Victor records (May 1912)

Re romney Size VICTOR RECORDS) Number | Price REELS Army and Navy Medley Reel—Victor Orchestra and Bonnie Sweet Bessie—Piccolo—Darius Lyons| 16004 Bob’s Favorite Virginia Reel ~ (Bennet) Victor Dance Orchestra|31632 Boston Virginia Meel—Dance Orch and Infanta March—Banjo—Van Eps| 16847 Devil’s Dream Reel—Dance Orch and Speed the Plow Reel—Dance Orch\16045 Medley of Old Time Reels and Favorite Hornpipes—V iolin— Charles D’ Almaine| 16393 Medley of Old Reels—D’Almaine—Violin and Miss McLeod’s Reel—Dance O|35008 Medley Reels No. 2—~Kimmel—Accordion and Got to See Minstrel Show—Collins|16171 Pop Goes the Weasel Medley Violin Charles D’Almaine| 2738 Red Widow—I Love Love (Gebest) Macdonough and Lyric Qt| 5868 Red Wing Medley (Contents under “‘ Medleys’’) Pryor’s Band { Indian Medley Pryor’s Orhona Tee Red Wing (Mills) Dudley, Macdonough and Chorus! 5368 Regiment March, The (Turley) Victor Dance Orchestra\ Tobasco Waltz (Johnson) Pryor’s Band{ SOS 8 i REGINA DI SABA—Reine de Saba—See “Queen of Sheba” OSONSSSNS REGIS, M., Tenor—See ‘“‘Mignon”’ and “‘ William Tell” L REISS, ALBERT, Tenor (Rice) This gifted tenor and comedian is one of the most useful members of the Metropolitan Opera Company, and during the past few years has been seen in a large number of important rdles. Some of his most famous impersonations are that of Mime, a wonderful character study—sardonic, malignant and fawningly malicious ; David, an appealing and sweet-voiced apprentice; and The Witch in Hansel and Gretel, in which part he tries his best to conceal his fine tenor voice, giving a most humorous performance. Whatever part Mr. Reiss essays, it is always an artistic portrayal, and he has set a standard at the Metropolitan in tenor comedy réles which it will be difficult to approach, CPV ToUPONT REISS REISS RECORDS — (In German) Gasparone—Erx soll dein Herr sein Carl Millocker|64187|10{1. Hansel und Gretel—Hexenritt (Witch's Ride) Engelbert Humperdinck|64188)10}1. Meistersinger—Act III—Selig, wie die Sonne (Brightly as the Sun) In German (Wagner) with Gadski, Mattfeld, Van Hoose and Journet|/95201' 12 Nord-Express—From “Schon war's doch”’ Victor Hollaender|64214) 10 Siegfried—Zwangvolle Plage! (Heart-breaking Bondage) Richard Wagner|74235) ae 5|10 Siegfried— Wohin schleichst du? (Whither Slinkest) duet with Goritz/6421 REITZ, WILLIAM H., Xylophone Solos S It has always been the impression of the average xylophone player that he alone among _ instrumental solists was privileged to “drop” notes ad libitum—at least so audiences have come to believe! But Mr. Reitz has shown, in the series of records he has made for the Victor, that accuracy is just as possible in “wooden music "’ as with other instruments. The Reitz-Victor xylophone records are the finest ever made anywhere, both in tone and accuracy of playing. Mr. Reitz plays exclusively for the Victor. REITZ RECORDS REITZ Bohemian Girl Fantasia (Balfe) and Jig Medley—Pryor’s Band’ 16505 I Brightest Days Bell Solo and Dicats After the Ball—Xylophone— Reitz| 16428 | Carmen Selection (Bizet) and Musetta Waltz—Boheme— W histling—Gialdini| 16892 | Charmer, The (Boos) and Love’s Caprice (Bemuto) Reitz|16917)\| Circus Life Galop (Ringleben) ed | Here, There, Everywhere Mch—Pryor’s B|16455 | Dream After the Ball (Brostet) and Brightest Days Gavotte (Bells) Reitz} 16428 | Entr’ Acte Gavotte (Gillet) and. Naila Intermezzo (Delibes) Frosini\16933 | a ce Waltz (Waldteufel) Xylophone Gretchen’s Dream Waltz (Wappam) Whistling— Guido Gialdini17050 10: Fire Fly Galen pee and Lily of the Prairie—Murray and Haydn Quartet, 16353 10. ; Gate City March (Weldon) and Nightingale (Popp) Darius Lyons| 16345 | Intermezzo Russe (Trante) and Prussian Tattoo (Godfrey) Pryor’s Band 16905 | Irish Hearts—Two-Step (Frantze‘a) and Medley No. 8—Pryor’s Band 16685 | 0 0 0 0 0 0) 0 0 0 0 0 0