times .Square),, ".'-'how Hoat" fijiegfeld). Gut . Rates Tlie flit )-alemarket lias i-etlceted the general sluggishness of busl- jifis.x. Die hurgaln b'lncli, ii*-; ii.siial, li:i.ving a rpiot.a of new ilunv Frisco Grosses San ■l<'"ranei.>;oo, N-tu-. 1*. Ani,',thor lough woek for the leirits, Ever.vthihg in. town off, and out- look not: encoiu'aging. . t'ontinued' pr<»valoivee of flu, vl<'>-'t><'n and its . aftermath, and nothing of outstand- ing prbminenoe; blahiod. 'Three departures. "Good News," at the Curr-an, making way; for ,a return of "The Desert Song"; "Dad- dies," Duffy production, elosod nine after week at the Pre.'^ideht, re- placed, by ■■' "Mother's Millions"; "Happy Days" a total lo.ss for two weeks at the Columbia, and folded for storehouse. Ooluinbi;.v .d:irk tem-. porarily. A new. arrival' was p.iin"y's"In Love ^^'ith Love," moving from the liufwin, O.akland; to the Ali'Uzar. (ripening week satisf.'idory. Estimates for Last Week Curran-T-"c;obd News." . Eighth and final weeki. Bad at $i-.0(Hi. Geary—"The' f <mki11,' Sroond week off little, but tigurcd to->>nlld. Aroimd $10,000. ...... Capital—"Kongo" hold fum in third week, and at. $8;.').00 showed: some profit. In indelinitely: ■ .Colunlibra—"Happy Days." Coast musical never got to tVrst ba.sc and droi)ped plenty. Second and- flhal week, $6,000. Alcazar—"In Love With Love," Dale W'inter and Heni'y "Duffy feat- ured. .Strong local following. Open- ing Week topped $4,500, great, con- sidering conditions. : President—"Daddies." Run of this one cut about three weeks, due to local depression. Final week bet- tered $3,500. Good. . Temple — "The Dybbuk." Soml- pro engagement, locally sponsored. Second week good at $5,500. . Green Street—"Easy for Zee Zee.'* This snappy farce pa-ssed it.s 100th performance last week". Holds fairly well. About $1,500. la.st week. BERLIN PRODUCTIONS (Continued from page .TO) . . pectations and centered in the. per- fection of Kathe Dorsch in the title role. Itichard Tauber as Goethe was just loved by the public, ho what's the use of criticizing him— anyhow, he is only a tenor. Solid for months. State Playhouse—"Egmont" by Goethe. This early play of the (Jer- man Shakespeare. has little to in- terest us today. Add to this that It was quite miscast; One of the worst evenings which Leopold Jess- ncr has been -esponslble for In this theatre. Tribuene—"X Y Z" by Klabund. Effective little comedy about a countess who marries a swindler be- lieving him a baron. Press gave the pl.'iy an bverenthusiastlc recep- tion duo to the recent death of the author but its gay second act makes up for the slightness of the,lirst and third. Well enough played by An- ton Edthofer, Maria Bard nnd Niko- laus Lovrlc. Volksbuehne —"U Boat S4" by Guenther Welsborn. Young:(lernian author has set on the stage the tragedy of the Ameri<'-an suhmarlne which sank off Provlncetown last fall. He - Is very philosophically (jennan about it and dragH in ti- rades against mllltaristn which do not brganleully belong to tho theme. But the scene under the oyeiin with the six men In the submarine is ef- fective,: even though conventionally handled. Per.sonally the author has little of . originality to give. Even If wbfkf'd :byct' theme too- gruesome for America.' Adeqiuitely' enough played Avith Heini-ich fJeeige and Agnes .Sti'anb in leading role.w. Buzzell Leaving "Boy** ■ Eddie Buzzell is leaA'inK ''Oood Boy." Though haying a run of the pl.'iy ('ontraet with'Arthur Ilnnimer- steln, the latter accepted notice, Klch.ard Keone was menilojied re- placing him next week, hut an- other -phiyer Is al.«o being eon.-id- <V('(\. Buzzell );-■ n.'OTied- for a new; . riu.i.'-leal being ,AT)di-(-ws. Helen Kane, out of werk, r'turned Mondiiy. ih<' •'.-asf lied by a Aliinite" (Ambassador), "Good | "jji;imfHiii LiF' 'TEiiy Boy ' 11 lamn)e)'.«ieiii's;, "l-liiiu or .Shine". i(;e.o.-. M. ..Cohan), "White :j.ila(:s".' (Jtil.sO'nj-, • "LuvUeo Cirl" (H.-rrri;';, "Hello yourself". (< ■;i.'-iri.)). ".Skidding" n'iayesj, "Gentlemt-n uf the I'ress" f4Slh .'"riiis Thing f'ailed Love" (Jiijo\i.), '•Th'-'-e j'V-v,- A y. h e s " ( Booth >, " C r n s h I ri u 'Phi o'igli" (lie|>iif)li'';, '•Tin- l-in.-i Ba!;.!!)'-'/" I I'l ON inee'ow n 1, ' U'in I'ar; .\lley" iBHtmorel, "lievo.'i" i Van- c|i;j-bj|;j, "Nite; llosit.--' i.Mariin .Sorit;' iN.Mii.Miil),, iil e"j-r^K^P'^-"T^I rrrg-- I .Smail ' •■f.inedy), "JealoM.-.v ' iFA- ! llol^ .•.<il-. ii,tii;i.'.' tKn,i>;;'-i, 'Cirl i.Trouhl'- ' ' r.i 'MJiorit I.. - S-;(!i-l .)■ ■ I La.. !.'Ve,-f)(. i. ••.I.'r'ri.ei.'aif" - I'Loima'r<-j. "On c.-il!" ■ VV.;idoJ-f). '•'Jod.< of. tht l.t;-', iiit-.W ■ . ' LiC'i i. -liotoed" '1 'r,( 'irey l-o-." •.!'!•••.- i.<>';-<-\. • V(,.iT:t' I/OVe" (AIas<)U*'), . I :i •. : ' 1 • '<■ I-. 'i h'\ I.m: I-; AI,i; <•! " '-.n ri \ l.u.' j.