Victor records (Jan 1912)

VICTOR RECORDS Number | = | Price {Zallah—An Egyptian Intermezzo Xylophone Wm. H. ee 1eeoot Olas \. The Burglar Buck (Jones) Banjo Fred Van Eps ; Zampa Overture (Herold) Sousa’s Band|31350|12/ 1.00 Zampa—Perché tremar (Herold) Jn Italian Battistini|92004|12/3.00 Zauberflote—See “Flauto Magico” Pas {Zeb Green’s Air Ship Ada Jones and Len Spencer 1e342h10| 27 ( Oh, You Lovin’ Gal Arthur Collins and Byron G. Harlan ; ZEROLA, NICOLA, Tenor NicblagZerolaaanelbertan Naples in 1876. When the future artist wished to make music his profession there was parental opposition. His father wished him to be a civil engineer and he had, indeed, already begun his engineering studies at the University of Naples. However, seeing the young man’s determination, and realizing his great natural gifts, his father finally relented, and Sig. Zerola began working seriously for an operatic career. After training his voice at the famous conservatory of his native city and under the best private masters, Zerola | made his début as Canio in ‘Leoncavallo’s opera, PagCopy’t Dover St. Studios liacci, at Trieste. His success was instantaneous and engagements quickly followed for the leading theatres of Italy, including the San Carlo of Naples for Madnd ; for Lisbon, where he sang the leading tenor réles in The Jewess, and Un Ballo in Maschera. Then came tours to Mexico, Havana and Central America. In the autumn of 1909 he appeared in New York in I] Trovatore with a company then giving opera at the Academy of Music, and made such a tremendous success that he was immediately engaged for the Manhattan Opera House, where he made a strong impression in the réles of Canio, Richard and Otello. With Mr. Hammerstein’s retirement Zerola went to the Philadelphia-Chicago Company, where he repeated his success of the previous season. The tenor is, this season singing in Italy. The Victor has recorded fourteen of Zerola’s finest numbers and the records are remarkable for their great volume. ZEROLA RECORDS (Jn Italian) Aida—La fatal pietra (The Fatal Stone) (2) Morir! si pura e bella | (To Die, So Pure and Lovely !) Verdi|74225}12/1.50 Andrea Chenier—Improvviso Umberto Giordano|74216| 12} 1.50 Ballo in Maschera—Barcarola, *‘ Di’ tu se’ fedele’’ (The Waves Will Bear Me) Verdi|/64166)10| 1.00 Ballo in Maschera—La rivedr6 nell’ estasi (I Shall Behold Her) Verdi|64167)| 10) 1.00 L’ Alba Nascente—Mattinata (Serenade, “‘ The Day is Breaking’’) Parelli}64207)|10/1.00 Otello—Morte d’ Otello (Death of Othello) Verdi|74217/12/1.50 Otello—Ora e per sempre addio (Forever Farewell) Verdi/64168)/10)1.00 Pagliacci—No, Pagliacci non son! (No, Punchinello No More!) Leoncavallo|74247)12/1.50 Pagliacci—Un tal gioco (Such a Game eoncavallo|/64206| 10} 1.00 Pagliacci— Vesti la giubba (On With the Play) Leoncavallo|64169/10) 1.00 Samson—Figlia miei v’arrestate (Pause, My Brothers) Saint-Saéns|64173) 10} 1.00 Trovatore—Deserto sulla terra aught on Eart Verdi/64172)10/1.00 ‘Trovatore—Di quella pira (Tremble, Ye Tyrants) Verdi|64170/10/1.00 ZIEHRER, C. M. Vienna Beaunee Waltz—Pryor’ s Band and Sweet Spirit Hear My Prayer—From * ‘ Lurline’’ (Wallace) ~ Violin-Flute—D’Almaine-Lyons|16522/|10) .75 Kiss Waltz (From “‘ The Kiss Waltz’’) Victor Orchestra and In the Shadows—Skipping Rope Dance—V ictor Orchestra| 16978) 10| .75 Woodland Songsters Waltz—Bird Effects Victor Orchestra|31486| 12) 1.00 Waltz Lesson—*‘ That's the Waltz for Me” (From * ‘ The Kiss Waltz ’’) Barbour-Anthony and Wallflower Sweet (From “‘ The Siren’’) (Smith-Fall) Inez Barbour and Harry Anthony|17019|10} .75 Zigeunerweisen (Gypsy Airs) Part I (Sarasate) Violin Rattay|31701/12/1.00 Zigeunerweisen (Gypsy Airs) Part II (Sarasate) Violin Rattay| 5436/10) .60