Victor records (May 1915)

VICTOR RECORDS Believe Me, If Atl Those Endearing Young Charms (Moore) John McCormack 64180) 10 Believe Me, If All Those Endearing (Moore) Geraldine Farrar|87025)10 Believe Me, If All Those Endearing (Moore) Nellie Melba!88156! 12 ake Me, If All Those Endearing (Moore) Elizabeth Wheeler Sally in Our Alley (Carey) Whitney, Quartet) 1640110 \ 17416) 10) BOG Me, If All Those Endearing Mandolin Wn. Place, Jr. Annie Laurie (Scott) Harp Charles Schuetze Bella figlia dell ’amore—See “ Rigoletto Quartet ” BELL, DIGBY, Comedian—See “‘ Man Who Fanned Casey”’ BELLE OF NEW YORK—Gems (Kerker) V. Light Opera Co/31887/12 Chorus, “‘She is the Belle of New York’’—Solo and Chorus, ‘‘ Teach Me How to Kiss’’—Chorus, ‘*La Belle Parisienne ’’—Duet, “‘ When We Are Married ’’—Solo and Chorus, “‘They All Follow Me’’—Finale eons of New York Selection (Kerker) Pryor’s Band Mikado Waltzes—for dancing (Sullivan) Pryor’s Band BELL EFFECTS—Records with(See “Chimes” and ‘‘Neapolitan Trio”; also “‘In a Clock Store,’’ “Liberty Bell March,’”? ‘‘Way Down East To-Night,”’ ““‘When It’s Night-time’? and ‘*When the Bell in the Lighthouse’’) BELLS OF CORNEVILLE—See “ Chimes of Normandy ” BELLINI, VINCENZO (Bell-leen’-ee) (1801-1835), Compositions by—See “ Norma,’’ “ Puritani” and “‘ Sonnambula ”’ BELL SOLOS (Orchestra Bells) For Chimes see ‘“‘ Chimes ” Black Forest Polka—Muller and Mocking Bird—Violin—D’Almaine Boulanger March—Muller and Carnival of Venice—Ocarina—Mosé Tapiero Brightest Days Gavotte—Reitz and Dream After the Ball—Xylophone— Reitz Dance California—Reitz and Buffalo News March—Xylophone—Reitz First Heart Throbs—Reitz and Erminie—Good Night Qt—Brass Quartet Heather Bells—Reitz and Fisher Boy— Zither— Berger Little Flatterer—Reitz and Spoontime—T wo-Step—Bells—Reitz Medley Dance—Chapman and AllIn, Down and Out—A rthur Collins One Heart, One Mind—Chapman and _ Russian Kossack—Dance Orchestra Southern Girl Gavotte—Chapman and Medley of Irish Jigs—John Kimmel Little Flatterer—Bells—Reitz Spoontime Two-Step—Reitz and Stephanie Gavotte—Reitz ana Melody from “La Belle Helene’”—Harp-Zither Sunbeam Dance (Rolfe) and Dill Pickles Rag (Johnson) Xylophone—Chapman Twilight Shadows and Watermelon Club March—Xylophone—Chris Chapman When It’s Apple Blossom Time in Normandy-Reitz and Peg 0’ My Heart—’Cello Bell Song—Lakmé—See “‘ Lakmé—Ou va la jeune Hindoue”’ es The (Klein-Stilwell) Peerless ae Don’t Blame It All on Broadway Peerless Quartet BELMONT, J.—Whistler—See “Whistling Records” and ‘‘Whistling Effects’’ Beloved, It is Morn (Aylward) John Barnes Wells Beloved, Itis Morn (E. Hickey-F. Aylward) Evan Williams {Be My Little Baby Bumble Bee (Marshall) Jones and ed On a Beautiful Night With a Beautiful Girl Heidelberg Quintette Ben Bolt (English-Kneass) Soprano Geraldine Farrar pose Bolt (English-Kneass) Contralto Elsie pace Annie Laurie Contralto (Douglass-Scott) Elsie Baker ‘pes Bolt (English-Kneass) Contralto Elsie Baleh Old Brigade, The Military Duet (Barri) Macdonough-Stanley Bendemeer’s Stream—Irish Melody (Moore) Witherspoon Benedick’s Idea of a Wife (Much Ado About Nothing) See “Greet’’ pee Hur Chariot Race March (Paull) Sousa’s Baad March Shannon—Irish Novelty (Willis) Pryor’s Band {Benny Havens, Oh! (West Point Song) American puuareet Army Blue (West Point Song) American Quartet eres (Chopin, Opus 57) Pianoforte Frank La forme Les Sylvains (The Fauns) (Chaminade, Op. 60) Frank La Forge Berceuse from Jocelyn (Godard) In French Alma Gluck Berceuse from Jocelyn (Lullaby) Number \ 35124/12 16538 16659 16428 17357 17238 17178 17337 16211 16280 16406 17337 17287 16678 16116 17492 17539 31791 74404 17152 88283 16388 35162 74278 17110 17500 55031 74369 | Size SSSSSS55555S555S5 1 So 10 12! 110 | }12) 12| 10. } 10) 112) 12 1211s 12\1. 1.00 2.00 3.00 75 13 1.00 1.25 75 3.00 ao 1.25 1.50 fa he 1.50 1.50 McCormack-Kreisler|88483 12 3.00