Victor records (May 1912)

Fr VICTOR RECORDS Number | Size wo — = oO FRENCH SONGS—Continued Le Voyageur—Ballade (The Voyager) (de Chatilon-Godard) Journet|64237 Les Deux Grenadiers (Two Grenadiers) (Schumann) Pol Plangon|85024 Les Deux Grenadiers (Two Grenadiers) (Schumann) Marcel Journet|74038 Ma Lisette (2) Le Printemps (The Spring) (Gounod) Emma Calvé!88123 Nymphs et Fauns—Waltz aria (Bemberg) Geraldine Farrar|88125 Oh si les fleurs avaient des yeux (Oh, if the Flowers Had Eyes) (Massenet) Frances Alda|87066 Serenade—Chantez, riez, dormez (Gounod) Flute obbligato _ Emma Calvé/88119 Serenade de Don Juan (Tschaikowsky) ario Ancona/88168 Friendly Rivals (Clarke) Cornet Duet Keneke and Clarke feats College Life March (Frantzen) Victor Orchestra Friend of Mine Told a Friend of Mine Harry Tally| Family Tree, The (Morse) From the Land of the Sky Blue Water (“Am. Indian Songs ”’) Collins and Harlanf 1e22t (Everhart-Cadman) Jn English Alma Gluck|64190 From the New World Symphony—Largo (Dvorak) Pryor’s B ate Gazza Ladra Overture | (Rossini) Pryor’s Band FROSINI, P., Concertina-Grand—See Accordion Records Frozen Bill—Cakewalk (Two-Step) Pryor’s Band| 5684 Friihlingszeit (Spring-tide) (Becker) In German Schumann-Heink'87012 Nees Surrender (“I Surrender All”) (Towner) Trinity Tchr Come Ye Disconsolate (Moore-Hastings) Trinity Choir Functions of the Next Administration Funeral March (Chopin) 16709 William H. Taft!31709 Arthur Pryor’s Band/31161 gee March (Chopin) Arthur Pryor’s Bart SRT ES Cujus Animam (Stabat Mater) (Rossini) Pryor’s Band Funeral March of a Marionette (Gounod) Sousa’s Band/31081 Funiculi-Funicula (Denza) Vocal Chorus Vessella’s Italian Band\ 16899 O sole mio (Di Capua) Cornet Michele Rinaldi{ Fussy Rag, That (Smalley) (See also ‘‘Medleys”) Peerless Quartet} 5787 Fu’ th’ Noo’ (“I’ve Something in the Bottle ”) Harry Lauder|70000 G fan Glide (Hirsch) Victor Orchestra\ Oh You Beautiful Doll (Two-Step for Dancing) Pryor’s Band{ NE: GADSKI, JOHANNA, Soprano (Gahd' -skee) Johanna Gadski was born at Anclam, Prussia, in 1871, and received her musical education at Stettin, making her début at quite an early age. Her success was immediate and_ has grown greater with each succeeding year. Gadski, it might be said, has many voices, so varied are her accomplishments. She is equally at ease in the exquisite Mozart music, as the passionate and dramatic Aida, the unfortunate Santuzza, or the goddess-like Brunnhilde, while her interpretation of German lieder is artistic in the extreme. In these beautiful records every one of her tones, from the caressing softness of voice in the dainty love songs to the dramatic cry of DUPONT NNO NNNNO pags hal peers tee So o 10}1 12}1 10 10|2 10 12}1 12} 1 12} 1 12}1 10 10 12)1 10 Soouce Co°ooco Qtololo) w SSS e SJ wn .00 25 60 00 ID .00 .00 o22 .00 75 .60 25 75 GADSKI Briinnhilde, or in the vivid contrasts of the three voices in the Erlking, is that of a true artist. GADSKI_ RECORDS (Sung in German unless noted) Aida—La fatal pietra (The Fatal Stone) with Caruso In Italian Verdi'89028 Aida—O terra addio (Farewell, Oh Earth) with Caruso 89029 Aida—Fu la sorte dell’ armi (‘Neath the Chances of Battle) with Homer /|89024 Aida—Alla pompa (In the Pageant) with Homer Jn Italian 89025 Aida—O patria mia (My Native Land) Jn Italian Verdi 88042 Aida—Ritorna vincitor (May Laurels Crown Thy Brow) InJtalian Verdi 88137 Auf dem Kirchhofe (In the Church Yard) | (Op. 105) JohannesBrahms 87099 Ave Maria—Violin obbligato In Latin Bach-Gounod 88039 Ave Maria—Violin obbligato Jn Latin Bach-Gounod 81045 Cavalleria Rusticana—Santuzza’s Air In Italian Mascagni|/88136 on Giovanni—In quali eccessi (Air of Donna Elvira) Jn Italian Mozart 88253 Erlking, The (Erlkénig) Schubert 88040 Flauto Magico—Ah lo so (All Has Vanished) In Jtalian Mozart 88254 NNNNONONNNNND WOSVNON WOAH RD OCoooooooS we oe Se COoCoooooooescod oS