Victor records (May 1912)

a a en a wn VICTOR RECORDS | Number =| Price SAMMARCO, G. MARIO, Baritone (Sahm-mar’-ko) Mario Sammarco was born in Palermo, Sicily, December 13, 1873. His musical studies were pursued under Antonio Cantelli, and he made his operatic début in Milan, 1894, and was then engaged for Giordano’s opera, Andrea Chenier, at La Scala. His great success in this opera established his position, and he has since been in demand, singing in all the chief cities of Europe. The present spring season at Covent Garden, London, is his sixth consecutive engagement in that opera house, where he is a great favorite. Coming to the Manhattan Opera House, New York City, for its first season, he remained during its existence as a home of grand opera, and has been a favorite artist this season with the Chicago-Philadelphia Company. SAM MARCO Signor Sammarco has a baritone voice of unusual richness and power, and his operatic repertoire is most extensive. The records which we issue here are perfect specimens of Sammarco’s singing. the roundness of tone, the volume, the perfect phrasing and technique for which the baritone is celebrated are perfectly reproduced. SAMMARCO RECORDS (Sung in Italian) Africana—Adamastor, ré dell’ onde (Adamastor, Ruler of Ocean) Boheme—Ah! mimi, tu piu (Ah Mimi, False One!) with McCormack Hamlet—Brindisi (Drinking Song) Ambroise Thomas Li Marinari (The Mariners) Duet with John McCormack Rossini Pescatori di Perle—Del tempio al limitar—with John McCormack Bizet Rigoletto—Cortigiani, vil razza dannata_ (Vile Race of Courtiers) Verdi Rigoletto—Pari siamo (We Are Equal) Giuseppe Verdi Rigoletto—Tutte le feste al tempio—Duet with Sembrich Giuseppe Verdi Traviata—Di Provenzail mar (From Fair Provence) Giuseppe Verdi Uocchie de Suonno (Sleepy Eyes) Neapolitan Song Costa Samson—Honor and Arms_ (Handel) Herbert Witherspoon SAMSON ET DALILA (Weimar, 1877) (Saint-Saéns) (Sam-son ay Dah-lee-lah’ ) AGial Arrétez, o mes fréres (Pause, My Brothers) Jn French Charles Dalmores Figlia miei v’arrestate (Pause, My Brothers) Jn Italian Nicola Zerola Figlia miei v’arrestate (Pause, My Brothers) /n /talian Antonio Paoli Printemps qui commence (Delilah’s Song of Spring) French Gerville-Réache A Cilmi Amour viens aider (Love, Lend Me Thy Might) Jn French Louise Homer Mein Herz (My Heart at Thy Sweet Voice) Jn German Schumann-Heink Mon coeurs s ouvre ata voix (My Heart at Thy Voice) French Gerville-Réache Mon coeur (My Heart at Thy Sweet Voice) Jn French Louise Homer My Heart at Thy Voice English Morgan and Manon—Laughing Song—Helena ACT Ill Chorus and Bachanal—Banda Real de Alabarderos de Madrid and Minuet from 2nd Symphony (Haydn) Banda Real SANGIORGI, REMO, Tenor—See ‘Ernani”™’ and “ Trovatore” sSanctus from “Messe Solennelle” (Gounod) Trinity Choir| Coronation (‘‘All Hail’’) and Doxology Trinity Choir SANKEY, IRA D. (1840-1908), Hymns by—See “Hymns” Santa Lucia (Neapolitan Folk Song) In English Reed a { The Watch on the Rhine In English Reinald Werrenrath SANT’ELIA, RIZZO, Bass—See “Aida” Santiago Waltz (Corbin) Dance Orchestra Santiago Waltz (Corbin) Guitar and Bandurrias Estudiantina Trio\ { Turkish Patrol, The (Michaelis) Xylophone William H. Reitz SANTORO, ANNITA, Soprano—See “Boheme” San Toy—Gems from (Jones) Victor Light Opera Co “The Feast in Pynka Pong’’—‘*‘ The Mandarin ’’—‘‘Samee Gamee”™ —‘*Pynka Pong’’—‘‘ Rhoda and Her Pagoda’’—‘‘ Emperor's Own” Sapho—O ma lyre immortelle (Oh My Immortal Lyre) (Gounod) Jn French Jeanne Gerville-Réache Sapho—O ma lyre immortelle In French Schumann-Heink 74070 87087 64173 91073) 88244) 88201 88190 88184 88199 16192 62660 35110 16882 31251 16562 31778 88166 88212 12 10 12 12 12 All Fas Deby airy sya ac at ra neeeeooooesco SSS55SS5SS5S5S5 ano 1.00 sf 0 1.00 3.00 3.00