Victor records (May 1912)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

: _—CVICTOR RECORDS RECORDS BY BILLY GOLDEN | Number a3 Price Bye, Bye, Ma Honey—Negro Specialty and /rish Boy M’ch—A boa tiag es unmel 1674710 Rabbit Hash—Darky Nonsense and Arkansaw Traveler (Monologue with Violin Specialty) Len Spencer,16199 Roll on de Ground and Uncle Josh’s Trip to Coney Island—Cal Stewart 16804. Turkey in de Straw—Darky Specialty Original Yaller Gal—Laughing Song and Pals (Bowery Specialty) Jones and Spencer GOLDEN and HUGHES, Darky Comedy 4515 (16164) Our old friend, Billy Golden, has formed a partnership with a well-known comedian, John Hughes. The combination, which has made something of a hit in vaudev been persuaded to give us several of the clever and entertaining specialties used. GOLDEN AND HUGHES RECORDS Aunt Mandy and Ghost of the Banjo Coon (O’Dea-Caldwell) Collins Colored Doctors and That’s the Fellow I Want to Get (Bryan-Meyer) Murray 16698 Darktown Poets—Darky Specialty and Everybody’s Doing it Now—Collins and Harlan Darky School Days and Morning After the Night Before (Moran-Helf) Murray Down in Turkey Hollow and Sugar Moon (Wenrich) Collins and Harlan Epitaphs, or Two Darkies in a Cemetery and Big Bass Viol—Stanley and Qt}16507 Jinin’ the Church and You’ll Come Back—Elida Morris and Billy Murray Liars, or My Uncle’s Farm—Comic Dialogue and How Mother Made the Soup—Comic Talk—Charley Case Turkey Specialty and Grizzly Bear—Billy Murray and American Quartet| 16681 Shipmates—A Nautical Absurdity and Flanagan on a Farm—Steve Porter\16141 Whistling Pete and Carolina Minstrels, No. 20—Minstrel Company Golden Dreams (Dell’ Oro) Xylophone Chris Chapman\ Donkey and Driver (Leonard) Violin Charles D’Almaine{ Golden Girl, Gems from (Howard) Victor Light Opera Co. The Girl I Left Behind ’—‘‘ The Land of Used. to Be”—“I'd Rather Fight Like Ma’’—** Everybody Wondered Why They Married ’’—** The Golden Girl Chorus, Act I’’—‘‘I Think I Hear a Woodpecker” Golden Lilies—Three-Step (Birnschein) Victor Dance wert Sirens Waltz (Waldteufel) Victor Dance Orchestra Golden Slippers Fisk University Jubilee Quartet| Swing Low, Sweet Chariot Fisk University Jubilee Quartet eed Trumpets Schottische (Rollinson) Victor Dance Orch\ So Long Mary (Cohan) Corinne Morgan and Haydn Quartet{ Golden Wedding, The (Rural Specialty) Jones and Spencer| Dreaming (Dailey) Harry MacdonoughJ GOLDMARK, KARL (1830— ), Compositions by Bridal Song (Brautlied) (‘‘Rustic Wedding Symphony *) Vienna Quartet Bridal Song—Pryor’s Band and Regina di Saba—See ‘‘ Queen of Sheba” Reine de Saba—See ‘‘ Queen of Sheba”’ Sakuntala Overture (Opus 13) Kryl’s Bohemian Band Good-Bye (Addio) (Tosti) Tenor Jn Italian Enrico Caruso Good-Bye (Tosti) Soprano Jn English Nellie Melba Good-Bye (Tosti) Soprano Jn English Emma Eames Good-Bye (Tosti) Baritone Jn English Herbert Goddard\ Good Night Beloved, Good Night Harry Macdonough{ {eee (Tosti) Soprano In English Elizabeth Wheeler| Simple Confession Violoncello Victor SorlinS Good-Bye, Old Gal (Von Tilzer) Collins and Harlan\ { I Like the Hat, I Like the Dress and I Like the Girl—Byron G. Harlan{ Good-Bye, Sweet Day (Vannah) In English Janet Spencer (oor Rag Sweet Day (Vannah) In English Helen Clark\ The King’s Highway (Weatherly-Molloy) Reinald Werrenrath{ Good-Bye, Sweetheart, Good-Bye (Hatton) Goddard\| Heart Bow’d Down (From ‘‘ Bohemian Girl’’) (Balfe) Goddard J Good-Bye, Sweetheart, Good-Bye (Hatton) In English Williams {OO T to Johnnie Clarice ence) Fol the Rol Lol (Limericks) Edward M. Favor Good Evening, Caroline (von Tilzer) Stevenson and Breer Be Sweet to Me, Kid (Howard) Billy Murray and Le Secret—Intermezzo—Pryor’s Band| 16647 | 117011 17020 16557 16540 16653 16547 35202 16169 31758 35070 16453 16549 16658. 31772 31832 88280 88065 88009 16815 35102 16911 64189 /16850 16064 64199 16672 16782) Bick [Gt 10} .75 10} .60 10) .75 ille, has 10| .75 10} .75 10) .75 10} .75 LOed> 10) .75 10| .75 10) ..75 10) .75 LOE 7S [211225 10} .75 12|1.00 (2ple25 1LOjes75 10| .75 TO) R275 12|1.00 LOAD 12'1.00 12|3.00 12|3.00 12|3.00 1K) rs IAe25 1Q\as25 10|1.00 10} .75 10} .75 10} 1.00 10| .75 10) .75