Victor records (May 1912)

VICTOR RECORDS ~ | Number | Price HUGUET RECORDS—Continued cae Rigoletto—Tutte le feste al tempio | and Rigoletto—La Donna é mobile (Woman is Fickle) Acerbii62083 10 .75 Traviata—Ah, fors’ elui (He My Heart Foretold) | and Traviata—Sempre libera (The Round of Pleasure) Huguet and Lara 62084 10. .75 HUMPERDINCK, ENGELBERT (1854— ), (Ham! -per-dink) | Cradle Song (Wiegenlied) Frances Alda 87090 10 2.00 Hansel und Gretel—Eine Hex’ steinalt (The Old Witch) Jn German | Otto Goritz 64164 10 1.00 Hansel und Gretel—Hexenritt (Witch’s Ride) Jn German Albert Reiss 64188 10! 1.00 Hansel and Gretel—Prelude Pryor’s Band 31853 12) 1.00 Konigskinder—O du leibheilige—Einfalt du! (Thou Dear Innocent One) In German Otto Goritz 64184 10 1.00 fHumoresque (Dvorak) Arthur Pryor’s Band|\| ori e7s \. Nat Cracker Ballet—Characteristic Dance (T'schaikowsky) Pryor’s Bandj f Kone Humoresque (Dvorak) Violin Mischa Elman/74163 12 1.50 Humoresque (Dvorak) Violin Fritz Kreisler|74180 12 1.50 Humoresque (Tor Aulin) Violin Efrem Zimbalist|64241 10 1.00 HUMOROUS RECITATIONS-~—See “ Recitations” and ‘‘ Monologues” Humorous Variations on a German Folk Song _ (In the style of Bach, Gounod, Liszt and Wagner) (Wollweber) Pryor’s Band 31796 12 1.00 HUNGARIAN MUSIC—See also Hungarian Catalogue Damnation of Faust—Rakoczy March (Berlioz Sousa’s Band 31424 12 1.00 Hungarian Rhapsodies—See below | Rakoczy Overture (Keler-Bela) Arthur Pryor’s Band 31793 12 1.00 Rakoczy March Arthur Pryor’s Band) 4314/10, .60 See also Selections below Hungarian Dance in G Minor (Brahms) Violin Fritz Kreisler 64131 10 1.00 Hungarian Fantasia (Tobani) Arthur Pryor’s Band 31707 12 1.00 Hungarian Lustspiel Overture (Comedy Overture) (Keler-Bela) Pryor’s Band 31349 12 1.00 Hungarian Lustspiel Overture (Bela) Victor Concert Orchestra)/31604 12 1.00 Hungarian Rhapsody, No. 2, Part I (Liszt) Pryor’s Band/|31400 12 1.00 Hungarian Rhapsody, No. 2, Part II (Liszt) Pryor’s Band/|31401 12,1.00 Hungarian Rhapsody, No. 2, Part 1 (Liszt) Pryor’s Band 1211.25 { Hungarian Rhapsody, No. 2, Part II (Liszt) Pryor’s rae polezileiHungarian Rhapsody, No. 9—Finale (Le Carnaval de Pesth) (Op. 94, No. 9) (Liszt) Pryor’s Band 31752 12 1.00 Hungarian Rhapsody, No. 12 (Liszt) Pryor’s Band/31812 12 1.00 Hunter’s Farewell (Mendelssohn) Victor Brass Quartet | 75 Vacant Chair, The—Paraphrase (Root-Rogers) Victor Oacact pA aL ae Hunting Song—Dinorah (Gounod) French Pol Plancon/81065 10 2.00 Hunt in the Black Forest (Voelker) Descriptive Victor Orch 31645 12 1.00 Day breaks—Birds sing in the forest—Chanticleer crows—Huntsman’s horn— Village chimes—The hunter’s assemble—They start—In full gallop—Horns sound the halt—At the forest blacksmith’s— The smith at work—They start again—The hounds scent the game—In full cry— The game is run to earth—Cheers— Finale Hush-a-bye Baby Yodel George P. Watson; 470210 .60 Hush, Don’t Wake the Baby Soprano Yodel May Meant |36077 1ol .75 \ Roll On, Silver Moon Soprano Yodel May McDonald ’ HY MNS~—Standard and Revival The extensive list of sacred music which the Victor has issued during the past few years has perhaps attracted more attention than any other single feature. This splendid catalogue of standard and gospel hymns, anthems and oratono numbers is certain to havea powerful influence for good, not only in the homes of the serious-minded owners of Victors, but as a means of improving the quality of the music in small churches, where a competent choir is out of the question. The Victor's sacred records are capable of filling admirably the place of a choir, and this form of service is much to be preferred to the average small choir, which sometimes inspires feelings the reverse of devout ! Victors are being utilized more and more in small communities in place of a precentor, and no better method of leading congregational singing could b: imagined, while in the family circle a collection of hymns and other sacred music is indispensable for Sunday use.