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VICTOR RECORDS
BEAUTY SHOP —See also “ Love’s Hesitation,” “‘ Hitchcock’s Curtain” Because (Teschemacher-d’Hardelot) Jn English Evan Williams Because (Teschemacher-d’Hardelot) Jn French Enrico Caruso Because (Teschemacher-d’Hardelot) John McCormack BECKER, DE LOS, Tenor—See “An Old Fashioned Garden in Va.” BEDDOE, DANIEL, Tenor—For list of records, portrait and sketch e “ Beddoe ” in Pink Section Bedouin Love Song _ (Pinsuti) on Love Song (Pinsuti) In Old Madrid (BinghamTrotére)
Clarence Whitehill Frederick Wheeler
Bee, The (Schubert) (2) Minute Waltz (Chopin) Violin Maud Powell,
BEETHOVEN, LUDWIG VON (Bay’-toh-ven) (1770-1827)
Born Bonn, Germany, 1770. Began study of music at age 4. Played at concert at 8. Began composition at 10, writing a cantata and ‘‘nine variations.” Assistant to concert organist at 11, at 12 conductor of Court Opera Orchestra (without pay !). When 14 was granted a salary of 150 florins (about $80). In 1787 made first
visit to Vienna, a great event for the boy. Compositions not important until 1795, but from then to his death wrote 260 works. Only opera, Fidelio, produced Vienna, 1805.
Beethoven's influence on art of music very great and can hardly |f be estimated. He died March 26, 1827: buried in Vienna.
RECORDS OF BEETHOVEN COMPOSITIONS
Adagio—5th Concerto (Pianoforte) and Scarf Dance—Piano—La Forge Cottage Maid Egmont Overture and Marche Militaire. (Schubert) Victor Orchestra Ehre Gottes aus der Natur, Die (Worship of God in Nature) and Mein Madel hat einen Rosenmund (2) Hinkende Jamben—V an Eweyk Faithfu’ Johnie Julia Culp Fidelio—Prisoners’ Chorus—Male Chorus and Heavens Resound—Chorus Fifth Symphony—Andante—Concert Orch and Largo (Dvordk) Concert Orch Fifth Symphony—I!Ist Movement—FPart | and Part II/—Victor Orchestra Fifth Symphony—2d Movement—Andante con moto—Part and Andante con moto—Part II—Victor Orchestra Fourth’ Bo ieany tA Tete WV edaclle: s Band and Leonore Overture—Orch Funeral March (Sonata, Op. 26) and Moonlight Sonata— Vessella’s Band eavens Resound (Beethoven) OratorioChorus and Fidelio—Male Chorus Ich liebe dich (I Love Thee) Jn German Frances Alda Ich liebe dich (I Love Thee) Jn German Margarete Ober Ivy Green (Dickens) Werrenrath and When the Swallows Homeward Fly-Marsh Leonore Overture, No. 3—Parts | and 2 ictor Concert Orchestra Leonore Overture, No. 3—Part 3— Victor Concert Orch and re from 4th Symphony—Vessella’s Band MenuettinG (2) Gavotte in D (Gossec) ‘Violin frem Zimbalist
Menuet in and Tyrolean Dance (Dvordk) Natalie and Victoria Boshko Minuet in G, No. 2 Violin Mischa Elman Minuet in G! No.2 (Beethoven) Violin Maud Powell
Moonlight Sonata—First: Movement Vessella’s Italian Band
Moonlight Sonata—Ist Movement and Funeral March—Vessella’s Band Pastoral Symphony—Parts I and II—2d Movement Victor Concert Orch Quartet in C Minor—Menuetto and Quartet in F Major—Victor String Quartet Quartet in C Minor—Scherzo and Quartet for Strings (Rubinstein) String Qt Souvenir de Beethoven _(Tobani) Pryor’s B and Creme de Creme—Pryor’s B Ungluck liche Liebe—Der Kuss and Heinrich der Vogler—Van Eweyk Before the Crucifix (Wrede-LaForge) English Schumann-Heink {nec the Mast—Nautical March (See “Medley No. 67’’) Conway’s a The United Service March (Hernandez) Conway’s Band Behold and See—‘“Messiah” (Handel) Evan Williams {siden Grenadiere, Die (Schumann) Jn German Van Natt Das Erkennen (Loewe) In German Arthur Van Eweyk Bekehrte, Die (Damon) (Goethe-Stange) Jn English Emmy Destinn BELGIUM—Patriotic Airs—See ‘“‘National and Patriotic’ Believe Me, If All Those Endearing Young Charms McCormack Believe Me, If All Those Endearing (Moore) Geraldine Farrar Believe Me, If All Those Endearing (Moore)
Alan Penaral
Julia Culp)
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BEETHOVEN
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35426 12'1.25 35576 121.25 87117 10 2.00 64446 10 1.00 45067 10 1.00 35268 121.25 35269 12 1.25 74444 12 1.50 1793410 .75 64121 10'1.00 64620 10 1.00 31828 12 1.00 35426 12 1.25 35320 /12'1.25 17964 10 .75 35506 12 1.25 35263 121.25 63638 10 .75 88548 12 3.00 1715410 .75 74126 12 1.50 68327 12 1.25
88565 12 3.00
64180 10 1.00 87025 10 2.00
Nellie Melba’
88156 12 3.00