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VICTOR RECORDS Number
Good News (2) Wasn’t That a Wide River Fisk Jubilee Qt In Bright Mansions Above Fisk Jubilee Quartet {ace Night Beloved, Good Night (Fay) Harry Vee Catia
16856
Good-Bye (Tosti) Herbert Goddard{ |'®81° Good Night, Dear (Anderson) (See also Medley No. 5) E. Wheeler| 5709 Good Night, Mr. Moon (Dawson-A.VonTilzer) American Qt
Mine (McGee-Benedek-Solman) Henry Burst Lee Good Night Quartet, Act II—Martha (Flotow) Lyric Quartet! 5855
eaves Old Dollar Bill (Mahoney-Morse) Billy Murray
Victor Minstrels, No. 16 Victor Minstrel Ct
Nees (From“ The Candy Shop”) (Rice) Jonesand Murray
Party That Wrote Home, Sweet Home Never Was Married Monee
Go Pretty Rose (Marziak) Stevenson and emma:
16311
16351
Juanita (Norton) Soprano-Tenor-Baritone Metropolitan Trio GORITZ, OTTO, Baritone (Go’-ritz)
Otto Goritz is one of the most satisfactory singers in the Metropolitan Company, his versatility being quite remarkable. Since his engagement several years ago he has played an astonishing number of important réles, and with unvarying excellence, whether it be serious réles—Klingsor, Alberich, Wolfram, Telramund, Hans Sachs—or humorous ones—Beckmesser in Meistersinger, Burgomaster in Czar and Zimmermann, the father in Hansel and Gretel or Papageno in Magic Flute.
His voice is of unusual richness and power and his acting always superb. The announcement of the exclusive engagement of this artist by the Victor was a most welcome one to his admirers. SCHONMANN
GORITZ RECORDS = (In German)
Das Rheingold—Bin ich nun frei? (Am I Now Free?) Wagner|64203) Fidelio—Ha! welch ein Augenblick (Fateful Moment!) Beethoven|64165 Flauto Magico—Ejin Vogelfanger bin ich ja (A Bird Catcher Am1) _Mozart/64163 Fliegende Hollander—Wie oft in Meeres tiefsten Schlund Wagner 74230 Hansel und Gretel—Eine Hex’ steinalt (The Old Witch) Humperdinck|64164 Konigskinder—O du leibheilige—Einfalt du! (Thou Innocent One)
: Humperdinck/64184 Siegfried —Wohin schleichst du? (Whither Slinkest Thou?) Duet with Reiss|}64215 Tannhauser—Wolfram’s Ansprache (Wolfram’s Eulogy of Love) Wagner 74215 Trompeter von Sakkingen—Es hat nicht sollen sein (Werner's Farewell)
Nessler 74212 GOSPEL HYMNS—See HYMNS GOTTERDAMMERUNG—Dusk of the Gods (Munich, 1869)
L GORITZ
(Wagner) Fliegt heim (Immolation Scene) Jn German Johanna Gadski 88185 Helle Wehr! Heilige Waffe! (Haft of War! Hallowed Weapon!)
In German Johanna Gadski|/ 87052
Zu neuen Thaten (Did I Not Send Thee) (Scenel) Jn German Gadski|87098 GOTTSCHALK, LOUIS M. (1829-1869), Compositions by
Dying Poet, The : Sousa’s Band|31469 Holy Ghost, with Light Divine—Trinity.Choir and Floly, Holy—Trinity Choir 16966 Last Hope—Religious Meditation Vessella’s Italian Band/ 31826 O Loving Heart, Trust On ’Cello Obbligato Reed Miller|31836
Softly Now the Light of Day—Mr. and Mrs. Wheeler and Beyond the Smiling and the Weeping—FPeerless Quartet 16500 GOUNOD, CHARLES FRANCOIS (1818-1893) (Goo-noh’) Compositions by (For Gounod’s “‘Faust,’”’ “‘Philemon et Baucis,”’ > ames et Juliette,” “‘ Queen of Sheba” and “‘ Ave Maria,” see those titles.
Greatest French composer. Born Paris, 1818. Father, artist, died when Gounod was 5. Taught first by mother. Entered Conservatory, won Prix de Rome, 1837. Became organist in San Luigi church and contemplated becoming priest. In 1850 his Mass made success in England; then was asked to write a work for the Paris Académie. Sapho, produced 1851, not a success. Other compositions not important till 1859, when his masterpiece Fausf appeared. Wrote many
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other operas, only Romeo being successful. Last years devoted to sacred GOUNOD