The vaudeville theatre, building, operation, management (1918)

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advice to use warm water in scrubbing. Never- theless, warm water dries out quicker than cold, is not so likely to warp or injure the boards, adds wonderfully to the cleansing power of the soap, and is just as easy to obtain as cold water, if one really wishes to do the best work. The question may occur: Why be so par- ticular about the hardwood apron? Because, first: a hardwood apron is expensive; it will last a season or a theatrical lifetime, according to the care it receives. Second: a real dancing floor will materially improve the work of a dancing act, and every vaudeville house will have many of these. Third: nothing worth do- ing at all deserves to be half-done. To go into the detail of explaining just why it is advised that things be done thus and so would involve unnecessary writing and reading; suffice it to say at this point that there have been and will be no suggestions of a theoretical nature made; none that is unpractical, and none but those which have actually proved their economic and artistic value in actual practice, in both large and small theatres. The stage (at any time during the hours of the performance, under any circumstances) should never be a gathering place for "town folks," "city friends of the artists," "purveyors 187