Victor records (May 1912)

ee e€ J | VICTOR RECORDS ; | Number | =| Price MULLER, ALBERT, Bell and Xylophone Solos Black Forest Polka 52902/10) .60 Black Forest Polka and Mocking Bird—V iolin—Charles D’Almaine|16538)10| .75 Boulanger March Desormes|52900)10| .60 Boulanger March and Carnival of Venice—Ocarina—Mosé Tapiero|16659/10} .75 Carnival of Venice Xylophone Benedict|52903/10| .60 Carnival of Venice Xylophone and Joys of Spring— W histling—Gialdin'|16757|10|} 75 Gypsy Dance (La Gitana) Xylophone and Drowsy Dempsey—Banjo— Ossmaz.| 16767) 10 75 MURINO, MME., Soprano—See “ Gioconda”’ Murmuring Zephyrs (Jensen) John Barnes Wells|\ Sevealia| (3 The Charmed Cup (Weatherly-Roeckel) Reinald Werrenrath{ ? : MURRAY, BILLY, Comedian For other ducts see “‘ Jones and Murray”’ and “* Morris.” Billy Murray is one of the most successful of all American singers of humorous songs, and probably entertains, through his Victor records, a larger audience than any other singer who has ever lived. His Irish songs, with just a touch of quaint and fascinating brogue; the rapid-fire type of comic song with no breathing places (Billy never seems to take breath!); the topical song, which presents the follies of the time in humorous fashion; popular sentimental songs; dialect specialties—no matter what the line of work he undertakes it is sure to be cleverly done. His enunciation is simply wonderful; there is never any doubt as to a single syllable when Murray sings it! Mr. Murray, by far the most successful record maker in his ©opy't chanwett particular field, makes disc records exclusively for the Victor. MURRAY RECORDS BY BILLY MURRAY Always Leave Them Laughing when You Say Good Bye (Cohan) and New Parson at Darktown Church—‘Darky Specialty— Peerless Quartet] 16186 American Ragtime (Cohan) and — Now I Have to Call Him Father—Jones| 16144 Any Place the Old Flag Flies (From ‘Little Millionaire’’) (Cohan) and That Hypnotizing Man—Brown-A. Von Tilzer—American Quartet|17031 Arrah Wanna—with Qt and Since Arrah Wanna Married—Collins and Harlan|16223 Because I'm Married Now and He Walked Right in, Turned Around——Roberts| 16657 Be Sweet to Me, Kid and Good Evening, Caroline—Stevenson and Stanley| 16782 Boogie-Boo (Ayer) and Whitewash Man _(Jerome-Schwartz) Arthur Collins| 16302 Budweiser’s a Friend of Mine and So What's the Use—with Haydn Quartet) 16049 By the Light of the Silv’ry Moon (Madden-Edwards) with Haydn Qt and Four Little Sugar Plams—Barn Dance_ (O'Connor) Victor Dance O|}16460 Camptown Races (Foster) with Cho and They Kissed, I Saw Them— Orpheus Qt}16888 Carrie (Von Tilzer) and Waltz Me Around, Willie—with Haydn Quartet| 16770 ee es es es See On OOOO FOmOoOC OCS OOC COCO OSOSCSO OOOO SO COC Ome NS wn Cheyenne—Cowboy Song and Peaches and Cream—Jones and Spencer| 16102 +5 College Life (Frantzen) and Gee, but This isa Lonesome Town—Billy Murray| 16250 r/ > Cubanola Glide (From Follies of 1910) Bryan-Von Tilzer| 5769 .60 Dear Old Yankee Land (Mason) and My Rosy Rambler—Billy Murray| 16035 Dixie Land, f Love You (Ayer) and Lady Love—Macdonough and Haydn Qt\16366 Everybody Works But Father (Havez) and Taffy—with Jones and Quartet|16824 Fatherisa Judge and /’d Rather Float Through a Dreamy Waltz—Murray and QU 16076 Foolish Questjons and Experiences in the Show Business—Charley Case| 16354 Gallagher (You Can't Keep the Irish Down) Sterling-H. Von Tilzer| 5826 Gee, But This is a Lonesome Town (Gaston) and College Life—Frantzen|16250 Gee! But! Like Music With My Meals (From “The Million”) (Brown-Ayer) and Take a Little Tip From Father (Berlin-Snyder) Billy Murray |17064 Gee, It’s Great to Meet a Friend from Your Town and Chicken Reel—Collins| 16897 Good Old Dollar Bill (Morse) and Victor Minstrels No. 16—Minstrel Co\16311 Grand Old Flag (Cohan) and Yankee Doodle Boy (Cohan) Billy Murray|16799 Harrigan (From ‘Fifty Miles from Boston’’) | wit aydn Quartet and Sullivan (From ‘‘The American Idea’) (Cohan) with Haydn Quartet| 16664 Hat My Father Wore on St. Patrick’s Day, The. (Jerome-Schwartz) with Haydn Qt and Down at the Huskin’ Bee (Rosenfeld-Henry) Collins and Harlan\ 16365 Hear dem Bells—with Chimes and Old Dog Tray (Foster) Haydn Quartet|16686| Honey Boy—with whistling Chorus Von Tilzer| 5207) Honey Boy (Von Tilzer) and Sweetmeats Two-Step (Wenrich) Pryor’s Band\16818 I'd Rather Be a Lobster Than a Wise Guy and At the Village Post Office—Victor Vaudeville Co 16036 I'd Rather Float Through a Waltz—with Qt and Father is a Judge—Murray 16076 If It Wasn't For the Irish and the Jews (Jerome-Schwartz) Billy Murray and Alexander's Bagpipe Band (Goetz-Berlin-Sloane) Billy Murray 17054) If You Talk in Your Sleep Don’t Mention My Name (Brown-Ayer) and Ragtime Violin (Irving Berlin) American Quartet,.17025 10) .75 ee aed cool ee aa see a a cae el | Wr _—