Victor records (Nov 1914)

Ba VICTOR RECORDS _ | Number | 3) BANDS AND ORCHESTRAS—Continued Funiculi Funicula (Denza) Vessella’sB and O sole mio—Cornet—Rinaldi 16899/10) .75 Glow Worm-ldyl (Lincke) Pryor’s B and Hearts and Flowers-V. Concert O 35344|12)1.25 Glow Worm Intermezzo—Orchestra and In Lover's Lane—Pryor’s Band|17227|10| .75 In the Good Old Summer Time (Evans) Sousa’s Band! 1833/10) .60 Jolly Blacksmiths (Suckley) | Victor Military Band and ‘Remick Medley No. 2 with Xylophone—Victor Orchestra 17010)|10) .75 Jolly Coppersmith—Pryor’s Band and Don’t Be Cross Waltz—Victor Orch 16396/|10} .75 Once UponaTime Cornet Clarke and Tesoro Mio Waltz—Pryor’s B|}16447/10| .75 BANDURRIAS AND GUITAR —See “ Estudiantina Trio ” BANJO, MANDOLIN, GUITAR-See “Instrumental Duets, Trios, etc. BANJO SOLOS—By Vess Ossman, Fred Van Eps and F. J. Bacon Black Diamond Rag—Van Eps and Irish and Scotch Melodies— Xylophone—Reitz|17168 Buffalo Rag (Turpin) Ossman and Barnyard Serenade—Spencer and Holt|16779 Bunch of Rags—Ossman and Dixie Girl (Lampe) Ossman-Dudley T rio| 16667 Cupid’s Arrow—Van Eps and Polish Dance No. 1—Xylophone—Reitz|16855 Drowsy Dempsey—Vess L. Ossman_ and Gypsy Dance— X ylop hone—Muller| 16767 Four Little Blackberries—Ossman and First Kiss Waltz—Ocarina— Tapiero|16488 Frolic of the Coons Banjo Van Eps and Love’s Smile— W histling— Gialdini|17369 Gay Gossoon—VessL.Ossman_ and_ St. Louis Tickle—Ossman-Dudley Trio| 16092 Infanta March—Van Eps and Boston Virginia Reel—Victor Dance Orch|16847 Keep Off the Grass—Ossman and Silver Heels (Moret) Ossman|16266 Lamb’s Gambol—Danse Eccentrique— Van Eps and Blood Lillies—Reitz|17457 Maurice Tango—Van Eps and Dance of the Hours—Xylophone—Reitz|17147 Medley—“‘Little Bit of Everything’’—Ossman and Hoop-e-Kack—X ylophone—Reitz|17265 Old Folks at Home (Foster) Ossman and Cradle Song—Cornet with Band|17417 OmenaIntermezzo—Van Eps and William Tell Fantasie—X ylophone—W . Reitz|17120 Patrol of the Scouts—Ossman and Razzazza Mazzazza—Pryor’s Band|16816 Pearl of the Harem—Van Eps and Mocking Bird—Fantasia— X ylophone—Reitz| 16969 Persian Lamb Rag—Ossman and Medley German W'altzes—A ccordion—Kimmel| 16127 Persiflage—Van Eps and My Regards Waltz—Xylophone—Reitz|17192 Peter Piper (Henry) Ossman and Yankee Land (Hoffman) Ossman|16935 Rag Pickings—Van Eps and U.S. A. Patrol—Xylophone— William Reitz|16934 Rag Time Episode—Van Eps and I'll Lend You Anything I’ve Got—Collins| 16845 Red Pepper—Rag (Lodge) and Lobsters’ Promenade—Banjo— Van Eps|17033 Silver Heels—Vess L.Ossman_ (Moret) and Keep Off the Grass—Ossman| 16266 Turkey in the Straw Medley—Ossman and Auld Lang Syne—Chimes| 16390 Way Down South—Vess L. Ossman and Kentucky Kut-Ups—Pryor’s Band|16755 West Lawn Polka—Bacon and Ciribiribin W altz— W histling—Gialdini| 17129 BANJO ACCOMPANIMENT, RECORDS WITH oooooooocoooo0oo0o NX Ww eee ears Ww — —k kh Sh eh eh hh kh mh eet et mee eh eh ect eh ed ee oooocoo0coec0o00o N wn In Banjo Land—Peerless Quartet and That Old Girl—A merican Qt}17264|10| .75 In Ragtime Land—Coliins and Victor Minstrels, No. 21—Victor Minstrel Co.|\17126\10| .75 Musical Yankee—Spencer and Krausmeyer and His Dog—Spencer-Holt}35153}\ | 2! 1.25 Swanee River Bend, The—Collins and Somebody Else is Gettin’ It—Eddie Morton|17151\10| .75 Village Barber—Porter, Harlan and Van Eps and How Columbus Discovered America—Murry K. Hill|16890|10 r/D When Uncle Joe Plays a Rag—Arthur Collins : and Down at Mammy Jinny’s-T hat Girl Quartet 17118|10| .75 Banjo Song—Negro dialect poem (Dunbar) Rev. J. A. Myers 164661101 -75 Roll Jordan Roll Fisk University Jubilee Quartet : Banjo Song, A (Weeden-Homer) Louise Homer|87074| 1-02.00 BARBAINI, AGUSTO, Tenor (Bahr-bah-ee' -nee)—See ‘‘ Pagliacci” Barbara Frietchie (Whittier) Recitation Frank ay 17132110! .75 Water Mill, The (McCallum) Recitation Frank Burbeck ; BARBIERE DI SIVIGLIA (Bahr-beay’ -reh dee See-veel’-yah) (In Italian) Barber of Seville, comic opera in two acts; text by Sterbini, a Roman poet; music by Rossini. Produced Rome, 1816; London, 1818; N. Y. 1825. First called “ Almaviva’ to distinguish it from Paisiello’s “Barber.” The plot of Barber is very simple. Count Almaviva loves Rosina, the ward of Dr. Bartolo, a crusty old bachelor, who secretly wishes to marry her himself. A/maviva persuades the village barber, Figaro, to arrange a meeting for him, and gains entrance to the house disguised as a dragoon, but is arrested by the guardian. Not discouraged, he returns, pretending to be a substitute for Rosina’s music teacher, who, he says, is ill, The appearance of the real music master, Don Basilio, spoils this plan, and the Count retreats for the second time, having, however, arranged a plan for elopement. Bartolo finally arouses Rosina’s jealousy by pretending that the Count loves another, and she promises to forget him and marry her guardian. When the time for the elopement arrives she meets the Count, intending to reproach him, but he convinces her of the base plot of Bartolo, and the lovers are wedded by a notary, just as Bartolo arrives with officers to arrest the Count.