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(Go Pretty Rose (Marzials) Stevenson and Macdonough
VICTOR RECORDS | Number ct
Juanita (Norton) Soprano-Tenor-Baritone Metropolitan HB} 16951 ac 2 GORITZ, OTTO, Baritone (Goh'-ritz) (For list of records, portrait | and sketch, see “‘ Goritz ”’ in Pink Section) GORST, CHARLES, Naturalist and Bird Lover—See “ Bird Songs ”’ GOSPEL HYMNS—See “ HYMNS” Gospel Songs, No. 1—Moody and Sankey Hymns Victor Mixed onoy | Gospel Songs, No. 2—Billy Sunday Hymns Victor Mixed Chorus} |3551° 4 ae
{Gospel Songs, No. 3 (See “Medley No. 108”) Victor Mixed me
Gospel Songs, No. 4 (See ‘‘Medley No. !08’’) Victor Mixed Cho 35620|12 1.25 Go to Sleep, My Dusky Baby (Dvorak) See Eee Un ee nizere ‘ol 75 Rockin’ Time (Gertrude L. Knox) Kline-Baker-Dunlap3| ore?
GOTTERDAMMERUNG (Goet’ -ter-daem'-mer-oongk) The Dusk of the Gods (1876) (Wagner)
Music drama in three acts and a prelude. Words and music by Richard Wagner. Wagner began the composition of the music at Lucerne in 1870, and it was completed November 21, 1874. First produced Bayreuth, August 17, 1876, with Materna and Unger. First Amencan production at New York, January 25, 1888, with Lehmann, SeidlKrauss, Traubman, Niemann and Fischer. Many notable American productions have been made at the Metropolitan, the latest being February, 1914, with Kurt, Ober and Berger.
The Dusk of the Gods is the last part of the tetralogy. In the prelude we once more seo Briinnhilde on the rock, where she had lain during her magic sleep, and where Siegfried had found her and taken her as his bride. The hero, after a brief period of domestic happiness in a cave near by, decides to leave his bride for awhile and go in search of adventures, giving her the Nibelung’s Ring as a pledge of faith. This ring he had obtained when he slew the dragon Fafner, and as the opera progresses he is doomed to suffer the conse quences of the fatal curse, invoked on every possessor of the Ring by Alberich, from whor
t was forcibly taken by Wotan. (For complete illustrated description see ‘‘ Victor Book of the Opera’’)
TE at TN
SIEGFRIED’S DEATH—ACT III VICTOR BOOK OF THE OPES
GOTTERDAMMERUNG RECORDS
Siegfried’s Funeral March and Die Walkiire— Ride of Valkyries—Vessella’s B. 35369! 12|1.25 Fliegt heim (Immolation Scene) Jn German Johanna Gadski 88185) 12/3.00
ime hiess ein miirrischer Zwerg (Mime, Know Thee Then, Was a |
Dwarf) (Part I) and Zu den Wipfeln lauscht ich (Part Ih) Carl Burrian| 55073) 12/1.50 Zu den Wipfeln lauscht’ ich (To the Branches Gazed I Aloft) (Part Il)
and Mime hiess ein miirrischer Zwerg (Erzdhl. des Siegfried) Carl Burrian| 55073) 12/1.50
Fantasia—Siegfried and Brunnhilde, Act I—Finale of Scene I, “ Siegfried’s
Horn Call*’—Finale of Opera—Pryor’s B and Rheingold Sel. —Conway’s B 35315. 1211.25