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VICTOR RECORDS
We’ve Been Chums for Fifty Years (Chattaway) José What Constitutes an Unlawful Trust—Speech Wm. H. Taft What Good is Water When You’re Dry Nora Bayes What Makes the World Go Round (From “ The Broken | Idol’’) Ada Jones and Billy Murray
Down in Sunshine Alley (Madden-Meyer) Murray and Haydn Qu| What’s the Matter With Father (Van Alstyne) Billy Murray| 1 Yale Boola March (Hirsh) Pryor’s Bandf What’s the Matter With the Moon Medley Pryor’s et i Chicken Charlie (Ballou) Pryor’s Band
‘What You Goin’ to Do When the Rent Comes ia eaEnaeey Down Among the Sugar Cane Collins and Harlan What You Going to Tell Old St. Peter When You Meet Him 2t the Golden Gate (Rose) Arthur Collins Indian Intermezzo Accordion John Kimmel WHEELER, ELIZABETH, Soprano
A soprano who can give a song the proper expression and yet pronounce the words distinctly is the rarest of phenomena. In Mrs. Wheeler the Victor presents a soprano whose diction is really eee and this fact is quite evident in the records she has made.
After hearing Mrs. Wheeler’s first records, the Victor Company at once secured her exclusive services for disc work; and she has sung a number of old favorites, besides several of the popular ballads and many duets, both sacred and secular, with Mr. Wheeler, the soprano and tenor blending in most attractive style.
WHEELER RECORDS
* Ave Maria—Adapted from a Bach Prelude by Charles Gounod Ave Maria—Latin (Gounod) and I Heard the Voice of Jesus Say—Mr. and Mrs. Wheeler Believe Me if All Those Endearing Young Charms and Sally in Our Alley (Old English) (Carey) Whitney Brothers Quartet Bohemian Girl—I Dreamt I Dwelt in Marble Halls (Balfe) and Then You’ll Remember Me (From “ Bohemian Gir!’’) Macdonough ChildofaKing (Sumner) and Abide With Me (Henry Lyte) Richard Jose Cradle Song—Wiegenlied (Brahms) and Dry Yo’ Eves—Marguerite Dunlap Don’t Be Cross With Me and ecipe for Love—Stevenson and Stanley Elizabeth’s Prayer (From ‘“‘Tannhauser’’) and Night in Venice—Wheelers Glow-Worm (Lincke) and Garden of Dreams—Stevenson and Macdonough
Good-Bye (Tosti) and Simple Confession (Simple Aveu) (Thome) ’Cello—Sorlin Good Night, Dee eae Ballad Anderson Happy Lil Sal (Words by Outcault) Carrie Jacobs-Bond His Buttons are Marked U. S. Carrie Jacobs-Bond Kerry Dance (Molloy) and Asthore (Trotere) Reinald Werrenrath Last Rose of Summer : Thomas Moore
Last Rose of Summer and Evening Star (“‘Tannhduser”) ’Cello—Sorlin Loch Lomond (Old Scotch) and Old Folks at Home—W hitney Brothers Qt ; Lays Song—Chanson d'Amour ‘Cello obbligato Josef Hollman _ Mary (From “Our Miss Gibbs’) with Qt and I’m Fancy Free—Inez Barbour Mocking Bird (Winner) with Harry Macdonoug and Rocked in the Cradle of the Deepa Frank C. Stanley Mother Goose Songs (Elliot) and “‘Moo Cow Moo” (2) *‘His New Brother’’—Price Rock Me to Sleep, Mother (Akers) and Jn the Gloaming—Corinne Morgan Spring Maid—Two Little Love Bees (Rheinhardt) Wheeler and Werrenrath There, Little Girl, Don’ tCry (Riley) and Red, Red Rose (Hastings) Wells Vilia Song (From ‘ ‘The Merry Widow") *) and Then You'll Remember Me_ (“‘ Bohemian Girl’’)~ Harry Macdonough
When You and! Were Young, Maggie—with Harry Macdonough
and Vacant Chair—Haydn Quartet WHEELER, Mr. and Mrs. Abide With Me and Some Day—Harry Anthony and James F. Harrison Ah, Yes, | Love You (From “ Fencing Master ’’) and Answer (Robyn) “That Girl’’ Quartet Barcarolle—Oh, Night of Love (From ‘‘ Contes d’Hoffman) Offenbach and _ Fatinitza Selection (von Suppe) Pryor’s Band
Number |
31516 31710 70020
16450
16499
16274
16680
16129
4251
16490 16401
16398 16660 16893 16330 35096 16932 35102
5709
5759
5752 35199
5739 16813 16454 31774 16828
16392 16863 16405
5836 16865 35082
16361 16506 35192 16827
| Size
No
ee ee ee ee ee
SON OOOSS SNOSCONSSCONONSSSS
—_— mm
Price
1.00 1.00 Zo
>
“fe 75
oa
75
1.25
75