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VICTOR RECORDS | Number é KAUFMAN RECORDS—Continued
K My Waikiki Ukulele Girl and My Hawaiian Sunshine—Campbell-Burr| 18202|10| .75
a Piney Ridge and All! Can Dols Just Love You-—Kaufman| 17896)|10| .75
aca Put Me to Sleep with an Old Fashioned Melody and Honeymoon Bells—A mer Qt}17853)10| .75
She Lives Down in Our Alley and | Wonder Who Wished—Murray|17792|10| .75
Underneath the Japanese Moon and Where the Oceans Meet—Kaufman\17699)|10| .75
Way Down in Iowa ; and /t’s Not Your Nationality—Murray| 18184) 10) .75
Where the Oceans Meet in Panama and Underneath Japanese Moon—Kaufman|17699|10} .75
{Beep Off the Grass Banjo Vess L. Ossman 16266|10| .75 Silver Heels (Moret) Banjo Vess L. Ossman Bah aerate
ficep the Home-Fires Burning (Till the Boys Come Home) TERE 178811101 .75
The Drummer-Boy (Boulton-German) Frederick Wheeler ; Keep Your Eye on the Girlie You Love (GerberJohnson-Shuster ) Peerless Quartet }/18204/10| .75 I’m Coming Back to California Peerless Quartet J
KELLOGG, CHARLES, the “ Nature Singer ”
This gifted naturalist has been talking to delighted audiences
all over the country about the wild life—in story, pictures and bird songs. But his pre-eminent gift, that has been his from birth, places him unique among men—the ability to sing like a bird. He does not imitate the birds by lip whistling or otherwise, but actually sings their songs from his throat. Mr. Kellogg also adapts his bird singing to some of the most beautiful classic compositions, played by the orchestra. Two fine examples of this bird singing are given here, and two records of what might be called ‘“‘bird conversations.” ‘The singer. gives an interesting chat about various birds, illustratingtheir songs and —©0P¥'T_ HARRIS & Ewing showing how they talk to each other. KELLOGG
The countless admirers of this gifted nature singer, who makes ; records exclusively for the Victor, will be delighted with these interesting examples of his art.
KELLOGG RECORDS ’ Amoureuse Valse and Humoresque— Orchestra with Bird V oices—Kellogg|45061 Flower Song (Lange) and Polish Dance—Orch. with Bird V oices— Kellogg|45107 Humoresque (Dvorak) and Amoureuse Valse (woth Bird V oices)—Kellogg|45061 Liebesfreud and Pas des Amphores— Orchestra with Bird V oices—Kellogg|45093 Mocking Bird (Winner) Gluck with Bird Voices—Kellogg|74465 Narcissus (Nevin) and Serenade (Moszkowski) Orch with Bird V oices—Kellogg|45085 Nightingale Sonz Alma Gluck with Bird Voices—Charles Kelloge|64566 Pas des Amphores and Liebesfreud (Orch. with Bird Voices) Kellogg|45093 Polish Dance (Scharwenka) and Flower Song—Orch. with Bird Voices—Kellogg|45107 Serenade (Moszkowski) and Narcissus (Orch. with Bird Voices) Kellogg|45085 Songs of Our Native Birds No. I—Cat ird; stormy petrel; cardinal redbird ‘ Jenny or house wren; loon; red wing blackbird; bobolink; California mountain quail, and general conversation of the birds of the mars and Songs of Our Native Birds No. 2—Ring-dove; goldfinch (wild canary) ; wood pewee; blue jay; whip-poor-will; mourning dove; meadow lark ; peabody bird( white-throated sparrow) ; catbird; wood orbarn-owl hoot-owl—Kellogg|55049 KENEKE, EMIL, Cornetist—See “Instrumental Duets” and “Rosary” KENNEDY, FRANK, Comedian—See “An Irish-Dutch Argument” and “* Schultz on Woman’s Suffrage”’ teen Babe (Buck-Geibel) “That Girl” uartet Seine Knee-Deep in June—Recitation (Riley) Henry Price fate. Kut-Ups—March (Frantzen) Pryor’s Rene} Tagen Way Down South (Myddleton) Banjo Vess L. Ossman i encuciey Minstrels (See “ Minstrels No. 8”) | Victor Minstrel eh anseh Minstrel Specialty—‘‘Working on the Farm’’ Golden and Hughes KENYON, JANE, Soprano My Grandfather's Girl and Where the Shamrock Grows—O' Hara| 18053 10} .75 At the End of a Beautiful Day—Kenyon and Love Me at Twilight—Stuart|18065 10| .75
Kerry Dance, The (Molloy) In English Schumann-Heink|88451 | 12/3.00 Looky Dance, The (Molloy) Soprano Elizabeth nee ey 1211.25 Asthore ( Trotere) Reinald Werrenrath} |35199|'*\': eae Mills’ Barn Dance _ (Mills) Dance Orspesie Virginia One-Step (Ringleben) Pryor’s Band 16003 10 5
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