Victor records (May 1913)

VICTOR RECORDS Number | | Price SADLER RECORDS He Falls for the Ladies Every Time and Somebody Lied—Eddie Morton 16784) 10| .75 Heinie Waltzed Round on His Hickory Limb—German Dialect 5729/10; .60 Hilda Loses Her Job and Tipperary (Helf) Billy Murray|16783)|10) .75 Safe in the Arms of Jesus Grate Trinity Choir) 1. The Lord’s Prayer (Dressler) 2. Gloria Patri (Boyce) Lyric Qt LSE ATI) 22 SAGI-BARBA, EMILIO—See “ Spanish Songs” and “‘ Rigoletto” Sag mir nur einmal (Hermann) See “German Records” A See Ser. Song (Marks) Hayden Quartet\| Lt Honeymooning (Poulton) Stevenson and Stanley{ IGOISI0} 73 Sailor’s Hornpipe—See “Medleys” SAINT-SAENS, CAMILLE (Sah-sahnz’) (“‘n” only partially sounded) (1835) See also “ Samson et Dalila” and “‘Cygne” Introduction and Rondo Capriccioso Violin Mischa Elman 74165 2) 50 Marche Héroique—Pryor’s Band and Carnival Pures Overture—Pryor’ s B35019| 12)1.25 Marche Héroique—Pryor's Band and “Dead March from “‘ Saul’’—Pryor’s B}16980 10| .75 St. Patrick’s Day (Vieuxtemps) Violin Maud Powell}74025) 12) 1.50 St. Paul—Be Thou Faithful (Mendelssohn) Jn English Williams!74136 | 12)1.50 St. Paul—But the Lord is Mindful of His Own In English Ernestine Schumann-Heink!ggi191 12/3.00 St. Louis Tickle Banjo-MandolinGuitar Ossman-Dudley Trio\ | Gay Gossoon (Kendall) Banjo : Vess L. Sinan 16092/10| .75 Sakuntala Overture—Op. 13 (Goldmark) Kryl’s Bohemian Band /31832)|2/|1.00 Sally in Our Alley (Carey) Old English George Hamlin|64144|10/1.00 Sally in Our Alley (Carey) Whitney Quartet . Believe Me If All Those Endearing Young Charms (Moore) Wities 16401/10| 73: Salt of the Sea for Me _Basso-profundo Frank C. Stanley| Down Deep Within the Cellar Frank C. Stanley{ 16063/10) .75 .: Salute the Flag March (Pierson) Pryor’s Band 75 All Together Two-Step (Tailleffer-Halet) Victor So aeEa 16332) 10). Salute to Mexico March (Brooke) U. S. Marine Band 75 Parade Post with Kaiser Friedrich March German Cavalry Be A Oe ee: Same as His Faither Was Before Him (Terry-Wells) Scotch Specialty Harry Lauder|60094'10) .75 SAMMARCO, G. MARIO, Baritone (Sahm-mar’-koh) Mario Sammarco was born in Palermo, Sicily, December 13, 1873. His musical studies were pursued under Antonio Cantelli, and he made his operatic début in Milan, 1894, and was then engaged for Giordano’s opera, Andrea Chenier, at La Scala. His great success in this opera established his position, and he has since been in demand, singing in all the chief cities of Europe. The last spring season at Covent Garden, London, was his sixth consecutive engagement in that opera house, where he is a great favorite. Coming to the Manhattan Opera House, New York City, for its first season, he remained during its existence as a home of grand opera, and was a favorite SAM MARCO artist last season with the Chicago-Philadelphia Company. Signor Sammarco has a baritone voice of unusual richness and power, and his operatic repertoire is most extensive. The records which we issue here are perfect specimens of the artist's singing, all the roundness of tone, the volume, the perfect phrasing and technique for which he is celebrated being perfectly reproduced. SAMMARCO RECORDS (Sung in Italian) Africana—Adamastor, ré dell’ onde (Adamastor, Ruler of Ocean) '88310/12 Boheme—Ah |! mimi, tu piu (Ah Mimi, False One!) with McCormack| 89044! 12 Li Marinari (The Mariners) Duet with John McCormack Rossini|87078| 10 Pescatori di Perle—Del tempio al limitar—with John McCormack Bizet 87082) 10 Rigoletto—Pari siamo (We Are Equal) Giuseppe Verdi|88320/|12 Rigoletto—Tutte le feste al tempio—Duet with Sembrich Giuseppe Verdi 89042/12 Traviata—Di Provenzail mar (From Fair Provence) Giuseppe Verdi|88314|12 Samson—Honor and Arms_ (Handel) Herbert Witherspoon 74070 '12'1.50