Victor records (May 1914)

VICTOR RECORDS I hoakr SCHUMANN-HEINK RECORDS— Continued My Heart Ever Faithful (Mein glaubiges Herze) Also hat Gott die Welt geliebt*’ ’) In English Orfeo — Acl^. Ich babe sie verloren U Have Lost My Eurydice) (From the cantata — I I j Bach 8S448 12 3.00 Gluck 88091 12 3.00 Prophete — Prison Scene, Part II InFrench Meyerbeer 88095 12(3.00 Prophete — Ah I mon his (My Son) InFrench Meyerbeer 88187 12 3.00 Rheingold — Weiche, Wotan, Weiche (Waver, Wotan) Richard Wagner 88092 12‘3.00 Rinaldo — Lascia ch‘io pianga (My Tears Shall Flow; In Italian Handel 88189 12 3.00 •^Rosary, The In English Ethelbert Nevin 88108 12 3.00 /“ Samson und Dalila — Der Fruhling erwachte (Song of Spring; Saint-Saiins 88417, 12 3.00 -^Samson und Dalila — Mein Herz (My Heart at Thy Voice) Saint-Sa^ns 88190 12 3.00 Sei Still (Be Still) J. Raff 88337i 12 3.00 Spinnerliedchen — Spinning Song (Piano acc. hy Mrs. K. Hoffman) Reimann 87124 10 2.00 St. Paul — But the Lord is Mindful of His Own Mendelssohn 88191 ■ 12 3.00 Stille Nacht. heilige Nacht (Silent Night) Gruber 88138 12 3.(Xl Traume (Dreams) Wagner 88343 12 3.00 Treue Liebe (True Love) German Folk S^ng 87021 ! 10 2.00 Trovatore — Ai nostri monti (Home to Our Mts.) Italian with Caruso 89060' 1 2 4,00 Vom Himmel hoch da Komm’ich her (Christmas Hymn) Martin Luther 88381 i 1 2 3.00 Wanderer’s Nachtlied — Wanderer’s Night Song with Farrar 87504 10 3.00 When the Roses Bloom Reichardt 87129 10 2.00 Wiegenlied — Cradle Song Johannes Brahms 81085 10 2.00 Scotch Folk Dances — See “Educational Records, Folk Dances’* SCOTCH SONGS AND INSTRUMENTAL MUSIC— See also I ** Annie Laurie,** ** Auld Lang Syne,** *‘Bonnie Sweet Bessie** “Comin* Thro* the Rye,** “John Anderson, My Jo,** “Lauder,** “Loch Lomond,** “Medleys** and “Robin Adair** I i Afton Water — See “ Flow Gently, Sweet Afton ** I I Alexander’s Bagpipe Band — Murray and If It Wasn't For the Irish— Murray \70SA \0\ ,75 Auld Fisher (MacdonaJd-Elma) Herbert Witherspoon 74349 12 1 .30 Auld Scotia — Selection of Lauder Songs (Contents under “Auld | j Scotia”) Pryor’s Band and ForiurK Teller Selection (Herhert) Pryor i B 35224 12 1 .25 Batde of Killiecrankie 2. Will Ye No Come Back Again (Bagpipes \ j and Drums) Sutcliffe Troupe Scotch Medley March Sutcliffe Troupe \7\4Q 10 .75 Bonnie Doon — See “Ye Bemks and Braes ” j Flow Gently, Sweet Afton (Afton Water) (Bums) Herbert Witherspoon 64108 10 1 .00 Flow Gently, Sweet Afton — Miller and_ Quid Plaid Shawl — /y«nry Purr 1 7386 10 .73 Gae to Sleep — Scotch Lullaby (RandalTh isher) Janet Spencer 74231 i 12 1 .50 Hills o* Skye (McLennan-Harris) Janet Spencer 74291 12 1.50 I’m Wearing Awa’ — Wells «nd Daddy; (Behrend) Elizabeth Wheeler \7203 \0 .73 Jock o* Hazeldean — John Young and^ Scofs, Wha'^ Hae’ — Reinald Werrenrath 16961 10 .75 Moriah — Comic Scotch Medley from * Old Town” Montgomery and Stone 70044 12 1.25 Melodies of Robert Bums (Contents under “ Medleys”) Pryor’s Band 31470 12 1.00 My Laddie — Harvard and Forever and Fore^fer (Tosti) Turner 17288 10 .75 My Laddie (Troubetzkoy-Thayer) Alma Gluck 64183 10 1.00 Ould Plaid Shawl (Fahy-Haynes) Burr and Flow Gently, Sweet Afton— Miller \7ZSS 10 .73 O Wert Thou in the Cauld Blast Wheeler and Dunlap 5864 10 .60 Scotch Medley March (Bagpipes and Drums) (Contents under Medleys") and I ) /. Battle of Killiecrankie 2. IVill Ye No Come Back Again — Sutcliffe Troupe 17140 \0 .75 Scots, Wha* Hae’ wi* Wallace Bled — Burr and Loch Lomond — Henry Burr 16062 10 .75 Scots, Wha’ Hae’ — Reinald Werrenrath and Jock o' Hazeldean — John Young \606\ 10 .75 Songs of Scotland (Contents under ’’ Medleys Vocal") Victor Mixed Cho 31869 12 1.00 Strathspey Medley — "Keel Row," "Howard." etc. Victor Dance Orchestra 31438 12 1.00 Turn Ye to Me (Old Scotch) George Hamlin 74201 12 1.50 Within a Mile of Edinboro’ Town _ Lucy Isabelle Marsh 60057 10 .75 Ye Banks and Braes — For several records see "Ye Banks and Braes ” SCOTTI, ANTONIO, Baritone One o( the most valued and gifted artists of the Metropolitan Opera Company is Antonio Scotti, the well-known baritone. He was born in Naples, and even as a child showed a desire to become a singer. His parents, however, little dreamed as they heard him humming Italian melodies in his home that a great career lay before him. After receiving the customary Italian education, he was for a time put in commercial pursuits. But when he should have been poring over his ledger, too often he was singing the romanzas of the day or try. ing to recall scraps of opera which he had heard the evening before. His friends strongly advised him to study music, and he was induced to consult Mme. Trifari-Paganini, who assured him he had an exceptionally good voice, and urged him to cul jw,,, tivate it. He at last yielded, though with little hope of ever becoming an artist. At the CO.VT MISM