Victor records (May 1916)

VICTOR RECORDS | Number | = Good-Bye to Johnnie Clarice Vance}|/ Go (Ser the Rel Lol (Limericks) Edward M. Fasor} 18872|10] .75 —— Good Morning Sue (Bonjour, Suzon) (Leo Delibes) (Eng. version Dr. Th. Baker) In English Ernestine Schumann-Heink/87168)10/2.00 (ee News (Old Negro Spiritual) Tuskegee Institute ore Tyeesia) 76 Live a~-Humble (Old Negro Spiritual) Tuskegee Institute Singers : {Good Night, Beloved, Good Night (Fay) Harry Hepes t 16815/10| .75 Good-Bye (Tosti) Herbert Goddard) | Good-Night (Dobrou noc, md mild) In Bohemian (From “Twenty | Bohemian Folk-Songs’’) (Trans. by Rev. Vincent Pisek) Destinn-Gilly|88498]|12/3.00 tae Night, Good Night (Gardiner-Ball) George iene 45075 l101100 You’re the Best Little Mother God Ever Made — George MacFarlane ; {Seed Night, Good Night Beloved (Pinsuti) Brass ee Southern Cross (Herbert L. Clarke) Cornet Herbert L. Clarke 17109)10) .75 eee ene Harvard March (Yale March) (Moore) U.S. Marine a 17603|10| .75 Whoop It Up March (Yale March) (Friedman) Pryor’s Band . Good Night, Little Girl, Good Night (Macy) George Hamlin|74310)12/1.50 (Goes Night, Mr. Moon (Dawson-A. Von Tilzer) American Qth 17048|T0) 273 Mine (McGee-Benedek-Solman) Henry Burr : {Seed Old Dollar Bill (Mahoney-Morse) Billy Maras 16311|10| .75 Victor Minstrels, No. 16 Victor Minstrel Co ; {eee Scout—One-Step (Kaufman) Banjo Solo Vess L. SsRADE 17952110! .75 Universal Fox Trot Banjo Solo Vess L. Ossman ; Good Ship Mary Ann (Kahn-Le Boy) Nora Bayes/60113}10} .75 ar Pretty Rose (Marzials) Stevenson and Macdonous hy 16351/10| .75 Juanita (Norton) Soprano-Tenor-Baritone Metropolitan Trio ‘ GORITZ, OTTO, Baritone (Goh' -ritz) In German (For portrait and sketch see Pink Section) Ander Weser (By the Weser) : ‘Gustav Pressel/74343)12/1.50 Czar and Zimmermann—Finst spielt ich mit Scepter, mit Krone Lortzing| 74288) 12|1.50 Fidelio—Ha! welch ein Augenblick (Fateful Moment!) Beethoven|/64165]10/1.00 Flying Dutchman—For several records see ‘* Flying Dutchman”’ Hansel und Gretel—Eine Hex’ steinalt (The Old Witch) Humperdinck|64164! 10}1.00 K6nigskinder—lhr Kindlein, sie sind gefunden (Children, We Have Found Them) Humperdinck /|74287/12/1.50 Magic Flute—For three records see ‘‘ Magic Flute” Siegfried— Wohin schleichst du? (Whither Slinkest Thou?) Duet with Reiss/64215]10/1.00 Still wie die Nacht (Calm as the Night) (Goetze) Duet with Gadski|88440|12/3.90 Tannhauser—Wolfram’s Ansprache (Wolfram’s Eulogy of Love) Wagner|74215/12|1.50 Trémpeter von Sakkingen—Es hat nicht sollen sein (Werner's Farewell) 74212/12)1.50 GORST, CHARLES, Naturalist and Bird Lover—See “ Bird Songs” Gospel Songs, No. 1—Moody and Sankey Hymns (See “Medley | No. 7”) Victor Mixed Chorus 35810121198 Gospel Songs, No. 2—Billy Sunday Hymns (See ‘‘Medley No. | ee | ; Victor Mixed Chorus} GOSPEL HYMNS—See “HYMNS” | iso to Sleep, My Dusky Baby (Dvosdk) Freel oe cae tol .75 Rockin’ Time (Gertrude L. Knox) Kline-Baker-Dunlap} : GOTTERDAMMERUNG (Goet-ter-daem!-mer-oonk) The Dusk of the Gods (1876) (Wagner) Music drama in three acts and a prelude. Words and music by Richard Wagner. Wagner began the composition of the music at Lucerne in 1870, and it was completed November 21, 1874. First produced Bayreuth, August 17, 1876; with Materna and Unger. First American production at New York, January 25, 1888, with Lehmann, SeidlKrauss, Traubman, Niemann and Fischer. Many notable American productions have been made at the Metropolitan, the latest being F ebruary, 1914, with Kurt Ober, Fornia, Berger, Weil, Goritz and Braun. The Dusk of the Gods is the last part of the tetralogy. In the prelude we once more see Briinnhilde on the rock, where she had lain during her magic sleep, and where Siegfried had found her and taken her as his bride. The hero, after a brief period of domestic happiness in a cave near by, decides to leave his bride for awhile and go in search of adventures,