Victor records (May 1912)

VICTOR RECORDS A—For titles beginning with the word “A” see next word | Abide With Me Abide With Me _ (Lyte-Monk) sAbide With Me (Lyte-Monk) \ Child of a King (Sumner) fAbide With Me \ Some Day (Gabriel) (Lyte-Monk) (Monk) = Tenor-Soprano Geraldine Farrar Richard José Richard José\ Elizabeth Wheto} Mr. and Mrs. Wheeler| Anthony and Harrison Soprano CounterTenor CounterTenor jAbie, Take an Example from Your Fader (Brockman) Silver \ Below the Mason-Dixon Line (Reed) Arthur Collins ABOTT, BESSIE, Soprano Bessie Abott began her musical career a few years ago in light opera, but although in a measure successful, she was ambitious and determined to study for grand opera. After some years’ work she made her début at the Paris Opéra in Romeo and Juliette with much success. Miss Abott’s voice is pure and sweet, her tones possessing the delightful freshness of youth. Her upper netes are exquisite in their beauty and clearness, while her command of colorature shows how faithfully she has studied. ABOTT RECORDS (Sunz in Italian unless noted) Flauto Magico—Aria della Regina (Queen's Air) Lakme—Ou va la jeune Hindoue (Bell Song) Jn French Delibes Martha—Mesta ognor (Ah, These Tears) Duet with Homer Flotow Mireille—Valse Jn French Charles Gounod Parla Waltz (Speak!) Luigi Arditi Rigoletto—Quartet with Caruso, Homer and Scotti, Giuseppe Verdi, (Absence Makes the Heart Grow Fonder (Dillea) Macdonough \ Maryland, My Maryland Harry Macdonough | Absent (Metcalf) Jn English Evan Williams ABT and BUTIN—See Mandolin-Guitar Duets ACCORDION SOLOS American Polka—John J. Kimmel and Dance of the Fairies—Piccolo—Lyons Amoureuse Waltz (Berger) Frosini and Swiss Shepherd—Ocarina—T apiero| An Operatic Rag—Frosini and_ Napoli Tarantella—Mandolin—Casini-Florenz Echoes from Naples (Frosini) Frosini and Araby March—Estudiantina Trio Hornpipe Medley—Kimmel and Three Solitaires—Clarke, Keneke and Pryor Indian Intermezzo (Kus) John J. Kimmel and What You Going to Tell Old St. Peter When You Meet Him at de Golden Gate (Rose) Arthur Collins Irish Boy March (Kimmel) John J. Kimmel Irish Boy March—John J. Kimmel and Bye, Bye, Ma Honey—Billy Golden . Medley German Waltzes—John J. Kimmel and Persian Lamb Rag—Banjo Medley Irish Jigs—John J. Kimmel and Southern Girl Gavotte—Bell Solo Medley of Clogs—Kimmel and Waterfall Polka (Stobbe) Xylophone— Reitz Medley of Popular Reels—Kimmel and My Hindoo Man—Xylophone—Lewin Medley of Reels No. 2—Kimmel and I’ve Got to See the Minstrel Show— Collins Medley of Straight Jigs—Kimmel and Long, Long Ago—Xylophone—Lewin Minor March—J. J. Kimmel and The Skylark—Piccolo— Darius Lyons Naila Intermezzo—Frosini and Entr’ Actz Gavotte—Xylophone—W. A. Reitz Spring Flowers Waltz (Frosini) Frosini and Dill Pickles Rag—Prvor’s Band ACERBI, GIUSEPPE, Tenor (Ah-cher’-bi)—See “Don Pasquale,” ““Favorita,” “Lucia,” “‘ Pearl Fishers” and _“ Rigoletto” {Ach konnt ich noch einmal so lieben (Aletter) German ae | Schliess in dein Herz mich wieder ein (Aletter) In German Muench Adagio from A minor Concerto (Op.16) (Grieg) Piano La Forge Adagio Lamentoso (Part of 4th and last movement of the 6th Symphony in B minor, Op. 74, called ‘‘Pathetique’’) (Tschaikowsky) Pryor’s B) ADAM, ADOLPHE CHARLES (1803-1856), Compositions by See ‘‘Holv Nicht’? and ‘‘ Noél”’ ae ADAMS, STEPHEN (1844), Compositions by See ‘‘Holy City” and “Star of Bethlehem” : f {Adantino (de Beriot). Violin Ckarles D’Almaine | Traumerei (Schumann) Violin Howard Rattay COPY’T DUPONT Mozart 87076 2633 16660 a Price 1G 2.00 10} .60 1017.7 } 16506 10] .75 Me. ABOTT 88051 88084 89009 88129 88110 96000) \ 16140 64109 16048 16434 16501 16829 16317 16129 5237 16747 16127 16406 16438 16948) 16171 16534 16028 16933 16482 16797 70043 31800 So OC NNNMMNHL)Nh COCSCOCSSOSOSOSOOSO cooSoSo 10, 121 121 \ 16050 10 DY BW Nu 2ese wu SOooodd } 16841 10 675 oO ho ae .00 AS