Variety (Oct 1929)

Wednesday, October 16, 1928 W OMEN' S P A G E VARIETY S3 Qothes and Clothes By MpIUe < Capitoi GoeiB Bdise. Oapltol . stage ghdw, 'gilded Blue?,'' rather a cheap affair on the pyrface, hiit iollowing -whfxt. seems to be the Prtseht policy, of tak:fe it cff the gifla iind hang it from the flies; Over-exposed mpst of them [ moist of the cioscwifps tit tht . lea-r ture,; it Jus-t. naturally xouldn't com "Schelieraza wert> later handed out to the ladlop ■—but by the ushers^and prbvod to be round mirrors with Miss Marbe'.!? picture on the bacK. Roaliy Bh^ didn t need all that. She Is rather fascinating DUst. being, heraolf. Ko annunciator ever eaicl lest« with "O. Kpdion," . •who turned, out. I tc lV^ the hc-ad man in. nn ndagio I trie, that happily reversed the ut^ual. By Riiith Morris PritSay Diiorning. is more br less e. uiidef eye ; €ntcrtainn-i<--nt. givin? the man two girls to grapple an pctfasioh Of anguish at the Roxjr leherazacle'' is - a gprgeolus pro- >-}th.:^ At last onfe of those fellows U-e.s^ ductioh. According to the old fel- j ha,«,to \v.oi'k; First''number was a low Jn the Btage.box, she was the i^^^^^^ c^ance^•■ the two girls . in gW : who believed a story a day Uyhhe b^itiich -and. beaded, bodice. I lately. .GracWefl, gold. ■. curtains I k^iPt the coroner .way; This pne lFor the really re^kleKS action, • all smothered- the . first set like' th^ should Iteep: the wolf away as well., y-or^ .grey ^v sil- wrabiiiuBa oh a.Christmas palcKage. | ^ scenes, each more .lo\xly than [ v^r yilitiph. . A male .trio ioOli; the *Blues" portion'- a. bit better,' vyith ' tioft-blue hangings! st^^^^ various stages of dance from the Indian throug"h GolOnial back to the Ihdian-T-'judigfing by the amount rthe preceding one;-a riot of iQOlor such .'.-as on^ly the Roxy - . cart;, as^ semble.;. certainly 'it is worth, the supreme effort it "must have cost; "They Had to See P;arii3'.' and they time between and made good use of it. KeiT and ■U'cstdn-iri their, fiimiliai' sk c^ t < h. ;st j 11 a ni u sin g. of coveHhg but- now called the jazz did, as only. Will. Rogers could Phow days, Pinal/ijout bet^yeen j?izzjsts. it to Irene .Rich, Marguerite Chur ~ and the ballet fiends, ^the former; in chill ahd^ Owen . Pavis, Perfume. ComerQtis All the laiiig'Ks are not in the the- atre.. 'Try, a department store Oc- ca.<'ionaily; Sterh B^^ a jwoductibin aS. .prcti&nU'dus as- the current . "Schoheraz'ade;'* ,v Activlty started last ;5^iday at seven o'clock in the morning, when R:pxy^ set ;the hghtihg■ to*: the ;ballot^- and ; coh-' tlBUeii -until the mqmt^nt '.tlve: doorS' were thrown' .open lor . the-, flrat show. . ■It's a' gtand 'perfOrmaiioe .when Roxy sit^ down at his improvised desk in the iiuditorium .and rtihs the gam tit of his lighir scale In or -: ~ and the ballet fiends, .the former in chill and Owen . Pavis,. Jr. Fi.ft [ca,«'ionally; Stern ^ Bros.; "for in- the gamut of hla light-scalq In oi high hats, arid big b(>.ws, the: latter Porsay showed it to Will :and Will stanci'. On their . ."ATcado Floor," I dcr to get just the effect desired ■ 111 Grecian styl.e..yeilirig; ;;decide(3 a I told ;heij;.bf pklahoma; She 6\val- wjiioh jg b'igtown. for liasemcnt, is if s. beautibl to iwatch- the •rosultS; draw, inythirip just so it finished..] lowed everything,- as.; nature iseems an' elaborate pierfume fotJritain sup- of his versalilo iigh'tihg Bystem a,nd Berfiiee jand Emily in tiieir familiar j to have^ordaihed ,~Rhe,: cOiild, 'MlleV p]yjng aioihizer.reflils if one prefers note the subtle changes In grad-' routine, .'much- appreciated. A giri.lPorsay is a. cute little piece, her jt'so/or a favorite scent iifi ?i quaint ation. • hame .ji.6t..caught,' rhymed her bur- accent hieing as important as she Ujottle.'; But read the booklet de- j .He. cOhducts ^ rehedrsial^ lescjues o.f.all dance steps, good too. . thinks het .^yo^ are. Miss Rich scribiiig each and. then .understand | air of. a troubled pa,rcnt, at ..times vShe deserves more' ajjplause than l mlg:ht have grown into a crea:tion that," said voices; ;bu.t: hands eaicl hof .crys^^^ and isilver: cloth, the for- nothingr maybe not. knowing the rijer. ailmost to her knees the. rhe- language of .th6.. theatre. ''Curtain | taillc.-cloih,-.jf^laished. at regular, iW;-. why it is ccjpyEighted; .No author I petulant, at times; plc^'^cd, but ai- mentioned,; but It cotjJd be Elinor Uvays exacting.. He's apt .to biirst Qlyn, - Perfumes are numbered as into a; fu;;y if instructions are not well as named, A wise thought .Oon-] followed .prOmp orV. girl had iit least two trips irom t.eryals; to ihe floor . in front an^ sidering riipst New iCorkers' French, der 'the ofCiE^hder from; the stage. B^it aboye but not enough;;on her;to take . into a train in back. Miiis. Churr hf^o..i, ''Ah insinuating.fragranc It the next .mPhien't. he has .forgotten Jier. 'through a ; dream. ; Caiiitpl- is ehill's .Irb.Oks. simple .and . girlish; subtly ■ pmphasiies ^jhe's - 'personal: the Incident arid'the Jbsihg the good tast^ that niade it praises be/ Bu To thts odeur, men are most culprit as ;thbug^^ he. yfere his fa- iamouti>;;: "Coium'bus :Pay .Overture" j philbsepher is actuan^ "YbUth in-I vorite. Ghild. He ; knows what ho Well done; ... - - 'i^ . •. . for his; expressions,-..and they Tracked lllusibh^ u goPd. - •. ■ / ' cian never, ciige," Or'No. 14, "Elervent grams-arid the short tim.O f^^ . -v . r ° • ' . • / • ,: ;^'. ,. . • : .; ' -y - •.. •' as the kiss of-young love, erithralW ratjoh,^'t^^^ is .remarkable lack :iSom.e-people can .ta,ke. their ^illu- . ■; pj-ograiri is nO help to the reason ing, .ever. new..; The fragrance .for l of confusion sit rieheatsals. Roxy jBibn : br; :.leave them. .'bU uij^.^^:^ Madonna of-;the Sleeping | the' iastidious ;dristocra.t." Therc;| addresse3 all .his; commands into a in%iaphohe witb Outlets at the varl- oiis light switches. Orders are cryptic to tlio uninitiated. They sound aomcthing liko vput froat ln ^1; 110 at E.; Use 2 brlnkets on the O. P. side; Herriian, kill that moon" -T-«nd if H"jrman 'doesn't cpmmit luhacide speedily* Roxy Is apt to they iate as nfecessary as ^ ^rii^rpf, to QaTfe ft says . \ "a great love T are 20 in all and each .deswiptioh a a .man. And so the perpetrators, of all-conSumihg. ^passion thAt gem. Ralei a by-fine, that English film.VBWckm?iil. should mto the-life-of a .beautiful rue the day:they destroyed our f^-ltn . "pitied lady.''' iBUt 'if it did. it. must l- . ' Double Features' Demisie in the pmnippteric^^Jnfalllbilipj^^^ control^slie There's no teiling; where the Influ of Scotland,Yard.. H Hol?y.Wp^ never, knew. Hef Opponent, a Rus- ehbe of the pattbr pictures -will stop don^ thp .deed, internationaV com.- sian ^peasant, who had. worked h^r ;tj,ey can eliminate the double plications must have ensued. ;• way Up to where she could sign . Of all the dumb, stupid detegive ^e^h warrants, was as hard as a atfe. Should be a nbte^in the bbit fPfg^t >ai about; the volcc-savlng ■work-even :a New York patrolrtan puii^an. 'mattress and' aS imposr o^jy^^ ^^^e de.^r deid days when ?«"<*;VP a, m'er^ty ycH to could have done better. ; No mem- L^^^j^. .^^ j^pj.esg. Her chief sport feature the cops tbOk the t^e ^^'thedral rafters with, "Hcr- berof the famous VYatd ever dis-.i^-^g:gjjg-tjQng arid she had.a loOkKy^Qj^^--^^j-j^^hg^^^oo^^ the hOrses covered; or even thought, of. looking t^^t ;^ake; guns unnecessary. The ^j^^ ^^j^^eg.. never again fbr the fingerprints on the handle of the, knife "with which the little lady; did her fanqy carving, or the brushes she handled in the studio. Her friend of the Yard paid the titli^d -lady :^as.; one. of those mad- | .,j^g j^^^.^ dash up to the deserted ca:p .sprites Wbo. goes in for the gj^-^^^^j^ .^^^j^-..j^jg hands, full. of. guns, dance -of: the seven veilU J^arKea-: j^jg j^g^^^j.^ fyjj courage .'just in down to :one" .at a charity matmee. tj^g,to. fin the villain full of lead.? Arid tiie audience needed .all What's to become- of all ; the robbed man,, you dumb-bell, didn't I tell you to kill that moon?" The moon dies hurriedly, thereafter, Roxy. is; the. complcto supervisor Ho storms at quiet, gentle-mari nejf-ed Ra;ppe If the orchestra is not playing with unction'pr verye; he apoloigrizea to him If a. repeat Is necessary through the fault of one of; the; dancers; he alternately pouts and scolds at Lconldpff and occa.siorialy rushes onto the stage to iilustrate the proper action for a. sentimental bit or a, big dramatic mpmient. When ho gels what ho wants he. approves with: "Now we're getting, acquainted The . ihipression la tha.1r everyone Will wonders never , cea.'^e? An hn the Roxy family adorca Its Papa, yiii impresB.un y^^.^ v. which was tne [audience in the NeW York applauded but they're- all • frightfully anxious ."was .swept -away in the fall of.^cot- ter with him. 'rrhe Madonna oi ^ : ^ hla oneratic hum- riot to incur his wrath Howcotild they be so|.«,e. Sleepin^;^arB" by any other |T>t^ .Buffo, after his PPeratH. num | not^tp^ur^bja^^^ ^^^^ Scene on Friday,. X)n« of the Sul Unfunny Girfs ; ' I tan's spldifirs, as timid and un Gompsoh'3 Tight Fit ; | '•Midnight ; Paddles" Is Just a I ml?Hant; as Prily ah. extra can be. atisghalassen, but.iinneo.es.sarily vul-*. gar in spot?. ;. ' ■ . ; Ramot\ iinfl RosiKV -sandwichfil between opening and closing units . arid.-, assfpiod ii>y Presodo's .grand orclicStrn, have a lovely act. "Their dartclnis;; ..is. sinooth,; graceful, and . just'Bweli. Rbsita wears two gpwnsf with a Spanif5h flavor,: well earric'd. : o.iit aS to line 'and ;col.or; > .A., third . worn for a piithevy wa,ltz is in 'sheU. pink tuno.;arid Vbry pretty. • ' .; Iri-nc Rich. ..chps^o. 'distinguished - ^rcScks for- hor. A^aU(^ovl^le debut, i'ler first is . Patpu's sw-oil-olog'ant . black velvet .with the long skirt - and net; colla-r,. arid .it second, .wMth . a potitOrier look, trails its gold ele- gance aJl. over the .Palace, .stage, , The brevity \of the one-act playlet . (a nvatrinVoniai .experiment .with an irorilcifil tw.iEt)' may' ha,v^ been pc- : cAslpried by' the fact that Misi iuch • was simply dying to - get . to her 'curtain-speech. Such an . pra- „ • tlon; has not. been heard in years. The;' picture actress, wringing her hands .and shyly bowing her head, bocanie just, a.'ittle bitsy dirl again, too ' darling.; for words-^or for thff Palace, ;at least. ;Spmebody should . stbp her;;■• •: '■-:-■;■ '■•^;-■■' .. ■•.'; -■,.■''■.' ■ '*APP!a""'' ^ Trust ^'Applause" . makes visiial. one-r o* -thoso ■ two^.timirig Xotharios' about, whorti Helen Morgan:l$ always slngr Ing, and gives tho songstress an of>- pbrtUnity to be. trcriiuloui? .and wbopy; Much :bf: her' qharacteriza- , tiori is awf uTly. :iB;pod; but . there ..are moments ■.in. her. portrayal. bf the •:; pass© buricsqub qiiocn in .which she resembles a, little girl dresf»lng Up in , her mother's old clothes and don- : rilng thb frowsy wig left ovct from last year's fancy dross party, ,^ It must hia.ve. oebn djlllcult .to finC "burlesque figures" In this hlftles* age. Paramount ; o.utdid ; Itself Iti casting tonnage for the backstage parts, but the result isn't quite con- vincing. The chorirics look: a bit too beefy and the effect Is tbo. bb^ vious to rcceivo much laughter;. ■blackmailer hush money, but -j^e chaHty to stand it. .Being unable gt^ge coaches an4 who's to get: the never received, the other glove for Hve ..without . luxury, . she, vof K„ail, boys? The brily coriceivablb , it. Final sounds were the three peo-. .^oyrgg^ >^ent 'fpr .. tons, of . metal ^^^^^ to prevent .talking Westerns.is pie laughing;. which, was just where Ljjoth and lace In negligee, rppes of ^j^^ number of mikes likely to be it; left the public, with the laugh on pga,Tig as big ais brariges, three <n U,iasted by those loud shitts thecow- them. Technique as old-fashioned ^ ring, alriiost hiding her hand, and boys weari But it's really quite sad fts. the .girl ^ho had .a '?good hat other evidences of money over mat- 'to contemplate the. palssing of the. lor Sundays. The girlj Anny Ondra jgj. : -^the little <;ut-uph--played with such jgf ^ standing , at the .statipri while' ' restraint there w^s a welNfounded^Ljjg ^^dy ^^nt off iboW^ Suave Layoffs flu^piclon she was wearing a maslt.. i^e conquer- P'^*"*^^' x^^^ never Cea«^e'- An All dmpression .of what she wore ^.liich was the only thing the mat- ' vvill wonders never cea, e... An land Yard, cruel? the Sleeping; Cars" by .a"y „®^^<^'' kierl nam^ -would be. just ap silly." ' "Gambling" Women Dressy No audience, is "GaimblirigV very much when it goes to • a George Cohan show, and this particular orie is th©- best, yet. It's a cleverly written ihow. ; when tlie ' aludience can't see an inch ahead—and what an added pleasure that is to one whose diet; has been strictly film. • The Pulton theatr^ cro\yd was all steamed up,, turning out a houseful of "talkies" thiat no artiount of ad- vertising money could buy.; ' Santa Claus reached Mary Philips early •citreet Girl" as Betty Coriipson ''inbrning after". effort to .j)e.furiJiy. .:»nOYf 's.HlsMirwh«n he' was sup- plal^S S^e^ohn; iL a lil^tble iri the good old Sennet Way. Alma | POsed to be holding a dramatic cur- chaTacter and for once Betty gets I Bennett; and Natalie Joyce among awav from gangsters. This, time it's the girls; They were no wo.r.se| : - ' >♦ -Fnr I than the'bthcrs but their names had A dresH a jazz band, so she doesn't get far That "Radio Pictures' Beauty the ill luck to be caught Chorus of 100" must have b.een off parade showed some gprgcous gowns on a bus ride,-or else thought this and fUrs, ;ermlrie and white monkey [was a silent picture.' Miss Comp- fur being, used several times to- sori's black satin frpok with the gether. Fpr the cabaret scene one long point just in front of the skirt of them wore.an atrocity, in rhine .o^A-j i.-.- i?uV.<v,a Tiovt sj-'oond. arid Stone studded crerie. shadinK fron tain-pose, The Curtains closed, Roxy thun dered, "WhO was that soldier?; Opon tho curtains,; I want to sec him." When the Curtains opened the ofr fending military man had disap- peared. His remaining brethren stood the gaff, and whole minutes .^,,.6 x—••---.-r ^ ^ J I . . ^ u 1- I later, tho Man Who Wouldn't Stay fitted her like the next second ^nd. stone studded crepe, shading ^from Behind was-seen poking a fright- she can stand tl^atkind of a fit. T^^^^ thft. vclour drop ^^^^^^^^ j^^^ ^.^^^^^^ ^^^^ an3":;lert a ■ gerii bf:'^ ^^^^ stocking, both Of Which she filled boys got their first raise and Jack IA dark-eyed blonde got in a few to jperfectipn;_; Smartly dressed oahie-apj^earpa i n a coOlie coat that close-ups that^muBt:hav6';glven the^|^^T' a-ny girl might envy... light Colors except for the satin; suit in the last actj yet even though, she is blond that character she plays is contrast enough. Her | Fay Marbe Beyond Words with camera, KlJ^jg 'eye-s. .Disadvantages of Long' Skirts Sorirows of sales ladie?, now that Roxy'R. fthpws are always fun, but I they can't ^ top a dreiis rehearsal. . cloth ..coat • Was. pale' beige, with! .- p- .-j^^^be-jiea^^^^^^ here. VSure isT badger «nds oh: the. throw scarf;; j,^. billed 'ail over as "America's tough trying to sell 'em these .days. : Palaoc this week is knee.-rdeep 1ft her .sa:tin pajamas; with sleeveless ".Words canriot de.<«crlhb .«Jhbrt women' say they: riiak© therii.l ""fidgets dnd units. ; Midgets arc coatr^ then a beautiful evening en- j.^^^.^,, j^^.^ .dare anyone' try ? Of look tod dumpy, taller cOmplain they | j'*^'"®®; V'^^® darlings |n . ^*^e^'*^e^or seriible -bf 'cream velvet, 'the P^l'^ course .they did -.find one. Word.,, add .lO years to their ap o,. . ^ of three circular tiers back-dipped, j-.i^j^-^pj^i; and ' .•'hb; is a dear, but and the older Women just.hate to.igO and tiie. short jacket with crossed .ihat i.sn't all." l*hat '^iagne1ic;plar ' back to, Ippking their age. All the scarf,; collar hanging its .sable d*^mon.$tra^ Miss [ bc-.st tales arguments like absolutely with beige silk blouse. - The grey fiir collar on her evening ccjstu"ie hung like'; a nc'cklace, apparently without ; an opening anywhere. ;Lydia MacMillari wore •purple gloves to match her ;co.''tuiiie. And that -Jjlue-to:r_XoJ^'nny^Cj; Cc»nnor"s "Broad way Racketcera" .'-hould m'akr- hi^ .royalties royaJ, "Ciamhling* If-- a .fine Fhow and Gf-ort^c M. thf dividend. extra Roxy's Double Headc'- Pouble header at the Roxy, iE^tage find screen both champion.s; in their" fields; rather a banquet for the ty' on the stage and on tho scroeri the ear. With Will Rogere getting from her, after of courte earning it. Rafjuel 'Mt-llcr d.id: almc-t th.'i .same- with ■'\^JoU'f ; pcfjtr, ctpiing lo call up the men. Her gowns very lovely, cFrrrMl^ ly the blue for hfr waltz. Its skirt [--y^.f^fjo--w- uife-A]ud^j<jrit:.->;:-W.a.s.xa-Ug.h^^ oV€r h*-r aim^: pAjiiK a c<iIK> effect from: the back. H(r rim ostrich 'inmi/iing wt.' jn P^'Mf- v,i';olo tkirt who.'--e .^o-ind«tioTj was little .laco rufflf^,"?' and who.'c t.odiff; wa." of cry.'^tali Tho o^trjf-h.us-ed lat'T was a violet t-h,'id<', in separate plum.cf over matching chiffon, banded in cry.«tai whif h .'•.efmod lovoiy rnough f.hurif.'(>i )ri h' t mourning copiumcs, not . to rii'niipn her dyal'-; t. M-is-s. Chandlfr jpbkod .»-'tunning in whlifip pafm, bfa.utJfulJy fitted, and in all black fr'in.rk-?', one phoiildr-r fctrap wide f.nd one no now. Polly Moran m?irlf> th" ruof-t of hf-r fev/ FCorifsL a.s f<he always do^f< Roland Youn^' mi^'bt havf b<en the mapcot of the "to'di'«p*"i*'"^ witii7^ ''ind i "doomed .r*"piin^'nt," he was .';o lit lie £ive her fifuVe a cJ.ante. The gilt" ' in.torijparilon with the others. ick Sylvester act and: another -with "Odds and Ends." Unite are two, a.rid both very nice. -There is- .much more class to George. Chbos;' "Odds and Krids" thari Is generally found in; the u.'^iial vaodeviijo niusjcali Two prettily drORscd toe-dancers twinkle on. to "The Uiiholy:Night" is whoK'.salb I coo anribunccments botween .s<!cneft murdf.r. and has rriorfe than its Hh.i.rf arid la.ter do' ari isiccurato ;aml. fin- of heart-stopping momr-nt??. Doro- ishr;d JVumber On their too.s. ...Chk thv .S'/ti.'i^liari mu.'^t carry.hf-r wardr Ke-nnXidy helps with the .comedy, robe on her .back. She arrived hcf best: numb».'r by; far iteihg thr; witl^t bagp-ai i-e Jbtrt wo rg^ Reveral [ be ll lgorerit. "fJas^oiks,'Vclr>U^ Jn " a"^VfoftkoTjt~no></~from"<jdyrrrgrTl*:'ra:n'" ■Cf..s f!«T.'-lj\vlx), who could do Av.itli a Utile; dietlnfy^'steps nic»;1y to br r brothcr's tun«s and 1 ook h . cKn.n Ing Sri a HOfiulned rig;of blue and silver The entire art .Khow.s a g<)f)d .d".iJ of thouBbt arid riioney have bcf.-n ,txp'arid<-d on Its productiorh; ' .Second unit is Jii.st a triflo rnad. with Ol.sf n and .Tohnson it.'i l*-.'i;Oirii.: mniafes. Aniu.'--]ng and ctuuplttt-li . Absurd Story ; Thp picturo industry should not shoulder .tho - entire blame for "Hia Glorious Night," jphii Gllberfs lat- est. Tlie pUly from, which it; wa8. taken -was pretty siiily, but the pic-, turo Is just about the last word in absurdity.! Capitol aiidlences laugh. In the wrong spots and take the in- limato glimpse Into royalty's Jove- Ute as nothing mpre than a past^ tlara-boom-de-ay. Gatheririe Dale Owen plays the princess. One might add, and howl She screens beautifully in her first' picture role. One of the costumes, fiirnished s hearty laugh during the following^ scene: . . Tho princess; arid her mothoi^ (Nance O'Neill), both in nogUgeo^ arc closeted In the royal boudoir. Prefect of polico ria-ps, seokjng ad- mlttance. .7 "Heavens, .you're not going to see him in -that, afo you,, madamfi?'- a.sk3 the princess, pointing in dJ3«^ dain to her mother's; robe, gener-^ ously covered with fur. Tfhe mother replies; "Of coutso" not"—or its royal equlvalerit—and thereupon removes the really mod- est negligee and dons a diaphanous and all-revealing toa-gowri. Pararripunt's ;parling CQsturries - F-rank-icariibria's--units iiL.Jll*. Paramount are alwayo nice. This i WGck^s "Song Shop" doesn't dlsap- n point, from.the standpoint of cither > style Or entertainment.- After sev- eral weeks :Of cheap .;;chatter,. It's a. relief to hiivc a progra;m that relioa : on song and daricc and .stage ef-t fects.. . .' . ■ '.•; CoBtumca are darling, stressing, blue and . green in various sUitca, with a too-riumber; clothed in;puffy white frocks of chiffon arid painted satin. Two drops' are gra.rid: one for lt&-beautiful use of blue ai<l silver and another, .bacltlng for the band, fpr its decorative treatment of painted infttrumcnt.<5, -- ' I'ro.sf^ntatlon. end.s with the Prison Scone from Fau.st—which is as good, for 'applauf'*', &» WfCvIng the Am'.'rl<-an fiag. ,SUng .well by the Fau."t Trio and .ha.s a nI re^rcdc mPr' tion tnblc-au, 'a.s fsuch Tilings go. :. Cpmnnpn ."Variety" Gag Am. apf'logy is diif H'-'hn«-iilcr-An- dr-r.-'fin fnr a rni^.stati lii'-ht . which attr)biit«-<l all of tJio "Sc-andal-s"* f>i,«turnfs to lOrtf and Max Weldy, All but ^0 of tho co.stiimfs were rnado in S.-A.'m s-fidib. XJncommoa Chuttu s uiKtuimon sorry. ' /■