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BANJO SOLOS—By Vess Ossman, Fred van Eps and F. J. Bacon
VICTOR RECORDS
Number |S Ra)
Black Diamond Rag—Van Eps and Irish and Scotch Melodies—Xylophone—Reitz| 17168) 10
Buffalo Rag (Turpin) Ossman and Barnyard Serenade—Spencer and Holt\16779| 10} .75 Bunch of Rags—Ossman and Dixie Girl (Lampe) Ossman-Dudley T rio|16667|10| .75 Cupid's Arrow— Van Eps and Polish Dance No. 1—Xylophone—Reitz|16855|10| .75 Daly's Reel—One-Step Buck D and Medley of Southern Melodies—Van Eps|18116}10| .75 Dance of the Bugs—March—Van Eps and Down Home Rag—Brown Bros|17834|10| .75 Drowsy Dempsey—Vess L. Ossman and Gypsy Dance—Xylop hone— Muller|16767|10| .75 Four Little Blackberries—Ossman and First Kiss Waltz—Ocarina— Tapiero|16488|10| .75 Frolic of the Coons—Van Eps ~~ and Love’s Smile—W histling— Gialdini|17369|10| .75 Gay Gossoon—Vess L. Ossman and St. Louis Tickle—Ossman-Dudley Trio|16092|10| .75 Good Scout—One-Step and Universal Fox Trot—Vess L. Ossman|17952)10| .75 Infanta March—Van Eps and on ve irginia Reel—Victor Dance Orch|16847|10| .75 Keep Off the Grass—Ossman Silver Heels (Moret) Ossman|\16266|10| .75 Lamb's Gambol—Danse Centre on ‘pe and Blood Lillies— Reitz\17457|10| .75 Lobsters’ Promenade—Humoresque (Steele) and Red Pepper-Van Eps|17033/10| .75 Maurice Tango—Van Eps and Dance of the Hours—Xylophone— Reitz\17147|10| .75 Medley—‘‘Little Bit of Everything’’°-Ossman and Hoop-e-Kack—Xylophone— Reitz\17265|10| .75 Medley of Southern Melodies and Daly’s Reel—One-Step—Banjo—Van Eps|18116|10; .75 Old Folks at Home (Foster) Ossman and Cradle Song—Cornet with Band|17417/|10| .75 OmenalIntermezzo—Van Eps and pias Tell Fantasie—Xylophone—W. Reitz|17120|10} .75 Patrol of the Scouts—Ossman Razzazza Mazzazza—Pryor’s Band|16816}10| .75 Pearl of the Harem—Van Eps and Mabie: Bird—Fantasia— Xylophone— Reitz|16969)10| .75 Persian Lamb Rag—Ossman and Medley German Waltzes—A ccordion—K immel|16127|10} .75 Persiflage—Van Eps and My Regards Waltz—Xylophone— Reitz\17192|10} .75 Peter Piper (Henry) Ossman and Yankee Land (Hoffman) Ossman|16935}10] .75 Ragging the Scale—Fox Recher red VanEps and Eldorado March—Reitz|18085|10} .75 Rag Pickings—Van Eps U. S. A. Patrol—Xylophone—William Reitz|}16934|10| .75 Rag Time Episode—Van ERs: ae I'll Lend You Anything I’ve Got—Collins|16845]|10} .75 Red Pepper—Rag (Lodge) and Lobsters’ Promenade—Banjo—V an Eps|17033)10} .75 Silver Heels—Vess L. Ossman_ (Moret) and Keep Off the Grass— Ossman|16266]10| .75 Turkey in the Straw Medley—Ossman and Auld Lang Syne— Chimes|16390]10| .75 Universal Fox Trot and Good Scout—One-Step—Vess L. Ossman\17952)10| .75 Way Down South—Vess L. Ossman and Kentucky Kut-Ups—Prvor’s Band|16755|10} .75 West Lawn Polka—Bacon and Ciribiribin Waltz—W histling—G ialdini|17129| 10] .75 gaa Song—Negro Dialect Poem ~ (Dunbar) Rev. J. A. Aens 16466|10| .75 Roll Jordan Roll Fisk University Jubilee Quartet : Banjo Song, A (Weeden-Homer) Louise Homer|87074/10/2.00 a Step—Fox Trot (Jentes) Conway’s ape Javahiheids Under the Rambling Roses—Fox Trot Conway’s Band ; BARBAINI, AGUSTO, Tenor (Bahr-bah-ee’ -nee)— See “Pagliacci” rears Frietchie (Whittier) Recitation Frank Burpee} 17133ti0l 75 Water Mill, The (McCallum) Recitation Frank Burbeck}! ;
BARBIERE DI SIVIGLIA
Barber of Seville, comic opera in two acts ; text by Sterbini, a Roman poet ; music by Rossini. Produced Rome, 1816; London, 1818; New York, 1825. First called ** Almaviva’’ to distinguish it from Paisiello’s ‘‘ Barber.”
The plot of Barber is very simple. Count Almaviva loves Rosina, the ward of Dr. Bartolo, a crusty old bachelor, who secretly wishes to marry her himself. Almaviva persuades the village barber, Figaro, to arrange a meeting for him, and gains entrance to the house disguised as a dragoon, but is arrested by the guardian. Not discouraged, he returns, pretending to be a substitute for Rosina’s music teacher, who, he says, is ill. The appearance of the real music master, Don Basilio, spoils this plan, and the Count retreats for the second time, having, however, arranged a plan for elopement. Bartolo finally arouses Rosina’s jealousy by pretending that the
VICTOR BOOK OF THE OPERA
THE FAMOUS SHAVING SCENE IN ACT It