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OPERATIC EXCERPTS— Continued
The Postilion of Lonjumeau [Le Postilion de Lonjumeau] (French opera by Adam, 1836). Overture (Orch.).
Le Pre aux Clercs. See The Duelling Ground.
Preciosa (Incidental music to a German play by Weber, 1821). Overture (Orch.).
Prince Igor (Russian opera by Boradin, 1890).
Overture (Orch.) .
Ballet music: Polovetzian Dances (Act II) (Orch. or Chorus and Orch.).
Yaroslavna's Aria (Act I) (Sop.). Princess Ida (English comic opera by Sullivan, 1884).
Twenty years ago [Ida was a twelvemonth old] (Act I) (Ten.) .
Prometheus [Die Geschopfe des Prometheus] (Ballet by Beethoven, 1801). Overture (Orch.) .
Le Prophete (French opera by Meyerbeer, 1849).
Ah, mon fils (Act II) (Alto).
Coronation March (Act IV) (Orch.).
Donnez, donnez (Act IV) (Alto).
Le Puits d'Amour. See The Well of Love. I Puritani. See The Puritans. The Puritans [I Puritani] (Italian opera by Bellini, 1835).
Ah per sempre (Act I) (Bar.).
Da quel di che timirai (Act III) (Duet: Sop. and Ten.).
Polacco: Son vergin vezzosa (Act I) (Sop.).
Qui la voce (Act II) (Sop.).
The Queen of Sheba [Die Konigin von Saba] (German opera by Carl Goldmark, 1875).
Ballet music — Dance of the Bayaderes; Bee Dance; Vail Dance (Act III) (Orch.).
Processional March: Entrance of the Queen of Sheba (Act I) (Orch.).
Scene of the Sulamite: Der Freund ist dein (Act I) (Sop. and Women's Chorus). The Queen of Sheba [La Reine de Saba] (French opera by Gounod, 1862).
Cortege [March] (Act I) (Orch.).
Inspirez-moi (Act II) (Ten.).
Plus grand sans son obscurite (Act III) (Sop.).
Raymond (French opera by Ambroise Thomas, 1851). Overture (Orch.) .
La Reine de Saba. See The Queen of
Sheba.
Rienzi (German opera by Wagner, 1842).
Overture (Orch.) .
Battle Hymn (Act III) (Men's Chorus and Orch.).
Chorus of the Messengers of Peace (Women's Chorus unaccompanied)
Gerechter Gott (Act III) (Mezzo-sop.).
Prayer: Allmach'tger Vater (Act V)
(Ten.) .
Rigoletto (Italian opera by Verdi, 1851).
Caro nome (Act I) (Sop.) .
Cortigiani, ril razza dannata (Act II) (Bar.).
La donna e mobile (Act III) (Sop.).
Monologue: Pari siamo! (Act I) (Bar.).
Quartet: Un di, se ben rammentomi (Act III) (Sop., Alto, Ten., Bass).
Questa o quella (Act I) (Ten.) .
Rinaldo (Italian opera by Handel, 1710). Lascia ch'io piange (Act II) (Sop.) .
The Ring of the Nibelungs [Der Ring des Nibelungen] (Collective title of a cycle of four connected German operas or musicdramas by Richard Wagner, first performed in its entirety, 1876).
DAS RHEINGOLD (Prelude of the cycle, 1869).
Entrance of the Gods into Valhalla (Scene III) (Orch.).
Erda's Warning: Weiche, Wotan, Weiche! (Scene III) (Alto).
DIE WALKUERE (Part I of the cycle, 1870).
Brunnhilde's War Cry: Ho-yo-to-ho (Act II) (Sop.).
Ride of the Valkyries (Act III).
Siegmund's Love Song (Act I) (Ten.).
Wotan's Farewell (Bar.) and Magic Fire Music (Orch.) (Act III).
SIEGFRIED (Part II of the cycle, 1876).
Forest Murmurs — German: Waldweben (Act II) (Orch.).
GOETTERDAEMMERUNG (Part III of the cycle, 1876).
Brunnhilde's Immolation (Act III) (Sop.).
Siegfried's Funeral March (Act III) (Orch.).
Siegfried's Rhine Journey (Prologue) (Orch.).
Robert the Devil [Robert le Diable] (French opera by Meyerbeer, 1831).
Cavatina: Robert! toi que j'aime — Italian: Roberto o tu che adoro (Act IV) (Mezzo-sop.) .
Le Roi de Lahore (French opera by Massenet, 1877).
Ferme les yeux, 6 belle maitresse (Act II) (Alto).
Promesse de mon avenir (Act IV) (Bar.).
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