Victor records (Jan 1912)

VICTOR RECORDS We’ve Been Chums for Fifty Years (Chattaway) José What Constitutes an Unlawful Trust—Speech Wm. H. Taft What Good is Water When You’re Dry Nora Bayes What Makes the World Go Round (From “ The Broken | Idol’’) Ada Jones and Billy Murray Down in Sunshine Alley (Madden-Meyer) Murray and Haydn Qu| What’s the Matter With Father (Van Alstyne) Billy Murray| 1 Yale Boola March (Hirsh) Pryor’s Bandf What’s the Matter With the Moon Medley Pryor’s et i Chicken Charlie (Ballou) Pryor’s Band ‘What You Goin’ to Do When the Rent Comes ia eaEnaeey Down Among the Sugar Cane Collins and Harlan What You Going to Tell Old St. Peter When You Meet Him 2t the Golden Gate (Rose) Arthur Collins Indian Intermezzo Accordion John Kimmel WHEELER, ELIZABETH, Soprano A soprano who can give a song the proper expression and yet pronounce the words distinctly is the rarest of phenomena. In Mrs. Wheeler the Victor presents a soprano whose diction is really eee and this fact is quite evident in the records she has made. After hearing Mrs. Wheeler’s first records, the Victor Company at once secured her exclusive services for disc work; and she has sung a number of old favorites, besides several of the popular ballads and many duets, both sacred and secular, with Mr. Wheeler, the soprano and tenor blending in most attractive style. WHEELER RECORDS * Ave Maria—Adapted from a Bach Prelude by Charles Gounod Ave Maria—Latin (Gounod) and I Heard the Voice of Jesus Say—Mr. and Mrs. Wheeler Believe Me if All Those Endearing Young Charms and Sally in Our Alley (Old English) (Carey) Whitney Brothers Quartet Bohemian Girl—I Dreamt I Dwelt in Marble Halls (Balfe) and Then You’ll Remember Me (From “ Bohemian Gir!’’) Macdonough ChildofaKing (Sumner) and Abide With Me (Henry Lyte) Richard Jose Cradle Song—Wiegenlied (Brahms) and Dry Yo’ Eves—Marguerite Dunlap Don’t Be Cross With Me and ecipe for Love—Stevenson and Stanley Elizabeth’s Prayer (From ‘“‘Tannhauser’’) and Night in Venice—Wheelers Glow-Worm (Lincke) and Garden of Dreams—Stevenson and Macdonough Good-Bye (Tosti) and Simple Confession (Simple Aveu) (Thome) ’Cello—Sorlin Good Night, Dee eae Ballad Anderson Happy Lil Sal (Words by Outcault) Carrie Jacobs-Bond His Buttons are Marked U. S. Carrie Jacobs-Bond Kerry Dance (Molloy) and Asthore (Trotere) Reinald Werrenrath Last Rose of Summer : Thomas Moore Last Rose of Summer and Evening Star (“‘Tannhduser”) ’Cello—Sorlin Loch Lomond (Old Scotch) and Old Folks at Home—W hitney Brothers Qt ; Lays Song—Chanson d'Amour ‘Cello obbligato Josef Hollman _ Mary (From “Our Miss Gibbs’) with Qt and I’m Fancy Free—Inez Barbour Mocking Bird (Winner) with Harry Macdonoug and Rocked in the Cradle of the Deepa Frank C. Stanley Mother Goose Songs (Elliot) and “‘Moo Cow Moo” (2) *‘His New Brother’’—Price Rock Me to Sleep, Mother (Akers) and Jn the Gloaming—Corinne Morgan Spring Maid—Two Little Love Bees (Rheinhardt) Wheeler and Werrenrath There, Little Girl, Don’ tCry (Riley) and Red, Red Rose (Hastings) Wells Vilia Song (From ‘ ‘The Merry Widow") *) and Then You'll Remember Me_ (“‘ Bohemian Girl’’)~ Harry Macdonough When You and! Were Young, Maggie—with Harry Macdonough and Vacant Chair—Haydn Quartet WHEELER, Mr. and Mrs. Abide With Me and Some Day—Harry Anthony and James F. Harrison Ah, Yes, | Love You (From “ Fencing Master ’’) and Answer (Robyn) “That Girl’’ Quartet Barcarolle—Oh, Night of Love (From ‘‘ Contes d’Hoffman) Offenbach and _ Fatinitza Selection (von Suppe) Pryor’s Band Number | 31516 31710 70020 16450 16499 16274 16680 16129 4251 16490 16401 16398 16660 16893 16330 35096 16932 35102 5709 5759 5752 35199 5739 16813 16454 31774 16828 16392 16863 16405 5836 16865 35082 16361 16506 35192 16827 | Size No ee ee ee ee ee SON OOOSS SNOSCONSSCONONSSSS —_— mm Price 1.00 1.00 Zo > “fe 75 oa 75 1.25 75