Victor records (May 1912)

1 es | Do Agee What You Tole Me to Do ‘Tis All That I Can Say (HoodTemple) Reed Miller{ SDonkey and Driver (Leonard) Violin Charles Teenie Golden Dreams (Dell’ Oro) Xylophone Chris Chapman VICTOR RECORDS DOLLAR PRINCESS RECORDS—Continued Waltz—Victor Orch and Chocolate Soldier Waltzes (Straus) Pryor’s Band Gems from Dollar Princess Victor Light Opera Company ““ How Do You Do’’—“‘ My Dream of Love ”—*‘ Ring 0’ Roses ””— “* Tennis Dance’’—“‘ Hip! Hip! Hurrah!’ DOMAR, DORA, Soprano—See “ Bohéme” | Don Caesar de Bazan—Sevillana (Massenet) French Nellie Melba’ Don Carlos (Don Kahr'-los) O don fatale (Oh Fatal Gift!) Italian Janet Spencer Don Carlos—Per me giunto é il di supremo /n Italian Ruffo Fisk University Onan I Know the Lord Laid His Hands On Me Fisk Quartet DON GIOVANNI (Don Jee-oh-vahn'-ee) (Prague, 1787) (Mozart) NOTE—T he Don Giovanni records are printed in the order of their occurrence in the opera. Sung in Italian unless otherwise indicated. ACT | Madamina, il catalogo (Gentle Lady, This List) Marcel Journet Madamina, il catalogo—Rossi and Serenata—Deh! vieni alla finestra—de Luca Nella bionda (The Fair One) Marcel Journet La ci darem la mano (Thy Little Hand, Love!) Eames and de Gogorza La ci darem la mano Geraldine Farrar and Antonio Scotti La ci darem la mano Graziella Pareto and Titta Ruffo La ci darem la mano Mattia Battistini and Emilia Corsi Finch’ han dal vino (Wine, Flow a Fountain) (2) Rigoletto—Deh non parlare (Recall Not the Past) Antonio Scotti Batti, batti, o bel Masetto (Scold Me, Dear Masetto) Marcella Sembrich Batti, batti, o bel Masetto (Scold Me, Dear Masetto) Geraldine Farrar N@iall Serenata, ‘‘ Deh vieni alla finestra’’ (Open Thy Window) (2) Falstaff —Quand’ ero paggio (When I Was Page) (Verdi) Antonio Scotti Sérénade—Dufranne In French and Sij’étais Roi—Un regard de ses yeux! In French—Beyle Serenata—Deh! vieni alla finestra—de Luca and Madamina, il catalogo—Rossi In quali eccessi (Aria of Donna Elvira) Johanna Gadski MISCELLANEOUS Minuet—Victor Dance Orch and Forward March Two-Step—Dance Orchestra DONIZETTI, GAETANO (Doh-nee-zet’ -tee) (1797-1848), Com|} positions by—See “ Daughter of the Regiment,” “ Don Pasquale,” * Don Sebastian,” ‘‘Elisir d’amore,” ‘ Favorita,” “Linda di Chamounix,’’ ‘‘ Lucia di Lammermoor,” “‘ Lucrezia Borgia.” DON JUAN (Don Wahn) (French title—See ‘‘ Don Giovanni ’”’) Don Juan’s Serenade (Tschaikowsky) Reinald Werrenrath)| Donna é mobile—See “Rigoletto” DON PASQUALE (Don Pahs-quah' lay) (Paris, 1843) (Donizetti) Sung in Italian and listed in the proper order Overture—La Scala Orch and = Barber of Seville—Overture—La Scala Orch ACT I-—Scene I Son nov’ore ("Tis Nine O'clock!) A. Pini-Corsi and Ernesto Badini and Signorina in tanta fretta (Why This Haste?) E. Corsi and A. Pini-Corsi Un foco insolito (A Fire Unfelt Before) A. Pini-Corsi and Ernesto Badini and Vado, corro (Haste We) E. Corsi-Badini Sogno soave e casto (Fond Dream of Love) Acerbi and Faust—Soldiers’ Chorus—La Scala Chorus ACT I—Scene Il Quel guardo (Glances So Soft) “Alice Nielsen Number 16473 31751 88252 74253 92038 16895 64150 62623 74191 89005 89015 92505 92024 85031 88026 88126 88194 45011 62623 88253 35060 16981 16169 68010 68273 62104 62624 74087 Quel guardo—Giuseppina Huguet and — Pronta io son—Huguet and Badini 68272 Cavatina—So anch’ io la virtt magica (Thy Magic Powers I Know) Pollini and Aspetta aspetta (Wait, Dear Little Wife) A. Pini-Corsi and Polese|}62103 Pronta io son (My Part I'll Play) Sembrich and Scotti Pronta io son-—Huguet-Badini and Quel guardo (Glances So Soft) Huguet Vado corro (Haste We!) Huguet-Badini and Son tradito (I Am Betrayed) Huguet, A. and G. Pini-Corsi, Scipioni 89002 68272 62097 12 12 10 oer eeseees — st ee bdo 10 10 12 273 1.00 3.00 1.50 3.00 aa 3.00 1.00 2 3.00 [25 VD 72 125 1.25 fo a 1.50 1.25 yo 4.00 1.25 cle