Victor records (May 1917)

VICTOR RECORDS Number | Hungarian Rhapsody, No. 9—Fimale (Carnaval de Pesth) Pryor’s B|31752 12|1.00 Hungarian Rhapsody, No. 12 (Liszt) Pryor’s Band/31812)12)1.00 Huntin the Black Forest (Descriptive) (Voelker) Victor Orch ee Day breaks—Birds sing—Cock crows—Huntsman’s horn— Village chimes —The hunters assemble—They start—F ull gallop—Horns sound halt— 35324/12/1.25 At the blacksmith’s—The smith at work—They start again—Hounds ri scent the game—In full cry—Game run to earth—Cheers—Finale In a Clock Store (Orth) (Descriptive Fantasie) Victor Orchestra HURDY GURDY-—See “Georgia Grind,” ‘“‘ Harrigan Medley” and “It’s Tulip Time in Holland”’ : Geet Back to My Bamboo Shack (Berlin) Alice pncen} 1s080l101 75 We’re Too Old to Go to You (Wilander-De Costa) Chas. Harrison ; HURTADO BROTHERS ROYAL MARIMBA BAND, OF GUA. TEMALA Aida Selection and Lucia Sextette—Hurtado Bros. Royal Marimba Band|35559| |2 American Airs—Medley and Artist’s Life Waltz—Hurtado Bros. Marimba Band|35557) |2 Artist’s Life Waltz and American Airs—Medley—Hurtado Bros. Marimba Band|35557| |2 Blue Danube Waltz and Southern Roses Waltz—Hurtado Bros. Marimba Band|35564| |2 Blue Waves Waltz and Thousand and One Night—Waltz—Hurtado Bros.|35565) |2 Catalina One-Step and Fletita One-Step— Hurtado Bros. Royal Marimba Band|18095}\ 10 Cavalleria—Intermezzo and Fading Leaves—Hurtado Brothers Marimba Band|18048}|0| .75 10 10 10 10 12 10 | El Choclo—Argentine Tango and Modest Suzanne—Hurtado Bros. Marimba B|18093 Fading Leaves—Serenata and Cavalleria—Intermezzo—Hurtado Bros. Marimba B\18048 Fletita—One-Step and Catalina One-Step—Hurtada Bros. Marimba Band|18095 Guatemala-Panama March and Otilia March—Hurtado Bros. Royal Marimba B\18040 Lucia Sextette _and Aida Selection—Hurtado Bros. Marimba Band|35559 Modest Suzanne—Potpourri and El Choclo—A rgentine Dance—Hurtado Bros.|18093 Otilia March and Guatemala-Panama March—Hurtado Bros. Marimba Band|18040 Southern Roses Waltz and Blue Danube Waltz—Hurtado Bros. Marimba Band|35564| 12) 1.25 Thousand and One Night— Waltz and Blue Waves Waltz—Hurtado Bros.|35565)|2|1.25 Pec a Bye Ma Baby (The Missouri Waltz) (Shannon-E ppel) oD 18214/10| .75 Somewhere My Love Lies Dreaming Reed and Harrison Hush, Don’t Wake the Baby Soprano Yodel May Bees, 75 { Roll On, Silver Moon Soprano Yodel May McDonald. LOO Dis Hymne de Mameli, “Fratelli d’Italia’’ (Italian Patriotic Song) In Italian (Mameli-Novaro) Marcel Journet|64567/ 10) 1.00 Hymne Imperial Russe (Russian National Hymn, “God Save the Czar”) (/st verse, Russian; 2d verse, French) (Joukowsky-Lvoff) Journet|74464| 12) 1.50 Hymne National Serbe (National Air of Serbia, ‘‘ Boze pravde tisto spase’”’?) (Godin HisGoodness) (/sf verse, Serbian; 2d verse, French) (Aerts-Jenko) Marcel Journet|74466)12'1.50 Hymn of Praise—I Waited for the Lord Gluck and Homer'|88375) 12/3.00 Hymn of Praise—Sorrows of Death (Mendelssohn) Evan Williams|74498 12/1.50 Hymns of Praise—No. 1 (See ‘‘Medley No. 9”) Victor Mixed suo 1.25 { Hymns of Praise—No. 2 (See “Medley No. 9’) Victor Mixed Chorus OO ee HY MNS—Standard and Revival The extensive list of sacred music which the Victor has issued during the past few years has perhaps attracted more attention than any other single feature. This splendid catalogue of standard and gospel hymns, anthems and oratorio numbers is certain to have a powerful influence for good, not only in the homes of the serious-minded owners of Victors, but as a means of improving the quality of the music in small churches, where a competent choir is out of the question. The Victor's sacred records are capable of filling admirably the place of a choir, and this form of service is much to be preferred to the average small choir, which sometimes inspires feelings the reverse of devout ! Victors are being utilized more and more in small communities in place of a precentor, and no better method of leading congregational singing could be imagined, ‘while in the family circle a collection of hymns and other sacred music is indispensable for Sunday use. NOTE—This list contains hymns only. For other sacred numbers, such as “Holy City,’’ “‘ Palms,” “Face to Face’’ and songs of that class, also Anthems and Masses for church use, see Sacred Songs. For Oratorio numbers see titles of Oratorios. For Negro Revival Hymns see Fisk Jubilee Quartet. For Masonic and Modern Woodmen Hymns see “‘ Masonic Records” and “‘Modern Woodmen.” Abide with Me—For several records see “* Abide with Me” | Adeste Fideles—For several records see *‘ Adeste Fideles” | | 35110 12/1.25 All Hail the Power of Jesus’ Name and Doxology—Trinity Choir and Sanctus from Messe Solennel'e—Choir