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: _—CVICTOR RECORDS RECORDS BY BILLY GOLDEN
| Number a3 Price
Bye, Bye, Ma Honey—Negro Specialty and /rish Boy M’ch—A boa tiag es unmel 1674710
Rabbit Hash—Darky Nonsense
and Arkansaw Traveler (Monologue with Violin Specialty) Len Spencer,16199 Roll on de Ground and Uncle Josh’s Trip to Coney Island—Cal Stewart 16804.
Turkey in de Straw—Darky Specialty Original Yaller Gal—Laughing Song and Pals (Bowery Specialty) Jones and Spencer
GOLDEN and HUGHES, Darky Comedy
4515 (16164)
Our old friend, Billy Golden, has formed a partnership with a well-known comedian,
John Hughes. The combination, which has made something of a hit in vaudev
been persuaded to give us several of the clever and entertaining specialties used.
GOLDEN AND HUGHES RECORDS Aunt Mandy and Ghost of the Banjo Coon (O’Dea-Caldwell) Collins
Colored Doctors and That’s the Fellow I Want to Get (Bryan-Meyer) Murray 16698
Darktown Poets—Darky Specialty
and Everybody’s Doing it Now—Collins and Harlan Darky School Days and Morning After the Night Before (Moran-Helf) Murray Down in Turkey Hollow and Sugar Moon (Wenrich) Collins and Harlan
Epitaphs, or Two Darkies in a Cemetery and Big Bass Viol—Stanley and Qt}16507
Jinin’ the Church and You’ll Come Back—Elida Morris and Billy Murray Liars, or My Uncle’s Farm—Comic Dialogue
and How Mother Made the Soup—Comic Talk—Charley Case
Turkey Specialty and Grizzly Bear—Billy Murray and American Quartet| 16681 Shipmates—A Nautical Absurdity and Flanagan on a Farm—Steve Porter\16141
Whistling Pete and Carolina Minstrels, No. 20—Minstrel Company Golden Dreams (Dell’ Oro) Xylophone Chris Chapman\ Donkey and Driver (Leonard) Violin Charles D’Almaine{ Golden Girl, Gems from (Howard) Victor Light Opera Co. The Girl I Left Behind ’—‘‘ The Land of Used. to Be”—“I'd Rather Fight Like Ma’’—** Everybody Wondered Why They Married ’’—** The Golden Girl Chorus, Act I’’—‘‘I Think I Hear a Woodpecker”
Golden Lilies—Three-Step (Birnschein) Victor Dance wert Sirens Waltz (Waldteufel) Victor Dance Orchestra Golden Slippers Fisk University Jubilee Quartet|
Swing Low, Sweet Chariot Fisk University Jubilee Quartet eed Trumpets Schottische (Rollinson) Victor Dance Orch\ So Long Mary (Cohan) Corinne Morgan and Haydn Quartet{ Golden Wedding, The (Rural Specialty) Jones and Spencer| Dreaming (Dailey) Harry MacdonoughJ GOLDMARK, KARL (1830— ), Compositions by Bridal Song (Brautlied) (‘‘Rustic Wedding Symphony *) Vienna Quartet Bridal Song—Pryor’s Band and Regina di Saba—See ‘‘ Queen of Sheba”
Reine de Saba—See ‘‘ Queen of Sheba”’
Sakuntala Overture (Opus 13) Kryl’s Bohemian Band
Good-Bye (Addio) (Tosti) Tenor Jn Italian Enrico Caruso Good-Bye (Tosti) Soprano Jn English Nellie Melba Good-Bye (Tosti) Soprano Jn English Emma Eames
Good-Bye (Tosti) Baritone Jn English Herbert Goddard\
Good Night Beloved, Good Night Harry Macdonough{ {eee (Tosti) Soprano In English Elizabeth Wheeler| Simple Confession Violoncello Victor SorlinS Good-Bye, Old Gal (Von Tilzer) Collins and Harlan\ { I Like the Hat, I Like the Dress and I Like the Girl—Byron G. Harlan{ Good-Bye, Sweet Day (Vannah) In English Janet Spencer (oor Rag Sweet Day (Vannah) In English Helen Clark\ The King’s Highway (Weatherly-Molloy) Reinald Werrenrath{ Good-Bye, Sweetheart, Good-Bye (Hatton) Goddard\|
Heart Bow’d Down (From ‘‘ Bohemian Girl’’) (Balfe) Goddard J Good-Bye, Sweetheart, Good-Bye (Hatton) In English Williams {OO T to Johnnie Clarice ence) Fol the Rol Lol (Limericks) Edward M. Favor Good Evening, Caroline (von Tilzer) Stevenson and Breer
Be Sweet to Me, Kid (Howard) Billy Murray
and Le Secret—Intermezzo—Pryor’s Band| 16647 |
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16815 35102
16911 64189 /16850
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