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NM@ Can’t You Hear Me Calling, Caroline (Caro Roma)
VICTOR RECORDS Number | Canto Amoroso—Liebeslied (Sammartini) Violin Mischa Elman|74392)|12)1.5 Canto del Presidiario, El Jn Spanish Emilio de Gogorza|74042)12/1.50
Geo. MacFarlane|60123/10| .75
get You Take It Back and Change It for a Boy ean A710 75 Hello, Central! Give Me Heaven (Child Ballad) Harlan} \17447 : {Cae March, El (Sousa) Sousa’s Bane 17305\ 10S Washington Post March Sousa’s Band$\1* ; Orne Seventh Reg. March (Eddie Quinn) with Drums Pryor’s = i7osclolens Skyrocket March (Drum effects) Pryor’s Band 5
CAPPER, CHARLES, Whistler—See ‘‘ Whistling Records” CAPPIELLO, MARIA—See “Aida,” ‘‘Favorita” and “Rigoletto” Capriccio Valse (Waltz Caprice, Op. 7) (Wieniawski) Violin Powell/74173)12'1.50
Caprice (Ogarew, Op. 51, No.2) Violin Maud Powell/64301 101.00 Caprice Basque (Sarasate) Violin Mischa Elman/74176 12/1.50 { raise Brilliante Cornet Solo Herbert L. Clonee Lasca—Dramatic Recitation (Deprez) Edgar L. Davenport Oe {GePaice Espanol (Moszkowski) Pianoforte Charles G. ppross Lucia Sextette (Transcription) Pianoforte Himmelreich/ |*5223}!2/!-2? Caprice Viennois (Kreisler) Violin Fritz Kreisler|74197/12)1.50
Capricietto (Mendelssohn-Burmester) Violin Mischa Elman|6420410/1.00 Carillon de Cythére, Le (Chimes of Cythera) Pianoforte Paderewski|88492)12|3.00 Carlos—One-Step (Aguirre) Victor Military Hane}
Spanish Days—Turkey Trot (Aguirre) Victor Military Band tt SS Carlotta Waltz—Gasparone Dance Time (Milloecker) Pryor’s B'31506 12 1.00
CARMEN (Sung in French unless otherwise noted)
Text by Meilhac and Halévy, founded on Mérimée’s novel. Music by Bizet. First production, Paris, 1875; Jondon, 1878; New York, 1879, with Minnie Hauk. Some notable revivals, 1893, Calvé’s first appearance; 1905, with Caruso; and Hammerstein’s revival, 1906, with Bressler-Gianoli and Dalmores.
Don Jose, a young brigadier, betrothed to Micaela, a peasant girl in his native village, is quartered at Seville near a factory where Carmen, a reckless and beautiful cigarette girl, stabs a fellow-employee, and is arrested by Jose. She manages to fascinate him, and makes her escape. Jose is imprisoned for neglect of duty, but when released follows the gypsy to Pastia’s Inn, where he finds Escamillo, a Toreador, and Zuniga, his captain, both paying court to Carmen. Stung with jealousy he deserts, and follows the band of smugglers Carmen has joined.
The next act shows the smugglers’ camp, and Carmen, already tired of her soldier, welcomes the Toreador, who has followed her. Jose is about to kill her when Micaela arrives with a summons from his dying mother. He goes, but threatens vengeance. In the last act the tragedy occurs, when Jose, half crazed with jealousy, kills Carmen outside the bull ring, where she is awaiting the triumphant Fscamillo.
ACT I—puBLic sQuARE IN SEVILLE
Prelude—La Scala Orch and Scena delle carte (Card Scene) de Casas|\62617({10| .75 Prelude—La Scala Orch and Damnation de Faust—Marcia—Sousa’s Band\68052)12)1.25 Habanera (Love is Like a Wood Bird) Emma Calvé|88085) |2/3.00 Habanera (Love is Like a Wood Bird) Gerville-Réache|/ 88278) 12/3.00 Habanera (Love is Like a Wood Bird) Jn Italian Maria Gay/|92059|12/3.00 Habanera (Love is Like a Wood Bird) Geraldine Farrar|87210)10|2.00 Habanera (Love is Like a Wood Bird) Sophie Braslau'64469)10/1.00 Mia madre vedo ancor (My Mother! Behold) Jn /talian
Fernando de Lucia and Giuseppina Huguet/92052) 12|3.00 Parle-moi de ma mere (Tell Me of My Mother) (Same as above)
Lucy Isabelle Marsh and John McCormack) 74345} 12|1.50 Seguidilla (Near the Walls of Seville) Jn Jtalian Maria Gay|91085}10/2.00 Seguidilla (Near the Walls of Seville) Margarete Matzenauer|87103 10/2.00 Seguidilla (Near the Walls of Seville) Geraldine Farrar/88511)|12/3.00
ACT II—rTavern OF LILLAS PASTIA
Suite—No. 2, Intermezzo (First Entr’acte) Herbert’s Orchestra|60067/10) .75 Chanson Boheme (Gypsy Song) Geraldine Farrar|88512) 12'3.00 Chanson Boheme (Les tringles de sistres) (Gypsy Song) Emma Calvé|88124! 12/3.00 Toreador Song de Gogorza and Metropolitan Chorus'88178' 12'3.00